![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/7d/c6/0075c67d_medium.jpg)
Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]
![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/7d/c6/0075c67d.jpg)
Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]
R&B, Soul/Funk, Disco | EAC Rip | FLAC, Img+CUE+LOG+Scans (JPEG) | 49:42 | 359,24 Mb
Label: Big Break Records (UK) | Cat.# CDBBR 0106 | Released: 2012-03-13 (1978)
R&B, Soul/Funk, Disco | EAC Rip | FLAC, Img+CUE+LOG+Scans (JPEG) | 49:42 | 359,24 Mb
Label: Big Break Records (UK) | Cat.# CDBBR 0106 | Released: 2012-03-13 (1978)
![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/c1/39/001d39c1_medium.gif)
Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]
![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/c1/39/001d39c1.gif)
The album "Thelma Jones" was released in 1978 and featured the single alongside "I Can Dream" written by Leon Ware, "Lonely Enough To Try Anything", penned by Sam Dees and the popular rare groove tune "How Long", written by Len Ron Hanks and Zane Grey.
![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/80/c6/0075c680_medium.jpg)
Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]
![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/80/c6/0075c680.jpg)
Later renamed "Salty Tears" after the album's most successful track, Jones' style of singing lies between southern and urban soul. In the vein of Dorothy Moore's "Misty Blue," Jones' "Salty Tears" paved the same path and initially gave indications of charting as high as Moore's classic before unexplainably dropping from contention. Two similar ballads, "Stay Awhile With Me" and "Lonely Enough to Try Anything," sung in Jones' controlled alto, follow a similar and less exciting pattern as "Salty." An attempt at something familiar, the Miracles' "I Second That Emotion," is unimpressive, Thelma's straightforward style is too staid to flow coherently with the syncopated, hesitating melody. A rendition of the O'Jays' "Now That We Found Love" fares better as the North Carolina native is able to connect with the rhythm for a credible vocal. An unremarkable collection, but one that won't embarrass her when she plays it for family and friends and tell of her years as a recording artist to wide-eyed nieces, nephews, and cousins.
~Review by Andrew Hamilton
![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/7e/c6/0075c67e_medium.jpg)
Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]
![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/7e/c6/0075c67e.jpg)
![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/7f/c6/0075c67f_medium.jpg)
Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]
![Thelma Jones - Thelma Jones (1978) [2012, Remastered & Expanded Edition]](https://pixhost.icu/avaxhome/7f/c6/0075c67f.jpg)
Release of the album: 1978 [LP Columbia Records, Cat.# JC-35485, USA]
Release of this CD: 2012, March, 13 [CD Big Break Records (UK), Cat.# CDBBR 0106 / UPC: 5013929040632]
℗ 1978 Sony Music Entertainment UK Ltd.
This compilation ℗&© 2012 Big Break Records.
All tracks licensed from Sony Music Entertainment UK Ltd.
Marketed & Distributed by Cherry Red Records.
Made in EC/MCPS
Credits:
Backing Vocals – Brenda White, Gwen Guthrie, Ullanda McCullough
Bass – Bob Babbitt
Congas – Jimmy Mallin
Drums – Jimmy Young
Engineer [Mastering] – Joe Gastwirt
Engineer [Recording] – Douglas Epstein, Godfrey Diamond, Harvey Goldberg, Neil Ceppos
