Tags
Language
Tags
March 2024
Su Mo Tu We Th Fr Sa
25 26 27 28 29 1 2
3 4 5 6 7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31 1 2 3 4 5 6

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

Posted By: v3122
Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482]
Bop/Hard Bop/Post-Bop/Piano Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(600dpi) -> 110 Mb | Sony, 88697145482 | ~ 2213 + 835 Mb

With his odd rhythmic spacing, discordant resolves and his circular yet angular compositional style, Thelonious Monk remains one of the most singular figures in all of jazz, and virtually every one of his recordings is as enigmatic as the pianist himself was. This set combines his five albums for Columbia Records, 1962's Criss Cross and Monk's Dream, 1964's Solo Monk, 1966's Straight, No Chaser, and 1967's Underground, in a single package, and anyone thinking Monk wasn't as vital during those years really needs to hear this stuff. It's classic Monk, and this collection is a great way to get it in a single swoop.

by Steve Leggett, AMG
Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

Thelonious Monk:

The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years.

Thelonious Monk grew up in New York, started playing piano when he was around five, and had his first job touring as an accompanist to an evangelist. He was inspired by the Harlem stride pianists (James P. Johnson was a neighbor) and vestiges of that idiom can be heard in his later unaccompanied solos. However, when he was playing in the house band of Minton's Playhouse during 1940-1943, Monk was searching for his own individual style. Private recordings from the period find him sometimes resembling Teddy Wilson but starting to use more advanced rhythms and harmonies. He worked with Lucky Millinder a bit in 1942 and was with the Cootie Williams Orchestra briefly in 1944 (Williams recorded Monk's "Epistrophy" in 1942 and in 1944 was the first to record "'Round Midnight"), but it was when he became Coleman Hawkins' regular pianist that Monk was initially noticed. He cut a few titles with Hawkins (his recording debut) and, although some of Hawkins' fans complained about the eccentric pianist, the veteran tenor could sense the pianist's greatness.

The 1945-1954 period was very difficult for Thelonious Monk. Because he left a lot of space in his rhythmic solos and had an unusual technique, many people thought that he was an inferior pianist. His compositions were so advanced that the lazier bebop players (although not Dizzy Gillespie and Charlie Parker) assumed that he was crazy. And Thelonious Monk's name, appearance (he liked funny hats), and personality (an occasionally uncommunicative introvert) helped to brand him as some kind of nut. Fortunately, Alfred Lion of Blue Note believed in him and recorded Monk extensively during 1947-1948 and 1951-1952. He also recorded for Prestige during 1952-1954, had a solo set for Vogue in 1954 during a visit to Paris, and appeared on a Verve date with Bird and Diz. But work was very sporadic during this era and Monk had to struggle to make ends meet.

His fortunes slowly began to improve. In 1955, he signed with Riverside and producer Orrin Keepnews persuaded him to record an album of Duke Ellington tunes and one of standards so his music would appear to be more accessible to the average jazz fan. In 1956 came the classic Brilliant Corners album, but it was the following year when the situation permanently changed. Monk was booked into the Five Spot for a long engagement and he used a quartet that featured tenor saxophonist John Coltrane. Finally, the critics and then the jazz public recognized Thelonious Monk's greatness during this important gig. The fact that he was unique was a disadvantage a few years earlier when all modern jazz pianists were expected to sound like Bud Powell (who was ironically a close friend), but by 1957 the jazz public was looking for a new approach. Suddenly, Monk was a celebrity and his status would not change for the remainder of his career. In 1958, his quartet featured the tenor of Johnny Griffin (who was even more compatible than Coltrane), in 1959 he appeared with an orchestra at Town Hall (with arrangements by Hall Overton), in 1962 he signed with Columbia and two years later was on the cover of Time. A second orchestra concert in 1963 was even better than the first and Monk toured constantly throughout the 1960s with his quartet which featured the reliable tenor of Charlie Rouse. He played with the Giants of Jazz during 1971-1972, but then in 1973 suddenly retired. Monk was suffering from mental illness and, other than a few special appearances during the mid-'70s, he lived the rest of his life in seclusion. After his death it seemed as if everyone was doing Thelonious Monk tributes. There were so many versions of "'Round Midnight" that it was practically a pop hit! But despite the posthumous acclaim and attempts by pianists ranging from Marcus Roberts to Tommy Flanagan to recreate his style, there was no replacement for the original.

Some of Thelonious Monk's songs became standards early on, most notably "'Round Midnight," "Straight No Chaser," "52nd Street Theme," and "Blue Monk." Many of his other compositions have by now been figured out by other jazz musicians and are occasionally performed including "Ruby My Dear," "Well You Needn't," "Off Minor," "In Walked Bud," "Misterioso," "Epistrophy," "I Mean You," "Four in One," "Criss Cross," "Ask Me Now," "Little Rootie Tootie," "Monk's Dream," "Bemsha Swing," "Think of One," "Friday the 13th," "Hackensack," "Nutty," "Brilliant Corners," "Crepuscule With Nellie" (written for his strong and supportive wife), "Evidence," and "Rhythm-a-Ning," Virtually all of Monk's recordings (for Blue Note, Prestige, Vogue, Riverside, Columbia, and Black Lion) have been reissued and among his sidemen through the years were Idrees Sulieman, Art Blakey, Milt Jackson, Lou Donaldson, Lucky Thompson, Max Roach, Julius Watkins, Sonny Rollins, Clark Terry, Gerry Mulligan, John Coltrane, Wilbur Ware, Shadow Wilson, Johnny Griffin, Donald Byrd, Phil Woods, Thad Jones, and Charlie Rouse. His son Thelonious Monk, Jr. (T.S. Monk) has helped keep the hard bop tradition alive with his quintet and has headed the Thelonious Monk Institute, whose yearly competitions succeed in publicizing talented young players.

