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Koko Taylor - Albums Collection 1969-1990 (7CD)

Posted By: Designol

Date: 19 May 2024 16:17:59

Koko Taylor - Albums Collection 1969-1990 (7CD)
EAC | FLAC | Image/Tracks (Cue&Log) ~ 1.84 Gb | Mp3 (CBR320) ~ 777 Mb | Scans included
Genre: Chicago Blues, Electric Blues, Rhythm & Blues

Accurately dubbed "the Queen of Chicago blues" (and sometimes just the blues in general), Koko Taylor helped keep the tradition of big-voiced, brassy female blues belters alive, recasting the spirits of early legends like Bessie Smith, Ma Rainey, Big Mama Thornton, and Memphis Minnie for the modern age. Taylor's rough, raw vocals were perfect for the swaggering new electrified era of the blues, and her massive hit "Wang Dang Doodle" served notice that male dominance in the blues wasn't as exclusive as it seemed. After a productive initial stint on Chess, Taylor spent several decades on the prominent contemporary blues label Alligator, going on to win more W.C. Handy Awards than any other female performer in history, and establishing herself as far and away the greatest female blues singer of her time.

Koko was born Cora Walton on September 28, 1928, on a sharecropper's farm in Memphis, TN. Her mother died in 1939, and she and her siblings grew up helping their father in the fields; she got the nickname "Koko" because of her love of chocolate. Koko began singing gospel music in a local Baptist church; inspired by the music they heard on the radio, she and her siblings also played blues on makeshift instruments. In 1953, Koko married truck driver Robert "Pops" Taylor and moved with him to Chicago to look for work; settling on the South Side, Pops worked in a slaughterhouse and Koko got a job as a housemaid. The Taylors often played blues songs together at night, and frequented the bustling South Side blues clubs whenever they could; Pops encouraged Koko to sit in with some of the bands, and her singing – which reflected not only the classic female blues shouters, but contemporaries Muddy Waters and Howlin' Wolf – quickly made a name for her. In 1962, Taylor met legendary Chess Records songwriter/producer/bassist Willie Dixon, who was so impressed with her live performance that he took her under his wing. He produced her 1963 debut single, "Honky Tonky," for the small USA label, then secured her a recording contract with Chess.

Taylor made her recording debut for Chess in 1964 and hit it big the following year with the Dixon-penned "Wang Dang Doodle," which sold over a million copies and hit number four on the R&B charts. It became her signature song forever after, and it was also the last Chess single to hit the R&B Top Ten. Demand for Taylor's live act skyrocketed, even though none of her follow-ups sold as well, and as the blues audience began to shift from black to white, the relatively new Taylor became one of the first Chicago blues artists to command a following on the city's white-dominated North Side. Eventually, she and her husband were able to quit their day jobs, and he served as her manager; she also put together a backing band called the Blues Machine. With the release of two albums – 1969's Koko Taylor, which featured a number of her previous singles; and 1972's Basic Soul – Taylor's live gigs kept branching out further and further from Chicago, and when she played the 1972 Ann Arbor Blues and Jazz Festival, the resulting live album on Atlantic helped bring her to a more national audience.

By the early '70s, Chess Records was floundering financially, and eventually went under in 1975. Taylor signed with a then-young Chicago-based label called Alligator, which grew into one of America's most prominent blues labels over the years. Taylor debuted for Alligator in 1975 with I Got What It Takes, an acclaimed effort that garnered her first Grammy nomination. Her 1978 follow-up, The Earthshaker, featured several tunes that became staples of her live show, including "I'm a Woman" and "Hey Bartender," and her popularity on the blues circuit just kept growing in spite of the music's commercial decline. In 1980, she won the first of an incredible string of W.C. Handy Awards (for Best Contemporary Female Artist), and over the next two decades, she would capture at least one more almost every year (save for 1989, 1997, and 1998). 1981 brought From the Heart of a Woman, and in 1984, Taylor won her first Grammy thanks to her appearance on Atlantic's various-artists compilation Blues Explosion, which was named Best Traditional Blues Album. She followed that success with the guest-laden Queen of the Blues in 1985, which won her a couple extra Handy Awards for Vocalist of the Year and Entertainer of the Year (no "female" qualifier attached). In 1987, she released her first domestic live album, Live in Chicago: An Audience With the Queen.

Tragedy struck in 1988. Taylor broke her shoulder, collarbone, and several ribs in a van accident while on tour, and her husband went into cardiac arrest; although Pops survived for the time being, his health was never the same, and he passed away some months later. After recuperating, Taylor made a comeback at the annual Chicago Blues Festival, and in 1990 she issued Jump for Joy, as well as making a cameo appearance in the typically bizarre David Lynch film Wild at Heart. Taylor followed it in 1993 with the aptly titled Force of Nature, after which she took a seven-year hiatus from recording; during that time, she remarried and continued to tour extensively, maintaining the stature she'd achieved with her '80s work as the living Queen of the Blues. In 2000, she finally returned with a new album, Royal Blue, which featured a plethora of guest stars: B.B. King, Kenny Wayne Shepherd, Johnnie Johnson, and Keb' Mo'. Health issues forced another seven-year hiatus before she returned with the album Old School in 2007. Koko Taylor died in Chicago in June 2009 after experiencing complications from surgery for gastrointestinal bleeding. She was 80 years old.

Steve Huey, Allmusic.com

Koko Taylor at Allmusic
Koko Taylor at Wiki

Review by Bill Dahl, Allmusic.com

Straight digital reissue of Taylor's debut Chess album from 1969. Produced by Willie Dixon (who can intermittently be heard as a duet partner), the set is one of the strongest representations of the belter's Chess days available, with her immortal smash "Wang Dang Doodle," and the chunky "Twenty-Nine Ways," "I'm a Little Mixed Up," and "Don't Mess with the Messer." Top-flight session musicians on Taylor's 1965-1969 output included guitarists Buddy Guy, Matt Murphy, and Johnny Shines and saxman Gene "Daddy G" Barge.

Review by Bill Dahl, Allmusic.com

Review by Genevieve Williams

To point out that Koko Taylor is the queen of Chicago blues is a bit like mentioning that the sky is blue: it's something that anyone with a passing familiarity with the genre knows, even if they've been living under a rock for the past 30 years. This record is a reissue of her self-titled 1969 debut, which definitively marked the beginning of her reign. In truth, she'd already been making waves on the scene for several years, teaming with producer Willie Dixon to record the classics "I Got What It Takes" and "What Kind of Man Is This" in 1964, but this album includes what would become her signature tune, "Wang Dang Doodle," recorded in 1965. Other songs that would develop a permanent association with Taylor's gut-deep, growling delivery include "I Love a Lover Like You" and the salty "Twenty-Nine Ways," but there are other gems here as well. Not the least of these is the downright spooky duet "Insane Asylum," with Dixon, as well as the previously unreleased "Love Sick Tears" and "He Always Knocks Me Out." The record also includes session appearances from some of the other household names of Chicago blues; Sunnyland Slim, Buddy Guy, Johnny Shines, Walter Horton, and, yes, Dixon himself doing bass and vocal duties. Although some of the material is somewhat dated, there's a timeless quality to Taylor's performance that illustrates why she's reigned for so long.

