Ke$ha - Animal (2010) {Japanese Edition}

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Ke$ha - Animal (2010) {Japanese Edition}

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Animal is the debut studio album by American pop singer Kesha. The album was released on January 1, 2010, by RCA Records. Kesha worked with a variety of producers and writers such as Lukasz Gottwald (Dr. Luke), Benny Blanco, David Gamson, Greg Kurstin, Max Martin, and others. Kesha had been recording demos for several years when one eventually ended up in the hands of Samantha Cox, senior director of writer/publisher relations at BMI. Cox passed along the demo and it ended up in the hands of Gottwald, who decided to have Kesha perform on the song "Right Round". Within two months, the song became a hit in multiple countries around the world. The event led to Kesha being sought after by many major labels, and she eventually signed a multi-album deal with RCA Records.

The album received mixed reviews from music critics. Some appreciated its fun, carefree nature, while others dismissed it as juvenile and said that it seemed insincere. Lyrically, the majority of the album's songs are based on Kesha's past life experiences of love, heartbreak, boys, and having a good time. Musically, Animal draws from the electropop genre, while incorporating elements of dance-pop in its production and beats. The album attained chart success, debuting at number one in Canada, the United States, and Greece, while charting within the top ten in seven other countries. Animal was certified platinum by the Recording Industry Association of America (RIAA) for shipments of one million copies and has sold over 4.5 million copies worldwide.

Four singles were released from the album. Its lead single, "Tik Tok", was released on August 7, 2009 and was a worldwide hit, reaching number one in eleven countries. It reached number one on the Billboard Hot 100 and stayed at the top for nine consecutive weeks. The song sold 12.8 million digital copies worldwide in 2010, making it the best selling single of the year; it sold 5,633,000 downloads in the United States alone, making it the sixth best-selling song in digital history. It has now sold over 15 million copies worldwide, and as of August 7, 2014 (exactly five years after its release), it is the second best-selling digital single worldwide. The album's second, third and fourth singles, "Blah Blah Blah", "Your Love Is My Drug" and "Take It Off" all achieved similar success reaching the top ten in multiple countries including Australia, Canada and the United States. The album's commercial success led to its nomination for the Juno Award for "Best International Album" in 2011.

~ Wiki

Just when it seemed 2009’s trash-brat electro scene (3OH!3, LMFAO, Shwayze) was about crumble under its own weight, rapper/singer/songwriter Ke$ha became the genre’s biggest star, graduating from being Flo Rida’s backup singer (she provided the hook on the rapper’s massive single “Right Round”) to superstar when her debut single, “TiK ToK,” set a digital sales record with over 600,000 downloads in a week. Her climb to the top includes bizarre factoids like she once lived in the house where the Eagles recorded Hotel California, plus she once vomited in Paris Hilton’s closet. Working on Hilton's album was the reason she was at the house, so it’s hard not to appreciate how Animal makes Ke$ha sound nothing like an industry vet who used to write for the Veronicas. Here, she’s a gum-snapping, alcohol-abusing Facebook jockey straight out of the suburbs who spits sophomoric but fun putdowns, come-ons, and sig files all over electro beats. Opening with “Maybe I need some rehab/Or maybe just need some sleep,” Animal is upfront about its unwillingness to face the real world, and prefers a garbage chic reality with a liberal shot of the ‘80s. “Party at a Rich Dude’s House” could have fallen off the Fast Times at Ridgemont High soundtrack, while the word “gross” makes a serious comeback throughout the album. The music is heavy on gimmicks – Auto-Tune, vocoders, and silly samples are all here in abundance – while able folks like Dr. Luke plus Mim and Liv Nervo are in charge of the colorful electro-pop productions. As far as subversion goes, “Boots and Boys” presents the lusty, “Suicide Blond”-type track from a rare female point of view, but a couple of unexpected and completely unsatisfying ballads are the type of fluff anyone with an edge would avoid. Snooty taste makers and parents should avoid Animal at all costs, but with so many fun, “TiK ToK”-type tracks, the album has plenty for both brats and the bratty at heart.

~ David Jeffries, All Music

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Ke$ha - Animal (2010) {Japanese Edition}

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Ke$ha - Animal (2010) {Japanese Edition}

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Ke$ha - Animal (2010) {Japanese Edition}

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