Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)
WEB FLAC (tracks, digital booklet) - 328 MB | MP3 CBR 320 kbps - 135 MB
58:00 | Classical | Label: Naive
WEB FLAC (tracks, digital booklet) - 328 MB | MP3 CBR 320 kbps - 135 MB
58:00 | Classical | Label: Naive
Good things always come in threes. There was once the Concerto in Italian style, BWV 971, reconfigured according to the by then modern disposition advocated in Italy at the beginning of the 18th century (anthology "Concerti italiani", 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation ("Variations on Variations", OP30575). Here are now three completely original orchestral suites by Bach, a new fool's game organised by a tongue in the cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.
Aller guten Dinge sind drei - das gilt auch für eine besondere Reihe von Rinaldo Alessandrini bei naive: Da war zunächst das Konzert nach italienischer Art, BWV 971, umgestaltet nach der damals modernen, in Italien zu Beginn des 18. Jahrhunderts vertretenen Disposition (Anthologie »Concerti italiani«, 2004). In jüngerer Zeit krönten die Goldberg-Variationen, die für ein kleines Streicherensemble neu konzipiert wurden, eine fabelhafte Apotheose im Land der Variationen (»Variations on Variations«, 2017). Jetzt sind es nun drei völlig originale Orchestersuiten von Bach, erstellt von einem augenzwinkernden Rinaldo Alessandrini, gemeinsam mit seinem Concerto Italiano. Zum Teil von Pragmatismus geleitet, transkribierte und recycelte Bach regelmäßig seine eigene Musik. Seine zahlreichen Verpflichtungen in Leipzig zwangen ihn in den 1720er und 1730er Jahren oft dazu, das Alte heranzuziehen, um sich das Neue vorzustellen, und er nahm dann tiefgreifende Veränderungen vor, die im Laufe einer komplexen Transkription fixiert wurden. So könnte man sich die französische Ouvertüre (Clavier-Übung II) in ihrer ursprünglichen Form als Transkription eines oder mehrerer Orchesterwerke für Cembalo vorstellen. Am Ende steht jedoch fest: ob Originalwerke, Transkriptionen oder Bearbeitungen, ob aus der Zeit des Kantors oder später, ob von Bach oder seinen Nachfolgern: für Rinaldo Alessandrini spielt es keine Rolle. Alle Wege führen zu Bach, zu seiner Essenz.
Tracklist
1. Overture in the French Style (Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini) (11:11)
2. Overture in the French Style (Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini) (2:32)
3. Overture in the French Style (Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini) (4:09)
4. Overture in the French Style (Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini) (3:06)
5. Overture in the French Style (Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini) (2:38)
6. Overture in the French Style (Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini) (3:39)
7. Overture in the French Style (Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini) (2:23)
8. Overture in the French Style (Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini) (3:03)
9. Partita for Traverso, Strings and Basso Continuo (After BWV 1016, Adagio - Orchestral Arrangement by Rinaldo Alessandrini) (3:46)
10. Partita for Traverso, Strings and Basso Continuo (After BWV 828, Aria - Orchestral Arrangement by Rinaldo Alessandrini) (2:12)
11. Partita for Traverso, Strings and Basso Continuo (After BWV 1069, Menuet I and BWV 825, Menuet II - Orchestral Arrangement by Rinaldo Alessandrini) (3:33)
12. Partita for Traverso, Strings and Basso Continuo (After BWV 815, Air - Orchestral Arrangement by Rinaldo Alessandrini) (1:42)
13. Partita for Traverso, Strings and Basso Continuo (After BWV 817, Gigue - Orchestral Arrangement by Rinaldo Alessandrini) (2:48)
14. Overture for Strings and Basso Continuo (After BWV 820, Ouverture - Orchestral Arrangement by Rinaldo Alessandrini) (2:28)
15. Overture for Strings and Basso Continuo (After BWV 820, Entrée - Orchestral Arrangement by Rinaldo Alessandrini) (2:03)
16. Overture for Strings and Basso Continuo (After BWV 833, Praeludium - Orchestral Arrangement by Rinaldo Alessandrini) (0:59)
17. Overture for Strings and Basso Continuo (After BWV 820, Bourrée - Orchestral Arrangement by Rinaldo Alessandrini) (1:03)
18. Overture for Strings and Basso Continuo (After BWV 843 - Orchestral Arrangement by Rinaldo Alessandrini) (1:57)
19. Overture for Strings and Basso Continuo (After BWV 833, Air - Orchestral Arrangement by Rinaldo Alessandrini) (1:04)
20. Overture for Strings and Basso Continuo (After BWV 816, Gavotte - Orchestral Arrangement by Rinaldo Alessandrini) (1:11)
21. Overture for Strings and Basso Continuo (After BWV 820, Gigue - Orchestral Arrangement by Rinaldo Alessandrini) (0:43)
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–––––––––––-
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright © 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
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