Review by Genevieve Williams

Tracklist:

01. Love You Like A Woman (2:11)
02. I Love A Lover Like You (2:48)
03. Don't Mess With The Messer (2:47)
04. I Don't Care Who Knows (2:14)
05. Wang Dang Doodle (3:02)
06. I'm A Little Mixed Up (2:41)
07. Nitty Gritty (2:46)
08. Fire (2:32)
09. Whatever I Am, You Made Me (2:30)
10. Twenty-Nine Ways (3:15)
11. Insane Asylum (4:23)
12. Yes, It's Good For You (2:43)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 1. July 2014, 17:52

Koko Taylor / Koko Taylor

Used drive : HL-DT-STDVDRAM GH22NS50 Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
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10 | 23:30.60 | 3:15.15 | 105810 | 120449
11 | 26:46.00 | 4:22.42 | 120450 | 140141
12 | 31:08.42 | 2:42.58 | 140142 | 152349

Track 1

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Track 2

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Cannot be verified as accurate (confidence 2) [754EED5D], AccurateRip returned [6A921A17] (AR v2)
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Track 3

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Cannot be verified as accurate (confidence 2) [814B2450], AccurateRip returned [FF3DBD4B] (AR v2)
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Track 4

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Track 5

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Track 6

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Cannot be verified as accurate (confidence 2) [8E54BE82], AccurateRip returned [06F9C782] (AR v2)
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Track 7

Filename F:\upload\Koko Taylor - Koko Taylor [1969] [FLAC]\07 Koko Taylor - Nitty Gritty.wav

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Cannot be verified as accurate (confidence 2) [76A933CC], AccurateRip returned [45007258] (AR v2)
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Track 8

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Track 9

Filename F:\upload\Koko Taylor - Koko Taylor [1969] [FLAC]\09 Koko Taylor - Whatever I Am, You Made Me.wav

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Track 10

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Track 11

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Track 12

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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

No errors occurred

End of status report

==== Log checksum 4956E4D8A59B1A67ED4DAEB070B204694D58224DCE337501BC1062316E3D4228 ====

CUETools log

[CUETools log; Date: 20.02.2024 23:27:27; Version: 2.1.7]
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DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-01-23 19:06:49

––––––––––––––––––––––––––––––––––––––––
Analyzed: Koko Taylor / Koko Taylor
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.46 dB -16.84 dB 2:11 01-Love You Like A Woman
DR12 -0.98 dB -16.63 dB 2:48 02-I Love A Lover Like You
DR13 -0.88 dB -17.60 dB 2:47 03-Don't Mess With The Messer
DR12 -2.89 dB -17.63 dB 2:14 04-I Don't Care Who Knows
DR12 -3.14 dB -18.63 dB 3:02 05-Wang Dang Doodle
DR12 -1.95 dB -18.35 dB 2:41 06-I'm A Little Mixed Up
DR13 -1.52 dB -17.46 dB 2:46 07-Nitty Gritty
DR12 -2.37 dB -17.22 dB 2:32 08-Fire
DR14 0.00 dB -18.99 dB 2:30 09-Whatever I Am, You Made Me
DR12 -2.73 dB -17.38 dB 3:15 10-Twenty-Nine Ways
DR13 -1.11 dB -18.50 dB 4:23 11-Insane Asylum
DR14 0.00 dB -17.87 dB 2:43 12-Yes, It's Good For You
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 867 kbps
Codec: FLAC
================================================================================

Back cover & CD

Review by Bill Dahl, Allmusic.com

Cut during the period when she was between Chess and Alligator, this 15-song selection, cut in a French studio and live in the Netherlands in 1973, is a potent set that finds Koko Taylor ably backed by the Aces, guitarist Jimmy Rogers, and pianist Willie Mabon. Lots of familiar titles – a live "Wang Dang Doodle," studio remakes of "I'm a Little Mixed Up" and "Twenty-Nine Ways" – and a few numbers that aren't usually associated with Chicago's undisputed blues queen.

Review by Bill Dahl, Allmusic.com

Review by Docendo Discimus, Amazon.com

Koko Taylor left Chess Records in 1973, as the company was heading towards its demise, and joined up with Bruce Iglauer's brand-new company Alligator Records in 1975. She has remained there ever since, but between her leaving Chess and her singning with Iglauer, Taylor recorded this little-known long player.

There are couple of old warhorses here, somewhat superflous re-recordings of a handful of Taylor's 1960s Chess singles, but there is also a lot of good stuff which you won't find anywhere else. Koko Taylor's own "What Kind Of Man Is This" makes it debut on this album, a grinding mid-tempo blues and one of her best original songs, and she does well by Lillian Offitt's "Wonder Why" and Jimmy Reed's "Big Boss Man" (which is mysteriously credited to Al Smith and Luther Dixon).

"Big Boss Man" would show up a year and a half later on her first Alligator album as well, however, as would "I Got What It Takes", so you might be asking yourself at this point: Why would I buy this?
Well, maybe you won't. But judged on its own merits this is a fine album, not least because of the excellent band. Koko Taylor is backed by the Aces (drummer Fred Below and brothers Lou and Dave Myers on guitar and bass), and by none other than Muddy Waters' former guitarist Jimmy Rogers and stylish pianist Willie Mabon, both of them frequent bandleaders themselves. Mabon's elegant playing is particularly delightful, and Taylor's voice is, of course, made to sing the blues.

An uncredited harpist shows up on "I Love A Lover Like You", by the way, or maybe it is one of the two guitarist performing that duty. Jimmy Rogers used to play the harp in the very first Muddy Waters Blues Band, and Louis Myers of the Aces could play it as well.

The last five songs were recorded live on December 1st, 1973, in Amstelveen in the Netherlands. Koko Taylor is backed by the same band that recorded the studio tracks with her. The 1973 studio rendition of "Twenty-Nine Ways" doesn't quite match Taylor's Willie Dixon-produced Chess version, mostly because of a more "ordinary" and less charming arrangement, but this live version is very nice, and Taylor also interprets Preston Foster's "Got My Mojo Working" during the live portion of the disc, and performs a six-minute rendition of her R&B hit single "Wang Dang Doodle".

So, let's sum it up. This is not an absolutely necessary purchase. Not as necessary as Taylor's classic Chess sides or the best of her Alligator sides, certainly. But there is a lot of good stuff here nevertheless, and serious fans will definitely want a listen. It is a bit of an oddity, "South Side Lady", but it's not half bad.

