Tags
Language
Tags
June 2025
Su Mo Tu We Th Fr Sa
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 1 2 3 4 5
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Matthias Bamert, London Philharmonic Orchestra - Hubert Parry: Symphony No. 5, From Death to Life, Elegy for Brahms (1991)

    Posted By: ArlegZ
    Matthias Bamert, London Philharmonic Orchestra - Hubert Parry: Symphony No. 5, From Death to Life, Elegy for Brahms (1991)

    Matthias Bamert, London Philharmonic Orchestra - Charles Hubert Hastings Parry: Symphony No. 5, From Death to Life, Elegy for Brahms (1991)
    EAC | FLAC | Image (Cue & Log) ~ 250 Mb | Total time: 57:04 | Scans included
    Classical | Label: Chandos | # CHAN 8955 | Recorded: 1991

    This is the second issue in the Chandos cycle of Parry's orchestral and choral works in which Matthias Bamert is conducting the London Philharmonic. It is splendid to hear this neglected music so sensitively and enthusiastically interpreted by a non-British conductor. Although two of the works on this disc—the Fifth Symphony and the Elegy for Brahms—have been previously recorded for EMI in 1978 by Boult with the same orchestra (11/87—nla), I have no hesitation in declaring that these are finer performances and interpretations. Boult loved Parry's music, but Bamert finds more passion and mystery in it. Sir Adrian seemed more concerned with its structure, trusting that the emotion would emerge of its own accord, as no doubt it would have done if he had been younger and fitter when he made his recording.
    Bamert's treatment of the symphony is broader and particularly impressive in the slow movement, sub-titled ''Love'', in which allusions to Liszt and Tchaikovsky may surprise those who still hold a stereotyped view of Parry. The finale (''Now'') ends with a Lisztian transformation of the work's opening theme, but before that it is Elgar's example that the ear detects. Liszt is called to mind also in the two-part tone-poem From Death to Life, composed in 1914. The quality of the invention here is, in my opinion, less striking than in the symphony.
    Elegy for Brahms must be one of the finest tributes paid by one composer to another. Although it contains subtle quotations from Brahms's works (including the famous tune of the First Symphony's finale), it does not sound particularly Brahmsian. Bamert conducts it superbly and the orchestra plays all three works with thrilling conviction. Parry's cause is advanced by advocacy of this calibre.
    –Gramophone

    Performer:
    London Philharmonic Orchestra
    Matthias Bamert, conductor

    Tracklist:
    Sir Charles Hubert Hastings Parry (1848-1918)
    Symphony No. 5 in B minor 'Symphonic Fantasia 1912'
    01. I. Stress - Slow - Allegro - Tempo 1
    02. II. Love - Lento
    03. III. Play - Vivace
    04. IV. Now - Moderato
    From Death to Life
    Symphonic Poem in two connected movements
    05. I. Via Mortis - Lento
    06. II. Via Vite - Slow alla marcia
    07. Elegy for Brahms in A minor: Maestoso espressivo - Largamente - Tempo primo


    Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

    EAC extraction logfile from 30. December 2008, 14:58

    Parry / Symphony No. 5; From Death to Life; Elegy for Brahms

    Used drive : TSSTcorpDVD+-RW TS-H653A Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : No
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 768 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 7:06.62 | 0 | 32011
    2 | 7:06.62 | 5:58.25 | 32012 | 58886
    3 | 13:05.12 | 4:46.63 | 58887 | 80399
    4 | 17:52.00 | 9:09.00 | 80400 | 121574
    5 | 27:01.00 | 8:40.62 | 121575 | 160636
    6 | 35:41.62 | 8:03.13 | 160637 | 196874
    7 | 43:45.00 | 13:19.25 | 196875 | 256824


    Range status and errors

    Selected range

    Filename C:\Users\scotlynn\Desktop\demonoid\Parry - The Symphonies\Disc 4\Parry - Symphony No. 5; From Death to Life; Elegy for Brahms.wav

    Peak level 95.5 %
    Range quality 100.0 %
    Copy CRC 601AA9DA
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 cannot be verified as accurate (confidence 2) [C10480F9], AccurateRip returned [1871F7BA]
    Track 2 cannot be verified as accurate (confidence 2) [86CC7EC7], AccurateRip returned [1EC0B879]
    Track 3 cannot be verified as accurate (confidence 2) [3A162F55], AccurateRip returned [716201B1]
    Track 4 cannot be verified as accurate (confidence 2) [DA66E6A9], AccurateRip returned [2F977A39]
    Track 5 cannot be verified as accurate (confidence 2) [8F0F6189], AccurateRip returned [19C82863]
    Track 6 cannot be verified as accurate (confidence 2) [3DB014F1], AccurateRip returned [47CF56F3]
    Track 7 cannot be verified as accurate (confidence 2) [F5AA312C], AccurateRip returned [3C008DF4]

    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    End of status report

    Matthias Bamert, London Philharmonic Orchestra - Hubert Parry: Symphony No. 5, From Death to Life, Elegy for Brahms (1991)

    Thanks to the original releaser