by Scott Yanow, AMG


25 ноября 1963 года фотография Thelonious Monk должна была появиться на обложке журнала „Time". Но 23-го убили Кеннеди, и обложку пришлось заменить. К фотографии джазмена журнал вернулся только в феврале следующего года. „Тайм", до этого уделявший внимание джазу лишь в коротких полупрофессиональных рецензиях, наконец-то признал джазовых исполнителей национальными героями. До Thelonious Monk такой чести удостоился только Дэйв Брубек, завоевавший популярность в среде университетских интеллектуалов.
Была в этом какая-то странность. Если уж говорить о джазе, то Луи Армстронг, Элла Фицджеральд, Дюк Эллингтон или Каунт Бэйси были значительно популярнее, а среди новаторов, известных узкому, но влиятельному кругу музыкантов, выделялись Charlie Parker, Dizzy Gillespie или Miles Davis. Но выбор „Тайма"— официоза, обладавшего каким-то футурологическим чутьем,— пал на Thelonious Monk. И оказался безошибочным.
Репутация Thelonious Monk среди джазменов нового поколения была на самом деле достаточно высока. В 1942 году он вошел в группу молодых музыкантов, создававших новый стиль, названный благодаря дурашливой фантазии Dizzy Gillespie малопонятным словечком „бибоп". Молодые афроамериканцы, не принимавшие оптимизма свинга, голливудской американской мечты, усиленно пропагандируемого благополучия общества и, в особенности, распространенного утверждения, что черные джазмены — всего-навсего талантливые „развлекатели", создавали новую музыку, основанную на виртуозной импровизации и на мелодике, далекой от песенной продукции.
Центром джазовой фронды стал клуб "Minton's Playhouse", открывшийся в 1940 году на 118-й улице в отеле „Сесиль". Это было удобное местечко, чтобы заглянуть туда после работы. Музыканты, отыгравшие танцевальные программы в каком-нибудь биг-бенде, с удовольствием заходили „к Минтону", чтобы от души помузицировать по-своему. Здесь бывали саксофонисты Лестер Янг, Коулмен Хоукинс и Бен Уэбстер, трубач Рой Олдридж. Каждую ночь до утра на сцене сидел гитарист Чарли Крисчиен. Здесь рождалось то ощущение свободы, которого не могло быть в дисциплинированных биг-бендах. Музыканты выбирали невероятно быстрые темпы, отказывались от постоянной опоры на граунд-бит и дерзко экспериментировали в обыгрывании традиционных гармоний.
Молодые исполнители Charlie Parker и Thelonious Monk в том числе — не только играли новую музыку, но сознательно стремились нанести „пощечину общественному вкусу". Предавалось анафеме все, что было связано с эрой свинга, с танцевальным залом, с приглаженной и счастливой бродвейской эстетикой. Отстраненный вид, а не лучезарные улыбки, публика может слушать, а может и не слушать. (Во всяком случае завоевывать ее расположение эстрадными приемами не стоит. Не нравится — уходи!) Небрежная одежда, темные очки, козлиные бородки и малопонятные шуточки, иногда отпускаемые со сцены. Исполнение сольного эпизода спиной к зрительному залу (не смотреть надо, а слушать). Типичные битники сороковых годов. Сицилианская посвященность. Вопросы "как" и "что" задавать не стоит, потому что ответом будет ироническое презрение. Надо просто поверить музыкантам, включить пытливый слух и почувствовать себя своим.
Во всей этой стихии горячей виртуозности, безапелляционного неприятия установившихся джазовых традиций как нельзя кстати оказался фортепианный стиль, разработанный Thelonious Monk,— экономная угловатая манера, какие-то скрюченные малонапевные фразы, разрозненная ритмика и диссонирующие созвучия, которые иногда он вдалбливал в инструмент с упорством человека, наслаждающегося своими необычными находками. Фортепьяно перестало быть надежной опорой с постоянно слышимой гармонией. Редкие аккорды-всплески вклинивались в интуитивно ощущаемые паузы у духовых, а иногда накладывались на виртуозный импровизационный орнамент в совершенно непредсказуемых моментах.
Первоначально у многих возникло впечатление, что Thelonious Monk — технически слабый пианист. Потом выяснилось, что так могли говорить только плохо информированные люди, не слышавшие его ранних записей, где полно пассажей в духе Арта Тэйтума и Эрла Хайнза. Конечно же, неуклюжесть монковской игры — это часть его имиджа. Ударная артикуляция — это идеология, а лапидарность средств — необходимое условие для гармонической свободы. Даже друзья Thelonious Monk признавали, что играть с ним довольно сложно. Привычной ритмогармонической опоры от инструмента Thelonious Monk не исходило, иногда он вообще не аккомпанировал, предоставляя гармонии определяться по линии контрабаса и по мелодическим узорам импровизаций духовых.
Наряду со своими коллегами, выдающимися новаторами Charlie Parker и Dizzy Gillespie, Thelonious Monk рано заявил о себе как о композиторе. Уже в 1944 году появилась одна из самых красивых джазовых баллад „Round About Midnight", сложные гармонии которой вначале никого не вдохновляли, пока путевку в жизнь этой мелодии не дал Miles Davis. А в шестидесятые годы темы Thelonious Monk стали исключительно популярными среди джазменов новой волны. Среди них выделяются асимметрично-блюзовые „Straight No Chaser", „Blue Monk", медленные темы „Misterioso", „Monk's Dream", „Ruby, My Dear" или шлягероподобные (но с обязательной ритмической и гармонической изюминкой) „I Mean You", „Rhythm-a-ning".
Один из критиков заметил, что композиции Thelonious Monk — это концентрированное содержание, вложенное в стандартную 12-, 16- или 32-тактовую форму. Темы Thelonious Monk музыканты полюбили именно потому, что они нестандартны, они порождали конфликтность. Каждый музыкант, импровизирующий на темы Thelonious Monk, становился их заложником и по-своему преодолевал их очевидные сложности — огромные интервальные скачки, частые модуляции, сдвиги на слабых долях. В карьере Монка были и головокружительные взлеты - так, в 1964 году его портрет украшал обложку журнала "Тайм" (честь, которой удостоились в 20 веке всего четыре мастера джаза). Хотя Монк был одним из главных архитекторов современного джаза, для достижения этих высот потребовалось немало времени. Он не выступал в роли лидера до тридцатилетнего возраста, а признание пришло к нему ещё на десяток лет позже.
Жизнь Thelonious Monk была скрыта от журналистских глаз. Сам он не любил общаться с прессой и даже друзьям мало что рассказывал о себе. Известно, что родился он в 1917 году, брал частные уроки и рано стал пианистом-аккомпаниатором (иногда выступал со своей матерью, неплохой вокалисткой). На одной из домашних вечеринок игру молодого Thelonious Monk услышала пианистка Мэри Лу Уильяме. „У него была прекрасная техника,— вспоминает Мэри,— но мне запомнилась своеобразная, нестандартная фразировка. Он был уже в то время представителем модерна". Некоторое время Thelonious Monk работал в оркестрах, но с 1942 года обосновался в нью-йоркских клубах на 52-й улице, в том числе и у „Минтона". В 1947 фирма "Blue Note" подписала с ним контракт, и в этом же году Thelonious Monk женился на милой Нелли, которая согласна была тянуть финансовый воз семьи, предоставив ему полную свободу для творчества. Скандал 1951 года (в машине Thelonious Monk были найдены наркотики, и ему было запрещено выступать во всех заведениях, где продавался алкоголь) выбил его из колеи. Практически это был запрет на профессию. Осталась лишь редкая студийная работа. После „Blue Note" последовали приглашения на „Prestige" и „Riverside". Только вмешательство богатой фанатички джаза баронессы де Кенигсвартер помогло Thelonious Monk вернуться на сцену в 1957 году. Началось сотрудничество с молодым и ярким тенор-саксофонистом John Coltrane. Затем последовало десятилетие (1959-1969) с постоянным составом, в котором на саксофоне играл Чарли Роуз, на контрабасе Уилбур Уэр и на ударных Бен Райли.
В начале шестидесятых ценность музыки и исполнительского метода Thelonious Monk стала очевидна. Квартет Thelonious Monk оказался единственным джазовым ансамблем, получившим шестимесячный ангажемент в престижном нью-йоркском клубе „Five Spot". Это было то место, куда Thelonious Monk никогда не опаздывал (про его опоздания на работу ходило немало анекдотов). Посетители клуба могли наблюдать, как за пять минут до начала работы Thelonious Monk проходил за кулисы, снимал пальто, шел в бар и с порцией двойного „Бурбона" подходил к роялю. Садился и играл какую-нибудь балладу, затем приглашал музыкантов и представлял их публике. На шестом месяце работы директор клуба объявил пианисту, что тот может остаться еще на несколько месяцев, но Thelonious Monk не захотел.
Иногда его манхэттенский телефон разрывался от звонков. Пианиста искали продюсеры и менеджеры, а он снимал трубку и говорил: „Монка здесь нет". Вытащить его на интервью, на разговор всегда было трудно. Леонард Фэзер, имевший в журнале Down Beat рубрику „Тест вслепую", все-таки однажды усадил Thelonious Monk напротив себя и поставил ему несколько записей с пианистами. Thelonious Monk должен был угадать исполнителей и выставить каждому оценку по пятибалльной системе. Thelonious Monk высоко оценил любимого им Эрла Хайнза. Но когда ему поставили запись Питерсона, встал и спросил: „А где тут у вас туалет?"
Родоначальники нового джазового направления были очень разными людьми. Больной и ранимый Charlie Parker соседствовал с ироничным и весело хулиганствующим Dizzy Gillespie, угрюмый Miles Davis прекрасно вписался в рациональные композиторские концепции прагматичного Гила Эванса. Thelonious Monk сотрудничал со всеми и в то же время мог ни с кем не сотрудничать. Он был в современном джазе сам по себе. Грустным и молчаливым одиночкой. Он знал себе цену и никогда не отступал от того, что считал для себя художественно важным. Но он не любил делиться своими мыслями и идеями. Когда John Coltrane однажды спросил его о чем-то, Thelonious Monk сел за рояль и ответил музыкой. Музыка была его единственной страстью, это был его язык общения с окружающим миром. Он был равнодушен к славе, не любил гастролировать. Знаменитый и самый удачливый джазовый импресарио Норман Грэнц с трудом убедил его войти в труппу „Гиганты джаза" в начале семидесятых, а немного позже администрация Картера три дня уговаривала пианиста приехать в Белый дом на его собственный юбилей.
Неординарность музыки, неординарность поведения были сутью Thelonious Monk. Он просто не мог быть иным. Но ведь и джаз менялся. Thelonious Monk вступил в джазовый клан именно в то время, когда рушились представления о джазе как о музыке отдыха, как об искусстве со строжайшей ансамблево-оркестровой дисциплиной. Рождался новый джаз, провозгласивший принцип индивидуализма и невероятной творческой свободы. Неординарность музыки соответствовала неординарности личностей. И если иногда алкоголь или даже наркотики дополняли (как это ни печально) биографии музыкантов, то и это — одна из сторон джаза, нашедшая отражение и в названиях мелодий, и в безумной череде импровизаций. Играть бок-о-бок с Монком - нередко означало путь к будущей славе для многих, включая Джона Колтрейна, сказавшего в 1960 году: "Работа с Монком позволила мне близко соприкоснуться с архитектором высочайшего класса в музыке. Я ощущаю себя его учеником во всех отношениях - в чувстве, в теории, в технике." Он учил своим примером, своей настойчивостью, всей невыразимостью своей натуры. Большой почитатель Монка, продюсер Ooppin Keepnews, писал: "Это - художник, которого никогда нельзя считать вполне узнаваемым или предсказуемым. В нем всегда остается нечто магическое." Ему как бы вторит Сонни Роллинс: "Монк был магом, волшебником."
Десятки пианистов подражали Thelonious Monk, учились у него, но никто не смог стать вровень с ним, несмотря на кажущуюся несложность его фортепианной фактуры. Ибо в его исполнительском методе идеально сочетались импровизационная отвага и строгость композиторского мышления. Это то, за что джаз начал бороться в сороковые годы и что на сегодняшний день удалось единицам. Таким, как Чик Кориа или Herbie Hancock. Но спросите у них, кем был для них Thelonious Monk. Я уверен, они встанут и снимут шляпы. Современный концертный джаз так или иначе завоевал бы весь мир во второй половине нашего века. Но без Thelonious Monk он был бы значительно беднее