Review by Docendo Discimus, Amazon.com

Tracklist:

01. I'm A Little Mixed Up (3:43)
02. Wonder Why (3:23)
03. What Kind Of Man Is This? (4:58)
04. Black Nights (3:58)
05. Love Me To Death (4:09)
06. I Got What It Takes (4:29)
07. Big Boss Man (5:01)
08. I'm Gonna Get Lucky (5:25)
09. Twenty-Nine Ways (3:54)
10. I Love A Lover Like You (2:49)
11. What Kind Of Man Is This? (4:08)
12. Wonder Why (4:55)
13. Wang Dang Doodle (7:07)
14. I Got What It Takes (5:10)
15. Twenty-Nine Ways (4:52)
16. I Got My Mojo Working (3:44)

EAC log

Exact Audio Copy V1.3 from 2. September 2016

Отчёт EAC об извлечении, выполненном 7. июля 2020, 17:17

Koko Taylor / South Side Lady

Дисковод: ATAPI iHAS124 F Adapter: 1 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 768 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : F:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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TOC извлечённого CD

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16 | 67:55.25 | 3:43.30 | 305650 | 322404

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла C:\Users\MIRIODOR\Desktop\Koko Taylor - South Side Lady.wav

Пиковый уровень 99.9 %
Скорость извлечения 1.9 X
Качество диапазона 99.9 %
CRC теста 4AA5CBBA
CRC копии 4AA5CBBA
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 5) [4664FA98] (AR v2)
Трек 2 : извлечено точно (доверие 4) [EB198E14] (AR v2)
Трек 3 : извлечено точно (доверие 4) [CB1F82D5] (AR v2)
Трек 4 : извлечено точно (доверие 4) [C2490467] (AR v2)
Трек 5 : извлечено точно (доверие 4) [3AE40848] (AR v2)
Трек 6 : извлечено точно (доверие 5) [483D1EAF] (AR v2)
Трек 7 : извлечено точно (доверие 5) [D4E5A35D] (AR v2)
Трек 8 : извлечено точно (доверие 5) [686239FF] (AR v2)
Трек 9 : извлечено точно (доверие 5) [0659111C] (AR v2)
Трек 10 : извлечено точно (доверие 5) [ADBFBF6B] (AR v2)
Трек 11 : извлечено точно (доверие 5) [2B3E71E8] (AR v2)
Трек 12 : извлечено точно (доверие 5) [AC9C725B] (AR v2)
Трек 13 : извлечено точно (доверие 5) [3D6C2448] (AR v2)
Трек 14 : извлечено точно (доверие 5) [FFAA1611] (AR v2)
Трек 15 : извлечено точно (доверие 5) [1831237D] (AR v2)
Трек 16 : извлечено точно (доверие 5) [5E4E01E0] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта 48F89BA29352ED340F7A490BB46F558685A7443B7305686AF3905BA93B61103C ====

CUETools log

[CUETools log; Date: 18.01.2023 18:01:00; Version: 2.1.7]
[CTDB TOCID: 6HEMFLFlKuAe7XmlyDp0PKVHDhE-] found.
Track | CTDB Status
1 | (9/9) Accurately ripped
2 | (9/9) Accurately ripped
3 | (9/9) Accurately ripped
4 | (9/9) Accurately ripped
5 | (9/9) Accurately ripped
6 | (9/9) Accurately ripped
7 | (9/9) Accurately ripped
8 | (9/9) Accurately ripped
9 | (9/9) Accurately ripped
10 | (9/9) Accurately ripped
11 | (9/9) Accurately ripped
12 | (9/9) Accurately ripped
13 | (9/9) Accurately ripped
14 | (9/9) Accurately ripped
15 | (9/9) Accurately ripped
16 | (9/9) Accurately ripped
[AccurateRip ID: 0028412b-01e92b33-d410ca10] found.
Track [ CRC | V2 ] Status
01 [c1bc1f7c|4664fa98] (2+7/9) Accurately ripped
02 [9389d704|eb198e14] (2+6/8) Accurately ripped
03 [7fb33255|cb1f82d5] (2+6/8) Accurately ripped
04 [04c81bee|c2490467] (2+6/8) Accurately ripped
05 [840695a3|3ae40848] (2+6/8) Accurately ripped
06 [078799ae|483d1eaf] (2+7/9) Accurately ripped
07 [04a7e09d|d4e5a35d] (2+7/9) Accurately ripped
08 [3b563bce|686239ff] (2+7/9) Accurately ripped
09 [6f897c78|0659111c] (2+7/9) Accurately ripped
10 [32512d1f|adbfbf6b] (2+7/9) Accurately ripped
11 [8bfd9e48|2b3e71e8] (2+7/9) Accurately ripped
12 [e0a85344|ac9c725b] (2+7/9) Accurately ripped
13 [0d73aff0|3d6c2448] (2+7/9) Accurately ripped
14 [429653ea|ffaa1611] (2+7/9) Accurately ripped
15 [e23d63ac|1831237d] (2+7/9) Accurately ripped
16 [a546ed47|5e4e01e0] (2+7/9) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,9 [4AA5CBBA] [C9188E39] CRC32
01 99,9 [0109B7FA] [75ED9317]
02 99,9 [11C66DCF] [5FE4AF4B]
03 99,9 [13A921D8] [84DD71F4]
04 99,9 [DA2EE7BF] [DB731D2C]
05 99,9 [D7F35907] [9982C241]
06 99,9 [82886B4C] [2E18CA5B]
07 99,9 [15CC6D32] [8ACFC08B]
08 99,9 [DA2A0BAF] [58A73289]
09 99,9 [3FB3E3C7] [579AF6F1]
10 99,9 [2995AAEF] [CF57783F]
11 99,9 [78D5EA5A] [BF92B509]
12 92,8 [B334CE1E] [CC71CD71]
13 99,9 [CA763233] [07FB5E60]
14 98,3 [F53621C4] [1EC07F31]
15 99,9 [DB260DE4] [BA2DF7BB]
16 99,9 [4124BC4C] [4B60ED46]

DR log

foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2023-01-18 17:58:41

––––––––––––––––––––––––––––––––––––––––
Analyzed: Koko Taylor / South Side Lady (1999 France Black And Blue BB 426.2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 0.00 dB -14.47 dB 3:42 01-I'm A Little Mixed Up
DR12 0.00 dB -14.12 dB 3:23 02-Wonder Why
DR12 0.00 dB -13.44 dB 4:58 03-What Kind Of Man Is This?
DR12 0.00 dB -14.53 dB 3:58 04-Black Nights
DR12 0.00 dB -14.17 dB 4:08 05-Love Me To Death
DR12 0.00 dB -14.72 dB 4:29 06-I Got What It Takes
DR12 0.00 dB -13.75 dB 5:00 07-Big Boss Man
DR13 0.00 dB -16.01 dB 5:25 08-I'm Gonna Get Lucky
DR12 0.00 dB -13.41 dB 3:54 09-Twenty-Nine Ways
DR12 0.00 dB -14.50 dB 2:49 10-I Love A Lover Like You
DR14 0.00 dB -16.02 dB 4:08 11-What Kind Of Man Is This?
DR14 -0.64 dB -18.01 dB 4:55 12-Wonder Why
DR13 0.00 dB -15.64 dB 7:06 13-Wang Dang Doodle
DR12 -0.15 dB -15.89 dB 5:09 14-I Got What It Takes
DR12 0.00 dB -14.65 dB 4:52 15-Twenty-Nine Ways
DR13 0.00 dB -15.21 dB 3:43 16-I Got My Mojo Working
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 797 kbps
Codec: FLAC
================================================================================

Review by Bill Dahl, Allmusic.com

The queen's first album for Alligator, and still one of her very best to date. A tasty combo sparked by guitarists Mighty Joe Young and Sammy Lawhorn and saxist Abb Locke provide sharp support as the clear-voiced Taylor belts Bobby Saxton's "Trying to Make a Living," and Magic Sam's "That's Why I'm Crying," her own "Honkey Tonkey" and "Voodoo Woman," and Ruth Brown's swinging "Mama, He Treats Your Daughter Mean."

