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    Miles Davis - The Cellar Door Sessions 1970 (2005) [Repost]

    Posted By: delpotro
    Miles Davis - The Cellar Door Sessions 1970 (2005) [Repost]

    Miles Davis - The Cellar Door Sessions 1970 (2005) [Repost]
    EAC Rip | FLAC (tracks+log+.cue) - 2,13 Gb | MP3 CBR 320 kbps - 890 Mb | Covers included | 05:50:07
    Jazz Fusion | Label: Columbia Records

    The Cellar Door Sessions documents the great trumpeter-bandleader Davis at the helm of one of his most stimulating and electrifying groups. The sextet on The Cellar Door‘s bandstand – Davis, saxophonist Gary Bartz, Keith Jarret (playing electric organ and electric piano), Motown bassist Michael Henderson, drummer Jack DeJohnette, and percussionist Airto Moreira – is a sheer marvel of kinetic energy. And adding more visionary pyrotechnics is the blazing guitar of John McLaughlin. Every member of this Davis band has subsequently proved to be a major figure in jazz; in his own way, each has placed a highly personal stamp on improvisation during the past 35 years.

    In 1969, Miles told DownBeat‘s Don DeMichael, “I could put together the greatest f*&%$g rock band you ever heard.” Well, here it is – a band breaking on through to another side – the fearless and peerless territories of funkmeisters James Brown and Sly Stone, and rock deity Jimi Hendrix. The music on these six discs, running nearly six hours, adds up to a stunning document of the sonic cross-breeding spearheaded by Miles and his “children.”

    Bringing additional luster to this deluxe package are six highly-individual essays of four unforgettable nights by each of the men who, with their leader, were exploring the heavens and creating the music that elevates The Cellar Door.

    AllMusic Review by Thom Jurek
    When Miles Davis released Live-Evil in 1970, fans were immediately either taken aback or keenly attracted to its raw abstraction. It was intense and meandering at the same time; it was angular, edgy, and full of sharp teeth and open spaces that were never resolved. Listening to the last two CDs of The Cellar Door Sessions 1970, Sony's massive six-disc box set that documents six of the ten dates Davis and his band recorded during their four-day engagement at the fabled club, is a revelation now. The reason: it explains much of Live-Evil's live material with John McLaughlin.

    These discs finally reveal the crackling energy and deep-groove conscience that Miles Davis was seeking in his electric phase. First and most startling is that John McLaughlin only appears on the final two discs. The first four discs feature a new lineup, one with Keith Jarrett who, in a first for Davis in the electric era, was the lone keyboardist after Chick Corea's departure. Airto Moreira and Jack DeJohnette are holdovers from the Live at the Fillmore East and Tribute to Jack Johnson sessions, among other concerts and sets that have appeared on many different records, from Big Fun to Get Up with It to Directions. The new players here include Gary Bartz on alto and soprano saxophone (he replaced Steve Grossman), and 19-year-old bassist Michael Henderson – fresh out of Stevie Wonder's band – replacing Dave Holland.

    Davis was keen on having Columbia record his live sets, and pressured them to do so for these four nights, just a week before Christmas in 1970. This set is a solid look at what's in-the-can, since the vast majority of these tracks – three hours' worth of them – have never seen the light of day in any form. As Adam Holzman wonderfully states in his liner notes, this is truly the missing link between Bitches Brew and Dark Magus. This music reveals a truly muscular Miles Davis at the top of his form as an improviser and as a bandleader with the most intense and nearly mystical sense of the right place-the right time-the right lineup. These shows, played in a club instead of a concert hall, provided a virtual laboratory for possibilities Davis was exploring. The money for the gig was nearly non-existent compared to what he was used to making playing halls, so he paid the band out of his own pocket.

