Jethro Tull: Albums Collection. Part 2 (1977-2003) [Non-Remastered Studio Albums] Re-up

Jethro Tull was a unique phenomenon in popular music history. Their mix of hard rock; folk melodies; blues licks; surreal, impossibly dense lyrics; and overall profundity defied easy analysis, but that didn't dissuade fans from giving them 11 gold and five platinum albums. At the same time, critics rarely took them seriously, and they were off the cutting edge of popular music since the end of the 1970s. But no record store in the country would want to be without multiple copies of each of their most popular albums (Benefit, Aqualung, Thick as a Brick, Living in the Past), or their various best-of compilations, and few would knowingly ignore their newest releases. Of their contemporaries, only Yes could claim a similar degree of success, and Yes endured several major shifts in sound and membership in reaching the 1990s, while Tull remained remarkably stable over the same period. As co-founded and led by wildman-flautist-guitarist-singer-songwriter Ian Anderson, the group carved a place all its own in popular music

Tull had its roots in the British blues boom of the late '60s. Anderson (b. Aug. 10, 1947, Edinburgh, Scotland) had moved to Blackpool when he was 12. His first band was called the Blades, named after James Bond's club, with Michael Stephens on guitar, Jeffrey Hammond-Hammond (b. July 30, 1946) on bass and John Evans (b. Mar. 28, 1948) on drums, playing a mix of jazzy blues and soulful dance music on the northern club circuit. In 1965, they changed their name to the John Evan Band (Evan having dropped the "s" in his name at Hammond's suggestion) and later the John Evan Smash. By the end of 1967, Glenn Cornick (b. Apr. 24, 1947, Barrow-in-Furness, Cumbria, England) had replaced Hammond-Hammond on bass. The group moved to Luton in order to be closer to London, the center of the British blues boom, and the band began to fall apart, when Anderson and Cornick met guitarist/singer Mick Abrahams (b. Apr. 7, 1943, Luton, Bedfordshire, England) and drummer Clive Bunker (b. Dec. 12, 1946), who had previously played together in the Toggery Five and were now members of a local blues band called McGregor's Engine.

In December of 1967, the four of them agreed to form a new group. They began playing two shows a week, trying out different names, including Navy Blue and Bag of Blues. One of the names that they used, Jethro Tull, borrowed from an 18th-century farmer/inventor, proved popular and memorable, and it stuck. In January of 1968, they cut a rather derivative pop-folk single called "Sunshine Day," released by MGM Records (under the misprinted name Jethro Toe) the following month. The single went nowhere, but the group managed to land a residency at the Marquee Club in London, where they became very popular.

Early on, they had to face a problem of image and configuration, however. In the late spring of 1968, managers Terry Ellis and Chris Wright (who later founded Chrysalis Records) first broached the idea that Anderson give up playing the flute, and to allow Mick Abrahams to take center stage. At the time, a lot of blues enthusiasts didn't accept wind instruments at all, especially the flute, as seminal to the sound they were looking for, and as a group struggling for success and recognition, Jethro Tull was just a little too strange in that regard. Abrahams was a hardcore blues enthusiast who idolized British blues godfather Alexis Korner, and he was pushing for a more traditional band configuration, which would've put him and his guitar out front. As it turned out, they were both right. Abrahams' blues sensibilities were impeccable, but the audience for British blues by itself couldn't elevate Jethro Tull any higher than being a top club act. Anderson's antics on-stage, jumping around in a ragged overcoat and standing on one leg while playing the flute, and his use of folk sources as well as blues and jazz, gave the band the potential to grab a bigger audience and some much-needed press attention.

They opened for Pink Floyd on June 29, 1968, at the first free rock festival in London's Hyde Park, and in August they were the hit of the Sunbury Jazz & Blues Festival in Sunbury-on-Thames. By the end of the summer, they had a recording contract with Island Records. The resulting album, This Was, was issued in November. By this time, Anderson was the dominant member of the group on-stage, and at the end of the month Abrahams exited the band. The group went through two hastily recruited and rejected replacements, future Black Sabbath guitarist Tony Iommi (who was in Tull for a week, just long enough to show up in their appearance on the Rolling Stones' Rock 'N Roll Circus extravaganza), and Davy O'List, the former guitarist with the Nice. Finally, Martin Barre (b. Nov. 17, 1946), a former architecture student, was the choice for a permanent replacement.

It wasn't until April of 1969 that This Was got a U.S. release. Ironically, the first small wave of American Jethro Tull fans were admiring a group whose sound had already changed radically; in May of 1969, Barre's first recording with the group, "Living in the Past," reached the British number three spot and the group made its debut on Top of the Pops performing the song. The group played a number of festivals that summer, including the Newport Jazz Festival. Their next album, Stand Up, with all of its material (except "Bouree," which was composed by Johann Sebastian Bach) written by Ian Anderson, reached the number one spot in England the next month. Stand Up also contained the first orchestrated track by Tull, "Reasons for Waiting," which featured strings arranged by David Palmer, a Royal Academy of Music graduate and theatrical conductor who had arranged horns on one track from This Was. Palmer would play an increasingly large role in subsequent albums, and finally join the group officially in 1977.

Meanwhile, "Sweet Dream," issued in November, rose to number seven in England, and was the group's first release on Wright and Ellis' newly formed Chrysalis label. Their next single, "The Witch's Promise," got to number four in England in January of 1970. The group's next album, Benefit, marked their last look back at the blues, and also the presence of Anderson's longtime friend and former bandmate John Evan – who had long since given up the drums in favor of keyboards – on piano and organ. Benefit reached the number three spot in England, but, much more important, it ascended to number 11 in America, and its songs, including "Teacher" and "Sossity, You're A Woman," formed a key part of Tull's stage repertory. In early July of 1970, the group shared a bill with Jimi Hendrix, B.B. King, and Johnny Winter at the Atlanta Pop Festival in Byron, GA, before 200,000 people.

By the following December, after another U.S. tour, Cornick had decided to leave the group, and was replaced on bass by Anderson's childhood friend Jeffrey Hammond-Hammond. Early the following year, they began working on what would prove to be, for many fans, the group's magnum opus, Aqualung. Anderson's writing had been moving in a more serious direction since the group's second album, but it was with Aqualung that he found the lyrical voice he'd been seeking. Suddenly, he was singing about the relationship between man and God, and the manner in which – in his view – organized religion separated them. The blues influences were muted almost to non-existence, but the hard rock passages were searing and the folk influences provided a refreshing contrast. That the album was a unified whole impressed the more serious critics, while the kids were content to play air guitar to Martin Barre's high-speed breaks. And everybody, college prog rock mavens and high-school time-servers alike, seemed to identify with the theme of alienation that lay behind the music.

Aqualung reached number seven in America and number four in England, and was accompanied by a hugely successful American tour. Bunker quit the band to get married, and was replaced by Anderson's old John Evan Smash bandmate Barriemore Barlow (b. Sept. 10, 1949). Late in 1971, they began work on their next album, Thick as a Brick. Structurally more ambitious than Aqualung, and supported by an elaborately designed jacket in the form of a newspaper, this record was essentially one long song steeped in surreal imagery, social commentary, and Anderson's newly solidified image as a wildman-sage. Released in England during April of 1972, Thick as a Brick got as high as the number five spot, but when it came out in America a month later, it hit the number one spot, making it the first Jethro Tull album to achieve greater popularity in American than in England. In June of 1972, in response to steadily rising demand for the group's work, Chrysalis Records released Living in the Past, a collection of tracks from their various singles and British EPs, early albums, and a Carnegie Hall show, packaged like an old-style 78 rpm album in a book that opened up.