~ Владимир Фейертаг,
Из журнала АУДИО МАГАЗИН № 4‘ 98

–––––––––––––––––––––-

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482]:

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

CD1: Thelonious Monk - Straight, No Chaser (1967)
Bop/Hard Bop/Post-Bop/Piano Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(600dpi) | ~ 489 + 179 Mb

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

Tracklist:

01. Locomotive - 6:41
02. I Didn't Know About You (Take 4) - 6:52
03. Straight, No Chaser - 11:29
04. Japanese Folk Song - 16:43
05. Between The Devil And The Deep Blue Sea - 7:37
06. We See - 11:38
07. This Is My Story, This Is My Song - 1:42
08. I Didn't Know About You (Take 1) - 6:50
09. Green Chimneys - 6:35

Personnel:

Thelonious Monk - Piano
Charlie Rouse - Tenor Saxophone
Larry Gales - Bass
Ben Riley - Drums

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 10. September 2010, 14:31

Thelonious Monk / Straight, No Chaser

Used drive : HL-DT-STDVD-RAM GSA-H55N Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : G:\Program Files\Exact Audio Copy\Encoder\wavpack.exe
Additional command line options : -hm -w "CUESHEET=@F:\WAV\%a - %g.cue" -w "Year=%y" -w "Genre=%m" %s %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:40.57 | 0 | 30056
2 | 6:40.57 | 6:52.23 | 30057 | 60979
3 | 13:33.05 | 11:28.45 | 60980 | 112624
4 | 25:01.50 | 16:42.60 | 112625 | 187834
5 | 41:44.35 | 7:36.47 | 187835 | 222081
6 | 49:21.07 | 11:37.65 | 222082 | 274421
7 | 60:58.72 | 1:42.20 | 274422 | 282091
8 | 62:41.17 | 6:49.38 | 282092 | 312804
9 | 69:30.55 | 6:34.65 | 312805 | 342419


Range status and errors

Selected range

Filename F:\WAV\Thelonious Monk - Straight, No Chaser.wav

Peak level 100.0 %
Range quality 100.0 %
Test CRC E1AFD9A2
Copy CRC E1AFD9A2
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 33) [26BB3169]
Track 2 accurately ripped (confidence 34) [97D5F24D]
Track 3 accurately ripped (confidence 34) [E9B73B61]
Track 4 accurately ripped (confidence 34) [4BFEC4DA]
Track 5 accurately ripped (confidence 34) [2AE99294]
Track 6 accurately ripped (confidence 34) [8798DC32]
Track 7 accurately ripped (confidence 34) [8121ED50]
Track 8 accurately ripped (confidence 34) [C1AAB220]
Track 9 accurately ripped (confidence 33) [6710D1EA]

All tracks accurately ripped

End of status report

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-

Path: …\CD1 - Straight, No Chaser (1967)