Review by Bill Dahl, Allmusic.com

Tracklist:

01. Trying to Make a Living (2:48)
02. I Got What It Takes (3:43)
03. Mama, He Treats Your Daughter Mean (3:05)
04. Voodoo Woman (3:48)
05. Be What You Want to Be (3:54)
06. Honkey Tonkey (2:54)
07. Big Boss Man (3:58)
08. Blues Never Die (3:56)
09. Find a Fool (3:59)
10. Happy Home (3:15)
11. That's Why I'm Crying (4:28)

EAC log

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 12. March 2009, 0:02

Koko Taylor / I Got What It Takes

Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
Use compression offset : 0

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:47.40 | 0 | 12564
2 | 2:47.40 | 3:42.65 | 12565 | 29279
3 | 6:30.30 | 3:05.30 | 29280 | 43184
4 | 9:35.60 | 3:47.65 | 43185 | 60274
5 | 13:23.50 | 3:53.52 | 60275 | 77801
6 | 17:17.27 | 2:54.30 | 77802 | 90881
7 | 20:11.57 | 3:58.15 | 90882 | 108746
8 | 24:09.72 | 3:55.53 | 108747 | 126424
9 | 28:05.50 | 3:59.25 | 126425 | 144374
10 | 32:05.00 | 3:15.25 | 144375 | 159024
11 | 35:20.25 | 4:27.30 | 159025 | 179079

Range status and errors

Selected range

Filename D:\Rips\Koko Taylor - I Got What It Takes.wav

Peak level 100.0 %
Range quality 100.0 %
Test CRC C9BD938A
Copy CRC C9BD938A
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database

None of the tracks are present in the AccurateRip database

End of status report

CUETools log

[CUETools log; Date: 15.02.2018 23:41:35; Version: 2.1.4]
Truncated 4608 extra samples in some input files.
[CTDB TOCID: HdoYjek.2WynVhNfekdrZ1V5pvc-] found.
Track | CTDB Status
1 | (19/20) Accurately ripped
2 | (20/20) Accurately ripped
3 | (20/20) Accurately ripped
4 | (20/20) Accurately ripped
5 | (20/20) Accurately ripped
6 | (19/20) Accurately ripped
7 | (20/20) Accurately ripped
8 | (20/20) Accurately ripped
9 | (20/20) Accurately ripped
10 | (20/20) Accurately ripped
11 | (19/20) Accurately ripped
[AccurateRip ID: 000fbdd9-0089eff2-8f09530b] found.
Track [ CRC | V2 ] Status
01 [5647feb9|44b50934] (00+00/19) No match
02 [dec60234|1a58e837] (00+00/19) No match
03 [5dc5571f|8ee11b17] (00+00/19) No match
04 [c6a6c0bc|d615189f] (00+00/19) No match
05 [e94a3a04|8efa70b4] (00+00/19) No match
06 [61157c0f|969267f1] (00+00/19) No match
07 [55b7cdde|2a07df39] (00+00/19) No match
08 [eeb7dec2|622335b8] (00+00/19) No match
09 [61f88902|72ad0501] (00+00/19) No match
10 [07cdf964|f781f7c1] (00+00/19) No match
11 [db854c77|9b927024] (00+00/19) No match
Offsetted by 676:
01 [0cab1fe9] (02/19) Accurately ripped
02 [8da9585c] (02/19) Accurately ripped
03 [600a927b] (02/19) Accurately ripped
04 [54a1ad44] (02/19) Accurately ripped
05 [61b6cf5c] (02/19) Accurately ripped
06 [cd9bac77] (02/19) Accurately ripped
07 [65ccc00e] (02/19) Accurately ripped
08 [97e51372] (02/19) Accurately ripped
09 [1ff4c01e] (02/19) Accurately ripped
10 [e60d3138] (02/19) Accurately ripped
11 [fddff453] (02/19) Accurately ripped
Offsetted by 1788:
01 [15d98d09] (03/19) Accurately ripped
02 [145a624c] (03/19) Accurately ripped
03 [1501c223] (03/19) Accurately ripped
04 [b8e20974] (03/19) Accurately ripped
05 [9aeeba6c] (03/19) Accurately ripped
06 [6df31be7] (03/19) Accurately ripped
07 [6988332e] (03/19) Accurately ripped
08 [275e6592] (03/19) Accurately ripped
09 [f90b4e46] (03/19) Accurately ripped
10 [7b069ab0] (03/19) Accurately ripped
11 [25b93efb] (03/19) Accurately ripped
Offsetted by 243:
01 [a4b8203d] (00/19) No match (V2 was not tested)
02 [dbbf1d02] (00/19) No match (V2 was not tested)
03 [94bda8ac] (00/19) No match (V2 was not tested)
04 [9a41b592] (00/19) No match (V2 was not tested)
05 [6cd0b0d6] (00/19) No match (V2 was not tested)
06 [00e64a0d] (00/19) No match (V2 was not tested)
07 [42813a22] (00/19) No match (V2 was not tested)
08 [b0d55fe6] (00/19) No match (V2 was not tested)
09 [b07d3bdf] (00/19) No match (V2 was not tested)
10 [9c9e42db] (00/19) No match (V2 was not tested)
11 [7bf0de64] (00/19) No match (V2 was not tested)
Offsetted by 646:
01 [e0382541] (00/19) No match (V2 was not tested)
02 [12c6a410] (00/19) No match (V2 was not tested)
03 [56182999] (00/19) No match (V2 was not tested)
04 [3daafda8] (00/19) No match (V2 was not tested)
05 [6ac2a768] (00/19) No match (V2 was not tested)
06 [c6850e4b] (00/19) No match (V2 was not tested)
07 [423ef1e6] (00/19) No match (V2 was not tested)
08 [9f88f08a] (00/19) No match (V2 was not tested)
09 [6b98841c] (00/19) No match (V2 was not tested)
10 [a11c9072] (00/19) No match (V2 was not tested)
11 [da4473b1] (00/19) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [C9BD938A] [EB40F7CB] CRC32
01 100,0 [84259448] [1B330A02]
02 100,0 [5E47D1AE] [36145F9A]
03 98,9 [30C70A8E] [EA8D4C2C]
04 88,4 [1323B526] [D8AF9DDC]
05 96,8 [2DDB0563] [21981911]
06 97,1 [7D863EDB] [2CAF7238]
07 99,4 [14B3BB6B] [0D81F6FB]
08 89,4 [7A0E2C22] [C0DCCFC3]
09 92,5 [85F636D3] [4D5685C0]
10 89,2 [87E24F90] [96CB56DA]
11 66,0 [F0943938] [A7715262]

