Red Hot Chili Peppers – Studio Albums Collection 1984-2006 [Japanese Releases] (10CD)

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Red Hot Chili Peppers – Studio Albums Collection 1984-2006 [Japanese Releases] (10CD)

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Collection includes: Red Hot Chili Peppers (1984); Freaky Styley (1985); The Uplift Mofo Party Plan (1987); Mother's Milk (1989); Blood Sugar Sex Magik (1991); One Hot Minute (1995); Californication (1999); By the Way (2002); Stadium Arcadium (2006).

Few rock groups of the '80s broke down as many musical barriers and were as original as the Red Hot Chili Peppers. Creating an intoxicating new musical style by combining funk and punk rock together (with an explosive stage show to boot), the Chili Peppers spawned a slew of imitators in their wake, but still managed to be the leaders of the pack by the dawn of the 21st century. The roots of the band lay in a friendship forged by three school chums, Anthony Kiedis, Michael Balzary, and Hillel Slovak, while they attended Fairfax High School in California back in the late '70s/early '80s. While Balzary and Slovak showed great musical promise (on trumpet and guitar, respectively), Kiedis focused on poetry and acting during his high-school career. During this time, Slovak taught Balzary how to play bass, while the duo encouraged Kiedis to start putting his poetry to music, which he soon did. Influenced heavily by the burgeoning L.A. punk scene (the Germs, Black Flag, Fear, Minutemen, X, etc.) as well as funk (Parliament-Funkadelic, Sly & the Family Stone, etc.), the trio began to rehearse with another friend, drummer Jack Irons, leading to the formation of Tony Flow & the Miraculously Majestic Masters of Mayhem, a quartet that played strip bars along the Sunset Strip during the early '80s. It was during this time that the four honed their sound and live act (as they stumbled across a stage gimmick that would soon become their trademark – performing on-stage completely naked, except for a tube sock covering a certain part of their anatomy). By 1983, Balzary had begun to go by the name "Flea," and the group changed its name to the Red Hot Chili Peppers.

Word spread quickly about the up-and-coming band, resulting in a recording contract with EMI. But before the Chili Peppers could begin work on their debut, Flea and Kiedis were dealt a disappointing blow when both Slovak and Irons announced that they were leaving to focus more on another band they were in, What Is This. With replacement members Jack Sherman (guitar) and Cliff Martinez (drums) filling in, the Peppers released their self-titled debut in 1984. But the absence of the two original members showed, as the album failed to capture the excitement of their live show. While the album didn't set the world on fire sales-wise, the group began to build a dedicated underground following with college radio buffs. By 1985, What Is This were kaput (after issuing a single self-titled album) and Slovak and Irons returned to the Peppers, resulting in the George Clinton-produced Freaky Styley. While the album was an improvement over its predecessor, it still lacked the fire of the band's in-concert experience, a problem that would finally be solved with their next album, 1987's The Uplift Mofo Party Plan. The album was the group's first to make an impression on the charts, and they followed it up a year later with a stopgap five-track release, The Abbey Road EP, in 1988. But just as the world was warming up to the Peppers, tragedy struck when Slovak died from a heroin overdose on June 25, 1988.

In the wake of Slovak's death, Irons left the group for the second and final time, while Kiedis (who was also battling drug addiction at the time) and Flea decided to soldier on. After a new lineup featuring former Parliament guitarist Blackbyrd McKnight and former Dead Kennedys drummer D.H. Peligro didn't work out, the duo found worthy replacements in newcomers John Frusciante and Chad Smith. The new-look Chili Peppers hit pay dirt straight away, as their first album together, 1989's Mother's Milk, became a surprise hit due to MTV's exposure of their videos for a cover of Stevie Wonder's "Higher Ground" and a song about their fallen friend Slovak, "Knock Me Down," as the album was certified gold by early 1990. The bandmembers knew that their next release would be the most important one of their career, so they moved into a mansion-turned-recording studio with producer Rick Rubin to work on what would become their most successful release yet, the stripped-down Blood Sugar Sex Magik (their first for the Warner Bros. label). The album became a monster hit upon its September 1991 release (eventually going on to sell a staggering seven million copies in the U.S. alone), as it spawned such hits as "Give It Away" and the group's first Top Ten single, "Under the Bridge."

But not all was well in the Chili Peppers camp. Like his predecessor, Frusciante had become addicted to hard drugs, and abruptly left the band mid-tour in early 1992. Undeterred, the band enlisted new member Arik Marshall, and headlined Lollapalooza II in the summer. When the band returned to the studio to work on its sixth release overall, it quickly became apparent that Marshall didn't fit in, and he was replaced by Jesse Tobias. But before Tobias could record a note with the group, he was handed his walking papers as well, and former Jane's Addiction guitarist Dave Navarro signed on. After a layoff of four years, the Peppers' much delayed follow-up to BSSM was released in 1995, One Hot Minute. While the album was a sizable hit, it failed to match the success and musical focus of its predecessor, as it became apparent during the album's ensuing tour that Navarro wasn't fitting in as well as originally hoped, and he left the band in early 1998.

After Frusciante had left the group, he released a pair of obscure solo releases, 1995's Niandra Lades and Usually Just a T-Shirt and 1997's Smile from the Streets You Hold, yet rumors circulated that the guitarist was homeless, penniless, and sickly with a death-defying drug habit. After checking himself into rehab and putting his demons behind him, Frusciante emerged once again refocused and re-energized, and promptly accepted an invitation to rejoin the Peppers once more. The group's reunion album, 1999's Californication, proved to be another monster success, reconfirming the Chili Peppers as one of alternative rock's top bands. The band put in a quick guest appearance on Fishbone's Psychotic Friends Nuttwerx before hitting the road to support the album. The following months found the band getting involved in bizarre situations and controversies. First, their refusal to play songs from One Hot Minute during the tour was an unpopular decision with some fans and a sore spot for Dave Navarro. Next, they re-ignited a personal feud between Kiedis and Mr. Bungle singer Mike Patton by refusing to play a series of European concerts with Bungle. Patton responded with a "tribute" show for the Peppers, where Bungle mocked their stage moves, faked shooting up heroin, and imitated Kiedis' comments about Patton. They also played the ill-fated Woodstock '99 festival, where their headlining performance was met with piles of burning rubble and a full-scale riot. Tours with the Foo Fighters and Pearl Jam brought them into the next year without problems, but they stepped off the road after a planned stop in Israel was halted due to security worries. They returned to the studio in November of 2001 and by the summer of 2002 they had a new album ready to drop, By the Way. Warner Bros. released a Greatest Hits compilation in 2003, followed by a chart-topping two-CD album of all-new material, Stadium Arcadium, in 2006.

After an extensive supporting tour, the Red Hot Chili Peppers took an extended hiatus and the members pursued individual interests. Flea began studying music theory at USC and played in a variety of side projects. Kiedis attempted to turn his autobiography, Scar Tissue, into a television show. Smith joined Sammy Hagar, Michael Anthony, and Joe Satriani in the party supergroup Chickenfoot. Frusciante released The Empyrean in 2009, by which time he left the band. His replacement was Josh Klinghoffer, who played secondary guitar on the Stadium Arcadium tour. Klinghoffer's first album with the band, I'm with You, was released in late summer of 2011.

Biography by Greg Prato, Allmusic.com

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Red Hot Chili Peppers – Studio Albums Collection 1984-2006 [Japanese Releases] (10CD)

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Red Hot Chili Peppers – Studio Albums Collection 1984-2006 [Japanese Releases] (10CD)

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The Red Hot Chili Peppers' debut album sketched out their funk-metal hybrid quite effectively, especially on the warped deep groove of "True Men Don't Kill Coyotes." Even though their fusion of heavy guitars and slapping bass was audacious, their first effort didn't quite gel into a cohesive album. [The 2007 Japanese reissue included bonus tracks.]

Review by Stephen Thomas Erlewine, Allmusic.com

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The closest the Red Hot Chili Peppers ever came to straight funk, Freaky Styley is the quirkiest, loosest, and most playful album in their long and winding catalog. It's also one of the best, if least heard. A year earlier, in 1984, they'd made their self-titled debut with a stiff album produced Andrew Gill of Gang of Four fame. The album had its share of good songs, most notably "True Men Don't Kill Coyotes" and "Get Up and Jump," but Gill's cold and tinny production riddled The Red Hot Chili Peppers with the same sort of problem that made Gang of Four's early-'80s albums so distasteful. Namely, the production sucks all the life out of the music and makes it seem distant and unapproachable, as if you were listening to the album in a long tunnel with reflective metal walls. Here on Freaky Styley that problem is thankfully solved: enter producer extraordinaire George Clinton. The funk legend not only gives the Peppers the sort of warm and loose-limbed production that had graced many a Parliament/Funkadelic album over the years, but he also seemingly gives the band some serious inspiration. For instance, a pair of covers of funk classics instantly stand out – "If You Want Me to Stay" (Sly & the Family Stone) and "Africa" (the Meters), the latter retitled "Hollywood (Africa)" here – and they're made all the more standout with the addition of Maceo Parker and Fred Wesley on horns. The Peppers also write a number of strong songs of their own. If none stand out, per se – with the exception of the two covers, that is – that's because they're all fairly good, relatively rough songs. Sure, some are slight, no question about that, but they help the album flow from one song to the next, because the songs are all more or less different from one another in subtle ways. And they're performed with vigor, as original guitarist Hillel Slovak is thankfully back aboard (replacing Jack Sherman, who played guitar on The Red Hot Chili Peppers and co-wrote the bulk of these songs), and he makes a major contribution to practically every song, playing straight funk here more so than the funk-metal that would characterize the band's subsequent album, The Uplift Mofo Party Plan. And to make mention of that 1987 follow-up, the Peppers would move on to a new producer, making this their one collaboration with Clinton. They'd never quite recapture the pure funk sound of Freaky Styley again, likely as a result. That's one reason why this album is so special, but it's also because the Peppers have a good clutch of songs to work with in addition to excellent production. And too, they seem relaxed and at ease here, playing quirky songs without any self-consciousness, a quality lacking on their debut. It's a quality lacking on subsequent albums also, though to a lesser degree, when the Peppers would begin sharpening their pop smarts and crafting catchy songs rather than just fun jams like these. So if you're feeling adventurous and are drawn to the idea of the Peppers and Clinton together in the same studio back in 1985 without any pop-crossover ambitions, give Freaky Styley a listen by all means. It's a cult classic of sorts and a world apart from the where the band would go in later years, for better and for worse. [The Japanese reissue included bonus tracks.]

Review by Jason Birchmeier, Allmusic.com

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In a perfect world, the Red Hot Chili Peppers' breakthrough album wouldn't have been 1989's Mother's Milk, but 1987's The Uplift Mofo Party Plan, and the history of this groundbreaking rock/rap band (and likely the entire subgenre it created) would've been drastically changed. But the Chili Peppers created most of the imperfections in their world, especially in the late '80s, and the unusual scenario of four original bandmembers recording together for the first time on that band's third album would tragically prove to be a one-shot deal. Veterans Anthony Kiedis (vocals) and Flea (bass) had welcomed back original guitarist Hillel Slovak for the preceding Freaky Styley album after using Jack Sherman on their self-titled 1984 debut, doing the same at this point for original drummer Jack Irons, who replaced Cliff Martinez. The energy of having these four friends from Los Angeles back together jumps out of the opening anthem "Fight Like a Brave" and the experimental "Funky Crime"; tracks like the autobiographical "Me & My Friends" and closing "Organic Anti-Beat Box Band" would stay in the group's live repertoire for the next decade or more. Kiedis' barking rap delivery drives the cover of Bob Dylan's "Subterranean Homesick Blues," and Flea's ahead-of-their-time slapping basslines stand out in "Behind the Sun" and "Walkin' on Down the Road," but Slovak and Irons brought things to the Chili Peppers that no one else ever has. The drummer's pounding funk backbeats left a blueprint for his successor, Chad Smith, and the manic intro to "Skinny Sweaty Man" sounds like Buddy Rich playing James Brown material. Slovak is at the height of his powers on the rap-rock reggae "Love Trilogy" and funky "Special Secret Song Inside," which gained some notoriety for its anatomical undertones. But Slovak would die of a heroin overdose the following year, with Irons quitting the band afterward from the depression of the loss. Kiedis and Flea would come to grips with their own drug habits and return with Smith and guitarist John Frusciante on Mother's Milk, breaking into the arena circuit with a hit cover of Stevie Wonder's "Higher Ground" – and leaving Kiedis and Flea to wonder what might have been. [Japanese edition included bonus tracks.]

Review by Bill Meredith, Allmusic.com

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Red Hot Chili Peppers – Studio Albums Collection 1984-2006 [Japanese Releases] (10CD)

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A pivotal album for the Red Hot Chili Peppers, 1989's Mother's Milk turned the tide and transformed the band from underground funk-rocking rappers to mainstream bad boys with seemingly very little effort. Mother's Milk brought them to MTV, scored them a deal with Warner Brothers, and let both frontman Anthony Kiedis and the ubiquitous Flea get back out into a good groove following the death of co-founding member Hillel Slovak. With a new lineup coalescing around the remaining duo with new drummer Chad Smith and guitarist John Frusciante, and with producer Michael Beinhorn again behind the boards, the band took everything that The Uplift Mofo Party Plan hinted at, and brought it fully to bear for this new venture. If anyone doubted the pulsating power that leapt from the blistering opener, "Good Time Boys," it took only a few bars of the Red Hot Chili Peppers' outrageous, and brilliant, interpretation of the Stevie Wonder classic "Higher Ground" to prove that this new lineup was onto something special. Wrapping up with the aptly titled and truly punked-out "Punk Rock Classic" and the band's own punched-up tribute to "Magic Johnson," Mother's Milk was everything the band had hoped for, and a little more besides. Effortlessly going gold as "Knock Me Down" and "Taste the Pain" careened into the charts, the album not only set the stage for the band's Blood Sugar Sex Magic domination, it also proved that funk never died; it had just swapped skins. [Japanese reissue included bonus tracks.]

Review by Amy Hanson, Allmusic.com

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The Red Hot Chili Peppers' best album, Blood Sugar Sex Magik benefits immensely from Rick Rubin's production – John Frusciante's guitar is less overpoweringly noisy, leaving room for differing textures and clearer lines, while the band overall is more focused and less indulgent, even if some of the grooves drag on too long. Lyrically, Anthony Kiedis is as preoccupied with sex as ever, whether invoking it as his muse, begging for it, or boasting in great detail about his prowess, best showcased on the infectiously funky singles "Give It Away" and "Suck My Kiss." However, he tempers his testosterone with a more sensitive side, writing about the emotional side of failed relationships ("Breaking the Girl," "I Could Have Lied"), his drug addictions ("Under the Bridge" and an elegy for Hillel Slovak, "My Lovely Man"), and some hippie-ish calls for a peaceful utopia. Three of those last four songs (excluding "My Lovely Man") mark the band's first consistent embrace of lilting acoustic balladry, and while it's not what Kiedis does best as a vocalist, these are some of the album's finest moments, varying and expanding the group's musical and emotional range. Frusciante departed after the supporting tour, leaving Blood Sugar Sex Magik as probably the best album the Chili Peppers will ever make.

Review by Steve Huey, Allmusic.com

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Following up Blood Sugar Sex Magik proved to be a difficult task for the Red Hot Chili Peppers. In 1993, two years after Blood Sugar, former Jane's Addiction guitarist Dave Navarro joined up, but it was still another two years before One Hot Minute appeared, due to various personal problems. Navarro's metallic guitar shredding should have added some weight to the Chili Peppers' punk-inflected heavy-guitar funk, but tends to make it plodding. By emphasizing the metal, the funk is gradually phased out of the blend, as is melody; the grinding chant of "Warped" is hardly as twisted as anything on Freaky Styley, or even "Give It Away." The ballads "My Friends" and "Transcending" are blatant attempts to hold on to the mainstream audience gained by "Under the Bridge," but the melodies are weak and the lyrics are even more feeble. One Hot Minute is as musically ambitious as Blood Sugar Sex Magik, but is even more unfocused, which means it provides the fewest thrills of any of the group's albums.

Review by Stephen Thomas Erlewine, Allmusic.com

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Many figured that the Red Hot Chili Peppers' days as undisputed alternative kings were numbered after their lackluster 1995 release One Hot Minute, but like the great phoenix rising from the ashes, this legendary and influential outfit returned back to greatness with 1999's Californication. An obvious reason for their rebirth is the reappearance of guitarist John Frusciante (replacing Dave Navarro), who left the Peppers in 1992 and disappeared into a haze of hard drugs before cleaning up and returning to the fold in 1998. Frusciante was a main reason for such past band classics as 1989's Mother's Milk and 1991's Blood Sugar Sex Magik, and proves once and for all to be the quintessential RHCP guitarist. Anthony Kiedis' vocals have improved dramatically as well, while the rhythm section of bassist Flea and drummer Chad Smith remains one of rock's best. The quartet's trademark punk-funk can be sampled on such tracks as "Around the World," "I Like Dirt," and "Parallel Universe," but the more pop-oriented material proves to be a pleasant surprise – "Scar Tissue," "Otherside," "Easily," and "Purple Stain" all contain strong melodies and instantly memorable choruses. And like their 1992 introspective hit "Under the Bridge," there are even a few mellow moments – "Porcelain," "Road Trippin'," and the title track. With the instrumentalists' interplay at an all-time telepathic high and Kiedis peaking as a vocalist, Californication is a bona fide Chili Peppers classic. [A Japanese version added a bonus track.]

Review by Greg Prato, Allmusic.com

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Red Hot Chili Peppers – Studio Albums Collection 1984-2006 [Japanese Releases] (10CD)

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Red Hot Chili Peppers - By the Way (2002) 2006 Japanese Limited Edition Issue
EAC | FLAC | Image (Cue+Log) ~ 555 Mb (incl 5%) | Mp3 320kbps ~ 171 Mb (incl 5%)
Label: Warner Bros. | # WPCR-12313 | Time: 01:12:35 | Scans included

The Red Hot Chili Peppers' eighth studio album finds the California foursome exploring the more melodic freeways of harmony and texture, contrasting the gritty, funky side streets of their early days. Luckily, with this more sophisticated sound, the Peppers have not sacrificed any of their trademark energy or passions for life, universal love, and (of course) lust. Although they recorded the spiky Abbey Road EP in 1988, this album actually sounds a lot closer to the Beatles' Abbey Road, with a little of Pet Sounds and elements of Phil Spector's lushest arrangements all distilled through the band's well-traveled funk-pop stylings. Harmony vocals and string arrangements have replaced some of the aggressive slap bass that the group was initially recognized for, but fans of both the gentle and the fierce Chili Peppers styles will embrace the title track and first single, "By the Way." In fact, this song on its own could almost be a brief history of everything the Red Hot Chili Peppers have recorded: fiery Hollywood funk, gentle harmonies, a little bit of singing about girls, a little bit of hanging out in the streets in the summertime, some rapid-fire raps from Anthony Kiedis, some aggro basslines from Flea – the song plays like a three-and-a-half-minute audio version of Behind the Music. Overall, the album leans more toward the melodic end of their oeuvre, but they have grown into this kinder, gentler mode organically, progressively working toward this groove little by little, album by album. What once were snapshots of a spastic punk-funk lifestyle have grown into fully realized short stories of introspection and Californication. Though the pace of the album falters at times (particularly in the verses; the choruses are all pretty spectacular), it is refreshing to see that as the four Chili Peppers continue to grow older and more sure of themselves, their composition and performing skills are maturing along with them.

Review by Zac Johnson, Allmusic.com

Tracklist:

01. By the Way (3:37)
02. Universally Speaking (4:19)
03. This Is the Place (4:17)
04. Dosed (5:12)
05. Don't Forget Me (4:37)
06. The Zephyr Song (3:52)
07. Can't Stop (4:29)
08. I Could Die for You (3:13)
09. Midnight (4:55)
10. Throw Away Your Television (3:44)
11. Cabron (3:38)
12. Tear (5:17)
13. On Mercury (3:28)
14. Minor Thing (3:37)
15. Warm Tape (4:16)
16. Venice Queen (6:07)
17. Time [Bonus Track] (3:47)

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Red Hot Chili Peppers – Studio Albums Collection 1984-2006 [Japanese Releases] (10CD)

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Red Hot Chili Peppers – Stadium Arcadium 2CD (2006) Japanese Edition
EAC | APE | Image (Cue+Log) ~ 947 Mb (incl 5%) | Mp3 320kbps ~ 290 Mb (incl 5%)
Label: Warner Bros. | # WPCR 123000/1 | Time: 02:02:41 | Scans included

Indulgence has long been a way of life for the Red Hot Chili Peppers, yet they resisted the siren's call of the double album until 2006's Stadium Arcadium. Sure, 1991's breakthrough Blood Sugar Sex Magik was as long as a classic double LP, but such distinctions mattered little in the era when vinyl gave way to CD, and they matter less now, as the CD gradually gives way to digital-only releases. In fact, like how Blood Sugar was the tipping point when the LPs ceded ground to CDs, Stadium Arcadium could be seen as the point when albums were seen as a collection of digital playlists. Yes, it's pressed up as a two-disc set – including an extravagant but pointless special edition housed in a clunky box that includes a make-yer-own-spinning-top – but this is an album that's designed for you to mix and match, create your own playlist, rip and burn on your own. It's designed for you to sequence its 28 songs in some kind of cohesive manner, since the band sure didn't take the time to do that here; it's the first major album by a major band that makes as much sense on random as it does in its proper sequencing. Well, that's not entirely true: the official 28-song album does begin with "Dani California," the clearest single here, the one thing that truly grabs attention upon first listen and worms its way into your subconscious, where it just won't let go, as so much of Anthony Kiedis' catchiest melodies do. After that, it's a long, winding path of alternately spacey and sunny pop, ballads, and the occasional funk workout that used to be the Chili Peppers' signature but now functions as a way to break up the monotony. And there needs to be something to break up the monotony, not because the music is bad but because it all exists at the same level and is given a flat, colorless production that has become the signature of Rick Rubin as of late.

Rubin may be able to create the right atmosphere for Flea and John Frusciante to run wild creatively – an opportunity that they seize here, which is indeed a pleasure to hear – but he does nothing to encourage them to brighten the finished recording up with some different textures, or even a greater variety of guitar tones. As such, the bare-bone production combined with the relentless march of songs gives Stadium Arcadium the undeniable feel of wading through the demos for a promising project instead of a sprawling statement of purpose; there's not enough purpose here for it to be a statement. That fault is down to the band not forming the raw material into something palatable for the listener, but there's also the problem that as a lyricist Anthony Kiedis just isn't that deep or clever enough to provide cohesive themes for an album of this length; he tackles no new themes here, nor does he provide new insight to familiar topics. To his credit, he does display a greater versatility as a vocalist, cutting back on the hambone rapping that used to be his signature and crooning throughout the bulk of this album, usually on key. That said, he still has enough goofy tics to undercut his attempts at sincerity, and he tends to be a bit of a liability to the band as a whole; with a different singer, who could help shape and deliver these songs, this album might not seem as formless and gormless. But there is a fair amount of pleasures here, all down to the interplay between Flea and Frusciante. While drummer Chad Smith does prove himself quite versatile here, gracefully following the eccentric turns and meanderings of the bassist and guitarist, the string instruments are the reason to listen to Stadium Arcadium. That's always been the case to a certain extent with the Chili Peppers, but here it's especially true, as they push and pull, rave and rumble, lie back and rock out – pretty much spit out anything they can do on their instruments over the course of 28 songs. As good as much of this is, there is a little bit of monotony here, since they're working variations on their signature themes, and they haven't found a way to make these variations either transcendent or new; they're just very good renditions on familiar themes. These tracks rarely betray their origins as studio jams – more than ever, it's possible to hear that the track came first, then the song – and while that can result in some good listening, it all does kind of drift together. That said, there are no bad tracks here – it's all of a relatively high quality – but there are no standouts either, so it takes a very dedicated fan to start sorting out the subtleties between the tracks (not the wheat from the chaff, since it's all wheat). And while those hardcore fans may certainly enjoy the make-your-own-adventure spirit of Stadium Arcadium, it's hard not to feel that it's the band's responsibility to take this very good repetitive album and mold it into something sharper and more effective. So call it the rock version of Peter Jackson's King Kong: there's something pretty great and lean buried beneath the excess, but it's so indulgent, it's a work that only a fanboy could truly love.

Review by Stephen Thomas Erlewine, Allmusic.com

Tracklist:

CD1: Jupiter

01 Dani California 4:42
02 Snow (Hey Oh) 5:34
03 Charlie 4:37
04 Stadium Arcadium 5:15
05 Hump de Bump 3:33
06 She’s Only 18 3:25
07 Slow Cheetah 5:19
08 Torture Me 3:44
09 Strip My Mind 4:19
10 Especially in Michigan 4:01
11 Warlocks 3:25
12 С'mon Girl 3:48
13 Wet Sand 5:09
14 Hey 5:39

CD2: Mars

01 Desecration Smile 5:04
02 Tell Me Baby 4:07
03 Hard to Concentrate 4:01
04 21st Century 4:22
05 She Looks to Me 4:06
06 Readymade 4:30
07 If 2:52
08 Make You Feel Better 3:51
09 Animal Bar 5:25
10 So Much I 3:44
11 Storm in a Teacup 3:45
12 We Believe 3:36
13 Turn It Again 6:06
14 Death of a Martian 4:24

CD1 EAC log

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

Отчёт EAC об извлечении, выполненном 5. июня 2009, 10:21

Red Hot Chili Peppers / Stadium Arcadium (Jupiter)

Дисковод: HL-DT-STDVDRAM GH20NS10 Adapter: 3 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 667
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:42.17 | 0 | 21166
2 | 4:42.17 | 5:34.50 | 21167 | 46266
3 | 10:16.67 | 4:37.50 | 46267 | 67091
4 | 14:54.42 | 5:15.48 | 67092 | 90764
5 | 20:10.15 | 3:33.07 | 90765 | 106746
6 | 23:43.22 | 3:25.30 | 106747 | 122151
7 | 27:08.52 | 5:19.70 | 122152 | 146146
8 | 32:28.47 | 3:44.53 | 146147 | 162999
9 | 36:13.25 | 4:19.30 | 163000 | 182454
10 | 40:32.55 | 4:00.72 | 182455 | 200526
11 | 44:33.52 | 3:25.55 | 200527 | 215956
12 | 47:59.32 | 3:48.60 | 215957 | 233116
13 | 51:48.17 | 5:09.60 | 233117 | 256351
14 | 56:58.02 | 5:39.40 | 256352 | 281816


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла E:\RATAHATAMAHATA\DOWNLOADS\!!!OUT!!!!\RHCP - Stadium Arcadium\01 - Jupiter.wav

Пиковый уровень 100.0 %
Качество диапазона 100.0 %
CRC копии F5533398
Копирование… OK

Ошибок не произошло


AccurateRip: сводка

Трек 1 точное извлечение (доверие 200) [07D1AC7C]
Трек 2 точное извлечение (доверие 200) [DEAE5FA7]
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Трек 13 точное извлечение (доверие 200) [F01F829E]
Трек 14 точное извлечение (доверие 200) [0767D5C2]

Все треки извлечены точно

Конец отчёта

CD1 AccurateRip log

[CUETools log; Date: 27.07.2011 4:52:28; Version: 2.1.1]
[AccurateRip ID: 00208e3a-015760a2-b20ead0e] found.
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01 [07d1ac7c] (200/808) Accurately ripped
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13 [3347cc48] (002/796) Accurately ripped
14 [350fe26a] (002/786) Accurately ripped
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01 [1c4213e8] (039/808) Accurately ripped
02 [e9f640ad] (040/809) Accurately ripped
03 [1e93e19c] (038/802) Accurately ripped
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12 [e6dd9e9c] (039/797) Accurately ripped
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01 [9f49c260] (010/808) Accurately ripped
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13 [7ecc4d50] (010/796) Accurately ripped
14 [3bb9449e] (010/786) Accurately ripped
Offsetted by -682:
01 [225170d8] (015/808) Accurately ripped
02 [f2585216] (015/809) Accurately ripped
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14 [642218a6] (014/786) Accurately ripped
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01 [4dc54814] (006/808) Accurately ripped
02 [f010511c] (006/809) Accurately ripped
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12 [735e6826] (006/797) Accurately ripped
13 [4174ba9d] (006/796) Accurately ripped
14 [785682aa] (005/786) Accurately ripped
Offsetted by -670:
01 [79361f50] (002/808) Accurately ripped
02 [97a08755] (002/809) Accurately ripped
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14 [8c8aecae] (002/786) Accurately ripped
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01 [baadf68c] (147/808) Accurately ripped
02 [f1c25487] (146/809) Accurately ripped
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12 [a3898662] (140/797) Accurately ripped
13 [c33a58eb] (144/796) Accurately ripped
14 [a0bf56b2] (140/786) Accurately ripped
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01 [f7f14784] (002/808) Accurately ripped
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Offsetted by 518:
01 [1be697b8] (009/808) Accurately ripped
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01 [0c7ad3c4] (000/808) No match but offset
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02 [c225ec63] (000/809) No match
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02 [ac5cc145] (002/809) Accurately ripped
03 [b07ad50a] (002/802) Accurately ripped
04 [3e912274] (002/807) Accurately ripped
05 [5054606a] (003/811) Accurately ripped
06 [3380b71b] (000/801) No match but offset
07 [d5c21093] (002/805) Accurately ripped
08 [ac0734f8] (002/807) Accurately ripped
09 [f211f3fc] (002/801) Accurately ripped
10 [2fc0abaa] (002/804) Accurately ripped
11 [55f4da06] (003/806) Accurately ripped
12 [612d977d] (000/797) No match but offset
13 [51499e7e] (002/796) Accurately ripped
14 [4ae6b96a] (003/786) Accurately ripped
Offsetted by -72:
01 [f63395ac] (000/808) No match but offset
02 [d9b14910] (000/809) No match but offset
03 [ca597e22] (000/802) No match but offset
04 [0d2ae4c9] (000/807) No match but offset
05 [cdd98f1d] (000/811) No match but offset
06 [428c23e3] (000/801) No match but offset
07 [53c813d4] (000/805) No match but offset
08 [f28c50d8] (000/807) No match but offset
09 [56f755a8] (000/801) No match but offset
10 [96d9cf5e] (000/804) No match but offset
11 [1b69196c] (000/806) No match but offset
12 [83ae7fdf] (000/797) No match but offset
13 [de99c05e] (000/796) No match but offset
14 [14f2dd92] (000/786) No match but offset
Offsetted by -51:
01 [5b5706fe] (002/808) Accurately ripped
02 [1f9c9ee6] (002/809) Accurately ripped
03 [8198bf86] (002/802) Accurately ripped
04 [b0b14207] (002/807) Accurately ripped
05 [0f57c517] (002/811) Accurately ripped
06 [8898abb8] (000/801) No match but offset
07 [4cbb6ecd] (002/805) Accurately ripped
08 [64d48100] (002/807) Accurately ripped
09 [2d7ad171] (002/801) Accurately ripped
10 [ee229bdd] (002/804) Accurately ripped
11 [e0bbacd2] (002/806) Accurately ripped
12 [ea6088e5] (002/797) Accurately ripped
13 [43429906] (002/796) Accurately ripped
14 [5baa50a0] (002/786) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [F5533398] [69728B67] CRC32
01 100,0 [C43A6AC2] [290A1675]
02 100,0 [13C5CD88] [0667EDAE]
03 100,0 [CF22F712] [545F4315]
04 100,0 [900109F3] [404C6626]
05 100,0 [EEE10229] [7A1D8501]
06 100,0 [9BB0BFBB] [BD17872A]
07 100,0 [E11CE2E2] [B2E5E760]
08 100,0 [2DC6A357] [4984D280]
09 100,0 [C7EA39EA] [34A34221]
10 100,0 [44B0E1C8] [683519B1]
11 98,8 [C871FC78] [7E51CE60]
12 100,0 [F97CDBCB] [5771242B]
13 100,0 [376F8E0A] [FD050C1D]
14 100,0 [0F69DCEA] [8838683C]

CD2 EAC log

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

Отчёт EAC об извлечении, выполненном 5. июня 2009, 10:32

Red Hot Chili Peppers / Stadium Arcadium: Mars [Disc 2]

Дисковод: HL-DT-STDVDRAM GH20NS10 Adapter: 3 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 667
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:01.67 | 0 | 22641
2 | 5:01.67 | 4:07.50 | 22642 | 41216
3 | 9:09.42 | 4:01.73 | 41217 | 59364
4 | 13:11.40 | 4:22.35 | 59365 | 79049
5 | 17:34.00 | 4:06.10 | 79050 | 97509
6 | 21:40.10 | 4:30.50 | 97510 | 117809
7 | 26:10.60 | 2:52.60 | 117810 | 130769
8 | 29:03.45 | 3:51.65 | 130770 | 148159
9 | 32:55.35 | 5:25.12 | 148160 | 172546
10 | 38:20.47 | 3:44.58 | 172547 | 189404
11 | 42:05.30 | 3:45.22 | 189405 | 206301
12 | 45:50.52 | 3:36.08 | 206302 | 222509
13 | 49:26.60 | 6:06.05 | 222510 | 249964
14 | 55:32.65 | 4:24.60 | 249965 | 269824


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла E:\RATAHATAMAHATA\DOWNLOADS\!!!OUT!!!!\RHCP - Stadium Arcadium\02 - Mars.wav

Пиковый уровень 100.0 %
Качество диапазона 100.0 %
CRC копии 1DE0C845
Копирование… OK

Ошибок не произошло


AccurateRip: сводка

Трек 1 точное извлечение (доверие 200) [BC4B4B57]
Трек 2 точное извлечение (доверие 200) [B9D543EC]
Трек 3 точное извлечение (доверие 200) [C40F48F2]
Трек 4 точное извлечение (доверие 200) [4F481CC6]
Трек 5 точное извлечение (доверие 200) [10BDA938]
Трек 6 точное извлечение (доверие 200) [9B486107]
Трек 7 точное извлечение (доверие 200) [CD4CC407]
Трек 8 точное извлечение (доверие 200) [56223B0D]
Трек 9 точное извлечение (доверие 200) [909D87B2]
Трек 10 точное извлечение (доверие 200) [261BBD01]
Трек 11 точное извлечение (доверие 200) [FDB46A2C]
Трек 12 точное извлечение (доверие 200) [8F018233]
Трек 13 точное извлечение (доверие 200) [1B6CB8A6]
Трек 14 точное извлечение (доверие 200) [518419A3]

Все треки извлечены точно

Конец отчёта

CD2 AccurateRip log

[CUETools log; Date: 27.07.2011 4:54:43; Version: 2.1.1]
[AccurateRip ID: 001ea026-01453de0-bd0e0d0e] found.
Track [ CRC ] Status
01 [bc4b4b57] (200/661) Accurately ripped
02 [b9d543ec] (200/662) Accurately ripped
03 [c40f48f2] (200/662) Accurately ripped
04 [4f481cc6] (200/662) Accurately ripped
05 [10bda938] (200/658) Accurately ripped
06 [9b486107] (200/656) Accurately ripped
07 [cd4cc407] (200/657) Accurately ripped
08 [56223b0d] (200/659) Accurately ripped
09 [909d87b2] (200/661) Accurately ripped
10 [261bbd01] (200/660) Accurately ripped
11 [fdb46a2c] (200/660) Accurately ripped
12 [8f018233] (200/656) Accurately ripped
13 [1b6cb8a6] (200/655) Accurately ripped
14 [518419a3] (200/650) Accurately ripped
Offsetted by -1310:
01 [d75332d9] (002/661) Accurately ripped
02 [77797349] (002/662) Accurately ripped
03 [a68d2c02] (002/662) Accurately ripped
04 [0733e17b] (002/662) Accurately ripped
05 [ac16cd1e] (002/658) Accurately ripped
06 [1a40880c] (002/656) Accurately ripped
07 [86dc40ad] (002/657) Accurately ripped
08 [27747958] (002/659) Accurately ripped
09 [d562b94a] (002/661) Accurately ripped
10 [664594df] (002/660) Accurately ripped
11 [7cea6e50] (002/660) Accurately ripped
12 [4bc2c2fd] (002/656) Accurately ripped
13 [ae83773b] (002/655) Accurately ripped
14 [567ea002] (002/650) Accurately ripped
Offsetted by -694:
01 [ff60adc1] (006/661) Accurately ripped
02 [cd1c87f7] (006/662) Accurately ripped
03 [8128329c] (006/662) Accurately ripped
04 [a561ba6c] (006/662) Accurately ripped
05 [cb0d0ef4] (006/658) Accurately ripped
06 [7d5e87e6] (006/656) Accurately ripped
07 [e39e6984] (006/657) Accurately ripped
08 [7e2e09ff] (006/659) Accurately ripped
09 [868eef63] (006/661) Accurately ripped
10 [c7c167ad] (006/660) Accurately ripped
11 [19776e9a] (006/660) Accurately ripped
12 [d7cbebd2] (006/656) Accurately ripped
13 [97c3babd] (006/655) Accurately ripped
14 [731597ab] (006/650) Accurately ripped
Offsetted by -676:
01 [5ccec973] (006/661) Accurately ripped
02 [9d794793] (006/662) Accurately ripped
03 [7a13e3dd] (006/662) Accurately ripped
04 [51f2bcc7] (006/662) Accurately ripped
05 [026c3f54] (006/658) Accurately ripped
06 [738677e4] (006/656) Accurately ripped
07 [a23f956a] (006/657) Accurately ripped
08 [d69a86a7] (006/659) Accurately ripped
09 [97d96e89] (006/661) Accurately ripped
10 [beb1ea69] (006/660) Accurately ripped
11 [e5c7b328] (006/660) Accurately ripped
12 [ba509cc0] (006/656) Accurately ripped
13 [ed5d41c6] (006/655) Accurately ripped
14 [9212e276] (006/650) Accurately ripped
Offsetted by -670:
01 [7bf37d59] (041/661) Accurately ripped
02 [0245a4b6] (041/662) Accurately ripped
03 [0bd6df47] (041/662) Accurately ripped
04 [1ab602b3] (041/662) Accurately ripped
05 [cd23fae3] (040/658) Accurately ripped
06 [8a7a5310] (040/656) Accurately ripped
07 [36604dca] (040/657) Accurately ripped
08 [d6d2f3e6] (040/659) Accurately ripped
09 [f2edee24] (040/661) Accurately ripped
10 [110215fd] (041/660) Accurately ripped
11 [7f37ca02] (041/660) Accurately ripped
12 [b07cd7ba] (041/656) Accurately ripped
13 [b525c2da] (041/655) Accurately ripped
14 [f226501a] (040/650) Accurately ripped
Offsetted by -664:
01 [9b18313f] (004/661) Accurately ripped
02 [b6c2b0ff] (004/662) Accurately ripped
03 [18a0dadf] (004/662) Accurately ripped
04 [20768426] (004/662) Accurately ripped
05 [98cbd5bf] (004/658) Accurately ripped
06 [2b3f0c04] (005/656) Accurately ripped
07 [ca2805ca] (005/657) Accurately ripped
08 [c56e7bd5] (005/659) Accurately ripped
09 [4e176daf] (005/661) Accurately ripped
10 [63524191] (004/660) Accurately ripped
11 [18a7e0dc] (004/660) Accurately ripped
12 [7e2812b4] (004/656) Accurately ripped
13 [80834438] (004/655) Accurately ripped
14 [526dbd74] (004/650) Accurately ripped
Offsetted by -588:
01 [d03e6d4b] (002/661) Accurately ripped
02 [fafeae6d] (002/662) Accurately ripped
03 [7da82686] (003/662) Accurately ripped
04 [93c4dfaf] (002/662) Accurately ripped
05 [d0a3b6dd] (003/658) Accurately ripped
06 [5333e522] (002/656) Accurately ripped
07 [510e56c3] (002/657) Accurately ripped
08 [a5ff0f2b] (002/659) Accurately ripped
09 [7337ba8a] (004/661) Accurately ripped
10 [209f1439] (003/660) Accurately ripped
11 [05890250] (003/660) Accurately ripped
12 [659c6563] (003/656) Accurately ripped
13 [150066bd] (002/655) Accurately ripped
14 [b3c57108] (002/650) Accurately ripped
Offsetted by -132:
01 [0f23d593] (004/661) Accurately ripped
02 [b2e32ec1] (004/662) Accurately ripped
03 [201b184d] (004/662) Accurately ripped
04 [b3257a40] (003/662) Accurately ripped
05 [7ff77cc3] (003/658) Accurately ripped
06 [ec2b0446] (003/656) Accurately ripped
07 [dd21e8b3] (003/657) Accurately ripped
08 [7d74e4bb] (004/659) Accurately ripped
09 [bf4102c4] (003/661) Accurately ripped
10 [a33dac83] (004/660) Accurately ripped
11 [be62875e] (004/660) Accurately ripped
12 [5f857243] (003/656) Accurately ripped
13 [79238c62] (003/655) Accurately ripped
14 [08218893] (004/650) Accurately ripped
Offsetted by -72:
01 [4692dc8f] (003/661) Accurately ripped
02 [dda0ff3c] (002/662) Accurately ripped
03 [1b3598f2] (002/662) Accurately ripped
04 [c52a1d6c] (002/662) Accurately ripped
05 [3186b3d9] (002/658) Accurately ripped
06 [25c52ca5] (002/656) Accurately ripped
07 [a95a175e] (002/657) Accurately ripped
08 [5ffe941a] (002/659) Accurately ripped
09 [4881cc0d] (002/661) Accurately ripped
10 [141b6933] (002/660) Accurately ripped
11 [c3bf62fa] (002/660) Accurately ripped
12 [bd79bf53] (002/656) Accurately ripped
13 [6b6fea91] (002/655) Accurately ripped
14 [c4a0e768] (002/650) Accurately ripped
Offsetted by -66:
01 [65b79075] (009/661) Accurately ripped
02 [8a68afa0] (009/662) Accurately ripped
03 [fdd1d11c] (009/662) Accurately ripped
04 [bf513a51] (009/662) Accurately ripped
05 [7c416ec2] (008/658) Accurately ripped
06 [69d5b861] (009/656) Accurately ripped
07 [4082d0c4] (009/657) Accurately ripped
08 [500f2e1d] (009/659) Accurately ripped
09 [a38046c2] (009/661) Accurately ripped
10 [a66d95ab] (009/660) Accurately ripped
11 [5de578f0] (009/660) Accurately ripped
12 [6e46fa3b] (009/656) Accurately ripped
13 [3e43113d] (009/655) Accurately ripped
14 [2460570a] (009/650) Accurately ripped
Offsetted by -51:
01 [33935234] (002/661) Accurately ripped
02 [152fe89a] (002/662) Accurately ripped
03 [55383cc5] (002/662) Accurately ripped
04 [f23afc85] (002/662) Accurately ripped
05 [765680cb] (002/658) Accurately ripped
06 [6686bc08] (002/656) Accurately ripped
07 [3c29207e] (002/657) Accurately ripped
08 [67d6cb7a] (002/659) Accurately ripped
09 [8771f959] (002/661) Accurately ripped
10 [f26504d7] (002/660) Accurately ripped
11 [df4eafd7] (002/660) Accurately ripped
12 [ca3c8d7f] (002/656) Accurately ripped
13 [784f1aef] (002/655) Accurately ripped
14 [94426d91] (002/650) Accurately ripped
Offsetted by -36:
01 [016f13f3] (017/661) Accurately ripped
02 [9ff72194] (017/662) Accurately ripped
03 [d83b7b11] (017/662) Accurately ripped
04 [e2ad55b4] (017/662) Accurately ripped
05 [b20a9285] (017/658) Accurately ripped
06 [e4e84495] (017/656) Accurately ripped
07 [39486fab] (017/657) Accurately ripped
08 [3af05c3b] (017/659) Accurately ripped
09 [6c49ab3c] (017/661) Accurately ripped
10 [3dcb334e] (017/660) Accurately ripped
11 [60b1e6bb] (017/660) Accurately ripped
12 [d55c20c3] (017/656) Accurately ripped
13 [a6742789] (017/655) Accurately ripped
14 [056e8314] (017/650) Accurately ripped
Offsetted by -30:
01 [2093c7d9] (003/661) Accurately ripped
02 [a446d1f8] (003/662) Accurately ripped
03 [6249598d] (003/662) Accurately ripped
04 [12a897b9] (003/662) Accurately ripped
05 [fcffac86] (003/658) Accurately ripped
06 [dd26f397] (003/656) Accurately ripped
07 [d23528e5] (003/657) Accurately ripped
08 [0623d57d] (003/659) Accurately ripped
09 [c7d1256a] (003/661) Accurately ripped
10 [8f615fcc] (003/660) Accurately ripped
11 [fadbfcab] (003/660) Accurately ripped
12 [c9a25bab] (003/656) Accurately ripped
13 [703c4f1a] (003/655) Accurately ripped
14 [666ff1d1] (003/650) Accurately ripped
Offsetted by -12:
01 [7e01e38b] (048/661) Accurately ripped
02 [b135e324] (048/662) Accurately ripped
03 [5dae2a79] (047/662) Accurately ripped
04 [f560c742] (047/662) Accurately ripped
05 [de1ab807] (047/658) Accurately ripped
06 [799533a6] (046/656) Accurately ripped
07 [9c9c544a] (048/657) Accurately ripped
08 [731d7014] (047/659) Accurately ripped
09 [d9f493bb] (048/661) Accurately ripped
10 [82ef63ed] (048/660) Accurately ripped
11 [c9603e64] (048/660) Accurately ripped
12 [a6750c63] (048/656) Accurately ripped
13 [265b179b] (046/655) Accurately ripped
14 [8c1e3d26] (043/650) Accurately ripped
Offsetted by -6:
01 [9d269771] (200/661) Accurately ripped
02 [b5859388] (200/662) Accurately ripped
03 [11978d71] (200/662) Accurately ripped
04 [6dac5c09] (200/662) Accurately ripped
05 [47d430b5] (200/658) Accurately ripped
06 [0a845b1f] (200/656) Accurately ripped
07 [35170c96] (200/657) Accurately ripped
08 [5f3ae2d0] (200/659) Accurately ripped
09 [353e0dc7] (200/661) Accurately ripped
10 [d4859077] (200/660) Accurately ripped
11 [638a5448] (200/660) Accurately ripped
12 [9abb474b] (200/656) Accurately ripped
13 [4ae39274] (200/655) Accurately ripped
14 [eeb4ab6b] (200/650) Accurately ripped
Offsetted by 6:
01 [db6fff3d] (002/661) Accurately ripped
02 [65ee4be0] (002/662) Accurately ripped
03 [fbfad811] (002/662) Accurately ripped
04 [c67ca6f4] (003/662) Accurately ripped
05 [58362208] (003/658) Accurately ripped
06 [534e3744] (002/656) Accurately ripped
07 [65437aa7] (002/657) Accurately ripped
08 [46489377] (003/659) Accurately ripped
09 [ec160170] (003/661) Accurately ripped
10 [77b1e98b] (002/660) Accurately ripped
11 [97de8010] (002/660) Accurately ripped
12 [8347bd1b] (003/656) Accurately ripped
13 [970ddef7] (002/655) Accurately ripped
14 [b48787bc] (002/650) Accurately ripped
Offsetted by 30:
01 [5802ced5] (002/661) Accurately ripped
02 [1e3dbcb2] (002/662) Accurately ripped
03 [cd76f187] (002/662) Accurately ripped
04 [143c74a4] (002/662) Accurately ripped
05 [a0de2137] (002/658) Accurately ripped
06 [6d6320d9] (002/656) Accurately ripped
07 [bff64e47] (002/657) Accurately ripped
08 [10541f0d] (002/659) Accurately ripped
09 [5ad5e66a] (002/661) Accurately ripped
10 [be0a9bb3] (002/660) Accurately ripped
11 [0086d7a0] (002/660) Accurately ripped
12 [5460a8bb] (002/656) Accurately ripped
13 [d89778ff] (002/655) Accurately ripped
14 [42443f5c] (002/650) Accurately ripped
Offsetted by 518:
01 [9256a13d] (008/661) Accurately ripped
02 [612600c2] (008/662) Accurately ripped
03 [74e7a0a8] (008/662) Accurately ripped
04 [6593d89c] (008/662) Accurately ripped
05 [c25fbec6] (008/658) Accurately ripped
06 [62687cf8] (008/656) Accurately ripped
07 [8bdf2648] (008/657) Accurately ripped
08 [eb2a2776] (008/659) Accurately ripped
09 [f2a3a459] (008/661) Accurately ripped
10 [8ee91a46] (008/660) Accurately ripped
11 [83e5c675] (008/660) Accurately ripped
12 [05d0b51b] (008/656) Accurately ripped
13 [c4cc295c] (008/655) Accurately ripped
14 [db25959f] (008/650) Accurately ripped
Offsetted by -176:
01 [d56c03a7] (000/661) No match but offset
02 [e7898380] (000/662) No match but offset
03 [e5a5b8a2] (000/662) No match but offset
04 [898f0675] (000/662) No match but offset
05 [307dad0d] (000/658) No match but offset
06 [fbb74cec] (000/656) No match but offset
07 [14c3f1a4] (000/657) No match but offset
08 [35f1e504] (000/659) No match but offset
09 [d37c7f91] (000/661) No match but offset
10 [f7431113] (000/660) No match but offset
11 [a985e652] (000/660) No match but offset
12 [b89e298f] (000/656) No match but offset
13 [646774d9] (000/655) No match but offset
14 [f346a6d8] (000/650) No match but offset
Offsetted by 1176:
01 [9465076f] (000/661) No match but offset
02 [8ef7440b] (002/662) Accurately ripped
03 [2254a813] (002/662) Accurately ripped
04 [87ecbe22] (002/662) Accurately ripped
05 [e77231a6] (002/658) Accurately ripped
06 [e0d7c581] (002/656) Accurately ripped
07 [5a0796d3] (002/657) Accurately ripped
08 [8ae77666] (002/659) Accurately ripped
09 [3f9776d9] (002/661) Accurately ripped
10 [6574e3ac] (002/660) Accurately ripped
11 [ab611cd9] (002/660) Accurately ripped
12 [fd549bd3] (000/656) No match but offset
13 [2ef8ed41] (002/655) Accurately ripped
14 [48002bd4] (000/650) No match but offset

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [1DE0C845] [4B0D12CB] CRC32
01 100,0 [636ADD76] [3B06BEE4]
02 100,0 [9E032C5D] [0DF8F3F4]
03 100,0 [094ABC83] [AFDCF93E]
04 100,0 [48A40667] [A819B382]
05 100,0 [BCE7BCEA] [35025BC2]
06 100,0 [C0481CCC] [A5912CD7]
07 91,2 [643CE6CD] [FEC62B27]
08 100,0 [A27F1F64] [1070900A]
09 100,0 [07158278] [33FFA481]
10 100,0 [CDF7B215] [50C72FDE]
11 100,0 [4EE0D805] [D7C5FF3A]
12 100,0 [B75CF8DF] [234F83A7]
13 100,0 [A78B3F2C] [C902138C]
14 100,0 [E89B01C1] [BA017EA6]

All thanks to original releasers: Shibuya-Ku, RATAHATA, BolshoeR

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