01 -=- Thelonious Monk - Straight, No Chaser.flac -=- CDDA (100%)

116352676

Verification date: 11.04.2011 12:16:18]
[Disc ID: 001bda26-00cc32d5-7011d509]
Track [ CRC ] Status
01 [26bb3169] (45/76) Accurately ripped as in pressing(s) #1
02 [97d5f24d] (46/76) Accurately ripped as in pressing(s) #1
03 [e9b73b61] (46/77) Accurately ripped as in pressing(s) #1
04 [4bfec4da] (46/76) Accurately ripped as in pressing(s) #1
05 [2ae99294] (46/76) Accurately ripped as in pressing(s) #1
06 [8798dc32] (46/77) Accurately ripped as in pressing(s) #1
07 [8121ed50] (46/77) Accurately ripped as in pressing(s) #1
08 [c1aab220] (46/75) Accurately ripped as in pressing(s) #1
09 [6710d1ea] (45/74) Accurately ripped as in pressing(s) #1
Offsetted by -31:
01 [1dbc8c14] (23/76) Accurately ripped as in pressing(s) #2
02 [b5828f1e] (23/76) Accurately ripped as in pressing(s) #2
03 [2c1fc0e5] (23/77) Accurately ripped as in pressing(s) #2
04 [4d32d979] (23/76) Accurately ripped as in pressing(s) #2
05 [8d22a7c6] (23/76) Accurately ripped as in pressing(s) #2
06 [81ebbb1e] (23/77) Accurately ripped as in pressing(s) #2
07 [14212a30] (23/77) Accurately ripped as in pressing(s) #2
08 [c5e6670f] (22/75) Accurately ripped as in pressing(s) #2
09 [997b8f19] (22/74) Accurately ripped as in pressing(s) #2
Offsetted by 628:
01 [2f86fc65] (08/76) Accurately ripped as in pressing(s) #3
02 [5fb98981] (07/76) Accurately ripped as in pressing(s) #3
03 [5e16fd31] (08/77) Accurately ripped as in pressing(s) #3
04 [86324c66] (07/76) Accurately ripped as in pressing(s) #3
05 [f9c0063c] (07/76) Accurately ripped as in pressing(s) #3
06 [2c22d522] (08/77) Accurately ripped as in pressing(s) #3
07 [4d9f50da] (08/77) Accurately ripped as in pressing(s) #3
08 [6522f532] (07/75) Accurately ripped as in pressing(s) #3
09 [7e23097a] (07/74) Accurately ripped as in pressing(s) #3

Track [ CRC32 ] [W/O NULL] [ LOG ]
– [E1AFD9A2] [45CAA543] CRC32
01 [A81A8728] [8B08101F]
02 [AEEC6B9F] [F80AE560]
03 [6308D286] [03976605]
04 [7EA00190] [2FA6FCF2]
05 [956904FA] [F91B7E44]
06 [6250554F] [F1ADFD97]
07 [973D8672] [C7719637]
08 [30F8ECCD] [F8E4556E]
09 [99E75394] [80BD2FBD]

––––––––––––––––––––––––––––––––-

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

CD2: Thelonious Monk - Underground (1968)
Bop/Hard Bop/Post-Bop/Piano Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(600dpi) | ~ 462 + 168 Mb

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

Tracklist:

01. Thelonious (Take 1) - 3:17
02. Ugly Beauty (Take 5) - 10:47
03. Raise Four - 7:02
04. Boo Boo's Birthday (Take 11) - 5:58
05. Easy Street - 7:52
06. Green Chimneys - 13:12
07. In Walked Bud - 6:50
08. Ugly Beauty (Take 4) - 7:39
09. Boo Boo's Birthday (Take 2) - 5:36
10. Thelonious (Take 3) - 3:11

Personnel:

Thelonious Monk - Piano, Vocals
Charlie Rouse - Tenor Saxophone
Larry Gales - Bass
Ben Riley - Drums
Jon Hendricks - Vocals

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 9. September 2010, 0:31

Thelonious Monk / Underground

Used drive : HL-DT-STDVD-RAM GSA-H55N Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : G:\Program Files\Exact Audio Copy\Encoder\wavpack.exe
Additional command line options : -hm -w "CUESHEET=@F:\WAV\%a - %g.cue" -w "Year=%y" -w "Genre=%m" %s %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:17.15 | 0 | 14789
2 | 3:17.15 | 10:47.00 | 14790 | 63314
3 | 14:04.15 | 7:01.57 | 63315 | 94946
4 | 21:05.72 | 5:57.65 | 94947 | 121786
5 | 27:03.62 | 7:52.35 | 121787 | 157221
6 | 34:56.22 | 13:11.55 | 157222 | 216601
7 | 48:08.02 | 6:49.68 | 216602 | 247344
8 | 54:57.70 | 7:39.05 | 247345 | 281774
9 | 62:37.00 | 5:35.57 | 281775 | 306956
10 | 68:12.57 | 3:10.53 | 306957 | 321259


Range status and errors

Selected range

Filename F:\WAV\Thelonious Monk - Underground.wav

Peak level 100.0 %
Range quality 100.0 %
Test CRC 43317826
Copy CRC 43317826
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 20) [9AB98D72]
Track 2 accurately ripped (confidence 20) [CDAC033D]
Track 3 accurately ripped (confidence 20) [25D7CCE9]
Track 4 accurately ripped (confidence 20) [BFD4216F]
Track 5 accurately ripped (confidence 20) [370AB4E5]
Track 6 accurately ripped (confidence 20) [2D6ED362]
Track 7 accurately ripped (confidence 20) [2DA8B7E2]
Track 8 accurately ripped (confidence 20) [E3954E75]
Track 9 accurately ripped (confidence 20) [CB8B1515]
Track 10 accurately ripped (confidence 20) [DB20EB58]

All tracks accurately ripped

End of status report

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-

Path: …\CD2 - Underground (1968)

01 -=- Thelonious Monk - Underground.flac -=- CDDA (100%)

