After his stint with Jethro Tull and as the wave of new romantic pop groups were taking control of the airwaves, Eddie Jobson entered the studio to record his first solo album, known as Zinc, although it was meant to be titled "The Green Album" and billed to the band name "Zinc" - the record company messed things up quite a bit. This is an honest effort of when-prog rock-meets-synth pop. The songs are often better than Drama-era Yes and turn-of-the-'80s FM or Saga. In terms of writing and production, it sounds like Jobson is emulating Rupert Hine, whose art-pop gem Immunity came out two years before Zinc. Jobson handles all keyboards, vocals, and electric violin. Alon Oleartchik and Jerry Watts split bass duties, Michael Barsimanto supplies very early-'80s-sounding drum tracks (cold and square)…

Edwin "Eddie" Jobson is an English keyboardist and violinist noted for his use of synthesizers. He has been a member of several progressive rock bands, including Curved Air, Roxy Music, UK, Jethro Tull and (very briefly) Yes. "Theme of Secrets" is his second solo album. "Theme of Secrets" contains very dreamy electronic tracks, showing evidence of progressive elements, although there are no drums, no guitars, no violins and no bass: actually this record could be a reference when it is time to define what is progressive New Age. He uses state-of-the-art technology for the year, on the occurrence the synclavier: it gives multi-layered, mystic, mysterious, melancholic and nostalgic tracks, with just a small amount of never frightening darkness. Jobson creates here atmospheric & ethereal textures through symphonic and melodic sequenced patterns.