    The music here fades in with Joe Zawinul's "Directions." There is a five-note bass figure that repeats almost constantly throughout, offering DeJohnette a solid bass from which to enhance the groove and dance around. From the beginning, Davis is blowing his ass off, soloing furiously in the middle register. Jarrett is filling the space, playing both a Rhodes and an organ at the same time. When Bartz begins to solo on soprano, the deep, funky groove is well-established, giving the musicians room to dig in and let loose. Jarrett's solo is like a spaced-out Sly Stone, offering back the groove and then building on it like a man possessed. He matches both DeJohnette and Henderson with a slippery, utterly rhythmic sense of pure groove and then moves them somewhere else until Davis brings them back.

    Disc two opens with Jarrett, Henderson, and Airto locking horns in a ferocious groove on "What I Say" that has the members of the audience showing their appreciation with shouts of "Yeah!" and "Blow!" and "You Go!" Jarrett's solo at the beginning is unlike anything he has ever played – before or since. As they move through the set and get to "Inamorata," the gate to heaven and hell is wide open. The spaced-out blues in "Honky Tonk" reveals Davis' total mastery of the wah wah he employed in so much of his material of the time. "Inamorata" is wildly funky, dirty, and outright nasty in places. But the middle sections offer, as Bartz notes in his liner essay, the kinds of vocalese concepts that are reflected in his solo, Davis' solo, and in the actual voices of Airto and Henderson.

    What happens as the band plays each night is that the sense of adventure grows, while the utter relaxation and confidence in each member is carried through to Davis who pushes the buttons and in strange, nearly wordless ways, communicates what he wants on-stage, and the other players give it to him. There are so few rough moments here where someone drops a line or doesn't quite make it; when it does happen on that rare occasion, some other member picks it up and goes with it. And DeJohnette's drumming, in his virtual mind-lock with Henderson, is some of the best playing of his career.

    The final surprise is when McLaughlin joins the band for the final two discs – he came down on Saturday night after an invitation from Davis and had not rehearsed with the group at all. The first set is not here, so who knows what transpired, or how the band got comfortable with McLaughlin. But the final two sets are here, and what transpires is revelatory because one can hear what was missing on Live-Evil: melody. Teo Macero and Davis edited the melodies out for that release. The intensity begins quickly with "Directions" on disc five. Henderson is a bit tentative at first, but Jarrett eggs him on and soon enough he responds with a vengeance. Bartz carries the wave in his solo, and Airto is singing the groove in the back. McLaughlin fills the backdrop with big, ugly chordal figures until it's time for his solo, and then he simply goes for it, digging into that bassline and DeJohnette's circular groove and he just throws notes at them, gunshot-like in the cut, and then moves out enough to carry it all somewhere else. "Honky Tonk" meanders a bit, but when "What I Say" shows up it's all aggression, hard-edged dare, and daunt. It's almost a challenge to the audience because the playing is so fast and raw.

    Ultimately, on disc six, recorded in the third set later that evening, again it's "Directions" that gets the nod, but this time, in spite of the trance-like bassline in the tune and Davis' driving, whirlwind playing, Jarrett gets it spacey, sinister, dark, and strange. Bartz's solo comes from the blues and is in stark contrast to Davis', but when McLaughlin takes his cue, it's all knots and folds, razor-sharp and driven, torn between fun and free improvisation. The tension is killer; Bartz's storm of grace and rage in his solo, coming immediately before, throws McLaughlin off for a bit at the beginning of his own solo on "Inamorata," but he finds a place to walk the razor's edge and does just that. The box closes with a fine, freaky version of "It's About That Time," where Bartz goes back to the blues and Davis sinks into the melody of the tune and quiets everything to a hush, slowing it way, way down to a whispering finish.