228109588

[Verification date: 11.04.2011 12:17:07]
[Disc ID: 001bdcd0-00e19da8-ab10bb0a]
Track [ CRC ] Status
01 [9ab98d72] (26/71) Accurately ripped as in pressing(s) #1
02 [cdac033d] (26/71) Accurately ripped as in pressing(s) #1
03 [25d7cce9] (26/71) Accurately ripped as in pressing(s) #1
04 [bfd4216f] (26/72) Accurately ripped as in pressing(s) #1
05 [370ab4e5] (26/70) Accurately ripped as in pressing(s) #1
06 [2d6ed362] (26/71) Accurately ripped as in pressing(s) #1
07 [2da8b7e2] (26/71) Accurately ripped as in pressing(s) #1
08 [e3954e75] (26/70) Accurately ripped as in pressing(s) #1
09 [cb8b1515] (26/69) Accurately ripped as in pressing(s) #1
10 [db20eb58] (25/66) Accurately ripped as in pressing(s) #1
Offsetted by 628:
01 [82f6a60e] (22/71) Accurately ripped as in pressing(s) #2
02 [da0985e9] (22/71) Accurately ripped as in pressing(s) #2
03 [5e3d3aa5] (22/71) Accurately ripped as in pressing(s) #2
04 [d278c28b] (22/72) Accurately ripped as in pressing(s) #2
05 [b9bd6579] (22/70) Accurately ripped as in pressing(s) #2
06 [b9fea2ca] (22/71) Accurately ripped as in pressing(s) #2
07 [b7a8a9da] (22/71) Accurately ripped as in pressing(s) #2
08 [c182fdcd] (22/70) Accurately ripped as in pressing(s) #2
09 [3ffba495] (21/69) Accurately ripped as in pressing(s) #2
10 [f0632394] (21/66) Accurately ripped as in pressing(s) #2
Offsetted by 863:
01 [2f7920ff] (22/71) Partial match to pressing(s) #2
02 [604b7ef6] (22/71) Partial match to pressing(s) #2
03 [c4df1b8e] (22/71) Partial match to pressing(s) #2
04 [6fde505c] (22/72) Partial match to pressing(s) #2
05 [908ef01c] (22/70) Partial match to pressing(s) #2
06 [5418bb00] (22/71) Partial match to pressing(s) #2
07 [f099270c] (22/71) Partial match to pressing(s) #2
08 [80956967] (22/70) Partial match to pressing(s) #2
09 [a6417bb5] (21/69) Partial match to pressing(s) #2
10 [b64ddadd] (21/66) Partial match to pressing(s) #2

Track [ CRC32 ] [W/O NULL] [ LOG ]
– [43317826] [DFD1395F] CRC32
01 [01E865C1] [C3BF6F93]
02 [2B91200C] [816C0EFC]
03 [79051C12] [8083C224]
04 [D0C72729] [6FC57305]
05 [B9DC42C4] [66D1CE2D]
06 [D735A297] [ADDE1EF9]
07 [D4018D1B] [FD29FBAE]
08 [3DF1BEC3] [C7D809C1]
09 [6F3DEB6E] [6B393B5B]
10 [743AF998] [8D66260F]

––––––––––––––––––––––––––––––––-

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

CD3: Thelonious Monk - Criss-Cross (1963)
Bop/Hard Bop/Post-Bop/Piano Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(600dpi) | ~ 398 + 148 Mb

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

Tracklist:

01. Hackensack - 4:15
02. Tea For Two - 3:49
03. Criss Cross - 4:43
04. Eronel - 4:32
05. Rhythm-A-Ning - 3:55
06. Don't Blame Me (Retake 1) - 7:07
07. Think Of One - 6:07
08. Crepuscule With Nellie - 2:48
09. Pannonica (Take 2) - 6:47
10. Coming On The Hudson (Take 3) - 7:33
11. Tea For Two (Take 9) - 5:14
12. Eronel (Take 3) - 5:59

Personnel:

Thelonious Monk - Piano
Charlie Rouse - Tenor Saxophone
John Ore - Bass
Frankie Dunlop - Drums

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 10. September 2010, 15:33

Thelonious Monk / Criss-Cross

Used drive : HL-DT-STDVD-RAM GSA-H55N Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : G:\Program Files\Exact Audio Copy\Encoder\wavpack.exe
Additional command line options : -hm -w "CUESHEET=@F:\WAV\%a - %g.cue" -w "Year=%y" -w "Genre=%m" %s %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:14.57 | 0 | 19106
2 | 4:14.57 | 3:48.53 | 19107 | 36259
3 | 8:03.35 | 4:43.25 | 36260 | 57509
4 | 12:46.60 | 4:32.12 | 57510 | 77921
5 | 17:18.72 | 3:54.68 | 77922 | 95539
6 | 21:13.65 | 7:06.55 | 95540 | 127544
7 | 28:20.45 | 6:07.10 | 127545 | 155079
8 | 34:27.55 | 2:48.00 | 155080 | 167679
9 | 37:15.55 | 6:47.27 | 167680 | 198231
10 | 44:03.07 | 7:33.10 | 198232 | 232216
11 | 51:36.17 | 5:14.33 | 232217 | 255799
12 | 56:50.50 | 5:59.35 | 255800 | 282759


Range status and errors

Selected range

Filename F:\WAV\Thelonious Monk - Criss-Cross.wav

Peak level 100.0 %
Range quality 100.0 %
Test CRC C97AABF6
Copy CRC C97AABF6
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 20) [E8AF7296]
Track 2 accurately ripped (confidence 20) [19381462]
Track 3 accurately ripped (confidence 20) [3986182F]
Track 4 accurately ripped (confidence 20) [01ADFA28]
Track 5 accurately ripped (confidence 20) [7C8C7C55]
Track 6 accurately ripped (confidence 20) [5F3C56F4]
Track 7 accurately ripped (confidence 20) [094528FD]
Track 8 accurately ripped (confidence 20) [128A1417]
Track 9 accurately ripped (confidence 19) [B088AEB1]
Track 10 accurately ripped (confidence 20) [41E3B57A]
Track 11 accurately ripped (confidence 20) [342A7375]
Track 12 accurately ripped (confidence 19) [644358F5]

All tracks accurately ripped

End of status report

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-

Path: …\CD3 - Criss-Cross (1963)

01 -=- Thelonious Monk - Criss-Cross.flac -=- CDDA (100%)

215181124

[Verification date: 11.04.2011 12:17:53]
[Disc ID: 001a06b5-00f82dc7-a10eba0c]
Track [ CRC ] Status
01 [e8af7296] (26/80) Accurately ripped as in pressing(s) #2
02 [19381462] (26/80) Accurately ripped as in pressing(s) #2
03 [3986182f] (26/80) Accurately ripped as in pressing(s) #2
04 [01adfa28] (26/80) Accurately ripped as in pressing(s) #2
05 [7c8c7c55] (26/80) Accurately ripped as in pressing(s) #2
06 [5f3c56f4] (26/80) Accurately ripped as in pressing(s) #2
07 [094528fd] (26/80) Accurately ripped as in pressing(s) #2
08 [128a1417] (26/80) Accurately ripped as in pressing(s) #2
09 [b088aeb1] (25/79) Accurately ripped as in pressing(s) #2
10 [41e3b57a] (26/79) Accurately ripped as in pressing(s) #2
11 [342a7375] (26/79) Accurately ripped as in pressing(s) #2
12 [644358f5] (25/76) Accurately ripped as in pressing(s) #2
Offsetted by 628:
01 [83ffb9ba] (22/80) Accurately ripped as in pressing(s) #3
02 [0b6a4a56] (22/80) Accurately ripped as in pressing(s) #3
03 [c5ad9367] (22/80) Accurately ripped as in pressing(s) #3
04 [5cfa514c] (22/80) Accurately ripped as in pressing(s) #3
05 [44a160a9] (22/80) Accurately ripped as in pressing(s) #3
06 [6f03ae70] (22/80) Accurately ripped as in pressing(s) #3
07 [56209a91] (22/80) Accurately ripped as in pressing(s) #3
08 [f3b38f57] (22/80) Accurately ripped as in pressing(s) #3
09 [b608b2f9] (22/79) Accurately ripped as in pressing(s) #3
10 [2001e692] (22/79) Accurately ripped as in pressing(s) #3
11 [24f054f1] (22/79) Accurately ripped as in pressing(s) #3
12 [789be559] (21/76) Accurately ripped as in pressing(s) #3

