Roderick Williams heads up the cast for this new recording of Delius' A Mass of Life with the Bergen Philharmonic, conducted by Sir Mark Elder. Accompanied by soloists Gemma Summerfield, Claudia Huckle and Bror Magnus Todenes, the Bergen Philharmonic Choir and Edvard Grieg Kor join Collegium Musicum Choir to complete the tour de force needed to perform and record this monumental work.

This is a relatively new venture for the outstandingly imaginative recording outfit that is Opera Rara. The label's fifty-fourth recording sees them venturing on an uncompleted work by Donizetti, the composer they love the most. The composer had decamped from Naples to Paris when the censors, on the king’s personal instructions, banned his opera Poliuto.

This album represents the culmination of what leading British baritone Roderick Williams described as ‘a dream come true’. It features premiere recordings of his orchestrations of songs by Vaughan Williams and other composers associated with him and is released to commemorate those who perished in WWI.

Her second album explodes from the speakers with Leonore's aria from Fidelio, the role which bowled over critics in March 2020: "She will surely be the outstanding Leonore of the next generation." Financial Times. Presenting some of the great operatic heroines from the German and Italian repertoire: Verdi's Leonora from La forza del destino, Cherubini's Medea, and Santuzza in Cavalleria rusticana further demonstrating her versatility. Featuring Wagner's five Wesendonck Lieder which has become a signature piece for Lise and which affords us a glimpse of her future Isolde. Recorded in lockdown with the London Philharmonic Orchestra and the doyen of British opera conductors, Sir Mark Elder.

Fantasio is considered one of Offenbach’s most beautiful and refined works. A heady cocktail of charm, gracefulness and gentle melancholy, of bad-tempered jokes and poetry, Fantasio marks the crucial step in Offenbach’s path towards The Tales of Hoffmann. Among the least known of Offenbach’s works it received only 10 performances following its very brief run in Paris in 1872 before it was dropped from the repertoire. This recording marks the world premiere studio recording of the complete opera using the new critical edition by Jean-Christophe Keck.

British orchestras and their audiences have long held a special affinity for the orchestral works of Jean Sibelius, and the Hallé's venerable tradition of playing his music continues in this superb recording of the Symphony No. 5 in E flat major, the Symphony No. 7 in C major, and the symphonic poem En Saga. Mark Elder's straightforward interpretations are clear-headed and meticulous yet intensely passionate, and the orchestra responds to his direction by digging deep and playing with a commitment that is nearly perceptible. These symphonies and En Saga are representative of Sibelius' mature style, so their deliberate pacing and steady unfolding of motives into organic developments over long time spans require attentive listening, but the clarity of Elder's readings makes the progress of the music easy to follow. Add to this the exceptional reproduction, which brings out every detail with crispness, and presents the Hallé's warm and rich sonorities with credible presence, and the end result is a nearly ideal presentation of Sibelius' music.

The Hallé and Sir Mark Elder follow their previous highly acclaimed Debussy albums, with a stunning orchestral collection including a world premiere recording. Album includes the hugely popular Prélude a L’après-midi d’un faune, alongside the orchestral tour de force Images, a work which fully displays the composer’s mastery, and the world premiere recording of Colin Matthew’s orchestration of Et la lune descend sur le temple qui fut, from the 2nd Book of Images for piano.