At this point, it seemed as though Jethro Tull could do no wrong, and for the fans that was true. For the critics, however, the group's string ran out in July of 1973 with the release of A Passion Play. The piece was another extended song, running the length of the album, this time steeped in fantasy and religious imagery far denser than Aqualung; it was divided at the end of one side of the album and the beginning of the other by an A.A. Milne-style story called "The Hare That Lost His Spectacles." This time, the critics were hostile toward Anderson and the group, attacking the album for its obscure lyrical references and excessive length. Despite these criticisms, the album reached number one in America (yielding a number eight single edited from the extended piece) and number 13 in England. The real venom, however, didn't start to flow until the group went on tour that summer. By this time, their sets ran to two-and-a-half hours, and included not only the new album done in its entirety ("The Hare That Lost His Spectacles" being a film presentation in the middle of the show), but Thick as a Brick and the most popular of the group's songs off of Aqualung and their earlier albums. Anderson was apparently unprepared for the searing reviews that started appearing, and also took the American rock press too seriously. In the midst of a sell-out U.S. tour, he threatened to cancel all upcoming concerts and return to England. Fortunately, cooler heads prevailed, especially once he recognized that the shows were completely sold out and audiences were ecstatic, and the tour continued without interruption.

It was 16 months until the group's next album, War Child – conceived as part of a film project that never materialized – was released, in November of 1974. The expectations surrounding the album gave it pre-order sales sufficient to get it certified gold upon release, and it was also Tull's last platinum album, reaching number two in America and number 14 in England. The dominant theme of War Child seemed to be violence, though the music's trappings heavily featured Palmer's orchestrations, rivaling Barre's electric guitar breaks for attention. In any case, the public seemed to respond well to the group's return to conventional length songs, with "Bungle in the Jungle" reaching number 11 in America. Tull's successful concert tour behind this album had them augmented by a string quartet.

During this period, Anderson became involved with producing an album by Steeleye Span, a folk-rock group that was also signed to Chrysalis, and who had opened for Tull on one of their American tours. Their music slowly begun influencing Anderson's songwriting over the next several years, as the folk influence grew in prominence, a process that was redoubled when he took up a rural residence during the mid-'70s. The next Tull album, Minstrel in the Gallery, showed up ten months later, in September of 1975, reaching number seven in the United States. This time, the dominant theme was Elizabethan minstrelsy, within an electric rock and English folk context. The tracks included a 17-minute suite that recalled the group's earlier album-length epic songs, but the album's success was rather more limited.

The Jethro Tull lineup had been remarkably stable ever since Clive Bunker's exit after Aqualung, remaining constant across four albums in as many years. In January of 1976, however, Hammond-Hammond left the band to pursue a career in art. His replacement, John Glascock (b. 1953), joined in time for the recording of Too Old to Rock 'n Roll, Too Young to Die, an album made up partly of songs from an un-produced play proposed by Anderson and Palmer, released in May of 1976. The group later did an ITV special built around the album's songs. The title track, however (on which Steeleye Span's Maddy Prior appeared as a guest backing vocalist), became a subject of controversy in England, as critics took it to be a personal statement on Anderson's part.

In late 1976, a Christmas EP entitled Ring Out Solstice Bells got to number 28. This song later turned up on their next album, Songs From the Wood, the group's most artistically unified and successful album in some time (and the first not derived from an unfinished film or play since A Passion Play). This was Tull's folk album, reflecting Anderson's passion for English folk songs. Its release also accompanied the band's first British tour in nearly three years. In May of 1977, David Palmer joined Tull as an official member, playing keyboards on-stage to augment the richness of the group's concert sound.

Having lasted into the late '70s, Jethro Tull now found itself competing in a new musical environment, as journalists and, to an increasing degree, fans became fixated on the growing punk rock phenomenon. In October 1977, Repeat (The Best of Jethro Tull, Vol. 2), intended to fill an anticipated 11 month gap between Tull albums, was released on both sides of the Atlantic. Unfortunately, it contained only a single new track and never made the British charts, while barely scraping into the American Top 100 albums. The group's next new album, Heavy Horses, issued in April of 1978, was Anderson's most personal work in several years, the title track expressing his regret over the disappearance of England's huge shire horses as casualties of modernization. In the fall of 1978, the group's first full-length concert album, the double-LP Live-Bursting Out, was released to modest success, accompanied by a tour of the United States and an international television broadcast from Madison Square Garden.

1979 was a pivotal and tragic year for the group. John Glascock died from complications of heart surgery on November 17, five weeks after the release of Stormwatch. Tull was lucky enough to acquire the services of Dave Pegg, the longtime bassist for Fairport Convention, which had announced its formal (though, as it turned out, temporary) breakup. The Stormwatch tour with the new lineup was a success, although the album was the first original release by Jethro Tull since This Was not to reach the U.S. Top 20. Partly thanks to Pegg's involvement with the Tull lineup, future tours by Jethro Tull, especially in America, would provide a basis for performances by re-formed incarnations of Fairport Convention.

The lineup change caused by Glascock's death led to Anderson's decision to record a solo album during the summer of 1980, backed by Barre, Pegg, and Mark Craney on drums, with ex-Roxy Music/King Crimson multi-instrumentalist Eddie Jobson on violin. The record, A, was eventually released as a Jethro Tull album in September of 1980, but even the Tull name didn't do much for its success. Barlow, Evan, and Palmer, however, were dropped from the group's lineup with the recording of A, and the new version of Jethro Tull toured in support of the album. Jobson left once the tour was over, and it was with yet another new lineup – including Barre, Pegg, and Fairport Convention alumnus Gerry Conway (drums) and Peter-John Vettesse (keyboards) – that The Broadsword and the Beast was recorded in 1982. Although this album had many songs based on folk melodies, its harder rocking passages also had a heavier, more thumping beat than earlier versions of the band had produced, and the use of the synthesizer was more pronounced than on previous Tull albums.

In 1983, Anderson confined his activities to his first official solo album, Walk Into Light, which had a very different, synthesizer-dominated sound. Following its lackluster performance, Anderson revived Jethro Tull for the album Under Wraps, released in September of 1984. At number 76 in the U.S., it became the group's poorest selling album, partly a consequence of Anderson's developing a throat infection that forced the postponement of much of their planned tour. No further Tull albums were to be released until Crest of a Knave in 1987, as a result of Anderson's intermittent throat problems. In the meantime, the group appeared on a German television special in March of 1985, and participated in a presentation of the group's work by the London Symphony Orchestra. To make up for the shortfall of new releases, Chrysalis released another compilation, Original Masters, a collection of highlights of the group's work, in October of 1985. In 1986, A Classic Case: The London Symphony Orchestra Plays the Music of Jethro Tull was released on record; and Crest of a Knave performed surprisingly well when it was issued in September of 1987, reaching number 19 in England and number 32 in America with the support of a world tour.