Track [ CRC32 ] [W/O NULL] [ LOG ]
– [C97AABF6] [5E12AB14] CRC32
01 [E9AFD86D] [5036B7D0]
02 [4DEDF6DE] [A19F0255]
03 [69D31F5E] [53E9664C]
04 [9D790395] [35306A5D]
05 [5F437740] [2B1D7FB1]
06 [D8FA33DC] [46B57982]
07 [3ADFC1EF] [8F6857D2]
08 [892271C0] [FBD04EF3]
09 [161BA71E] [41645997]
10 [8F5860CA] [C68B72DC]
11 [2B801625] [C9292344]
12 [340EB611] [11EB72C8]

––––––––––––––––––––––––––––––––-

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

CD4: Thelonious Monk - Monk's Dream (1962)
Bop/Hard Bop/Post-Bop/Piano Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(600dpi) | ~ 470 + 173 Mb

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

Tracklist:

01. Monk's Dream (Take 8) - 6:29
02. Body And Soul (Retake 2) - 4:31
03. Bright Mississippi (Take 1) - 8:38
04. Five Spot Blues - 3:16
05. Bolivar Blues (Take 2) - 7:33
06. Just A Gigolo - 2:29
07. Bye-Ya - 5:25
08. Sweet And Lovely - 7:57
09. Monk's Dream (Take 3) - 5:16
10. Body And Soul (Take 1) - 5:12
11. Bright Mississippi (Take 3) - 10:24
12. Blue Bolivar Blues (Take 1) - 6:12

Personnel:

Thelonious Monk - Piano
Charlie Rouse - Tenor Saxophone
John Ore - Bass
Frankie Dunlop - Drums

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 8. September 2010, 13:15

Thelonious Monk / Monk's Dream

Used drive : HL-DT-STDVD-RAM GSA-H55N Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : G:\Program Files\Exact Audio Copy\Encoder\wavpack.exe
Additional command line options : -hm -w "CUESHEET=@F:\WAV\%a - %g.cue" -w "Year=%y" -w "Genre=%m" %s %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:28.42 | 0 | 29141
2 | 6:28.42 | 4:30.73 | 29142 | 49464
3 | 10:59.40 | 8:38.35 | 49465 | 88349
4 | 19:38.00 | 3:16.05 | 88350 | 103054
5 | 22:54.05 | 7:33.07 | 103055 | 137036
6 | 30:27.12 | 2:29.30 | 137037 | 148241
7 | 32:56.42 | 5:24.38 | 148242 | 172579
8 | 38:21.05 | 7:56.47 | 172580 | 208326
9 | 46:17.52 | 5:16.30 | 208327 | 232056
10 | 51:34.07 | 5:12.20 | 232057 | 255476
11 | 56:46.27 | 10:23.48 | 255477 | 302249
12 | 67:10.00 | 6:12.25 | 302250 | 330174


Range status and errors

Selected range

Filename F:\WAV\Thelonious Monk - Monk's Dream.wav

Peak level 99.8 %
Range quality 100.0 %
Test CRC ECEBA3A5
Copy CRC ECEBA3A5
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 20) [50D0E396]
Track 2 accurately ripped (confidence 20) [40115197]
Track 3 accurately ripped (confidence 20) [974F3DF6]
Track 4 accurately ripped (confidence 20) [F8562E95]
Track 5 accurately ripped (confidence 20) [DA750224]
Track 6 accurately ripped (confidence 19) [18FDEC2D]
Track 7 accurately ripped (confidence 20) [BEB76C8B]
Track 8 accurately ripped (confidence 20) [B6A89C9F]
Track 9 accurately ripped (confidence 20) [BC1346BD]
Track 10 accurately ripped (confidence 20) [F47D4818]
Track 11 accurately ripped (confidence 20) [75B7E082]
Track 12 accurately ripped (confidence 20) [6B5B44C5]

All tracks accurately ripped

End of status report

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-

Path: …\CD4 - Monk's Dream (1962)

01 -=- Thelonious Monk - Monk's Dream.flac -=- CDDA (100%)

206186196

Verification date: 11.04.2011 12:18:39]
[Disc ID: 001f5fdd-012597f2-ae11320c]
Track [ CRC ] Status
01 [50d0e396] (26/86) Accurately ripped as in pressing(s) #2
02 [40115197] (26/87) Accurately ripped as in pressing(s) #2
03 [974f3df6] (26/87) Accurately ripped as in pressing(s) #2
04 [f8562e95] (26/87) Accurately ripped as in pressing(s) #2
05 [da750224] (26/87) Accurately ripped as in pressing(s) #2
06 [18fdec2d] (25/85) Accurately ripped as in pressing(s) #2
07 [beb76c8b] (26/87) Accurately ripped as in pressing(s) #2
08 [b6a89c9f] (26/87) Accurately ripped as in pressing(s) #2
09 [bc1346bd] (26/87) Accurately ripped as in pressing(s) #2
10 [f47d4818] (26/86) Accurately ripped as in pressing(s) #2
11 [75b7e082] (26/84) Accurately ripped as in pressing(s) #2
12 [6b5b44c5] (26/85) Accurately ripped as in pressing(s) #2
Offsetted by -19:
01 [fd863a94] (19/86) Accurately ripped as in pressing(s) #3
02 [e60b322f] (19/87) Accurately ripped as in pressing(s) #3
03 [cc7aff15] (19/87) Accurately ripped as in pressing(s) #3
04 [6ce6277a] (19/87) Accurately ripped as in pressing(s) #3
05 [4bc783f2] (19/87) Accurately ripped as in pressing(s) #3
06 [939550e8] (18/85) Accurately ripped as in pressing(s) #3
07 [a62863fa] (19/87) Accurately ripped as in pressing(s) #3
08 [5b3c6da1] (19/87) Accurately ripped as in pressing(s) #3
09 [ac3536cd] (19/87) Accurately ripped as in pressing(s) #3
10 [29998357] (18/86) Accurately ripped as in pressing(s) #3
11 [b0861d68] (18/84) Accurately ripped as in pressing(s) #3
12 [0888b8ee] (18/85) Accurately ripped as in pressing(s) #3
Offsetted by 628:
01 [e71af2c7] (36/86) Accurately ripped as in pressing(s) #1
02 [49f4fcbd] (37/87) Accurately ripped as in pressing(s) #1
03 [2834799e] (37/87) Accurately ripped as in pressing(s) #1
04 [6899c87d] (37/87) Accurately ripped as in pressing(s) #1
05 [4cc1005c] (37/87) Accurately ripped as in pressing(s) #1
06 [6e98a760] (37/85) Accurately ripped as in pressing(s) #1
07 [ec0c4ef5] (37/87) Accurately ripped as in pressing(s) #1
08 [2ddb0d53] (37/87) Accurately ripped as in pressing(s) #1
09 [9f50c626] (37/87) Accurately ripped as in pressing(s) #1
10 [18e9ded1] (37/86) Accurately ripped as in pressing(s) #1
11 [54057361] (35/84) Accurately ripped as in pressing(s) #1
12 [2160cdac] (36/85) Accurately ripped as in pressing(s) #1

