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Sitkovetsky Trio - Beethoven: Piano Trios, Vol. 2 (2023)

Posted By: delpotro
Sitkovetsky Trio - Beethoven: Piano Trios, Vol. 2 (2023)

Sitkovetsky Trio - Beethoven: Piano Trios, Vol. 2 (2023)
WEB FLAC (tracks) - 281 Mb | MP3 CBR 320 kbps - 192 Mb | Digital booklet | 01:20:20
Classical | Label: BIS

With the three piano trios, Op. 1, Ludwig van Beethoven took a genre still largely associated with salon music and raised it up to rival the string quartet. The works are innovative in form as well as in content. From this collection, the Trio in G major, Op. 1 No. 2, appears as a cheerful and engaging work. While it has been said that one could discern ‘the master’s happy youth […] still unclouded, light and frivolous’, hints of ‘the deep seriousness and tender intimacy that would follow’ can also be found.

Sitkovetsky Trio - Dvořák, Smetana, Suk: Piano Trios (2014)

Posted By: tirexiss
Sitkovetsky Trio - Dvořák, Smetana, Suk: Piano Trios (2014)

Sitkovetsky Trio - Dvořák, Smetana, Suk: Piano Trios (2014)
EAC | FLAC (image+.cue, log) | Covers Included | 73:11 | 327 MB
Genre: Classical | Label: BIS | Catalog: BIS-SACD-2059

If you’ve not previously heard of the Sitkovetsky Trio, it’s because this is the ensemble’s recording debut. Formed in 2007 by three young musicians who met at Menuhin School in England, the group won first prize at the International Commerzbank Chamber Music Award just one year later, and then the NORDMETALL Chamber Music Award at the Mecklenburg Vorpommern Festival one year after that in 2009.

Sitkovetsky Trio - Ravel & Saint-Saëns: Piano Trios (2021)

Posted By: Fizzpop
Sitkovetsky Trio - Ravel & Saint-Saëns: Piano Trios (2021)

Sitkovetsky Trio - Ravel & Saint-Saëns: Piano Trios (2021)
WEB FLAC (Tracks) 240 MB | Cover | 59:44 | MP3 CBR 320 kbps | 139 MB
Classical | Label: BIS

In 1892, when Camille Saint-Saëns started on his Piano Trio No. 2, almost 30 years had passed since his first, widely celebrated work in the genre, his Op. 18. In the meantime the composer had come to be regarded as hopelessly old-fashioned by many of his colleagues. In writing the trio, Saint-Saëns remained true to his principles as a composer, striving for balance and clarity and avoiding the chromaticism that had become so prevalent in the wake of Wagner. It is nevertheless an unexpectedly personal work, cast, in the unusual form of a symmetrical arch in five parts: two substantial and dramatic Allegros frame three shorter movements, without a proper scherzo or a true slow movement.