Guitar – Jeff Mirinov, Kenneth Hatfield, Lance Quinn
Keyboards – Bert DeCoteaux, Bert Keyes, Leon Pendarvis
Producer, Arranged By – Bert DeCoteaux (tracks: 1 to 9, 12, 13), Brad Shapiro (tracks: 10, 11)
Tracklist:
01. I Second That Emotion (03:56)
(W. Robinson / A. Cleveland)
02. Lonely Enough To Try Anything (03:29)
(S. Dees)
03. Now That We’ve Found Love (04:55)
(K. Gamble / L. Huff)
04. Angel Of The Morning (03:58)
(C. Taylor)
05. I Can Dream (03:55)
(L. Ware / H. Payne)
06. How Long (03:29)
(L. R. Hanks / Z. Grey)
07. Stay Awhile With Me (04:24)
(V. McCoy / J. Bobb)
08. I'd Rather Leave While I'm in Love (03:50)
(C. B. Sager / P. Allen)
09. I Want What You Want (04:10)
(S. Dees)
10. Salty Tears (03:38)
(T. Randazzo / V. Pike)
Bonus Tracks:
11. You're The Song (That I Can't Stop Singing) (02:48) /Columbia Single #3-10403-B, 1976/
(G. Gold / T. Rivers)
12. Love, Look What You Got Me Into (03:38) /Columbia Single #3-10675, 1978/
(S. Dees)
13. I Second That Emotion (Single Version) (03:27) /Columbia Single #3-10814, 1978/
(W. Robinson / A. Cleveland)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 27. August 2014, 21:25
Thelma Jones / Thelma Jones
Used drive : ATAPI DVD DW 8X16X8X16 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 618
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:56.60 | 0 | 17759
2 | 3:56.60 | 3:29.67 | 17760 | 33501
3 | 7:26.52 | 4:55.34 | 33502 | 55660
4 | 12:22.11 | 3:58.15 | 55661 | 73525
5 | 16:20.26 | 3:55.24 | 73526 | 91174
6 | 20:15.50 | 3:29.23 | 91175 | 106872
7 | 23:44.73 | 4:24.37 | 106873 | 126709
8 | 28:09.35 | 3:50.16 | 126710 | 143975
9 | 31:59.51 | 4:10.19 | 143976 | 162744
10 | 36:09.70 | 3:38.54 | 162745 | 179148
11 | 39:48.49 | 2:48.13 | 179149 | 191761
12 | 42:36.62 | 3:38.22 | 191762 | 208133
13 | 46:15.09 | 3:27.56 | 208134 | 223714
Range status and errors
Selected range
Filename C:\BlondStyle\Thelma Jones - Thelma Jones.wav
Peak level 96.6 %
Extraction speed 7.6 X
Range quality 100.0 %
Test CRC 64F6A5A0
Copy CRC 64F6A5A0
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [DFF83161] (AR v2)
Track 2 accurately ripped (confidence 2) [06770AFD] (AR v2)
Track 3 accurately ripped (confidence 2) [9287148E] (AR v2)
Track 4 accurately ripped (confidence 2) [47FAEB68] (AR v2)
Track 5 accurately ripped (confidence 2) [EC972C54] (AR v2)
Track 6 accurately ripped (confidence 2) [B8D7B596] (AR v2)
Track 7 accurately ripped (confidence 2) [5B5367EF] (AR v2)
Track 8 accurately ripped (confidence 2) [5431654A] (AR v2)
Track 9 accurately ripped (confidence 2) [AE5BAF4F] (AR v2)
Track 10 accurately ripped (confidence 2) [DF830032] (AR v2)
Track 11 accurately ripped (confidence 2) [D0B6068E] (AR v2)
Track 12 accurately ripped (confidence 2) [D503FD70] (AR v2)
Track 13 accurately ripped (confidence 2) [8739F676] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 1D29E42C0FCAE0BFE4B9F66E7B95C0CC3D2DF6CD4693262E824C7B7DB4E906E8 ====
EAC extraction logfile from 27. August 2014, 21:25
Thelma Jones / Thelma Jones
Used drive : ATAPI DVD DW 8X16X8X16 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 618
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:56.60 | 0 | 17759
2 | 3:56.60 | 3:29.67 | 17760 | 33501
3 | 7:26.52 | 4:55.34 | 33502 | 55660
4 | 12:22.11 | 3:58.15 | 55661 | 73525
5 | 16:20.26 | 3:55.24 | 73526 | 91174
6 | 20:15.50 | 3:29.23 | 91175 | 106872
7 | 23:44.73 | 4:24.37 | 106873 | 126709
8 | 28:09.35 | 3:50.16 | 126710 | 143975
9 | 31:59.51 | 4:10.19 | 143976 | 162744