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-02-15 23:48:36

––––––––––––––––––––––––––––––––––––––––
Analyzed: Koko Taylor / I Got What It Takes
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 0.00 dB -11.87 dB 2:48 01-Trying to Make a Living
DR12 0.00 dB -13.87 dB 3:43 02-I Got What It Takes
DR12 -0.09 dB -13.90 dB 3:05 03-Mama, He Treats Your Daughter Mean
DR10 -1.07 dB -12.92 dB 3:48 04-Voodoo Woman
DR13 -0.28 dB -14.75 dB 3:54 05-Be What You Want to Be
DR11 -0.25 dB -13.04 dB 2:54 06-Honkey Tonkey
DR10 -0.05 dB -12.10 dB 3:58 07-Big Boss Man
DR12 -0.97 dB -15.21 dB 3:56 08-Blues Never Die
DR11 -0.67 dB -14.42 dB 3:59 09-Find a Fool
DR12 -0.98 dB -14.42 dB 3:15 10-Happy Home
DR12 -3.61 dB -19.12 dB 4:28 11-That's Why I'm Crying
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 867 kbps
Codec: FLAC
================================================================================

Back cover & CD

Review by Bill Dahl, Allmusic.com

Koko Taylor's Alligator encore harbored a number of tunes that still pepper her set list to this day – the grinding "I'm a Woman" and the party-down specials "Let the Good Times Roll" and "Hey Bartender." Her uncompromising slow blues "Please Don't Dog Me" and a sassy remake of Irma Thomas' "You Can Have My Husband" also stand out, as does the fine backing by guitarists Sammy Lawhorn and Johnny B. Moore, pianist Pinetop Perkins, and saxman Abb Locke.

Review by Bill Dahl, Allmusic.com

Tracklist:

01. Let The Good Times Roll (3:03)
02. Spoonful (3:02)
03. Walking The Back Streets (6:47)
04. Cut You Loose (3:28)
05. Hey Bartender (2:54)
06. I'm A Woman (4:35)
07. You Can Have My Husband (2:48)
08. Please Don't Dog Me (5:19)
09. Wang Dang Doodle (4:54)

EAC log

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 25. February 2019, 0:46

Koko Taylor / The Earthshaker

Used drive : hp DVDRAM GT30L Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Program Files\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:03.17 | 0 | 13741
2 | 3:03.17 | 3:02.20 | 13742 | 27411
3 | 6:05.37 | 6:47.23 | 27412 | 57959
4 | 12:52.60 | 3:27.40 | 57960 | 73524
5 | 16:20.25 | 2:54.22 | 73525 | 86596
6 | 19:14.47 | 4:35.20 | 86597 | 107241
7 | 23:49.67 | 2:47.58 | 107242 | 119824
8 | 26:37.50 | 5:19.30 | 119825 | 143779
9 | 31:57.05 | 4:53.57 | 143780 | 165811

Range status and errors

Selected range

Filename D:\rips\Koko Taylor - The Earthshaker\Koko Taylor - The Earthshaker.wav

Peak level 100.0 %
Extraction speed 1.9 X
Range quality 99.9 %
Test CRC F1EAF040
Copy CRC F1EAF040
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 8) [0F9AA8F5] (AR v2)
Track 2 accurately ripped (confidence 8) [CF6ED0C4] (AR v2)
Track 3 accurately ripped (confidence 8) [E8CC729B] (AR v2)
Track 4 accurately ripped (confidence 8) [F8D24D48] (AR v2)
Track 5 accurately ripped (confidence 8) [65C38205] (AR v2)
Track 6 accurately ripped (confidence 8) [5D5FD90E] (AR v2)
Track 7 accurately ripped (confidence 8) [6B06CB45] (AR v2)
Track 8 accurately ripped (confidence 8) [CCEE36D8] (AR v2)
Track 9 accurately ripped (confidence 8) [9FA1F8CC] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.6

[CTDB TOCID: bnKf7cauJMCgNpn6rVLBBcgXDGM-] found
Submit result: bnKf7cauJMCgNpn6rVLBBcgXDGM- has been confirmed
Track | CTDB Status
1 | (22/22) Accurately ripped
2 | (22/22) Accurately ripped
3 | (21/22) Accurately ripped
4 | (22/22) Accurately ripped
5 | (22/22) Accurately ripped
6 | (22/22) Accurately ripped
7 | (22/22) Accurately ripped
8 | (22/22) Accurately ripped
9 | (22/22) Accurately ripped

==== Log checksum EFFCF0173C51D0E19CAA4BF0D3E52171CEF332FA66FD90EDEB594621949C8E1E ====

CUETools log

[CUETools log; Date: 20.02.2024 23:14:21; Version: 2.1.7]
[CTDB TOCID: bnKf7cauJMCgNpn6rVLBBcgXDGM-] found.
Track | CTDB Status
1 | (42/42) Accurately ripped
2 | (42/42) Accurately ripped
3 | (41/42) Accurately ripped
4 | (42/42) Accurately ripped
5 | (42/42) Accurately ripped
6 | (42/42) Accurately ripped
7 | (42/42) Accurately ripped
8 | (42/42) Accurately ripped
9 | (42/42) Accurately ripped
[AccurateRip ID: 000c24f7-0059e09a-8708a209] found.
Track [ CRC | V2 ] Status
01 [e8dfffc1|0f9aa8f5] (07+14/28) Accurately ripped
02 [f18e03c6|cf6ed0c4] (07+14/28) Accurately ripped
03 [4010051d|e8cc729b] (06+14/27) Accurately ripped
04 [c3e4f79a|f8d24d48] (07+14/28) Accurately ripped
05 [d73d102f|65c38205] (06+14/27) Accurately ripped
06 [180ae970|5d5fd90e] (06+14/27) Accurately ripped
07 [417aaa95|6b06cb45] (06+14/27) Accurately ripped
08 [cfcf124b|ccee36d8] (07+14/28) Accurately ripped
09 [a27030e0|9fa1f8cc] (07+14/28) Accurately ripped
Offsetted by -98:
01 [d12ef686] (02/28) Accurately ripped
02 [f5f13698] (02/28) Accurately ripped
03 [026414b6] (02/27) Accurately ripped
04 [a995ff8c] (02/28) Accurately ripped
05 [f06643ce] (02/27) Accurately ripped
06 [94f3b059] (02/27) Accurately ripped
07 [0c4520c5] (02/27) Accurately ripped
08 [6b8aaab7] (02/28) Accurately ripped
09 [4357ce60] (02/28) Accurately ripped
Offsetted by -30:
01 [d2d748a1] (00/28) No match (V2 was not tested)
02 [95e9e0b4] (00/28) No match (V2 was not tested)
03 [1955f8d0] (00/27) No match (V2 was not tested)
04 [1962a198] (00/28) No match (V2 was not tested)
05 [de6b155d] (00/27) No match (V2 was not tested)
06 [52ed7b8d] (00/27) No match (V2 was not tested)
07 [efab128e] (00/27) No match (V2 was not tested)
08 [42efd4b3] (00/28) No match (V2 was not tested)
09 [cef47e18] (00/28) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [F1EAF040] [4DF1ADFD] CRC32
01 89,7 [CBA8826B] [44FF5C17]
02 84,0 [019D74E9] [6A1BF4CE]
03 79,8 [FB4D7BF2] [D1EFA6CD]
04 75,3 [BC6509E5] [17A4E4DE]
05 91,7 [8539CCD1] [D1800D7C]
06 91,6 [E6B1AF27] [E39CFAEA]
07 88,5 [03754358] [2FDFFC36]
08 78,6 [8DF46C9B] [71460514]
09 100,0 [390D2615] [E38BD3EF]

