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Zelenka - Dombrecht - 6 Sonate a due Hautbois et Basson (1988, ReIssue 2004, 2xCD)

Posted By: luckburz

Date: 13 Dec 2012 05:42:10

Zelenka - Dombrecht - 6 Sonate a due Hautbois et Basson (1988, ReIssue 2004, 2xCD)

Jan Dismas Zelenka - 6 Sonate a due Hautbois et Basson
Dombrecht, Ponseele, Banchini, Ebbinge, Bond, Meer, Kohnen
EAC+LOG+CUE | WV: 559 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Accent # ACC30048 | Country/Year: Europe 2004, 1988
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]

EAC

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 12. February 2012, 20:55

Dombrecht, Ponseele, Banchini, Ebbinge etc. / Zelenka - 6 Sonate a due Hautbois et Basson CD 1

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 3:26.12 | 33 | 15494
2 | 3:26.45 | 5:05.60 | 15495 | 38429
3 | 8:32.30 | 3:41.13 | 38430 | 55017
4 | 12:13.43 | 5:43.00 | 55018 | 80742
5 | 17:56.43 | 3:52.05 | 80743 | 98147
6 | 21:48.48 | 7:10.00 | 98148 | 130397
7 | 28:58.48 | 3:56.47 | 130398 | 148144
8 | 32:55.20 | 5:44.33 | 148145 | 173977
9 | 38:39.53 | 3:47.47 | 173978 | 191049
10 | 42:27.25 | 4:24.23 | 191050 | 210872
11 | 46:51.48 | 3:19.20 | 210873 | 225817
12 | 50:10.68 | 4:59.07 | 225818 | 248249

Range status and errors

Selected range

Filename Z:\NetLab\Zelenka - 6 Sonate a due Hautbois et Basson (Paul Dombrecht etc.) (1988) [FLAC] {2CDs ACCENT ACC30048}\CD1\Zelenka - 6 Sonate a due Hautbois et Basson (CD1).wav

Peak level 96.2 %
Extraction speed 6.5 X
Range quality 100.0 %
Test CRC 8082BC5E
Copy CRC 8082BC5E
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum AAE1AD6A36F036D59915B5D0092AB29BD2390C7ADD808A471EC439BD2AFCEFB3 ====

EAC

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 12. February 2012, 21:51

Dombrecht, Ponseele, Banchini, Ebbinge etc. / Zelenka - 6 Sonate a due Hautbois et Basson CD 2

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 3:06.55 | 33 | 14037
2 | 3:07.13 | 6:05.67 | 14038 | 41479
3 | 9:13.05 | 3:45.68 | 41480 | 58422
4 | 12:58.73 | 6:56.07 | 58423 | 89629
5 | 19:55.05 | 7:10.03 | 89630 | 121882
6 | 27:05.08 | 3:11.35 | 121883 | 136242
7 | 30:16.43 | 7:02.42 | 136243 | 167934
8 | 37:19.10 | 3:09.13 | 167935 | 182122
9 | 40:28.23 | 4:28.30 | 182123 | 202252
10 | 44:56.53 | 2:33.32 | 202253 | 213759
11 | 47:30.10 | 5:54.65 | 213760 | 240374

Range status and errors

Selected range

Filename Z:\NetLab\Zelenka - 6 Sonate a due Hautbois et Basson (Paul Dombrecht etc.) (1988) [FLAC] {2CDs ACCENT ACC30048}\CD2\Zelenka - 6 Sonate a due Hautbois et Basson CD 2.wav

Peak level 98.1 %
Extraction speed 7.8 X
Range quality 100.0 %
Test CRC 834816B1
Copy CRC 834816B1
Copy OK