Crest of a Knave was something of a watershed in Tull's later history, though nobody would have guessed it at the time of its release. Although some of its songs displayed the group's usual folk/hard rock mix, the group was playing louder than usual, and tracks like "Steel Monkey," had a harder sound than any previous record by the group. In 1988, Tull toured the United States as part of the celebration of the band's 20th anniversary. In July, Chrysalis issued 20 Years of Jethro Tull, a 65-song boxed-set collection covering the group's history up to that time, containing most of their major songs and augmented with outtakes and radio performances. In February of 1989, the band won the Grammy Award for Best Hard Rock/Metal Performance for Crest of a Knave. Suddenly, they were stars again, and being declared as relevant by one of the top music awards in the industry; a fact that kept critics buzzing for months over whether the group deserved it before finally attacking the voting for the Grammy Awards and the membership of its parent organization, the National Association of Recording Arts and Sciences.

Rock Island, another hard rocking album, reached a very healthy number 18 in England during September of the same year, while peaking only at 56 in America, despite a six-week U.S. tour to support the album. In 1990, the album Catfish Rising did less well, reaching only 27 in England and 88 in America after its release in September. And A Little Light Music, their own "unplugged" release, taped on their summer 1992 European tour, only got to number 34 in England and 150 in the United States.

Despite declining numbers, the group continued performing to good-sized houses when they toured, and the group's catalog performed extremely well. In April of 1993, Chrysalis released a four-CD 25th Anniversary Box Set – evidently hoping that most fans had forgotten the 20th anniversary set issued five years earlier – consisting of remixed versions of their hits, live shows from across their history, and a handful of new tracks. Meanwhile, Anderson continued to write and record music separate from the group on occasion, most notably Divinities: Twelve Dances with God, a classically-oriented solo album (and a distinctly non-Tull one) on EMI's classical Angel Records. J-Tull.Com followed in 1999.

by Bruce Eder, AMG

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 27. November 2009, 17:20

Jethro Tull / Songs From The Wood (CDP 32 1132 2)

Used drive : PIONEER DVD-RW DVR-105 Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.55 | 4:56.12 | 55 | 22266
2 | 4:56.67 | 2:31.18 | 22267 | 33609
3 | 7:28.10 | 4:34.22 | 33610 | 54181
4 | 12:02.32 | 5:13.23 | 54182 | 77679
5 | 17:15.55 | 3:46.27 | 77680 | 94656
6 | 21:02.07 | 6:04.63 | 94657 | 122019
7 | 27:06.70 | 3:31.47 | 122020 | 137891
8 | 30:38.42 | 8:37.33 | 137892 | 176699
9 | 39:16.00 | 2:27.55 | 176700 | 187779


Range status and errors

Selected range

Filename C:\Jethro Tull - Songs From The Wood (CDP 32 1132 2)\Jethro Tull - Songs From The Wood (CDP 32 1132 2).wav

Peak level 92.8 %
Range quality 100.0 %
Test CRC CA1896E3
Copy CRC CA1896E3
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 10) [51A808EE]
Track 2 accurately ripped (confidence 10) [D8831495]
Track 3 accurately ripped (confidence 10) [CAC4D295]
Track 4 accurately ripped (confidence 10) [2275074F]
Track 5 accurately ripped (confidence 10) [35C9D7F2]
Track 6 accurately ripped (confidence 10) [9BBD8DDE]
Track 7 accurately ripped (confidence 10) [F91C7B17]
Track 8 accurately ripped (confidence 10) [A4F214AE]
Track 9 accurately ripped (confidence 10) [C0755317]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:35:49

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Songs From The Wood (CDP 32 1132 2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.64 dB -15.14 dB 4:56 01-Songs From The Wood
DR13 -1.14 dB -17.36 dB 2:31 02-Jack-In-The-Green
DR13 -0.96 dB -16.78 dB 4:34 03-Cup Of Wonder
DR11 -0.84 dB -14.11 dB 5:13 04-Hunting Girl
DR11 -2.11 dB -15.18 dB 3:46 05-Ring Out, Solstice Bells
DR13 -0.79 dB -17.21 dB 6:05 06-Velvet Green
DR12 -1.01 dB -15.37 dB 3:32 07-The Whistler
DR14 -0.81 dB -18.11 dB 8:37 08-Pibroch (Cap in Hand)
DR12 -0.85 dB -16.51 dB 2:28 09-Fire At Midnight
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 814 kbps
Codec: FLAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 16. May 2013, 21:23

Jethro Tull / Heavy Horses (CDP 32 1175 2)

Used drive : HL-DT-STDVDRAM GE20NU11 Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\EAC 3\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.35 | 3:14.45 | 35 | 14629
2 | 3:15.05 | 3:25.32 | 14630 | 30036
3 | 6:40.37 | 7:55.03 | 30037 | 65664
4 | 14:35.40 | 3:27.02 | 65665 | 81191
5 | 18:02.42 | 3:57.50 | 81192 | 99016
6 | 22:00.17 | 4:16.13 | 99017 | 118229
7 | 26:16.30 | 3:23.40 | 118230 | 133494
8 | 29:39.70 | 8:59.07 | 133495 | 173926
9 | 38:39.02 | 4:02.33 | 173927 | 192109


Range status and errors

Selected range

Filename C:\OdW\Jethro Tull . 1978 . Heavy Horses (CDP 32 1175 2)\Jethro Tull - Heavy Horses (CDP 32 1175 2).wav

Peak level 96.0 %
Extraction speed 0.8 X
Range quality 100.0 %
Test CRC 9495C25E
Copy CRC 9495C25E
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [6B8565C7] (AR v2)
Track 2 accurately ripped (confidence 4) [0A260F99] (AR v2)
Track 3 accurately ripped (confidence 4) [9B744A85] (AR v2)
Track 4 accurately ripped (confidence 4) [339CDAE2] (AR v2)
Track 5 accurately ripped (confidence 4) [9D6542AE] (AR v2)
Track 6 accurately ripped (confidence 4) [6764347D] (AR v2)
Track 7 accurately ripped (confidence 4) [96153B78] (AR v2)
Track 8 accurately ripped (confidence 4) [FD4A7157] (AR v2)
Track 9 accurately ripped (confidence 4) [489BECE0] (AR v2)

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:36:04

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Heavy Horses (CDP 32 1175 2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.69 dB -17.73 dB 3:15 01-…And the Mouse Police Never Sleeps
DR13 -2.67 dB -18.40 dB 3:25 02-Acres Wild
DR13 -1.72 dB -17.84 dB 7:55 03-No Lullaby
DR14 -2.52 dB -19.64 dB 3:27 04-Moths
DR13 -1.96 dB -18.08 dB 3:58 05-Journeyman
DR13 -1.52 dB -17.63 dB 4:16 06-Rover
DR12 -1.97 dB -17.51 dB 3:24 07-One Brown Mouse
DR13 -0.35 dB -17.28 dB 8:59 08-Heavy Horses
DR13 -2.06 dB -18.75 dB 4:02 09-Weathercock
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 826 kbps
Codec: FLAC

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 16. March 2011, 18:16

Jethro Tull / Stormwatch (252 667)