DR log

foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2024-02-20 23:15:20

––––––––––––––––––––––––––––––––––––––––
Analyzed: Koko Taylor / The Earthshaker
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.94 dB -15.73 dB 3:03 01-Let the Good Times Roll
DR13 -1.51 dB -17.67 dB 3:02 02-Spoonful
DR18 -1.95 dB -22.70 dB 6:47 03-Walking the Back Streets
DR14 -2.46 dB -18.67 dB 3:28 04-Cut You Loose
DR14 -0.74 dB -18.69 dB 2:54 05-Hey Bartender
DR13 -0.76 dB -16.92 dB 4:35 06-I'm a Woman
DR13 -1.06 dB -17.12 dB 2:48 07-You Can Have My Husband
DR14 -2.09 dB -19.30 dB 5:19 08-Please Don't Dog Me
DR14 0.00 dB -16.66 dB 4:54 09-Wang Dang Doodle
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 862 kbps
Codec: FLAC
================================================================================

Back cover & CD

Review by R. Bawden jazz fan, Amazon.co.uk

Another excellent album from the Chicago Queen of the Blues, this one from 1981 midway in her recording career which spanned from 1968 (aged 40) through to 2007, not far short of her eightieth birthday and her death. Koko Taylor is a remarkable blues singer with a very powerful voice edged with glass paper. She can "blow up a storm" or sing with deep emotion, as in her rendition of "I'd Rather Go Blind" (made popular in the UK by Rod Stewart). There are no Willie Dixon songs, nor covers of Muddy Waters or "the Wolf" on this album but that doesn't detract.

This is an album of Chicago Blues performed by one of its greatest exponents along with her backing band which has supported her career for many years. They are a great team.

Don't be put off by the cover photograph, Koko is no painted lady; as she tells us on other albums she is a W-O-M-A-N who can make love to a crocodile! And I believe her!

Review by R. Bawden jazz fan, Amazon.co.uk

Review by Bill Dahl, Allmusic.com

Another very credible outing, though Taylor's not quite convincing on the jazzily swinging "Sure Had a Wonderful Time Last Night." Far more suited to her raspy growl are her own "It Took a Long Time," a funky "Something Strange Is Going On," and Etta James's moving soul ballad "I'd Rather Go Blind" (beautifully complemented by Criss Johnson's liquidic guitar).

Review by Bill Dahl, Allmusic.com

Tracklist:

01. Something Strange Is Going On (4:01)
02. I'd Rather Go Blind (4:57)
03. Keep Your Hands Off Him (3:49)
04. Thanks, But No Thanks (4:14)
05. If You Got A Heartache (3:42)
06. Never Trust A Man (3:18)
07. Sure Had A Wonderful Time Last Night (3:05)
08. Blow Top Blues (4:15)
09. If Walls Could Talk (3:30)
10. It Took A Long Time (3:58)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 4. April 2018, 21:11

Koko Taylor / From The Heart Of A Woman

Used drive : PLEXTOR DVDR PX-740A Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 618
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:03.47 | 0 | 18271
2 | 4:03.47 | 5:00.35 | 18272 | 40806
3 | 9:04.07 | 3:52.13 | 40807 | 58219
4 | 12:56.20 | 4:17.07 | 58220 | 77501
5 | 17:13.27 | 3:41.08 | 77502 | 94084
6 | 20:54.35 | 3:21.47 | 94085 | 109206
7 | 24:16.07 | 3:06.68 | 109207 | 123224
8 | 27:23.00 | 4:18.27 | 123225 | 142601
9 | 31:41.27 | 3:30.40 | 142602 | 158391
10 | 35:11.67 | 4:01.50 | 158392 | 176516

Range status and errors

Selected range

Filename C:\MUSIC\CD Rips_J\Koko Heart\Koko Taylor - From The Heart Of A Woman.wav

Peak level 88.7 %
Extraction speed 7.9 X
Range quality 99.9 %
Test CRC 04B8E3C1
Copy CRC 04B8E3C1
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 5) [DB5673F2] (AR v2)
Track 2 accurately ripped (confidence 5) [FE351984] (AR v2)
Track 3 accurately ripped (confidence 5) [31965774] (AR v2)
Track 4 accurately ripped (confidence 5) [8AC3B08E] (AR v2)
Track 5 accurately ripped (confidence 5) [350E7AA1] (AR v2)
Track 6 accurately ripped (confidence 5) [C15E362D] (AR v2)
Track 7 accurately ripped (confidence 5) [75345FC9] (AR v2)
Track 8 accurately ripped (confidence 5) [E25E3A43] (AR v2)
Track 9 accurately ripped (confidence 5) [082D8EBA] (AR v2)
Track 10 accurately ripped (confidence 5) [1A47A068] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 27603F1E031E89D6636685BE4F05BECF910B9D3E4CF21A50995645E8F6057038 ====

