Elizabeth Wallfisch, The Locatelli Trio - Giuseppe Tartini: The Devil's Trill & other violin sonatas (1991)
Elizabeth Wallfisch, The Locatelli Trio - Giuseppe Tartini: The Devil's Trill & other violin sonatas (1991)
EAC | FLAC | Image (Cue & Log) ~ 448 Mb | Total time: 73:17 | Scans included
Classical | Label: Hyperion | # CDA66430 | Recorded: 1990
EAC | FLAC | Image (Cue & Log) ~ 448 Mb | Total time: 73:17 | Scans included
Classical | Label: Hyperion | # CDA66430 | Recorded: 1990
Half a century ago, Giuseppe Tartini might have been the only composer of the Italian Baroque most classical music listeners could name. That was thanks to the so-called Devil's Trill, which appears as the final track on disc one of this two-disc set. Here one can experience the "trillo del Diavolo" in its proper place, as the final movement of a three-movement Sonata in G minor for violin and continuo, and within a larger slice of his output: this pairing of two previously released discs also includes a published set of violin sonatas from around the time of the Devil's Trill (around the early 1730s), and several later sonatas with a goodly degree of novelty on disc two. In a way, the rest of the music makes the Devil's Trill seem less remarkable. There's nothing elsewhere to match the double trills that gave rise to a legend that Tartini had six fingers on his left hand, but in the capable hands of violinist Elizabeth Wallfisch, playing a period instrument, the level of ornamentation in much of the other music on disc one shows what a virtuoso Tartini was. Too, the music on the first disc is filled with tempo shifts and other dramatic surprises akin in spirit to the story of Tartini awakening to the Devil playing the violin at the foot of his bed. The set of sonatas on disc two conforms to the simpler structures of the by-then classic sonatas of Corelli but contains an intriguing programmatic piece of its own, the Violin Sonata in A minor "sopra lo stile che suono il Prette dallas Chitarra Portoghese" (in the style of the Portuguese priest who plays the guitar). This piece, with its vigorous Iberian accents, gives you an idea of what Domenico Scarlatti might have written if he had composed for the violin, but elsewhere one can't help but feel that where Vivaldi remade the structures of his music in response to new societal winds, Tartini settled for elaborating old models. He is ultimately a decadent composer, but he is given the best possible treatment here.–James Manheim
Performer:
The Locatelli Trio:
Elizabeth Wallfisch, violin
Richard Tunnicliffe, cello
Paul Nicholson, harpsichord
Tracklist:
Giuseppe Tartini (1692-1770)
Sonata for violin & continuo in G minor, B. g10 (Op. 1/10; "Didone abbandonata")
01. Affettuoso
02. Presto
03. Allegro
Sonata for violin & continuo in C minor, B. c2 (Op. 1/8)
04. Cantabile
05. Allegro assai
06. Allegro
Sonata for violin & continuo in F major, B. F9 (Op. 1/2)
07. Adagio
08. Allegro
09. Allegro assai
Pastorale for violin & continuo in A major, B. A16 (Op. 1/13)
10. Grave
11. Allegro
12. Largo - Presto - Largo - Presto - Andante
Sonata for violin & continuo in F major, B. F4 (Op. 1/12)
13. Adagio
14. Allegro
15. Allegro
Sonata for violin & continuo in G minor, B. g5 ("Il trillo del Diavolo")
16. Larghetto affettuoso
17. Tempo giusto
18. Sogni dell autore: Andante - Allegro assai "Trillo del Diavolo"
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 11. December 2022, 19:00
The Locatelli Trio / Tartini: The Devil's Trill and other violin sonatas
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Elizabeth Wallfisch, The Locatelli Trio - Giuseppe Tartini: The Devil's Trill & other violin sonatas (1991)