    The Cellar Door Sessions set is like a combination of the Tribute to Jack Johnson set and the complete It's About That Time disc, with a watershed of information providing a complete bridge from one phase of that exploratory period in Davis' career to another. As Jarrett observes in his liner essay (each bandmember has one) after this date, Davis never played with a group as musically sophisticated again. And for all the ego displayed in stating this, one may tend to agree with him. Lavishly packaged and annotated, The Cellar Door Sessions is the last great reissue of the year 2005, and an essential testament to the genius Davis displayed in weaving together exploratory jazz, funk, and rock.
    Tracklist:
    CD One - Wednesday, December 16 [1st set]:
    01. Directions
    02. Yesternow
    03. What I Say
    04. Improvisation #1
    05. Inamorata

    CD Two - Thursday, December 17 [2nd set]:
    01. What I Say
    02. Honky Tonk
    03. It's About That Time
    04. Improvisation #2
    05. Inamorata
    06. Sanctuary

    CD Three - Friday, December 18 [2nd set]:
    01. Directions
    02. Honky Tonk
    03. What I Say

    CD Four - Friday, December 18 [3rd set]:
    01. Directions
    02. Honky Tonk
    03. What I Say
    04. Sanctuary
    05. Improvisation #3
    06. Inamorata

    CD Five - Saturday, December 19 [2nd set]:
    01. Directions
    02. Honky Tonk
    03. What I Say

    CD Six - Saturday, December 19 [3rd set]:
    01. Directions
    02. Improvisation #4
    03. Inamorata
    04. Sanctuary
    05. It's About That Time

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    Copy OK

    Track 6

    Filename C:\Users\onean\Desktop\Miles Davis - The Cellar Door Sessions (2005) [Flac] {CK 93614}\Disc 4\06 - Inamorata.wav

    Peak level 98.8 %
    Extraction speed 2.7 X
    Track quality 100.0 %
    Test CRC 879B9758
    Copy CRC 879B9758
    Accurately ripped (confidence 55) [E0AC3C34] (AR v2)
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.6

    [CTDB TOCID: z4ZOQ8zzJgbjnpMV9tXpuBm0XHU-] found
    Submit result: z4ZOQ8zzJgbjnpMV9tXpuBm0XHU- has been confirmed
    Track | CTDB Status
    1 | (136/136) Accurately ripped
    2 | (135/136) Accurately ripped
    3 | (135/136) Accurately ripped
    4 | (135/136) Accurately ripped
    5 | (136/136) Accurately ripped
    6 | (135/136) Accurately ripped


    ==== Log checksum CE6FDB0059790EEBB08B941A3153421538889F0E95E0B912B8413CD3D2D7FACF ====
    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 26. January 2019, 18:28

    Miles Davis / The Cellar Door Sessions 1970 (Disc5)

    Used drive : PLDS DVD+-RW DU-8A5LH Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:/Program Files (x86)/Exact Audio Copy/Flac/flac.exe
    Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 15:09.15 | 0 | 68189
    2 | 15:09.15 | 20:49.10 | 68190 | 161874
    3 | 35:58.25 | 21:31.25 | 161875 | 258724


    Track 1

    Filename C:\Users\onean\Desktop\Miles Davis - The Cellar Door Sessions (2005) [Flac] {CK 93614}\Disc 5\01 - Directions.wav

    Pre-gap length 0:00:02.00

    Peak level 100.0 %
    Extraction speed 3.7 X
    Track quality 100.0 %
    Test CRC 2C3FACD7
    Copy CRC 2C3FACD7
    Accurately ripped (confidence 54) [F3C71091] (AR v2)
    Copy OK

    Track 2

    Filename C:\Users\onean\Desktop\Miles Davis - The Cellar Door Sessions (2005) [Flac] {CK 93614}\Disc 5\02 - Honky Tonk.wav

    Peak level 99.0 %
    Extraction speed 4.8 X
    Track quality 100.0 %
    Test CRC 97158FC0
    Copy CRC 97158FC0
    Accurately ripped (confidence 53) [04BBA561] (AR v2)
    Copy OK

    Track 3

    Filename C:\Users\onean\Desktop\Miles Davis - The Cellar Door Sessions (2005) [Flac] {CK 93614}\Disc 5\03 - What I Say.wav

    Peak level 98.8 %
    Extraction speed 5.8 X
    Track quality 100.0 %
    Test CRC C0D8B6E0
    Copy CRC C0D8B6E0
    Accurately ripped (confidence 52) [1049FBDC] (AR v2)
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.6

