Staatskapelle Weimar, Jesko Sirvend, Liv Migdal, Ofer Canetti, Sebastian Manz - Paul Ben-Haim: Orchestral & Chamber Music
Staatskapelle Weimar, Jesko Sirvend, Liv Migdal, Hagar Sharvit, Ofer Canetti, Sebastian Manz, Theo Plath, Daniel Gerzenberg - Paul Ben-Haim: Orchestral & Chamber Music (2025)
FLAC (tracks), Lossless | 2:21:51 | 651 Mb
Genre: Classical
FLAC (tracks), Lossless | 2:21:51 | 651 Mb
Genre: Classical
Weimar Staatskapelle With ancestry stretching back to late medieval times, the Staatskapelle Weimar has deeper roots than almost any other German musical ensemble. Like many other German orchestras active in the 18th and 19th centuries, it has been associated with a theater, the present-day Deutsches Nationaltheater in Weimar. The orchestra started life well before that, in 1482, as the Herzoglichen Hofkapelle or Ducal Court Ensemble. As Weimar evolved into the capital of an electorate of the Holy Roman Empire and then into a major cultural center, the ensemble was renamed the Weimar Staatskapelle (Weimar State Ensemble) and finally the Staatskapelle Weimar. Its membership roster down through the centuries includes perhaps a greater concentration of talent than any other ensemble: Hermann Schein was a member of the orchestra; Bach was its organist and Kapellmeister, as was Johann Nepomuk Hummel. Franz Liszt was Kapellmeister from 1842 to 1858, and his championing of Wagner and other progressive composers put the Staatskapelle at the center of European musical life. Richard Strauss was a vice-Kapellmeister in the late 1880s and early 1890s. Holders of the title of Kapellmeister in the 20th century included Peter Raabe, Ernst Praetorius, who departed in 1933 because his wife was Jewish, and Paul Sixt, one of the performers in Hitler's concert of Entartete Kunst. After the war, the orchestra's music directors have included Hermann Abendroth, Gerhard Pflüger, Hans-Peter Frank, George Alexander Albrecht, Jac van Steen (the orchestra's first non-German conductor), Carl St. Clair (an American), Stefan Solyom from Sweden, and, since 2016, the Ukrainian Kirill Karabits. The Staatskapelle Weimar continues to fulfill its role of accompanying dramatic productions; two operas, Purcell's Dido and Aeneas and Leonard Bernstein's Candide, were staged during its 2018 season. The orchestra continues to perform in the Main House (Großes Haus) of the Nationaltheater, adorned in the front by a monument showing Goethe and Schiller that inspired replicas and imitations throughout the German diaspora, including in several cities in the United States.
Track List:
CD1
01. Yizkor – Poem for violin and orchestra
02. Three Songs Without Words for violin und 12 strings I. Arioso
03. Three Songs Without Words for violin and 12 strings II. Ballad
04. Three Songs Without Words for violin and 12 strings III. Sephardic Melody
05. Arabic Song for violin and piano
06. Berceuse Sfaradite for violin and piano
07. Dance and Invocation for orchestra
08. Three Songs Without Words for bassoon and 12 strings I. Arioso
09. Three Songs Without Words for bassoon and 12 strings II. Ballad
10. Three Songs Without Words for bassoon and 12 strings III. Sephardic Melody
11. Kochav nofal (A star fell) Three songs for mezzo soprano and piano, I. My Mind Wasn’t Set on the Matter
12. Kochav nofal (A star fell) Three songs for mezzo soprano and piano, II. A Star Fell
13. Kochav nofal (A star fell) Three songs for mezzo soprano and piano, III. At Sundown
CD2
14. To the Chief Musician for orchestra
15. Three Songs Without Words for violoncello and piano I. Arioso
16. Three Songs Without Words for violoncello and piano II. Ballad
17. Three Songs Without Words for violoncello and piano III. Sephardic Melody
18. Bat Yonim for mezzo soprano and piano
19. Five Melodies From The East for mezzo soprano and piano I. Ani Tzame
20. Five Melodies From The East for mezzo soprano and piano II. Kumi Tz’i
21. Five Melodies From The East for mezzo soprano and piano III. Im Nin’alu Dalte’i Nedivim
22. Five Melodies From The East for mezzo soprano and piano IV. Tiyelu Kichwassim
23. Five Melodies From The East for mezzo soprano and piano V. EloheʼI Tsidki
24. Interpretation of Bach’s Choral Prelude for orchestra
25. Two Easy Pieces for violin and piano I. Tale
26. Two Easy Pieces for violin and piano II. Small parade
27. Three Songs Without Words for clarinet and piano I. Arioso
28. Three Songs Without Words for clarinet and piano II. Ballad
29. Three Songs Without Words for clarinet and piano III. Sephardic Melody
30. Three Studies for violin solo I. Vivo
31. Three Studies for violin solo II. Fuga
32. Three Studies for violin solo III. Presto e molto leggiero
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
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FILE: 2.11. Interpretation of Bach’s Choral Prelude for orchestra.flac
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Copyright © 2004 Alexander Djourik. All rights reserved.
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