Used drive : TEAC DV-W516GDM Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 1.0\Flac\flac.exe
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 3:11.70 | 33 | 14427
2 | 3:12.28 | 3:58.02 | 14428 | 32279
3 | 7:10.30 | 2:45.60 | 32280 | 44714
4 | 9:56.15 | 9:13.15 | 44715 | 86204
5 | 19:09.30 | 3:32.28 | 86205 | 102132
6 | 22:41.58 | 4:27.15 | 102133 | 122172
7 | 27:08.73 | 4:23.05 | 122173 | 141902
8 | 31:32.03 | 2:41.47 | 141903 | 154024
9 | 34:13.50 | 7:45.48 | 154025 | 188947
10 | 41:59.23 | 3:33.10 | 188948 | 204932


Range status and errors

Selected range

Filename C:\Olaf der Weisse\Jethro Tull . 1979 . Stormwatch (252 667)\Jethro Tull - Stormwatch (252 667).wav

Peak level 100.0 %
Extraction speed 0.1 X
Range quality 100.0 %
Test CRC 21BDAC9D
Copy CRC 21BDAC9D
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 14) [078847BE]
Track 2 accurately ripped (confidence 13) [C16E0D7A]
Track 3 accurately ripped (confidence 13) [6D2F9751]
Track 4 accurately ripped (confidence 13) [69C9C7D1]
Track 5 accurately ripped (confidence 13) [0C3E93AF]
Track 6 accurately ripped (confidence 13) [37B4AB3F]
Track 7 accurately ripped (confidence 13) [AECF67F2]
Track 8 accurately ripped (confidence 13) [3F1B3245]
Track 9 accurately ripped (confidence 13) [69853A65]
Track 10 accurately ripped (confidence 13) [F3A9B2C8]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:36:24

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Stormwatch (252 667)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 0.00 dB -14.43 dB 3:12 01-North Sea Oil
DR12 -0.86 dB -15.89 dB 3:58 02-Orion
DR11 -1.79 dB -16.38 dB 2:46 03-Home
DR13 -1.42 dB -17.30 dB 9:13 04-Dark Ages
DR12 -0.42 dB -15.95 dB 3:32 05-Warm Sporran
DR12 -0.36 dB -14.95 dB 4:27 06-Something's on the Move
DR13 -1.11 dB -16.85 dB 4:23 07-Old Ghosts
DR13 -2.00 dB -20.43 dB 2:42 08-Dun Ringill
DR13 -1.13 dB -18.40 dB 7:46 09-Flying Dutchman
DR12 -5.04 dB -20.28 dB 3:33 10-Elegy
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 802 kbps
Codec: FLAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 1. February 2010, 12:49

Jethro Tull / Broadsword And The Beast (CDP 32 1380 2)

Used drive : PIONEER DVD-RW DVR-105 Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 5\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.12 | 3:57.43 | 12 | 17829
2 | 3:57.55 | 4:11.72 | 17830 | 36726
3 | 8:09.52 | 3:12.70 | 36727 | 51196
4 | 11:22.47 | 4:39.63 | 51197 | 72184
5 | 16:02.35 | 3:38.70 | 72185 | 88604
6 | 19:41.30 | 4:50.52 | 88605 | 110406
7 | 24:32.07 | 3:53.45 | 110407 | 127926
8 | 28:25.52 | 3:40.18 | 127927 | 144444
9 | 32:05.70 | 5:10.27 | 144445 | 167721
10 | 37:16.22 | 1:00.65 | 167722 | 172286


Range status and errors

Selected range

Filename C:\Jethro Tull . 1982 . Broadsword And The Beast (CDP 32 1380 2)\Jethro Tull . 1982 . Broadsword And The Beast (CDP 32 1380 2).wav

Peak level 98.4 %
Range quality 100.0 %
Test CRC 6830F7A8
Copy CRC 6830F7A8
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 10) [F31671B3]
Track 2 accurately ripped (confidence 10) [0AEFE37F]
Track 3 accurately ripped (confidence 10) [F75519D6]
Track 4 accurately ripped (confidence 10) [DAE8EF39]
Track 5 accurately ripped (confidence 10) [05074267]
Track 6 accurately ripped (confidence 10) [901F1383]
Track 7 accurately ripped (confidence 10) [4FE02099]
Track 8 accurately ripped (confidence 10) [39F7BA40]
Track 9 accurately ripped (confidence 9) [35CD228A]
Track 10 accurately ripped (confidence 10) [94FECFF3]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:36:40

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Broadsword And The Beast (CDP 32 1380 2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.59 dB -17.81 dB 3:58 01-Beastie
DR14 -1.50 dB -19.33 dB 4:12 02-Clasp
DR14 -0.62 dB -19.01 dB 3:13 03-Fallen On Hard Times
DR14 -0.80 dB -17.97 dB 4:40 04-Flying Colours
DR13 -1.01 dB -18.26 dB 3:39 05-Slow Marching Band
DR13 -1.67 dB -17.49 dB 4:51 06-Broadsword
DR14 -1.11 dB -19.53 dB 3:54 07-Pussy Willow
DR15 -0.14 dB -18.66 dB 3:40 08-Watching Me Watching You
DR14 -1.53 dB -19.17 dB 5:10 09-Seal Driver
DR12 -13.04 dB -29.80 dB 1:01 10-Cheerio
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 773 kbps
Codec: FLAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 1. February 2010, 14:17

Jethro Tull / Under Wraps (CDP 32 1461 2)

Used drive : PIONEER DVD-RW DVR-105 Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 5\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:36.32 | 0 | 16231
2 | 3:36.32 | 4:02.63 | 16232 | 34444
3 | 7:39.20 | 3:22.72 | 34445 | 49666
4 | 11:02.17 | 3:52.50 | 49667 | 67116
5 | 14:54.67 | 3:32.50 | 67117 | 83066
6 | 18:27.42 | 3:41.50 | 83067 | 99691
7 | 22:09.17 | 3:38.03 | 99692 | 116044
8 | 25:47.20 | 3:41.27 | 116045 | 132646
9 | 29:28.47 | 4:08.15 | 132647 | 151261
10 | 33:36.62 | 5:37.68 | 151262 | 176604
11 | 39:14.55 | 2:14.22 | 176605 | 186676
12 | 41:29.02 | 3:47.65 | 186677 | 203766
13 | 45:16.67 | 5:29.38 | 203767 | 228479
14 | 50:46.30 | 4:05.55 | 228480 | 246909
15 | 54:52.10 | 4:01.65 | 246910 | 265049


Range status and errors

Selected range

Filename C:\Jethro Tull . 1984 . Under Wraps (CDP 32 1461 2)\Jethro Tull . 1984 . Under Wraps (CDP 32 1461 2).wav

Peak level 100.0 %
Range quality 100.0 %
Test CRC E3FA7438
Copy CRC E3FA7438
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [D1D07EDE]
Track 2 accurately ripped (confidence 4) [22959E43]
Track 3 accurately ripped (confidence 4) [2D89380C]
Track 4 accurately ripped (confidence 4) [9E88A7A2]
Track 5 accurately ripped (confidence 4) [DC345087]
Track 6 accurately ripped (confidence 4) [637D2740]
Track 7 accurately ripped (confidence 4) [2CFF70DE]
Track 8 accurately ripped (confidence 4) [8E323CD3]
Track 9 accurately ripped (confidence 4) [1E6371D1]
Track 10 accurately ripped (confidence 4) [94320BD9]
Track 11 accurately ripped (confidence 4) [A1287D08]
Track 12 accurately ripped (confidence 4) [A59491F4]
Track 13 accurately ripped (confidence 4) [43A1C051]
Track 14 accurately ripped (confidence 4) [B3689C08]
Track 15 accurately ripped (confidence 4) [E98FFBEF]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:37:01

