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Mariya Miliutsina, Koki Fujimoto - Molino, Giuliani, Pettoletti, Sor, Foreit: A Salon Anno 1800 Soiree for Flute and Guitar

Posted By: ciklon5

Date: 27 Oct 2023 03:02:22

Mariya Miliutsina, Koki Fujimoto - Molino, Giuliani, Pettoletti, Sor, Foreit: A Salon Anno 1800 Soiree for Flute and Guitar
FLAC (tracks), Lossless / MP3 320 kbps | 54:36 | 125 / 233 Mb
Genre: Classical / Label: Da Vinci Classics

The flute and guitar duo is a particularly successful chamber music ensemble, even though the original repertoire for this formation is not limitless. It is, in fact, an almost ideal pairing, granting timbral variety thanks to the utter difference between the two instruments. They are also well matched as concerns dynamics, since none of them is among the loudest instruments of the Western tradition: a flute and guitar duo finds its perfect context in an intimate setting, such as a room where the audience coincides with the players, who perform for their own enjoyment, or a salon, where a restricted, selected audience will be able to appreciate all shades and nuances of their playing.
Such audiences, in the nineteenth century, could at times understand the most complex, spiritually and mentally demanding works of the repertoire; more often, however, they delighted in works whose intellectual and emotional content was lighter. This did not imply that such works were easy to play: quite the contrary. Frequently, the most important virtuosi could be invited to play in the most prestigious salons of a city. Indeed, in the nineteenth century, one had first to conquer the salons, and then could hope to enthrall the city with recitals “proper”, in public concert venues. Unless a virtuoso had not managed to secure to him- or herself the favours of the cultivated aristocracy or wealthy bourgeoisie, their attempt to conquer the larger audiences were doomed to failure from the outset. So, it was far from infrequent for some of the most celebrated performers to present themselves and their work, with increasingly dazzling performances, frequently taking as their musical starting point the arias of famous coeval operas, on which the virtuoso could improvise or perform intricated variations, fantasies and potpourris.

Track List:
01. Nocturne, Op. 38: I. Andante cantabile
02. Nocturne, Op. 38: II. Rondo
03. Duo pour guitare et flute sur une Romance favorite russe
04. Seguidillas: I. “Si dices que mis ojos”
05. Seguidillas: II. “Las mujeres y cuerdas”
06. Seguidillas: III. “Mis descuidados ojos”
07. Romanesca
08. Serenade, Op. 127: I. Maestoso
09. Serenade, Op. 127: II. Minuetto
10. Serenade, Op. 127: III. Thema con variazioni
11. Serenade, Op. 127: IV. Rondo
12. Choix d´airs pour une Flute avec accompagnement de Guitare "Le Postillon de Lonjumeau": I. Choeur “Le joli mariage”
13. Choix d´airs pour une Flute avec accompagnement de Guitare "Le Postillon de Lonjumeau": II. Air de Madolaine “Mon petit mari tu seras chéri”
14. Choix d´airs pour une Flute avec accompagnement de Guitare "Le Postillon de Lonjumeau": III. Ronde de Chapelou “Mes amis ecoutez l´histoire”
15. Choix d´airs pour une Flute avec accompagnement de Guitare "Le Postillon de Lonjumeau": IV. Grand Air de St. Phar “A la noblesse je m´allie”
16. Choix d´airs pour une Flute avec accompagnement de Guitare "Le Postillon de Lonjumeau": V. Morceau d´ensemble “Du vrai bonheur”
17. Choix d´airs pour une Flute avec accompagnement de Guitare "Le Postillon de Lonjumeau": VI. Due de Latour et St. Phar “A ma douleur soyez sensible”

auCDtect

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

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