Track [ CRC32 ] [W/O NULL] [ LOG ]
– [ECEBA3A5] [95A12029] CRC32
01 [AF796CA5] [7AF7EB97]
02 [563B1BE8] [A970339C]
03 [3BD18A68] [9B3CF763]
04 [D730EB4E] [4ED108E9]
05 [7E8F10A7] [167E8071]
06 [12435D5C] [BAB088B1]
07 [CAF156ED] [015E0AB3]
08 [2548C72A] [89C038D4]
09 [11FA6412] [AC40ED36]
10 [BD6387B0] [1E588008]
11 [6022EDDC] [DE645C5C]
12 [37A5BD14] [FDCB79DA]

––––––––––––––––––––––––––––––––-

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

CD5: Thelonious Monk - Solo Monk (1965)
Bop/Hard Bop/Post-Bop/Piano Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(600dpi) | ~ 394 + 167 Mb

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

Tracklist:

01. Dinah (Take 2) - 2:30
02. I Surrender, Dear - 3:47
03. Sweet And Lovely (Take 2) - 3:03
04. North Of The Sunset - 1:56
05. Ruby, My Dear (Take 3) - 5:43
06. I'm Confessin' (That I Love You) - 2:39
07. I Hadn't Anyone Till You - 3:21
08. Everything Happens To Me (Take 3) - 3:32
09. Monk's Point - 2:20
10. I Should Care - 2:00
11. Ask Me Now (Take 2) - 4:41
12. These Foolish Things (Remind Me Of You) - 3:36
13. Introspection - 2:15
14. Darn That Dream - 3:42
15. Dinah (Take 1) - 2:25
16. Sweet And Lovely (Take 1) - 3:19
17. Ruby, My Dear (Take 1) - 4:48
18. I'm Confessin' (That I Love You) (Take 1) - 2:44
19. I Hadn't Anyone Till You (Take 2) - 3:21
20. Everything Happens To Me (Retake 1) - 5:20
21. Ask Me Now (Take 1) - 3:44

Personnel:

Thelonious Monk - Solo Piano

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 10. September 2010, 16:14

Thelonious Monk / Solo Monk

Used drive : HL-DT-STDVD-RAM GSA-H55N Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : G:\Program Files\Exact Audio Copy\Encoder\wavpack.exe
Additional command line options : -hm -w "CUESHEET=@F:\WAV\%a - %g.cue" -w "Year=%y" -w "Genre=%m" %s %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:30.20 | 0 | 11269
2 | 2:30.20 | 3:47.15 | 11270 | 28309
3 | 6:17.35 | 3:03.07 | 28310 | 42041
4 | 9:20.42 | 1:55.50 | 42042 | 50716
5 | 11:16.17 | 5:42.43 | 50717 | 76409
6 | 16:58.60 | 2:39.07 | 76410 | 88341
7 | 19:37.67 | 3:21.30 | 88342 | 103446
8 | 22:59.22 | 3:31.48 | 103447 | 119319
9 | 26:30.70 | 2:20.02 | 119320 | 129821
10 | 28:50.72 | 2:00.18 | 129822 | 138839
11 | 30:51.15 | 4:40.40 | 138840 | 159879
12 | 35:31.55 | 3:36.07 | 159880 | 176086
13 | 39:07.62 | 2:14.43 | 176087 | 186179
14 | 41:22.30 | 3:41.52 | 186180 | 202806
15 | 45:04.07 | 2:25.08 | 202807 | 213689
16 | 47:29.15 | 3:18.45 | 213690 | 228584
17 | 50:47.60 | 4:48.00 | 228585 | 250184
18 | 55:35.60 | 2:44.20 | 250185 | 262504
19 | 58:20.05 | 3:21.10 | 262505 | 277589
20 | 61:41.15 | 5:20.02 | 277590 | 301591
21 | 67:01.17 | 3:43.38 | 301592 | 318354


Range status and errors

Selected range

Filename F:\WAV\Thelonious Monk - Solo Monk.wav

Peak level 99.9 %
Range quality 100.0 %
Test CRC 515D608C
Copy CRC 515D608C
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 20) [6F400DB4]
Track 2 accurately ripped (confidence 20) [7D43D066]
Track 3 accurately ripped (confidence 20) [3B1DC598]
Track 4 accurately ripped (confidence 20) [57F3EAD7]
Track 5 accurately ripped (confidence 20) [52AA09EA]
Track 6 accurately ripped (confidence 20) [8D01BC51]
Track 7 accurately ripped (confidence 20) [EEB69F43]
Track 8 accurately ripped (confidence 20) [4F9942D6]
Track 9 accurately ripped (confidence 20) [9CABD6DD]
Track 10 accurately ripped (confidence 20) [37768E1C]
Track 11 accurately ripped (confidence 20) [32B89479]
Track 12 accurately ripped (confidence 20) [28F2386D]
Track 13 accurately ripped (confidence 20) [C5CB1558]
Track 14 accurately ripped (confidence 20) [DF209361]
Track 15 accurately ripped (confidence 20) [0A9F0D40]
Track 16 accurately ripped (confidence 20) [51F81BE9]
Track 17 accurately ripped (confidence 20) [09C52192]
Track 18 accurately ripped (confidence 21) [44E8DDB2]
Track 19 accurately ripped (confidence 21) [79C66D19]
Track 20 accurately ripped (confidence 21) [3FE82ADD]
Track 21 accurately ripped (confidence 21) [011B589C]

All tracks accurately ripped

End of status report

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-

Path: …\CD5 - Solo Monk (1965)

01 -=- Thelonious Monk - Solo Monk.flac -=- CDDA (100%)