CUETools log

[CUETools log; Date: 20.02.2024 23:18:44; Version: 2.1.7]
[CTDB TOCID: Ekp1B2GMzb5f5bRet5LweEiJeao-] found.
Track | CTDB Status
1 | (32/32) Accurately ripped
2 | (32/32) Accurately ripped
3 | (32/32) Accurately ripped
4 | (32/32) Accurately ripped
5 | (32/32) Accurately ripped
6 | (32/32) Accurately ripped
7 | (32/32) Accurately ripped
8 | (32/32) Accurately ripped
9 | (27/32) Accurately ripped, or (5/32) differs in 32 samples @00:25:70,00:27:10-00:27:12,00:27:22
10 | (32/32) Accurately ripped
[AccurateRip ID: 000f3dad-007897a4-7f09310a] found.
Track [ CRC | V2 ] Status
01 [5d1daaec|db5673f2] (04+09/23) Accurately ripped
02 [1ec9d212|fe351984] (04+09/23) Accurately ripped
03 [52aafcb2|31965774] (04+09/23) Accurately ripped
04 [376eb8e1|8ac3b08e] (04+09/23) Accurately ripped
05 [6e5ea5cd|350e7aa1] (04+09/24) Accurately ripped
06 [ec5aa9bf|c15e362d] (04+09/24) Accurately ripped
07 [5e4d2857|75345fc9] (04+09/24) Accurately ripped
08 [8091be23|e25e3a43] (04+09/24) Accurately ripped
09 [1d731e55|082d8eba] (04+09/24) Accurately ripped
10 [1a2ac075|1a47a068] (04+09/24) Accurately ripped
Offsetted by 1591:
01 [fe692411] (00/23) No match (V2 was not tested)
02 [a83293bb] (00/23) No match (V2 was not tested)
03 [e36e051c] (00/23) No match (V2 was not tested)
04 [aa744ede] (00/23) No match (V2 was not tested)
05 [6401b596] (00/24) No match (V2 was not tested)
06 [e6b231cb] (00/24) No match (V2 was not tested)
07 [5f430c5d] (00/24) No match (V2 was not tested)
08 [e27e1cd0] (00/24) No match (V2 was not tested)
09 [ffdc33cd] (00/24) No match (V2 was not tested)
10 [db2dafa6] (00/24) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 88,7 [04B8E3C1] [29586E8F] CRC32
01 87,6 [918B5606] [E99333CA]
02 73,8 [6F355C19] [CBFF7D2B]
03 85,8 [0F99DD57] [54CCCD24]
04 88,7 [C8C2D418] [4FC18D16]
05 75,8 [9AFA9D45] [AAB9CD9A]
06 83,8 [6D162D98] [0AA895CB]
07 69,7 [492F5F33] [3064E212]
08 79,5 [81A0D340] [ECF9DD1E]
09 84,5 [6F0A5436] [AF9D7D17]
10 85,4 [5C38390B] [1A305349]

DR log

foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2024-02-20 23:18:32

––––––––––––––––––––––––––––––––––––––––
Analyzed: Koko Taylor / From The Heart Of A Woman (1989 ALCD 4724)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -1.15 dB -18.01 dB 4:04 01-Something Strange Is Going On
DR13 -2.63 dB -19.90 dB 5:00 02-I'd Rather Go Blind
DR13 -1.33 dB -16.72 dB 3:52 03-Keep Your Hands Off Him
DR14 -1.03 dB -17.46 dB 4:17 04-Thanks, But No Thanks
DR13 -2.40 dB -18.21 dB 3:41 05-If You Got A Heartache
DR14 -1.53 dB -18.18 dB 3:22 06-Never Trust A Man
DR14 -3.13 dB -19.49 dB 3:07 07-Sure Had A Wonderful Time Last Night
DR13 -1.99 dB -17.70 dB 4:18 08-Blow Top Blues
DR13 -1.46 dB -17.17 dB 3:31 09-If Walls Could Talk
DR14 -1.37 dB -17.59 dB 4:02 10-Took A Long Time
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 781 kbps
Codec: FLAC
================================================================================

Back cover & CD

Review by Bill Dahl, Allmusic.com

Co-producer Bruce Iglauer anticipated a future trend by making this a set filled with cameos – but the presence of Lonnie Brooks, James Cotton, Albert Collins, and Son Seals is entirely warranted and the contributions of each work quite well in the context of the whole. Taylor's gritty "I Cried like a Baby" and a snazzy remake of Ann Peebles' "Come to Mama" are among the many highlights.

Review by Bill Dahl, Allmusic.com

Tracklist:

01. Evil (5:03)
02. Beer Bottle Boogie (3:35)
03. I Cried Like a Baby (5:17)
04. I Can Love You Like a Woman (Or I Can Fight You Like a Man) (3:53)
05. Flamin' Mamie (3:32)
06. Something Inside Me (3:50)
07. The Hunter (3:31)
08. Queen Bee (3:54)
09. I Don't Care no More (3:11)
10. Come to Mama (4:49)

EAC log

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 12. March 2009, 1:06

Koko Taylor / Queen of the Blues

Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
Use compression offset : 0

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:02.50 | 0 | 22699
2 | 5:02.50 | 3:34.43 | 22700 | 38792
3 | 8:37.18 | 5:16.57 | 38793 | 62549
4 | 13:54.00 | 3:52.40 | 62550 | 79989
5 | 17:46.40 | 3:31.48 | 79990 | 95862
6 | 21:18.13 | 3:49.70 | 95863 | 113107
7 | 25:08.08 | 3:30.67 | 113108 | 128924
8 | 28:39.00 | 3:53.58 | 128925 | 146457
9 | 32:32.58 | 3:11.32 | 146458 | 160814
10 | 35:44.15 | 4:49.25 | 160815 | 182514

Range status and errors

Selected range

Filename D:\Rips\Koko Taylor - Queen of the Blues.wav

Peak level 100.0 %
Range quality 100.0 %
Test CRC 164FE20A
Copy CRC 164FE20A
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database

None of the tracks are present in the AccurateRip database

End of status report

CUETools log

[CUETools log; Date: 25.02.2018 23:34:10; Version: 2.1.4]
Truncated 4608 extra samples in some input files.
[CTDB TOCID: 9H0GtpVtov_us78uhganJj4anDc-] found.
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
6 | (3/3) Accurately ripped
7 | (3/3) Accurately ripped
8 | (3/3) Accurately ripped
9 | (3/3) Accurately ripped
10 | (3/3) Accurately ripped
[AccurateRip ID: 000fbe25-007c4549-7509810a] found.
Track [ CRC | V2 ] Status
01 [5752381e|295334b3] (2+3/5) Accurately ripped
02 [4ae237ae|87bd1ce3] (2+3/5) Accurately ripped
03 [da1f6db4|8068c635] (2+3/5) Accurately ripped
04 [336fe02d|7e5199b0] (2+3/5) Accurately ripped
05 [f37ac093|0fade372] (2+3/5) Accurately ripped
06 [b305ad1f|258a4e27] (2+3/5) Accurately ripped
07 [6e3730d6|60fa4c77] (2+3/5) Accurately ripped
08 [6c021763|fc18d1a0] (2+3/5) Accurately ripped
09 [35ff8422|2d7b3768] (2+3/5) Accurately ripped
10 [52327587|476c6aa5] (2+3/5) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [164FE20A] [8041FEF3] CRC32
01 100,0 [3C01A248] [DA45ADE1]
02 100,0 [8BDB92CD] [3C9D64FA]
03 91,0 [B591BFDA] [DE9295AA]
04 93,8 [41F6668E] [50E4B836]
05 99,9 [C6DF0482] [7BD036BE]
06 100,0 [82AB7DEA] [4859549E]
07 100,0 [FEAEE86D] [F353C0E6]
08 95,7 [33BFC8E1] [4AE3E607]
09 100,0 [D48B243E] [287EBD7C]
10 97,5 [504CA51E] [A1DBB897]

