All are exclusive tracks recorded specifically for this CD. Taking the everyday world as source material and inspiration, the three international collaborations between electronic sound artists and visual artists present a vivid introduction to the work of Touch, the ground-breaking audio-visual label, in its twentieth year. Hazard (Benny Jonas Nilsen, Sweden) - has recorded albums for the Swedish dark industrial label, Cold Meat Industry, and Ash International. Hazard's compositions evoke extreme climatic conditions and the perception of time and space as experienced through sound. Filmic in scope, his environmental sounds take the listener to another place, sending images cascading through the mind and captivating in an almost hypnotic way…

Leading on from recent years’ ‘Departed Glories’ and ‘Petrified Forest’, the 66 minute long and 17-track wide suite of ‘The Senja Recordings’ arguably amounts to the most significant Biosphere outing of this decade. Taking its title from Norway’s 2nd largest island, where it was conceived, the album features outdoor sounds and improvisations made during Jenssen’s stays between 2015-2018 and finds the artist more porous than ever to distorted, granular textures along with his trademark palette of elemental electronics. It’s essentially the artist getting closer than ever to his surroundings and cutting down the space between there and your ears…

Polar Sequences (1996). A collaboration between Biosphere's Geir Jennsen and Bobby Bird of Higher Intelligence Agency, commissioned by the Norwegian government for live performance at the 1995 Polar Music Festival. Suitably frosty melodies and glacial textures provide the framework for compositions utilizing the natural environment of the Arctic Circle for inspiration and source material (snow falling, ice cracking and splitting, the clang of cable car mountain lifts, etc.), to often remarkable effect. Sparse beats occasionally bubble up, but the focus is definitely on the icy edge of Arctic life…

Biosphere is the main recording name of Geir Jenssen, a musician who has released a notable catalog of ambient electronic music. He is well known for his "ambient house" then "arctic ambient" styles, and his use of music loops and peculiar samples from sci-fi sources. His track "Novelty Waves" was used for the 1995 Levi's ad campaign. His 1997 album Substrata is generally seen as one of the all-time classic ambient albums…

It’s easy to forget that Norway shares a short stretch of frontier with Russia, right at the northernmost tip of the country. That region is where Geir Jenssen, the Norwegian electronic producer behind Biosphere, comes from, and where he has been composing his austere, disturbing and deeply textured ambience since the early 1980s. His 12th album 'Departed Glories' is his first in almost five years and marks a new deal with the Oslo independent label Smalltown Supersound. On the cover is a photo of the Russian landscape taken more than a hundred years ago…