Tags
Language
Tags
May 2025
Su Mo Tu We Th Fr Sa
27 28 29 30 1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Soft Machine - Seven (1973) [Reissue 2007]

    Posted By: gribovar
    Soft Machine - Seven (1973) [Reissue 2007]

    Soft Machine - Seven (1973) [Reissue 2007]
    EAC Rip | WavPack (image+.cue+log) - 238 MB | MP3 CBR 320 kbps (LAME 3.93) - 102 MB | Covers - 139 MB
    Genre: Progressive/Jazz Rock | RAR 3% Rec. | Label: Sony BMG Music (82876872922)

    Soft Machine's revolving door of personnel changes continued with 1973's Seven, the last Softs album with a numbered title and also the last released by Columbia. Bassist Hugh Hopper was gone, replaced by Roy Babbington, a guest musician on 1971's Fourth who had played bass with Nucleus. Two other Nucleus alumni, keyboardist/reedman Karl Jenkins and drummer John Marshall, were on board as well, and since keyboardist/composer Mike Ratledge was now the band's only founding member (actually, Hopper wasn't an original member either, having replaced Kevin Ayers for Volume Two), the group's links to their early years seemed increasingly tenuous - and would become more so. Yet when Jenkins had joined the group prior to Six, following the departure of saxophonist Elton Dean, he seemed to bring an intuitive grasp of how Soft Machine could continue moving forward in the band's jazz-rock years while retaining touchstones to the past. A less assertive saxophonist than Dean, Jenkins played multiple reeds but didn't really match Dean as an improviser; his main contributions in the future would be as keyboardist and composer in the ever-evolving Soft Machine style of jazz-rock. And on Seven, he penned seven of the album's 12 tracks, beginning to assume the band leadership role that Ratledge - who composed four tracks - shied away from. With Jenkins edging closer to the band's creative center, the Softs forged ahead with their riff- and ostinato-based music, keyboard and reed melodies intersecting at unexpected angles with streamlined yet often odd-metered bass and drums, all flowing forward with muted, spacy sonorities and sometimes hypnotic repetition (and, of course, bridges or codas of echoing keyboard loops).

    Ratledge composed a trio of connected tracks for Seven, a mini-suite beginning with the modal 9/8 "Day's Eye," including a solo feature for him to cut loose with his patented fuzz organ tone, bridging through the brief burst of "Bone Fire" (which puts Jenkins through his paces on baritone sax) to the truly heavy "Tarabos," its bass/keyboard vamp pulling upward and resolving at skewed points along an 18-beat sequence while Jenkins solos wildly with a signal splitter on his horn. But Jenkins sets the album's pace, beginning with the upbeat fuzzy riffing of the opening "Nettle Bed" and the drifting, dreamy "Carol Ann" through his own suite of connected tracks during the second half, including the trance-inducing "Penny Hitch," the full-throttle "Block" (building to an abrupt staccato unison conclusion), and the comparatively relaxed 5/4 vamp of "Down the Road" (featuring a fine arco acoustic bass solo from Babbington). The album ends with three minutes of spacy looping keyboards, split in two with the first part, "The German Lesson," credited to Ratledge as composer and the second part, "The French Lesson," credited to Jenkins, but there is no discernable division or musical difference between them - no doubt intended as a joke, but also an apt comment on the passing of the torch during Soft Machine's '70s jazz-rock years.

    Tracklist:
    01. Nettle Bed
    02. Carol Ann
    03. Day's Eye
    04. Bone Fire
    05. Tarabos
    06. D.I.S.
    07. Snodland
    08. Penny Hitch
    09. Block
    10. Down The Road
    11. The German Lesson
    12. The French Lesson

    Total time: 43:16

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 29. July 2012, 14:48

    Soft Machine / Seven

    Used drive : HL-DT-STBDDVDRW GBC-H20N Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\wavpack.exe
    Additional command line options : -hm %source% %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 4:51.16 | 0 | 21840
    2 | 4:51.16 | 3:45.03 | 21841 | 38718
    3 | 8:36.19 | 5:03.23 | 38719 | 61466
    4 | 13:39.42 | 0:35.47 | 61467 | 64138
    5 | 14:15.14 | 4:27.71 | 64139 | 84234
    6 | 18:43.10 | 3:04.13 | 84235 | 98047
    7 | 21:47.23 | 1:51.58 | 98048 | 106430
    8 | 23:39.06 | 6:38.44 | 106431 | 136324
    9 | 30:17.50 | 4:18.48 | 136325 | 155722
    10 | 34:36.23 | 5:44.25 | 155723 | 181547
    11 | 40:20.48 | 1:51.62 | 181548 | 189934
    12 | 42:12.35 | 1:03.38 | 189935 | 194697


    Range status and errors

    Selected range

    Filename I:\Music\Canterbury scene\Soft Machine\Soft.Machine-Discography.1968-2010.FLAC.CUE.Lossless\1 - Studio\07 - Seven\Soft Machine - Seven.wav