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-02-25 23:07:31

––––––––––––––––––––––––––––––––––––––––
Analyzed: Koko Taylor / Queen of the Blues
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -14.48 dB 5:03 01-Evil
DR13 0.00 dB -15.12 dB 3:35 02-Beer Bottle Boogie
DR14 -0.81 dB -17.08 dB 5:17 03-I Cried Like a Baby
DR13 -0.55 dB -15.28 dB 3:53 04-I Can Love You Like a Woman (Or I Can Fight You Like a Man)
DR14 0.00 dB -16.13 dB 3:32 05-Flamin' Mamie
DR14 0.00 dB -15.80 dB 3:50 06-Something Inside Me
DR14 0.00 dB -14.61 dB 3:31 07-The Hunter
DR12 -0.38 dB -15.24 dB 3:54 08-Queen Bee
DR12 0.00 dB -14.40 dB 3:11 09-I Don't Care no More
DR15 -0.22 dB -17.47 dB 4:49 10-Come to Mama
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 880 kbps
Codec: FLAC
================================================================================

Back cover & CD

Review by Bill Dahl, Allmusic.com

A slightly slicker Koko Taylor than we've generally been accustomed to, with nice horn arrangements by Gene Barge that farme the blues queen's growl effectively. A Taylor duet with Lonnie Brooks would normally be something to savor, but they're saddled here with an extremely corny "It's a Dirty Job" that's beneath both their statures. Taylor wrote four of thet disc's best numbers herself, including "Can't Let Go" and the title cut.

Review by Bill Dahl, Allmusic.com

Tracklist:

01. Can't Let Go (4:59)
02. Stop Watching Your Enemies (5:15)
03. Hey Baby (4:19)
04. Tired Of That (5:51)
05. It's A Dirt Job (4:21)
06. Jump For Joy (4:20)
07. Time Will Tell (4:48)
08. The Eyes Don't Lie (3:43)
09. Fishing Trip (5:26)
10. I Don't Want No Leftovers (3:59)

EAC log

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 23. October 2009, 21:08

Koko Taylor / Jump For Joy

Used drive : PLEXTOR CD-R PX-230A Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 738
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:58.55 | 0 | 22404
2 | 4:58.55 | 5:14.52 | 22405 | 46006
3 | 10:13.32 | 4:19.00 | 46007 | 65431
4 | 14:32.32 | 5:50.60 | 65432 | 91741
5 | 20:23.17 | 4:21.20 | 91742 | 111336
6 | 24:44.37 | 4:20.18 | 111337 | 130854
7 | 29:04.55 | 4:48.07 | 130855 | 152461
8 | 33:52.62 | 3:43.10 | 152462 | 169196
9 | 37:35.72 | 5:25.63 | 169197 | 193634
10 | 43:01.60 | 3:59.05 | 193635 | 211564

Range status and errors

Selected range

Filename J:\Rips\Koko Taylor - Jump For Joy.wav

Peak level 99.7 %
Range quality 100.0 %
Test CRC E2D55EE3
Copy CRC E2D55EE3
Copy OK

No errors occurred

AccurateRip summary

Track 1 cannot be verified as accurate (confidence 4) [8AA656A8], AccurateRip returned [5C08FD33]
Track 2 cannot be verified as accurate (confidence 4) [48372802], AccurateRip returned [D9F97784]
Track 3 cannot be verified as accurate (confidence 4) [170EDFB5], AccurateRip returned [BA9629B8]
Track 4 cannot be verified as accurate (confidence 4) [2A103525], AccurateRip returned [A2A27F47]
Track 5 cannot be verified as accurate (confidence 4) [A9E6A8C9], AccurateRip returned [240CBE94]
Track 6 cannot be verified as accurate (confidence 4) [A7281DAF], AccurateRip returned [29D065E8]
Track 7 cannot be verified as accurate (confidence 4) [CF660161], AccurateRip returned [0AD5D6F6]
Track 8 cannot be verified as accurate (confidence 4) [8B6B6B78], AccurateRip returned [1C04D88E]
Track 9 cannot be verified as accurate (confidence 4) [00748893], AccurateRip returned [E2B2E9A0]
Track 10 cannot be verified as accurate (confidence 4) [964CE416], AccurateRip returned [7BDB2568]

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

CUETools log

[CUETools log; Date: 20.02.2024 23:25:40; Version: 2.1.7]
[CTDB TOCID: TpHFlSDIPmUYlZeMcf9Ly78l98k-] found.
Track | CTDB Status
1 | (58/60) Accurately ripped
2 | (58/60) Accurately ripped
3 | (58/60) Accurately ripped
4 | (58/60) Accurately ripped
5 | (58/60) Accurately ripped
6 | (58/60) Accurately ripped
7 | (58/60) Accurately ripped
8 | (58/60) Accurately ripped
9 | (58/60) Accurately ripped
10 | ( 7/60) Accurately ripped, or (49/60) differs in 1 samples @01:40:25
[AccurateRip ID: 00123a8d-0090db3f-7e0b040a] found.
Track [ CRC | V2 ] Status
01 [8aa656a8|48adbd04] (00+00/36) No match
02 [48372802|f3dfe0cf] (00+00/36) No match
03 [170edfb5|9ba5a852] (00+00/36) No match
04 [2a103525|d425634e] (00+00/36) No match
05 [a9e6a8c9|6efb397b] (00+00/36) No match
06 [a7281daf|4b2c3547] (00+00/36) No match
07 [cf660161|6e34ea1d] (00+00/36) No match
08 [8b6b6b78|97777630] (00+00/36) No match
09 [00748893|e71e35db] (00+00/36) No match
10 [964ce416|744bbe30] (00+00/36) No match

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,7 [E2D55EE3] [04020F53] CRC32
01 99,7 [E0DF5A67] [6EFE5F94]
02 98,1 [81E239D8] [79BC87CA]
03 87,4 [D4B5D101] [E5245A9C]
04 90,7 [345D00C0] [4EDFCC2D]
05 98,1 [E48AC720] [5554E21D]
06 91,7 [1D1B2DF4] [8E6970A5]
07 88,0 [AE3C5155] [0F847219]
08 91,9 [AED8D2EF] [E7B57891]
09 91,3 [9B4DE72F] [92AEC6A2]
10 99,5 [0B35FA20] [46C73361]

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-03-02 22:10:48

––––––––––––––––––––––––––––––––––––––––
Analyzed: Koko Taylor / Jump For Joy
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.02 dB -17.44 dB 4:59 01-Can't Let Go
DR15 -0.16 dB -18.21 dB 5:15 02-Stop Watching Your Enemies
DR13 -1.17 dB -16.68 dB 4:19 03-Hey Baby
DR17 -0.84 dB -20.14 dB 5:51 04-Tired Of That
DR17 -0.16 dB -19.28 dB 4:21 05-It's A Dirt Job
DR15 -0.75 dB -17.59 dB 4:20 06-Jump For Joy
DR16 -1.11 dB -20.86 dB 4:48 07-Time Will Tell
DR15 -0.73 dB -18.11 dB 3:43 08-The Eyes Don't Lie
DR17 -0.78 dB -19.67 dB 5:26 09-Fishing Trip
DR15 -0.04 dB -17.26 dB 3:59 10-I Don't Want No Leftovers
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR16

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 796 kbps
Codec: FLAC
================================================================================

Back cover & CD

All thanks to original releasers

More interesting music in My Blog

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