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Under Wraps (CDP 32 1461 2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -2.55 dB -19.70 dB 3:36 01-Lap Of Luxury
DR14 -3.24 dB -19.23 dB 4:03 02-Under Wraps #1
DR16 -1.82 dB -20.11 dB 3:23 03-European Legacy
DR16 -1.67 dB -20.03 dB 3:53 04-Later, That Same Evening
DR13 -1.45 dB -17.17 dB 3:33 05-Saboteur
DR15 -2.90 dB -20.14 dB 3:42 06-Radio Free Moscow
DR15 -1.40 dB -18.99 dB 3:38 07-Astronomy
DR16 -1.13 dB -19.17 dB 3:41 08-Tundra
DR14 -2.10 dB -18.97 dB 4:08 09-Nobody's Car
DR14 -1.03 dB -16.95 dB 5:38 10-Heat
DR15 -2.60 dB -21.37 dB 2:14 11-Under Wraps #2
DR14 -2.59 dB -19.10 dB 3:48 12-Paparazzi
DR17 -1.57 dB -20.98 dB 5:30 13-Apogee
DR14 -1.72 dB -17.97 dB 4:06 14-Automotive Engineering
DR15 0.00 dB -17.92 dB 4:02 15-General Crossing
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 15
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 835 kbps
Codec: FLAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 11. December 2009, 20:23

Jethro Tull / Crest Of A Knave (CDP32 1590-2)

Used drive : PIONEER DVD-RW DVR-105 Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.05 | 3:40.57 | 5 | 16561
2 | 3:40.62 | 6:31.30 | 16562 | 45916
3 | 10:12.17 | 4:55.23 | 45917 | 68064
4 | 15:07.40 | 3:43.12 | 68065 | 84801
5 | 18:50.52 | 4:37.18 | 84802 | 105594
6 | 23:27.70 | 10:05.10 | 105595 | 150979
7 | 33:33.05 | 6:20.17 | 150980 | 179496
8 | 39:53.22 | 4:49.63 | 179497 | 201234
9 | 44:43.10 | 4:06.70 | 201235 | 219754


Range status and errors

Selected range

Filename C:\Jethro Tull . 1987 . Crest Of A Knave (CDP32 1590-2)\Jethro Tull . 1987 . Crest Of A Knave (CDP32 1590-2).wav

Peak level 100.0 %
Range quality 99.9 %
Test CRC 152379B7
Copy CRC 152379B7
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 30) [1017441C]
Track 2 accurately ripped (confidence 29) [96C5E1C4]
Track 3 accurately ripped (confidence 30) [B7F3F542]
Track 4 accurately ripped (confidence 30) [530D38BA]
Track 5 accurately ripped (confidence 30) [6F0FDEF9]
Track 6 accurately ripped (confidence 30) [E7684EA3]
Track 7 accurately ripped (confidence 30) [18F56636]
Track 8 accurately ripped (confidence 30) [A79A1700]
Track 9 accurately ripped (confidence 30) [AAB8A934]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:37:18

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Crest Of A Knave (CDP32 1590-2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.36 dB -16.84 dB 3:41 01-Steel Monkey
DR15 0.00 dB -19.03 dB 6:31 02-Farm On The Freeway
DR15 0.00 dB -17.68 dB 4:55 03-Jump Start
DR14 -1.56 dB -19.19 dB 3:43 04-Said She Was A Dancer
DR15 -1.20 dB -18.08 dB 4:37 05-Dogs In The Midwinter
DR17 -0.30 dB -21.60 dB 10:05 06-Budapest
DR14 -0.26 dB -17.46 dB 6:20 07-Mountain Men
DR15 -3.20 dB -21.58 dB 4:50 08-The Waking Edge
DR13 -1.40 dB -16.04 dB 4:07 09-Raising Steam
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 789 kbps
Codec: FLAC

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 17. March 2011, 5:43

Jethro Tull / Rock Island

Used drive : TEAC DV-W516GDM Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 1.0\Flac\flac.exe
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 3:33.12 | 33 | 16019
2 | 3:33.45 | 4:01.38 | 16020 | 34132
3 | 7:35.08 | 4:55.32 | 34133 | 56289
4 | 12:30.40 | 5:24.35 | 56290 | 80624
5 | 17:55.00 | 6:54.08 | 80625 | 111682
6 | 24:49.08 | 4:12.50 | 111683 | 130632
7 | 29:01.58 | 3:31.25 | 130633 | 146482
8 | 32:33.08 | 7:52.67 | 146483 | 181949
9 | 40:26.00 | 5:58.60 | 181950 | 208859
10 | 46:24.60 | 4:10.25 | 208860 | 227634


Range status and errors

Selected range

Filename C:\Olaf der Weisse\Jethro Tull . 1989 . Rock Island\Jethro Tull - Rock Island.wav

Peak level 95.2 %
Extraction speed 0.1 X
Range quality 100.0 %
Test CRC 20F8FBBD
Copy CRC 20F8FBBD
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [7B4C53FA]
Track 2 accurately ripped (confidence 3) [517B621B]
Track 3 accurately ripped (confidence 3) [038D33DB]
Track 4 accurately ripped (confidence 3) [6D6E050C]
Track 5 accurately ripped (confidence 3) [F08FC85F]
Track 6 accurately ripped (confidence 3) [3C2E49F4]
Track 7 accurately ripped (confidence 3) [EB71779A]
Track 8 accurately ripped (confidence 3) [6D938722]
Track 9 accurately ripped (confidence 3) [1E38CB47]
Track 10 accurately ripped (confidence 3) [B8058076]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:37:36

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Rock Island
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.35 dB -16.26 dB 3:33 01-Kissing Willie
DR13 -0.57 dB -16.05 dB 4:02 02-The Rattlesnake Trail
DR12 -1.38 dB -16.87 dB 4:55 03-Ears of Tin
DR13 -1.15 dB -16.14 dB 5:24 04-Undressed to Kill
DR13 -0.43 dB -18.16 dB 6:54 05-Rock Island
DR13 -0.79 dB -15.84 dB 4:13 06-Heavy Water
DR14 -1.15 dB -17.93 dB 3:31 07-Another Christmas Song
DR13 -0.68 dB -18.05 dB 7:53 08-The Whaler's Dues
DR14 -0.70 dB -17.56 dB 5:59 09-Big Riff and Mando
DR14 -0.64 dB -18.55 dB 4:10 10-Strange Avenues
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 839 kbps
Codec: FLAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 15. December 2009, 22:45

Jethro Tull / Catfish Rising (CDP32 18862)

Used drive : PIONEER DVD-RW DVR-105 Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:57.62 | 0 | 17836
2 | 3:57.62 | 3:49.58 | 17837 | 35069
3 | 7:47.45 | 4:26.15 | 35070 | 55034
4 | 12:13.60 | 5:32.30 | 55035 | 79964
5 | 17:46.15 | 5:22.70 | 79965 | 104184
6 | 23:09.10 | 3:32.37 | 104185 | 120121
7 | 26:41.47 | 4:32.13 | 120122 | 140534
8 | 31:13.60 | 4:35.07 | 140535 | 161166
9 | 35:48.67 | 3:38.18 | 161167 | 177534
10 | 39:27.10 | 7:44.42 | 177535 | 212376
11 | 47:11.52 | 4:26.15 | 212377 | 232341
12 | 51:37.67 | 3:41.23 | 232342 | 248939
13 | 55:19.15 | 5:03.00 | 248940 | 271664


Range status and errors

Selected range

Filename C:\Jethro Tull . 1991 . Catfish Rising (CDP32 18862)\Jethro Tull . 1991 . Catfish Rising (CDP32 18862).wav

Peak level 99.9 %
Range quality 100.0 %
Test CRC 9F985151
Copy CRC 9F985151
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 57) [3D2E2B18]
Track 2 accurately ripped (confidence 57) [546F0C02]
Track 3 accurately ripped (confidence 57) [E2A58505]
Track 4 accurately ripped (confidence 56) [4D939912]
Track 5 accurately ripped (confidence 57) [EBFB5F2A]
Track 6 accurately ripped (confidence 57) [D664D226]
Track 7 accurately ripped (confidence 58) [D6BF5D53]
Track 8 accurately ripped (confidence 58) [23828233]
Track 9 accurately ripped (confidence 58) [4D52516B]
Track 10 accurately ripped (confidence 57) [AF19ABD9]
Track 11 accurately ripped (confidence 57) [DE23749C]
Track 12 accurately ripped (confidence 58) [11E2FA35]
Track 13 accurately ripped (confidence 55) [472C20E1]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:37:55

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Catfish Rising (CDP32 18862)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.00 dB -14.05 dB 3:58 01-This Is Not Love
DR13 -0.80 dB -15.81 dB 3:50 02-Occasional Demons
DR15 -0.20 dB -18.50 dB 4:26 03-Roll Yer Own
DR15 -0.60 dB -18.38 dB 5:32 04-Rocks on the Road
DR13 -0.53 dB -16.31 dB 5:23 05-Sparrow on the Schoolyard Wall
DR15 -0.60 dB -17.05 dB 3:32 06-Thinking Round Corners
DR14 -0.41 dB -18.05 dB 4:32 07-Still Loving You Tonight
DR12 -0.35 dB -14.05 dB 4:35 08-Doctor to My Disease
DR13 -0.56 dB -17.96 dB 3:38 09-Like a Tall Thin Girl
DR14 -0.70 dB -17.42 dB 7:45 10-White Innocence
DR14 -0.80 dB -18.19 dB 4:26 11-Sleeping With The Dog
DR14 -1.00 dB -16.91 dB 3:41 12-Gold-Tipped Boots, Black Jacket and Tie
DR14 0.00 dB -16.40 dB 5:03 13-When Jesus Came to Play
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 795 kbps
Codec: FLAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 25. January 2010, 22:00

Jethro Tull / Nightcap - The Chateau D'Isaster Tapes (Disc 1)

Used drive : PIONEER DVD-RW DVR-105 Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 5\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:54.70 | 0 | 8619
2 | 1:54.70 | 1:40.60 | 8620 | 16179
3 | 3:35.55 | 1:35.25 | 16180 | 23329
4 | 5:11.05 | 5:09.57 | 23330 | 46561
5 | 10:20.62 | 2:31.73 | 46562 | 57959
6 | 12:52.60 | 5:25.67 | 57960 | 82401
7 | 18:18.52 | 5:02.45 | 82402 | 105096
8 | 23:21.22 | 1:25.13 | 105097 | 111484
9 | 24:46.35 | 9:02.60 | 111485 | 152194
10 | 33:49.20 | 5:35.52 | 152195 | 177371
11 | 39:24.72 | 3:25.33 | 177372 | 192779
12 | 42:50.30 | 2:33.55 | 192780 | 204309
13 | 45:24.10 | 5:12.60 | 204310 | 227769


Range status and errors

Selected range

Filename C:\Jethro Tull . 1993 . Nightcap (7243 8 28157 2 3)\Jethro Tull . 1993 . Nightcap - The Chateau D'Isaster Tapes (Disc 1).wav

Peak level 100.0 %
Range quality 100.0 %
Test CRC 19A6EE6D
Copy CRC 19A6EE6D
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 23) [5010EC5B]
Track 2 accurately ripped (confidence 23) [454D3D3F]
Track 3 accurately ripped (confidence 23) [82006D94]
Track 4 accurately ripped (confidence 23) [6A9D341F]
Track 5 accurately ripped (confidence 23) [F7B37017]
Track 6 accurately ripped (confidence 23) [F9BA4BCB]
Track 7 accurately ripped (confidence 23) [50697EAB]
Track 8 accurately ripped (confidence 23) [54EECC5F]
Track 9 accurately ripped (confidence 23) [7B6C72A8]
Track 10 accurately ripped (confidence 23) [E3C64B96]
Track 11 accurately ripped (confidence 23) [6C701BAC]
Track 12 accurately ripped (confidence 23) [A3A75899]
Track 13 accurately ripped (confidence 23) [8A430914]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:38:13

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Nightcap - The Chateau D'Isaster Tapes (Disc 1)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -1.15 dB -17.22 dB 1:55 01-First Post
DR12 -0.20 dB -13.89 dB 1:41 02-AnimelР№e
DR11 -0.20 dB -12.94 dB 1:35 03-Tiger Toon
DR11 -0.20 dB -13.25 dB 5:10 04-Look At The Animals
DR11 -0.20 dB -12.81 dB 2:32 05-Law Of The Bungle
DR11 -0.20 dB -11.99 dB 5:26 06-Law Of The Bungle Part II
DR11 -0.40 dB -12.91 dB 5:03 07-Left Right
DR11 -2.00 dB -16.57 dB 1:25 08-Solitaire
DR11 -0.20 dB -12.58 dB 9:03 09-Critique Oblique
DR10 0.00 dB -12.02 dB 5:36 10-Post Last
DR11 -2.85 dB -16.04 dB 3:25 11-Scenario
DR12 -0.20 dB -13.44 dB 2:34 12-Audition
DR12 -0.20 dB -13.59 dB 5:13 13-No Rehearsal
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 970 kbps
Codec: FLAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 25. January 2010, 22:41

Jethro Tull / Nightcap - Unreleased & Rare (CD 2)

Used drive : PIONEER DVD-RW DVR-105 Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 5\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.22 | 4:01.40 | 22 | 18136
2 | 4:01.62 | 3:20.20 | 18137 | 33156
3 | 7:22.07 | 3:40.43 | 33157 | 49699
4 | 11:02.50 | 2:44.55 | 49700 | 62054
5 | 13:47.30 | 4:51.67 | 62055 | 83946
6 | 18:39.22 | 4:33.03 | 83947 | 104424
7 | 23:12.25 | 3:38.50 | 104425 | 120824
8 | 26:51.00 | 4:38.30 | 120825 | 141704
9 | 31:29.30 | 3:39.12 | 141705 | 158141
10 | 35:08.42 | 3:57.20 | 158142 | 175936
11 | 39:05.62 | 3:23.38 | 175937 | 191199
12 | 42:29.25 | 3:38.42 | 191200 | 207591
13 | 46:07.67 | 4:12.15 | 207592 | 226506
14 | 50:20.07 | 3:29.15 | 226507 | 242196
15 | 53:49.22 | 3:38.15 | 242197 | 258561
16 | 57:27.37 | 5:16.08 | 258562 | 282269
17 | 62:43.45 | 3:47.17 | 282270 | 299311
18 | 66:30.62 | 3:47.08 | 299312 | 316344


Range status and errors

Selected range

Filename C:\Jethro Tull . 1993 . Nightcap (7243 8 28157 2 3)\Jethro Tull . 1993 . Nightcap - Unreleased & Rare (CD 2).wav

Peak level 96.6 %
Range quality 100.0 %
Test CRC 29984517
Copy CRC 29984517
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 24) [C6A9298E]
Track 2 accurately ripped (confidence 24) [4E7F91BE]
Track 3 accurately ripped (confidence 24) [A84C0BE5]
Track 4 accurately ripped (confidence 24) [0A41F4DD]
Track 5 accurately ripped (confidence 24) [12E28B8A]
Track 6 accurately ripped (confidence 24) [08BCCF85]
Track 7 accurately ripped (confidence 24) [50AD732A]
Track 8 accurately ripped (confidence 24) [FDF0FB05]
Track 9 accurately ripped (confidence 24) [D24AC451]
Track 10 accurately ripped (confidence 24) [558E38C0]
Track 11 accurately ripped (confidence 23) [9E168F0D]
Track 12 accurately ripped (confidence 23) [B5F6D28D]
Track 13 accurately ripped (confidence 23) [813BB8AA]
Track 14 accurately ripped (confidence 24) [DD02E659]
Track 15 accurately ripped (confidence 24) [64900C60]
Track 16 accurately ripped (confidence 24) [4311564A]
Track 17 accurately ripped (confidence 23) [35F99645]
Track 18 accurately ripped (confidence 23) [C1859399]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:38:34

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Nightcap - Unreleased & Rare (CD 2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.40 dB -10.98 dB 4:02 01-Paradise Steakhouse
DR9 -0.30 dB -10.31 dB 3:20 02-Sealion II
DR10 -0.30 dB -11.12 dB 3:41 03-Piece Of Cake
DR9 -0.53 dB -11.77 dB 2:45 04-Quartet
DR11 -0.30 dB -13.25 dB 4:52 05-Silver River Turning
DR9 -0.30 dB -10.80 dB 4:33 06-Crew Nights
DR12 -0.30 dB -13.49 dB 3:39 07-The Curse
DR11 -0.30 dB -12.71 dB 4:38 08-Rosa On The Factory Floor
DR11 -2.66 dB -16.32 dB 3:39 09-A Small Cigar
DR12 -0.30 dB -14.00 dB 3:57 10-Man Of Principle
DR10 -0.30 dB -12.24 dB 3:24 11-Commons Brawl
DR10 -0.30 dB -12.04 dB 3:39 12-No Step
DR10 -0.30 dB -12.10 dB 4:12 13-Drive On The Young Side Of Life
DR11 -0.30 dB -13.11 dB 3:29 14-I Don't Want To Be Me
DR8 -3.15 dB -13.88 dB 3:38 15-Broadford Bazzar
DR9 -0.59 dB -11.38 dB 5:16 16-Lights Out
DR10 -0.67 dB -12.29 dB 3:47 17-Truck Stop Runner
DR9 -0.46 dB -10.91 dB 3:47 18-Hard Liner
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR10

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 905 kbps
Codec: FLAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 17. January 2010, 23:48

Jethro Tull / Roots To Branches (7243 8 35418 2 9)

Used drive : PIONEER DVD-RW DVR-105 Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 5\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:12.62 | 0 | 23461
2 | 5:12.62 | 3:34.58 | 23462 | 39569
3 | 8:47.45 | 3:25.02 | 39570 | 54946
4 | 12:12.47 | 4:05.08 | 54947 | 73329
5 | 16:17.55 | 6:08.20 | 73330 | 100949
6 | 22:26.00 | 5:35.17 | 100950 | 126091
7 | 28:01.17 | 5:50.30 | 126092 | 152371
8 | 33:51.47 | 7:50.13 | 152372 | 187634
9 | 41:41.60 | 7:55.05 | 187635 | 223264
10 | 49:36.65 | 4:06.32 | 223265 | 241746
11 | 53:43.22 | 6:22.20 | 241747 | 270416


Range status and errors

Selected range

Filename C:\Jethro Tull . 1995 . Roots To Branches (7243 8 35418 2 9)\Jethro Tull . 1995 . Roots To Branches (7243 8 35418 2 9).wav

Peak level 100.0 %
Range quality 99.9 %
Test CRC EF004F47
Copy CRC EF004F47
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 41) [F2463EB7]
Track 2 accurately ripped (confidence 41) [C1F34ABB]
Track 3 accurately ripped (confidence 41) [3105EA2D]
Track 4 accurately ripped (confidence 40) [6118C473]
Track 5 accurately ripped (confidence 40) [E3D409E9]
Track 6 accurately ripped (confidence 41) [912E7C34]
Track 7 accurately ripped (confidence 39) [90201077]
Track 8 accurately ripped (confidence 41) [ADC26C26]
Track 9 accurately ripped (confidence 41) [B442F847]
Track 10 accurately ripped (confidence 40) [06893A46]
Track 11 accurately ripped (confidence 39) [5895282D]

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:38:54

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / Roots To Branches (7243 8 35418 2 9)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 0.00 dB -14.49 dB 5:13 01-Roots To Branches
DR12 0.00 dB -14.17 dB 3:35 02-Rare And Precious Chain
DR13 0.00 dB -14.73 dB 3:25 03-Out Of The Noise
DR11 0.00 dB -12.67 dB 4:05 04-This Free Will
DR13 0.00 dB -15.63 dB 6:08 05-Valley
DR12 0.00 dB -13.48 dB 5:35 06-Dangerous Veils
DR13 0.00 dB -16.40 dB 5:50 07-Beside Myself
DR13 0.00 dB -16.63 dB 7:50 08-Wounded, Old And Treacherous
DR12 0.00 dB -16.09 dB 7:55 09-At Last, Forever
DR11 0.00 dB -14.36 dB 4:06 10-Stuck In The August Rain
DR13 0.00 dB -16.55 dB 6:22 11-Another Harry's Bar
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 915 kbps
Codec: FLAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 9. октября 2012, 23:33

Jethro Tull / J-Tull Dot Com

Дисковод: SONY CD-RW CRX230ED Adapter: 0 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:53.07 | 0 | 17481
2 | 3:53.07 | 4:26.38 | 17482 | 37469
3 | 8:19.45 | 5:21.19 | 37470 | 61563
4 | 13:40.64 | 0:56.71 | 61564 | 65834
5 | 14:37.60 | 4:42.47 | 65835 | 87031
6 | 19:20.32 | 4:02.55 | 87032 | 105236
7 | 23:23.12 | 3:51.68 | 105237 | 122629
8 | 27:15.05 | 4:43.37 | 122630 | 143891
9 | 31:58.42 | 4:59.08 | 143892 | 166324
10 | 36:57.50 | 1:16.32 | 166325 | 172056
11 | 38:14.07 | 4:54.18 | 172057 | 194124
12 | 43:08.25 | 4:08.47 | 194125 | 212771
13 | 47:16.72 | 3:34.50 | 212772 | 228871
14 | 50:51.47 | 9:29.60 | 228872 | 271606