    Peak level 98.8 %
    Extraction speed 5.8 X
    Range quality 100.0 %
    Test CRC C2EB6946
    Copy CRC C2EB6946
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 2) [F422AA53] (AR v2)
    Track 2 accurately ripped (confidence 3) [F5AD294C] (AR v2)
    Track 3 accurately ripped (confidence 3) [C75F5481] (AR v2)
    Track 4 accurately ripped (confidence 3) [C25E9E4D] (AR v2)
    Track 5 accurately ripped (confidence 3) [BA1F34A7] (AR v2)
    Track 6 accurately ripped (confidence 3) [CED1535D] (AR v2)
    Track 7 accurately ripped (confidence 3) [246D632E] (AR v2)
    Track 8 accurately ripped (confidence 3) [FA7ADF7C] (AR v2)
    Track 9 accurately ripped (confidence 3) [ECB31ED7] (AR v2)
    Track 10 accurately ripped (confidence 3) [EB5BFB39] (AR v2)
    Track 11 accurately ripped (confidence 3) [58C36C38] (AR v2)
    Track 12 accurately ripped (confidence 3) [BE78EB4D] (AR v2)

    All tracks accurately ripped

    End of status report

    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: wWZdE6F1Go5jsN0S389rZzXgQsw-] found, Submit result: wWZdE6F1Go5jsN0S389rZzXgQsw- has been confirmed
    [f9416caa] (26/26) Accurately ripped


    ==== Log checksum 51FBB1E9745AF364DD47F33F2E6B6977617C76A9AA4F40165B28FBA7293B9795 ====

    [CUETools log; Date: 08.01.2024 18:43:50; Version: 2.1.4]
    [CTDB TOCID: wWZdE6F1Go5jsN0S389rZzXgQsw-] found.
    Track | CTDB Status
    1 | (428/430) Accurately ripped
    2 | (427/430) Accurately ripped
    3 | (427/430) Accurately ripped
    4 | (427/430) Accurately ripped
    5 | (427/430) Accurately ripped
    6 | (428/430) Accurately ripped
    7 | (427/430) Accurately ripped
    8 | (427/430) Accurately ripped
    9 | (428/430) Accurately ripped
    10 | (427/430) Accurately ripped
    11 | (426/430) Accurately ripped
    12 | (427/430) Accurately ripped
    [AccurateRip ID: 00145775-00bc9d72-970a230c] found.
    Track [ CRC | V2 ] Status
    01 [86b635a2|f422aa53] (015+064/227) Accurately ripped
    02 [1106b0ab|f5ad294c] (015+065/227) Accurately ripped
    03 [9845a8ab|c75f5481] (015+065/227) Accurately ripped
    04 [3cc5e83c|c25e9e4d] (015+065/226) Accurately ripped
    05 [d9ac1fd4|ba1f34a7] (015+065/227) Accurately ripped
    06 [3af0a300|ced1535d] (015+065/226) Accurately ripped
    07 [090e1fac|246d632e] (015+065/227) Accurately ripped
    08 [2980d3e3|fa7adf7c] (015+065/227) Accurately ripped
    09 [7a00ac7c|ecb31ed7] (015+065/227) Accurately ripped
    10 [3f01e59f|eb5bfb39] (015+065/228) Accurately ripped
    11 [f3552b7e|58c36c38] (015+065/227) Accurately ripped
    12 [8252dbc8|be78eb4d] (014+065/226) Accurately ripped
    Offsetted by 12:
    01 [a1dbe8ee] (014/227) Accurately ripped
    02 [78125374] (014/227) Accurately ripped
    03 [5d4b06d4] (014/227) Accurately ripped
    04 [82ae628a] (014/226) Accurately ripped
    05 [938396d6] (014/227) Accurately ripped
    06 [2f851f7a] (014/226) Accurately ripped
    07 [253b8db3] (014/227) Accurately ripped
    08 [61d0b20a] (014/227) Accurately ripped
    09 [196cd94e] (014/227) Accurately ripped
    10 [1254eb42] (014/228) Accurately ripped
    11 [2675cd5b] (014/227) Accurately ripped
    12 [13a0bb24] (014/226) Accurately ripped
    Offsetted by 6:
    01 [14490f48] (000/227) No match (V2 was not tested)
    02 [8f8ab941] (000/227) No match (V2 was not tested)
    03 [e2971250] (000/227) No match (V2 was not tested)
    04 [f10ef724] (000/226) No match (V2 was not tested)
    05 [2d647f42] (000/227) No match (V2 was not tested)
    06 [6609a199] (000/226) No match (V2 was not tested)
    07 [91295704] (000/227) No match (V2 was not tested)
    08 [cf4ba11e] (000/227) No match (V2 was not tested)
    09 [24c832ad] (000/227) No match (V2 was not tested)
    10 [efca83d6] (000/228) No match (V2 was not tested)
    11 [aba6c620] (000/227) No match (V2 was not tested)
    12 [92883c0b] (000/226) No match (V2 was not tested)

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 98,8 [C2EB6946] [ABD104FF] CRC32
    01 98,8 [BAD90C84] [B6F35DD4]
    02 72,8 [13567818] [EA0D51AF]
    03 98,8 [76DCD458] [A9961E29]
    04 98,8 [870E0B5B] [77DF663E]
    05 98,8 [A261591A] [35CEEE92]
    06 98,8 [5F1419DA] [A0A8900F]
    07 16,4 [1A7B0341] [8A1142EC]
    08 98,8 [34FEAE12] [FA2DF064]
    09 98,8 [7C810D56] [1711EA83]
    10 98,8 [0F98E552] [74FE1D28]
    11 93,6 [8EE727D8] [69442E18]
    12 51,9 [117D97D5] [FB62C7A2]

    Thanks to arizonadream