Tags
Language
Tags
June 2025
Su Mo Tu We Th Fr Sa
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 1 2 3 4 5
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Parliament - Mothership Connection - 1975 - Vinyl Rip - 24/96 and 16/44.1 - Cassablanca - NBLP-7022 - Allen Zentz mastering

    Posted By: Mister Cee
    Parliament - Mothership Connection - 1975 - Vinyl Rip - 24/96 and 16/44.1 - Cassablanca - NBLP-7022 - Allen Zentz mastering

    Parliament - Mothership Connection - 1975 - Vinyl Rip - 24/96 and 16/44.1 - Cassablanca - NBLP-7022 - Allen Zentz mastering

    Parliament - Mothership Connection - 1975 - Vinyl Rip - 24/96 and 16/44.1 - Cassablanca - NBLP-7022 - Allen Zentz mastering
    FLAC | 24/96 & 16/44.1 | Stereo | 846 & 263 MB - 5% recovery
    Rapidshare | Funk

    The addition of ex-JB's Fred Wesley and Maceo Parker to the Parliament roster on Mothership Connection elevated an already mind-blowing band into the best funk band of the '70s, arguably the best funk band ever. With these two funk veterans supplying the horns, Clinton had everything he could ask for in his already stellar group.
    The opening song, "P-Funk (Wants to Get Funked Up)," harkened back to the opening title track from Parliament's previous album, Chocolate City, laying down a languid synth aura for a spoken-word intro. When "P-Funk (Wants to Get Funked Up)" steps into second gear though, bringing in Bootsy's bass, Wesley's horn, Worrell's piano, and a chorus of vocalists, it's fairly evident just how large a step forward Mothership Connection is from the conventional R&B roots of Chocolate City and Up for the Down Stroke.
    The second song, "Mothership Connection (Star Child)," makes the differentiation glaringly evident, most noticeably when the song enters the cosmic, proto-hip-hop "swing down sweet chariot" bridge with its accompanying melody from beyond.
    The funk doesn't stop there though, with the remaining five songs keeping the tempo laden with dense interweaving rhythms, peaking on "Give Up the Funk (Tear the Roof Off the Sucker)."
    In the end, there's no questioning this album's impact, one that is still being felt via rap-induced aftershocks. In addition to its contemporary impact and continued longevity, the album was a massive success for Clinton and company upon its release in 1975, elevating the P-Funk collective to unparalleled heights in terms of audience. Some Parliament albums may be flawless, and others may be innovative, but this is the P-Funk zenith in more ways than one, perfect as well as perennial.

    Track listing
    01 - P. Funk (Wants To Get Funked Up)
    02 - Mothership Connection (Star Child)
    03 - Unfunky UFO
    04 - Supergroovalisticprosifunkstication
    05 - Handcuffs
    06 - Give Up The Funk (Tear The Roof Off The Sucker)
    07 - Night Of The Thumpasorus Peoples

    Produced and Conceived by George Clinton
    All tunes published by Malbiz and Ricks Music, Inc., BMI

    Band lineup
    VOCALS:
    George Clinton, Calvin Simon, Fuzzy Haskins, Raymond Davis,
    Grady Thomas, Gary Shider, Glen Goins, Bootsy Collins
    MUSICIANS:
    HORNS: Fred Wesley, Maceo Parker, Michael Brecker,
    Randy Brecker, Boom, Joe Farrell
    BASS: Bootsy Collins, Cordell Mosson
    GUITARS: Gary Shider, Michael Hampton, Glen Goins, Bootsy Collins
    DRUMS & PERCUSSION: Tiki Fulwood, Jerome Brailey,
    Bootsy Collins, Gary Cooper
    KEYBOARDS & SYNTHESIZERS: Bernie Worrell
    HORN ARRANGEMENTS: Fred Wesley, Bernie Worrell
    RHYTHM ARRANGEMENTS: Bootsy Collins, George Clinton
    EXTRATERRESTIAL VOICES & GOOD TIME HAND CLAPPERS: Gary Cooper,
    Debbie Edwards, Taka Kahn, Archie Ivy, Bryna Chimenti,
    Rasputin Boutte, Pam Vincent, Debra Wright and Sidney Barnes

    P-FUNK LABS: United Sound, Detroit.Michigan
    Hollywood Sound. Hollywood,Caliornia
    STIRRERS & BLENDERS: Jim Vitti- Detrolt, Ralph (Oops) Jim Callow-Hollywood
    MASTERED BY: Allen Zentz
    PHOTOGRAPHY BY: David Alexander
    ART DIRECTION & DESIGN BY: Gribbitt
    MANAGEMANT: R.S.A. 3


    SPECIAL THANKS: Cholly Bassoline, Ron Strassner, Robert Mittleman, Nick Byrne,
    Screwie, Bob Bishop, Chris, Ina Meibach, Arron Schechter, & "Pencil" Epstain.

    1975 Casablanca Records, Inc.


    Recording Procedure
    Recorded using a Linn Sondek LP12 turntable,
    Origin Live power supply,
    Linn Ittok LVII tonearm,
    Goldring 1042 MM Cartridge,
    into Graham Slee Gram Amp 2 Special Edition Phono Stage
    Chord Cobra 3 Interconnect
    to Edirol R-09HR @ 24bit / 96kHz wav
    Click Repair wav reverse - Declick 10
    wavelab5 for track splitting
    Adobe Audition 3.0 for manual click removal > flac

    Flac Frontend > wav
    iZotope RX advanced 1.21 for resampling and dithering to 16bit / 44.1kHz
    Flac Frontend - align on sector boundaries > flac

    No mirror links please, thanks.

    Rapidshare

    Redbook

    Part 1 | Part 2

    24/96
    Part 1
    Part 2
    Part 3
    Part 4
    Part 5


    I bought this in a bargain bin around '79-'80 along with Clones of Dr. Funkenstein (coming up next ;) )