    [CTDB TOCID: tZJ7anTjN8OJbTL0G4eCvAw8CIc-] found
    Submit result: tZJ7anTjN8OJbTL0G4eCvAw8CIc- has been confirmed
    Track | CTDB Status
    1 | (139/139) Accurately ripped
    2 | (138/139) Accurately ripped
    3 | (136/139) Accurately ripped


    ==== Log checksum 81929B43B88B9AC4985336DD7C4806C0D3AB828596373388E8A87A185ACC5E6D ====
    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 26. January 2019, 19:01

    Miles Davis / The Cellar Door Sessions 1970 (Disc 6)

    Used drive : PLDS DVD+-RW DU-8A5LH Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:/Program Files (x86)/Exact Audio Copy/Flac/flac.exe
    Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 19:04.65 | 0 | 85864
    2 | 19:04.65 | 5:03.50 | 85865 | 108639
    3 | 24:08.40 | 18:27.37 | 108640 | 191701
    4 | 42:36.02 | 2:12.50 | 191702 | 201651
    5 | 44:48.52 | 7:49.20 | 201652 | 236846


    Track 1

    Filename C:\Users\onean\Desktop\Miles Davis - The Cellar Door Sessions (2005) [Flac] {CK 93614}\Disc 6\01 - Directions [Live].wav

    Pre-gap length 0:00:02.00

    Peak level 98.8 %
    Extraction speed 3.8 X
    Track quality 100.0 %
    Test CRC 75933CE0
    Copy CRC 75933CE0
    Accurately ripped (confidence 53) [E3BA95BC] (AR v2)
    Copy OK

    Track 2

    Filename C:\Users\onean\Desktop\Miles Davis - The Cellar Door Sessions (2005) [Flac] {CK 93614}\Disc 6\02 - Improvisation #4 [Live].wav

    Peak level 91.4 %
    Extraction speed 4.2 X
    Track quality 100.0 %
    Test CRC 722A724B
    Copy CRC 722A724B
    Accurately ripped (confidence 54) [F6B87003] (AR v2)
    Copy OK

    Track 3

    Filename C:\Users\onean\Desktop\Miles Davis - The Cellar Door Sessions (2005) [Flac] {CK 93614}\Disc 6\03 - Inamorata [Live].wav

    Peak level 98.8 %
    Extraction speed 5.2 X
    Track quality 100.0 %
    Test CRC EE56CD34
    Copy CRC EE56CD34
    Accurately ripped (confidence 54) [0FA159D5] (AR v2)
    Copy OK

    Track 4

    Filename C:\Users\onean\Desktop\Miles Davis - The Cellar Door Sessions (2005) [Flac] {CK 93614}\Disc 6\04 - Sanctuary [Live].wav

    Peak level 98.8 %
    Extraction speed 4.6 X
    Track quality 100.0 %
    Test CRC 3E5440B4
    Copy CRC 3E5440B4
    Accurately ripped (confidence 54) [258095F9] (AR v2)
    Copy OK

    Track 5

    Filename C:\Users\onean\Desktop\Miles Davis - The Cellar Door Sessions (2005) [Flac] {CK 93614}\Disc 6\05 - It's About That Time [Live].wav

    Peak level 98.8 %
    Extraction speed 5.6 X
    Track quality 100.0 %
    Test CRC 131C4BFB
    Copy CRC 131C4BFB
    Accurately ripped (confidence 53) [A22AF160] (AR v2)
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.6

    [CTDB TOCID: i2rVndYlhZKb1LC_xe2U1DlJHkY-] found
    Submit result: i2rVndYlhZKb1LC_xe2U1DlJHkY- has been confirmed
    Track | CTDB Status
    1 | (135/135) Accurately ripped
    2 | (134/135) Accurately ripped
    3 | (134/135) Accurately ripped
    4 | (135/135) Accurately ripped
    5 | (132/135) Accurately ripped


    ==== Log checksum 81B1C66CFB0A2E0727C99224F62EAA1490BAFC718C2F2011F27F1260473436A1 ====

    Thanks to the Original ripper !