18891700

Verification date: 11.04.2011 12:19:16]
[Disc ID: 00335c58-031789d6-1d109415]
Track [ CRC ] Status
01 [6f400db4] (26/60) Accurately ripped as in pressing(s) #1
02 [7d43d066] (26/60) Accurately ripped as in pressing(s) #1
03 [3b1dc598] (26/60) Accurately ripped as in pressing(s) #1
04 [57f3ead7] (26/60) Accurately ripped as in pressing(s) #1
05 [52aa09ea] (26/59) Accurately ripped as in pressing(s) #1
06 [8d01bc51] (26/58) Accurately ripped as in pressing(s) #1
07 [eeb69f43] (25/58) Accurately ripped as in pressing(s) #1
08 [4f9942d6] (26/59) Accurately ripped as in pressing(s) #1
09 [9cabd6dd] (26/59) Accurately ripped as in pressing(s) #1
10 [37768e1c] (26/60) Accurately ripped as in pressing(s) #1
11 [32b89479] (26/60) Accurately ripped as in pressing(s) #1
12 [28f2386d] (26/60) Accurately ripped as in pressing(s) #1
13 [c5cb1558] (26/60) Accurately ripped as in pressing(s) #1
14 [df209361] (26/60) Accurately ripped as in pressing(s) #1
15 [0a9f0d40] (26/60) Accurately ripped as in pressing(s) #1
16 [51f81be9] (26/60) Accurately ripped as in pressing(s) #1
17 [09c52192] (26/60) Accurately ripped as in pressing(s) #1
18 [44e8ddb2] (27/61) Accurately ripped as in pressing(s) #1
19 [79c66d19] (27/60) Accurately ripped as in pressing(s) #1
20 [3fe82add] (27/60) Accurately ripped as in pressing(s) #1
21 [011b589c] (27/61) Accurately ripped as in pressing(s) #1
Offsetted by -10:
01 [04aab010] (14/60) Accurately ripped as in pressing(s) #2
02 [9be519e0] (14/60) Accurately ripped as in pressing(s) #2
03 [b4c6a08e] (14/60) Accurately ripped as in pressing(s) #2
04 [d2d5e02d] (14/60) Accurately ripped as in pressing(s) #2
05 [5d2eaeea] (13/59) Accurately ripped as in pressing(s) #2
06 [7c6135cb] (13/58) Accurately ripped as in pressing(s) #2
07 [9a6e8299] (13/58) Accurately ripped as in pressing(s) #2
08 [fa40b536] (13/59) Accurately ripped as in pressing(s) #2
09 [e813f9c7] (13/59) Accurately ripped as in pressing(s) #2
10 [a82b4ce6] (14/60) Accurately ripped as in pressing(s) #2
11 [ead52d5b] (14/60) Accurately ripped as in pressing(s) #2
12 [c76f90e1] (14/60) Accurately ripped as in pressing(s) #2
13 [d66724f2] (14/60) Accurately ripped as in pressing(s) #2
14 [747c44b3] (14/60) Accurately ripped as in pressing(s) #2
15 [541ed106] (14/60) Accurately ripped as in pressing(s) #2
16 [c7aafab9] (14/60) Accurately ripped as in pressing(s) #2
17 [a81e66bc] (14/60) Accurately ripped as in pressing(s) #2
18 [a45013e6] (14/61) Accurately ripped as in pressing(s) #2
19 [a6ca8a8b] (14/60) Accurately ripped as in pressing(s) #2
20 [ddb2b4a3] (13/60) Accurately ripped as in pressing(s) #2
21 [c83b8540] (14/61) Accurately ripped as in pressing(s) #2
Offsetted by 628:
01 [fb176cbc] (10/60) Accurately ripped as in pressing(s) #3
02 [c67fca12] (10/60) Accurately ripped as in pressing(s) #3
03 [c94b420c] (10/60) Accurately ripped as in pressing(s) #3
04 [9952888b] (10/60) Accurately ripped as in pressing(s) #3
05 [57b98fea] (10/59) Accurately ripped as in pressing(s) #3
06 [6dfc55fd] (10/58) Accurately ripped as in pressing(s) #3
07 [2895b43e] (10/58) Accurately ripped as in pressing(s) #3
08 [c13d4f77] (10/59) Accurately ripped as in pressing(s) #3
09 [b6b9aca9] (10/59) Accurately ripped as in pressing(s) #3
10 [c4b95a28] (10/60) Accurately ripped as in pressing(s) #3
11 [088179d5] (10/60) Accurately ripped as in pressing(s) #3
12 [e165b8c5] (10/60) Accurately ripped as in pressing(s) #3
13 [7f8274c4] (10/60) Accurately ripped as in pressing(s) #3
14 [6ea246dd] (10/60) Accurately ripped as in pressing(s) #3
15 [69476d14] (10/60) Accurately ripped as in pressing(s) #3
16 [727d7349] (10/60) Accurately ripped as in pressing(s) #3
17 [97def6de] (10/60) Accurately ripped as in pressing(s) #3
18 [10ca5e8a] (10/61) Accurately ripped as in pressing(s) #3
19 [085d9a55] (10/60) Accurately ripped as in pressing(s) #3
20 [bdd25eb1] (10/60) Accurately ripped as in pressing(s) #3
21 [5b36cb94] (10/61) Accurately ripped as in pressing(s) #3
Offsetted by 930:
01 [27831248] (06/60) Accurately ripped as in pressing(s) #4
02 [5cac1f14] (06/60) Accurately ripped as in pressing(s) #4
03 [08c63a3a] (06/60) Accurately ripped as in pressing(s) #4
04 [b3ddca99] (06/60) Accurately ripped as in pressing(s) #4
05 [807a18ea] (06/59) Accurately ripped as in pressing(s) #4
06 [97529aff] (05/58) Accurately ripped as in pressing(s) #4
07 [d2da53f6] (06/58) Accurately ripped as in pressing(s) #4
08 [c8ad7bbd] (06/59) Accurately ripped as in pressing(s) #4
09 [37d727db] (06/59) Accurately ripped as in pressing(s) #4
10 [45cd3eba] (06/60) Accurately ripped as in pressing(s) #4
11 [50550a5f] (06/60) Accurately ripped as in pressing(s) #4
12 [95691649] (06/60) Accurately ripped as in pressing(s) #4
13 [bd196a66] (06/60) Accurately ripped as in pressing(s) #4
14 [9cd12897] (06/60) Accurately ripped as in pressing(s) #4
15 [5734ee52] (06/60) Accurately ripped as in pressing(s) #4
16 [8ffd2a59] (06/60) Accurately ripped as in pressing(s) #4
17 [83570150] (06/60) Accurately ripped as in pressing(s) #4
18 [9c6a2cce] (06/61) Accurately ripped as in pressing(s) #4
19 [1f47baaf] (06/60) Accurately ripped as in pressing(s) #4
20 [ed541def] (06/60) Accurately ripped as in pressing(s) #4
21 [aa6b2108] (06/61) Accurately ripped as in pressing(s) #4

Track [ CRC32 ] [W/O NULL] [ LOG ]
– [515D608C] [00E324D2] CRC32
01 [2026754D] [2A5D3319]
02 [1ADFAEB5] [FA0381AE]
03 [64B27B97] [F487D871]
04 [6881E64A] [22EAADEB]
05 [6E7DC0C6] [7F2F03C1]
06 [D25169D4] [71914096]
07 [0CCE88CE] [BB27EC3B]
08 [0932C5BE] [108B38C8]
09 [5A83F82A] [55674A37]
10 [E3170AC6] [83722F5D]
11 [439328EC] [DB960999]
12 [FC60F24A] [7855F6A3]
13 [14BAC4AA] [A5BBDEC2]
14 [897EA4C1] [816433DA]
15 [EC471B69] [F50B5E20]
16 [162CCE7A] [6BEA635D]
17 [95C90A73] [85860818]
18 [561091B5] [34754D68]
19 [1E499354] [D870DA39]
20 [35BFC9F1] [1301673F]
21 [5DD9AC02] [07106053]

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482] Re-up

All thanks go to simple.i

Original Album Classics: Thelonious Monk (2007) [5CD Box Set, Sony 88697145482]: