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    National Philharmonic - Samuel Coleridge-Taylor: Toussaint L’Ouverture, Op. 46 - Ballade Op. 4 - Suites from “24 Negro Melodies

    Posted By: Fizzpop
    National Philharmonic - Samuel Coleridge-Taylor: Toussaint L’Ouverture, Op. 46 - Ballade Op. 4 - Suites from “24 Negro Melodies

    National Philharmonic - Samuel Coleridge-Taylor: Toussaint L’Ouverture, Op. 46 - Ballade Op. 4 - Suites from “24 Negro Melodies” (2025)
    WEB FLAC (Tracks +Digital Booklet) 288 MB | Cover | 01:06:36 | MP3 CBR 320 kbps | 161 MB
    Classical | Label: AVIE Records

    Grammy Award winning conductor Michael Repper leads the Washington D.C. based National Philharmonic in a celebration of Samuel Coleridge-Taylor – an album of world-premiere recordings commemorating the 150th anniversary of the composer’s birth. Joining the party is Grammy nominated violinist Curtis Stewart who contributes his own arrangements of S C-T’s works. AVIE Records was at the forefront of resurrecting the music of Samuel Coleridge-Taylor, with the world-premiere recording of his Violin Concerto released in 2004. This album features new performance editions of Toussaint L’Ouverture, Ballade Op. 4, and the Suite from ‘24 Negro Melodies'.

    I was drawn to an approach of dealing with the history of slavery within one’s family, the ownership of a name and its ‘rebranding’ – reflecting on the American Slave and how Black Americans deal with creating a sense of pride, familial storytelling and lineage in contemporary America. This notion of ‘rebranding’ extends to the ‘Negro Melody’… My intent with these arrangements is to acknowledge the impact of those melodies on current popular culture, and reflect that influence onto the orchestral stage – to create moments where listeners may participate vocally, with movement, or rhythmically clapping along – to maintain a sense of belonging and recognition – to create community around this music in the classical concert hall – to embrace where all contemporary American Concert music extends from, in my belief – America’s mother-music: the Blues.’ – Curtis Stewart

    Curtis Stewart, violin
    National Philharmonic Orchestra
    Michael Repper, conductor

    TRACKLIST

    1. Michael Repper;National Philharmonic - Toussaint L’Ouverture, Op. 46
    2. Curtis Stewart;Michael Repper;National Philharmonic - Ballade in D Minor for Violin and Orchestra, Op. 4
    3. Curtis Stewart;Michael Repper;National Philharmonic - 3 Selections from “24 Negro Melodies”: I. Deep River (America) [Arr. for Violin and Orchestra by Curtis Stewart and Hamilton Berry]
    4. Curtis Stewart;Michael Repper;National Philharmonic - 3 Selections from “24 Negro Melodies”: II. They Will Not Lend Me a Child (Southeast Africa) [Arr. for Violin and Orchestra by Curtis Stewart and Andrew Roitstein]
    5. Curtis Stewart;Michael Repper;National Philharmonic - 3 Selections from “24 Negro Melodies”: III. The Angels Changed My Name (America) [Arr. for Violin and Orchestra by Curtis Stewart]
    6. Michael Repper;National Philharmonic - Suite from “24 Negro Melodies”: I. I’m Troubled in Mind (America) Op. 59 No. 14 [Orchestration by Samuel Coleridge-Taylor; ed. Patrick Meadows, Lionel Harrison, 2012]
    7. Michael Repper;National Philharmonic - Suite from “24 Negro Melodies”: II. Intermezzo – Don’t Be Weary, Traveler (America) Op. 59 No. 12 [Orchestration by Samuel Coleridge-Taylor; ed. Patrick Meadows, Lionel Harrison, 2012]
    8. Michael Repper;National Philharmonic - Suite from “24 Negro Melodies”: III. Scherzo – Ringendjé: Song of Conquest (South Africa) Op. 59 No. 5 [Orchestration by Samuel Coleridge-Taylor; ed. Patrick Meadows, Lionel Harrison, 2012]
    9. Michael Repper;National Philharmonic - Suite from “24 Negro Melodies”: IV. Lament – They Will Not Lend Me a Child (Southeast Africa) Op. 59 No. 4 [Orchestration by Samuel Coleridge-Taylor; ed. Patrick Meadows, Lionel Harrison, 2012]
    10. Michael Repper;National Philharmonic - Suite from “24 Negro Melodies”: V. Finale – Alla Marcia – Oloba (West Africa) Op. 59 No. 7 [Orchestration by Samuel Coleridge-Taylor; ed. Patrick Meadows, Lionel Harrison, 2012]

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