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла E:\MusicCD\Jethro Tull - J-Tull Dot Com\Jethro Tull - J-Tull Dot Com.wav

Пиковый уровень 97.7 %
Скорость извлечения 7.8 X
Качество диапазона 99.9 %
CRC теста A8463F84
CRC копии A8463F84
Копирование… OK

Ошибок не произошло


AccurateRip: сводка

Трек 1 : извлечено точно (доверие 10) [D5466ABB] (AR v1)
Трек 2 : извлечено точно (доверие 10) [9541EF8A] (AR v1)
Трек 3 : извлечено точно (доверие 10) [398A4C7A] (AR v1)
Трек 4 : извлечено точно (доверие 10) [90DB0524] (AR v1)
Трек 5 : извлечено точно (доверие 10) [2F3D34FC] (AR v1)
Трек 6 : извлечено точно (доверие 10) [D3394C3E] (AR v1)
Трек 7 : извлечено точно (доверие 10) [72150A48] (AR v1)
Трек 8 : извлечено точно (доверие 10) [9288E314] (AR v1)
Трек 9 : извлечено точно (доверие 10) [4A311FC8] (AR v1)
Трек 10 : извлечено точно (доверие 10) [3A7CF52E] (AR v1)
Трек 11 : извлечено точно (доверие 10) [2BF418BE] (AR v1)
Трек 12 : извлечено точно (доверие 9) [8C4C937C] (AR v1)
Трек 13 : извлечено точно (доверие 9) [0F50F7FE] (AR v1)
Трек 14 : извлечено точно (доверие 9) [C480906F] (AR v1)

Все треки извлечены точно

Конец отчёта

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:39:12

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / J-Tull Dot Com
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.20 dB -12.99 dB 3:53 01-Spiral
DR11 -0.48 dB -14.46 dB 4:27 02-Dot Com
DR11 -0.23 dB -13.70 dB 5:21 03-AWOL
DR11 -2.12 dB -20.35 dB 0:57 04-Nothing @ All
DR13 -0.20 dB -16.23 dB 4:43 05-Wicked Windows
DR11 -0.20 dB -12.80 dB 4:03 06-Hunt By Numbers
DR12 -0.20 dB -13.96 dB 3:52 07-Hot Mango Flush
DR13 -0.20 dB -15.08 dB 4:43 08-El Nino
DR13 -0.20 dB -14.80 dB 4:59 09-Black Mamba
DR13 -0.20 dB -15.59 dB 1:16 10-Mango Surprise
DR12 -0.20 dB -14.39 dB 4:54 11-Bends Like A Willow
DR13 -0.20 dB -15.39 dB 4:09 12-Far Alaska
DR12 -0.20 dB -13.82 dB 3:35 13-The Dog-Ear Years
DR13 -0.20 dB -15.64 dB 9:30 14-A Gift Of Roses
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 830 kbps
Codec: FLAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 21. November 2011, 14:42

Jethro Tull / The Jethro Tull Christmas Album (RR 8370-2)

Used drive : PIONEER DVD-RW DVR-219L Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:40.67 | 0 | 16566
2 | 3:40.67 | 4:17.20 | 16567 | 35861
3 | 7:58.12 | 2:47.29 | 35862 | 48415
4 | 10:45.41 | 3:32.03 | 48416 | 64318
5 | 14:17.44 | 4:34.58 | 64319 | 84926
6 | 18:52.27 | 3:37.68 | 84927 | 101269
7 | 22:30.20 | 4:49.23 | 101270 | 122967
8 | 27:19.43 | 4:17.13 | 122968 | 142255
9 | 31:36.56 | 4:19.25 | 142256 | 161705
10 | 35:56.06 | 4:58.17 | 161706 | 184072
11 | 40:54.23 | 2:39.14 | 184073 | 196011
12 | 43:33.37 | 2:26.46 | 196012 | 207007
13 | 46:00.08 | 3:17.00 | 207008 | 221782
14 | 49:17.08 | 4:05.28 | 221783 | 240185
15 | 53:22.36 | 4:25.26 | 240186 | 260086
16 | 57:47.62 | 4:56.63 | 260087 | 282349


Range status and errors

Selected range

Filename H:\dafnaplus\Jethro Tull - The Jethro Tull Christmas Album\Cd\Jethro Tull - The Jethro Tull Christmas Album (RR 8370-2).wav

Peak level 98.9 %
Extraction speed 1.7 X
Range quality 100.0 %
Test CRC 860AD33A
Copy CRC 860AD33A
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [EC762C25] (AR v2)
Track 2 accurately ripped (confidence 4) [09C0B741] (AR v2)
Track 3 accurately ripped (confidence 4) [1FC8817B] (AR v2)
Track 4 accurately ripped (confidence 4) [F8DE1FFC] (AR v2)
Track 5 accurately ripped (confidence 4) [9AC46414] (AR v2)
Track 6 accurately ripped (confidence 4) [A99A1C0F] (AR v2)
Track 7 accurately ripped (confidence 4) [4554922B] (AR v2)
Track 8 accurately ripped (confidence 4) [479D62C2] (AR v2)
Track 9 accurately ripped (confidence 4) [A377D4E2] (AR v2)
Track 10 accurately ripped (confidence 4) [652AC16B] (AR v2)
Track 11 accurately ripped (confidence 4) [86837E83] (AR v2)
Track 12 accurately ripped (confidence 4) [02DDCFD0] (AR v2)
Track 13 accurately ripped (confidence 4) [DADCEB1A] (AR v2)
Track 14 accurately ripped (confidence 4) [FAA25271] (AR v2)
Track 15 accurately ripped (confidence 4) [462764C4] (AR v2)
Track 16 accurately ripped (confidence 4) [5C15FFE5] (AR v2)

All tracks accurately ripped

End of status report

foobar2000 1.2.4 / Dynamic Range Meter 1.1.1
log date: 2013-07-13 12:39:31

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jethro Tull / The Jethro Tull Christmas Album (RR 8370-2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.10 dB -10.05 dB 3:41 01-Birthday Card At Christmas
DR7 -0.10 dB -9.25 dB 4:17 02-Holly Herald
DR12 -0.13 dB -15.60 dB 2:47 03-A Christmas Song
DR8 -0.10 dB -10.91 dB 3:32 04-Another Christmas Song
DR9 -0.10 dB -10.58 dB 4:35 05-God Rest Ye Merry Gentlemen
DR8 -0.10 dB -10.60 dB 3:38 06-Jack Frost And The Hooded Crow
DR8 -0.10 dB -10.32 dB 4:49 07-Last Man At The Party
DR7 -0.10 dB -9.13 dB 4:17 08-Weathercock
DR8 -0.10 dB -10.43 dB 4:19 09-Pavane
DR8 -0.10 dB -10.25 dB 4:58 10-First Snow On Brooklyn
DR8 -0.10 dB -10.18 dB 2:39 11-Greensleeved
DR8 -0.10 dB -10.54 dB 2:27 12-Fire At Midnight
DR9 -0.10 dB -11.57 dB 3:17 13-We Five Kings
DR7 -0.10 dB -9.96 dB 4:05 14-Ring Out Solstice Bells
DR9 -0.10 dB -12.00 dB 4:25 15-Bouree
DR10 -0.10 dB -12.28 dB 4:57 16-A Winter Snowscape
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 905 kbps
Codec: FLAC