Raised on Radio is the ninth studio album by the American rock band Journey, released in May 1986 on the Columbia Records label. It is the only album to feature bassist Randy Jackson, bassist Bob Glaub and drummer Larrie Londin. The album spawned four top 40 singles in the US: "Girl Can't Help It" (No. 17), "Be Good to Yourself" (No. 9), "I'll Be Alright Without You" (No. 14), and "Suzanne" (No. 17). It went to No. 4 on the Billboard 200 chart, and it was certified double platinum in the USA.

For the Love of Strange Medicine is the second solo album by Steve Perry (ex-Journey singer).
Coming ten years after his first solo album, For the Love of Strange Medicine's lack of success was solid proof that a new decade had no room for Steve Perry's saccharine-induced love songs or makeup and breakup-styled gushiness, even if it was sculpted to sound more mature. "You Better Wait" was the lead single that managed a number 29 spot, mainly because Perry's voice soared throughout its entirety, proving he could still utilize his greatest asset. The rest of the album tries to blend Perry's romantic formula with pumped-up keyboard playing and manufactured rhythms, worsening any sincerity that may or may not have been there in the first place…

For the first time, one of the most iconic voices in rock sings eight holiday classics. The Season is Steve Perry's personal journey back to some of the best times of his life. Produced by Perry and longtime collaborator Thom Flowers with artwork by Jeff Wack.

In the fall of 2018, Rock and Roll Hall of Famer, Steve Perry made his long-awaited return with the release of TRACES, the legendary musician’s first new album in 25 years. The album’s personal expression of love, inspiration and renewal resonated with both critics and fans around the world, thrilled to have their ‘voice of a generation’ making new music once again.

Because of the strength of the number three single "Oh Sherrie," the rest of Steve Perry's first solo album was somewhat overlooked, even though it managed to put three other songs into the Top 40. Even with Journey's power ballad formula draping every runny lyric and mawkish keyboard stretch, Perry was able to make the album sound relatively steadfast and sincere all the while. "Oh Sherrie" deserves it's chart placing, accentuating Perry's vocal power, especially throughout the explosive chorus. Both "Foolish Heart" and "She's Mine" aren't as strong, but they do provide the same type of romantically florid appeal that made "Open Arms" and "Faithfully" hits for Journey, minus the sturdiness of his former band…