Rinaldo Alessandrini, Concerto Italiano - Luca Marenzio: Madrigali (2001)
Rinaldo Alessandrini, Concerto Italiano - Luca Marenzio: Madrigali (2001)
EAC | FLAC | Image (Cue & Log) ~ 318 Mb | Total time: 73:41 | Scans included
Classical | Label: Opus 111/Naïve | # OP 30245 | Recorded: 2000
EAC | FLAC | Image (Cue & Log) ~ 318 Mb | Total time: 73:41 | Scans included
Classical | Label: Opus 111/Naïve | # OP 30245 | Recorded: 2000
If you want a good idea of why Luca Marenzio (1553-99) was considered madrigalist during the late-16th century, the music and performances on this fine recording will provide a good starting place. The richly colorful vocal writing–and equally colorful texts!–are ideally illustrated by the tightly focused intonation, reedy timbre, and knowing inflections of the Concerto Italiano’s seven singers. Sampling from Marenzio’s five- and six-part madrigals, the ensemble avoids any temptation to over-state the music’s case with exaggerated accents or heavy-handed phrasing and dynamics (a common fault of less-competent groups). Instead, they trust the composer’s keen sense of text-setting and allow expressive effects to arise naturally from the score. I have one problem with the performances, however: the voice of soprano Monica Piccinini, which at first makes a strong and effective presence, begins to penetrate and dominate the other voices as the program progresses. Her sound can be quite piercing (it also can be quite lovely) and needs different placement (or miking) in order not to become irritating and distracting, as it does on a few of the tracks. I much prefer the warmer, more agreeably blending voice of the other soprano, Elisabetta Tiso, but as she appears on far fewer of the selections than does Piccinini, it’s clear that director Rinaldo Alessandrini and I disagree on this preference. Nevertheless, there are many beautiful and affecting moments here–enough to highly recommend this disc to anyone who loves Italian madrigals and who wants to hear some of the best ever written. The recording, made in an Italian church, is vibrant and clear, with full-bodied, natural-sounding voices.–David Vernier
Performer:
Concerto Italiano
Rinaldo Alessandrini, direction
Track List:
Luca Marenzio (1553-1599)
01. Basciami basciami mille mille volte
02. Satiati Amor ch'a più doglioso amante
03. Dolorosi martir, fieri tormenti
04. Ne fero sdegno mai, Donna, mi mosse (prima parte)
05. Talchè dovunque vò, tutte repente (seconda parte)
06. Liquide perle Amor da gli occhi sparse
07. Liquide perle Amor da gl'occhi sparse (diminuito per liuto da Giovanni Antonio Terzi)
08. Vaghi e lieti fanciulli
09. Deh, rinforzate il vostro largo pianto
10. Donne il celeste lume
11. Udite, lagrimosi spirti d'Averno, udite
12. Là dove sono i pargoletti Amori
13. E s'io mi doglio, Amor
14. Fuggi, speme mia, fuggi
15. Tirsi morir volea (prima parte)
16. Frenò Tirsi il desio (seconda parte)
17. Così moriro i fortunati amanti (terza parte)
18. Tirsi morir volea (diminuito per cembalo da Peter Philips)
19. Consumando mi vò di piagg'in piaggia
20. O verdi selv'o dolci fonti e rivi
21. Caro Aminta pur vuoi (prima parte)
22. Non può filli più (seconda parte)
23. Cruda Amarilli (prima parte)
24. Ma grideran per me le piagge (seconda parte)
25. Per duo coralli ardenti
26. Così nel mio parlar voglio esser aspro (prima parte)
27. Et ella ancide, e non val c'huom ci chiuda (seconda parte)
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 2. March 2022, 9:22
Luca Marenzio; Concerto Italiano, Rinaldo Alessandrini / Madrigali
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==== Log checksum E6443F58C87998615FA2DFC79ACD67D6BFAE5B84199BDB81AD20BBD9A0707C4F ====
Rinaldo Alessandrini, Concerto Italiano - Luca Marenzio: Madrigali (2001)
Thanks to the original releaser