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Ulrike Heider, Schola Gothia, Kimberly Marshall - Celebrating Notre Dame (2021)

Posted By: ciklon5
Ulrike Heider, Schola Gothia, Kimberly Marshall - Celebrating Notre Dame (2021)

Ulrike Heider, Schola Gothia, Kimberly Marshall - Celebrating Notre Dame (2021)
FLAC tracks/ MP3 320 kbps | 01:14:03 | 269 / 169 Mb
Genre: Classical / Label: Loft

Internationally acclaimed recitalist Kimberly Marshall performs a musical celebration of Notre Dame (Paris) on the largest mean-tone organ in the world, the North German Baroque organ in Gothenburg, Sweden. Schola Gothia, the renowned women's choir, joins her in music honoring the Virgin Mary.

Pamela Decker - Decker Plays Decker, Vol. 5: Tributes (2020)

Posted By: varrock
Pamela Decker - Decker Plays Decker, Vol. 5: Tributes (2020)

Pamela Decker - Decker Plays Decker, Vol. 5: Tributes (2020)
WEB FLAC (tracks+booklet) - 221 MB | Tracks: 12 | 58:01 min
Style: Classical | Label: Loft Recordings

This fifth volume in the series Decker Plays Decker includes the premier recording of "The Seven Last Words and Triumph of Christ" - played by Doug Cleveland. Edward Landin Senn plays Decker's Praeludium and Decker plays her own Fantasy on the name of Roy Andrew Johnson. Also included is a beautiful "Meditation" by Decker's husband, Ken Yull. All performance on the Flentrop organ of Saint Mark's Cathedral (Seattle).

Christa Rakich - A Tribute to Yuko Hayashi (2020)

Posted By: varrock
Christa Rakich - A Tribute to Yuko Hayashi (2020)

Christa Rakich - A Tribute to Yuko Hayashi (2020)
WEB FLAC (tracks+booklet) - 296 MB | Tracks: 14 | 74:56 min
Style: Classical | Label: Loft Recordings

This is the first recording of Richards, Fowkes opus 16. It is located in Goodson Chapel at the Duke University Divinity School. The chapel space presents a warm acoustical environment, allowing the organ to project a solid but unforced sound. The new organ is a gem among the extraordinary collection of organs at Duke. “Yuko Hayashi (1929-2018) taught me how to reach graciously into the hearts of listeners. She taught me how touch could shape a phrase, how variety in attack and release could make the organ “speak,” how to manage wind, how to make a room seem larger and more reverberant.” (Christa Rakich) Christa Rakich is Visiting Professor of Organ at Oberlin Conservatory in Ohio.