10 | 36:09.70 | 3:38.54 | 162745 | 179148
11 | 39:48.49 | 2:48.13 | 179149 | 191761
12 | 42:36.62 | 3:38.22 | 191762 | 208133
13 | 46:15.09 | 3:27.56 | 208134 | 223714
Range status and errors
Selected range
Filename C:\BlondStyle\Thelma Jones - Thelma Jones.wav
Peak level 96.6 %
Extraction speed 7.6 X
Range quality 100.0 %
Test CRC 64F6A5A0
Copy CRC 64F6A5A0
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [DFF83161] (AR v2)
Track 2 accurately ripped (confidence 2) [06770AFD] (AR v2)
Track 3 accurately ripped (confidence 2) [9287148E] (AR v2)
Track 4 accurately ripped (confidence 2) [47FAEB68] (AR v2)
Track 5 accurately ripped (confidence 2) [EC972C54] (AR v2)
Track 6 accurately ripped (confidence 2) [B8D7B596] (AR v2)
Track 7 accurately ripped (confidence 2) [5B5367EF] (AR v2)
Track 8 accurately ripped (confidence 2) [5431654A] (AR v2)
Track 9 accurately ripped (confidence 2) [AE5BAF4F] (AR v2)
Track 10 accurately ripped (confidence 2) [DF830032] (AR v2)
Track 11 accurately ripped (confidence 2) [D0B6068E] (AR v2)
Track 12 accurately ripped (confidence 2) [D503FD70] (AR v2)
Track 13 accurately ripped (confidence 2) [8739F676] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 1D29E42C0FCAE0BFE4B9F66E7B95C0CC3D2DF6CD4693262E824C7B7DB4E906E8 ====
––––––––––––––––––––––––––––––––––––––––
Analyzed: Thelma Jones / Thelma Jones
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.30 dB -12.22 dB 3:57 01-I Second That Emotion
DR10 -0.30 dB -12.29 dB 3:30 02-Lonely Enough To Try Anything
DR10 -0.30 dB -11.22 dB 4:55 03-Now That We've Found Love
DR10 -0.30 dB -12.26 dB 3:58 04-Angel Of The Morning
DR10 -0.30 dB -12.09 dB 3:55 05-I Can Dream
DR11 -0.30 dB -12.42 dB 3:29 06-How Long
DR10 -0.30 dB -11.99 dB 4:24 07-Stay Awhile With Me
DR10 -0.30 dB -12.24 dB 3:50 08-I'd Rather Leave While I'm In Love
DR10 -0.30 dB -12.15 dB 4:10 09-I Want What You Want
DR9 -0.30 dB -11.90 dB 3:39 10-Salty Tears
DR9 -0.30 dB -11.36 dB 2:48 11-You're The Song (That I Can't Stop Singing) (Bonus Track)
DR10 -0.30 dB -12.23 dB 3:38 12-Love, Look What You Got Me Into (Bonus Track)
DR11 -0.30 dB -12.30 dB 3:28 13-I Second That Emotion (Single Version) (Bonus Track)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 13
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 900 kbps
Codec: FLAC
================================================================================
Analyzed: Thelma Jones / Thelma Jones
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.30 dB -12.22 dB 3:57 01-I Second That Emotion
DR10 -0.30 dB -12.29 dB 3:30 02-Lonely Enough To Try Anything
DR10 -0.30 dB -11.22 dB 4:55 03-Now That We've Found Love
DR10 -0.30 dB -12.26 dB 3:58 04-Angel Of The Morning
DR10 -0.30 dB -12.09 dB 3:55 05-I Can Dream
DR11 -0.30 dB -12.42 dB 3:29 06-How Long
DR10 -0.30 dB -11.99 dB 4:24 07-Stay Awhile With Me
DR10 -0.30 dB -12.24 dB 3:50 08-I'd Rather Leave While I'm In Love
DR10 -0.30 dB -12.15 dB 4:10 09-I Want What You Want
DR9 -0.30 dB -11.90 dB 3:39 10-Salty Tears
DR9 -0.30 dB -11.36 dB 2:48 11-You're The Song (That I Can't Stop Singing) (Bonus Track)
DR10 -0.30 dB -12.23 dB 3:38 12-Love, Look What You Got Me Into (Bonus Track)
DR11 -0.30 dB -12.30 dB 3:28 13-I Second That Emotion (Single Version) (Bonus Track)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 13
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 900 kbps
Codec: FLAC
================================================================================