No errors occurred

AccurateRip summary

Track 1 cannot be verified as accurate (confidence 2) [90A13CF3], AccurateRip returned [86352562] (AR v2)
Track 2 cannot be verified as accurate (confidence 2) [F4CAE280], AccurateRip returned [9C44D658] (AR v2)
Track 3 cannot be verified as accurate (confidence 2) [81C46B96], AccurateRip returned [80FD6E13] (AR v2)
Track 4 cannot be verified as accurate (confidence 2) [D8FE463A], AccurateRip returned [F4D3FD0C] (AR v2)
Track 5 cannot be verified as accurate (confidence 2) [B16BD2F0], AccurateRip returned [D0D7D1D0] (AR v2)
Track 6 cannot be verified as accurate (confidence 2) [B9E04D44], AccurateRip returned [6563D0D0] (AR v2)
Track 7 cannot be verified as accurate (confidence 2) [958D254D], AccurateRip returned [CF2030BF] (AR v2)
Track 8 cannot be verified as accurate (confidence 2) [3016AEF2], AccurateRip returned [06A9AC80] (AR v2)
Track 9 cannot be verified as accurate (confidence 2) [F64291E0], AccurateRip returned [90724661] (AR v2)
Track 10 cannot be verified as accurate (confidence 2) [5F166547], AccurateRip returned [C24AA0C8] (AR v2)
Track 11 cannot be verified as accurate (confidence 2) [95269690], AccurateRip returned [DFEAD63A] (AR v2)

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

==== Log checksum C3D25259CD554D58BD6406A7ACB8FA63FF0410D2501E90482EC05107C1319A70 ====

auCDtect

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)

––––––––––––––––––––––––––––––
[Dombrecht, Ponseele, Banchini, Ebbinge etc. - Zelenka - 6 Sonate a due Hautbois et Basson (CD1).wav]
Detected average hi-boundary frequency: 2.039010e+004 Hz
Detected average lo-boundary frequency: 1.372562e+004 Hz
Detected average hi-cut frequency: 2.138995e+004 Hz
Detected average lo-cut frequency: 1.506108e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.225515e+000
First order smothness: 2.774128e-001
Second order smothness: 8.610409e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[Dombrecht, Ponseele, Banchini, Ebbinge etc. - Zelenka - 6 Sonate a due Hautbois et Basson (CD2).wav]
Detected average hi-boundary frequency: 2.034692e+004 Hz
Detected average lo-boundary frequency: 1.389443e+004 Hz
Detected average hi-cut frequency: 2.129405e+004 Hz
Detected average lo-cut frequency: 1.465951e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.419664e-001
First order smothness: 2.829102e-001
Second order smothness: 8.458519e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

Dynamic

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2012-10-14 14:58:34

––––––––––––––––––––––––––––––––––––––––
Analyzed: Dombrecht, Ponseele, Banchini, Ebbinge etc. / Zelenka - 6 Sonate a due Hautbois et Basson (CD1)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.14 dB -17.12 dB 3:26 01-Sonata No. 1 in F major; I. Adagio ma non troppo
DR12 -1.11 dB -17.35 dB 5:06 02-II. Allegro
DR11 -2.36 dB -17.82 dB 3:41 03-III. Larghetto
DR12 -1.52 dB -17.17 dB 5:43 04-IV. Allegro assai
DR11 -2.35 dB -17.46 dB 3:52 05-Sonata No. 2 in G minor; I. Andante
DR12 -3.27 dB -17.72 dB 7:10 06-II. Allegro
DR11 -0.33 dB -16.71 dB 3:57 07-III. Andante
DR13 -0.40 dB -17.34 dB 5:44 08-IV. Allegro
DR12 -3.13 dB -18.99 dB 3:48 09-Sonata No. 3 in B flat major; I. Adagio
DR13 -1.97 dB -18.25 dB 4:24 10-II. Allegro
DR11 -1.28 dB -19.18 dB 3:19 11-III. Largo
DR13 -3.15 dB -18.72 dB 4:59 12-IV. Allegro - Tempo giusto
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 746 kbps
Codec: WavPack
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Dombrecht, Ponseele, Banchini, Ebbinge etc. / Zelenka - 6 Sonate a due Hautbois et Basson (CD2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.18 dB -16.37 dB 3:07 01-Sonata No. 4 in G minor; I. Andante
DR13 -0.67 dB -17.07 dB 6:06 02-II. Allegro
DR11 -3.02 dB -17.57 dB 3:46 03-III. Adagio
DR13 -0.82 dB -16.40 dB 6:56 04-IV. Allegro ma non troppo
DR13 -0.16 dB -16.87 dB 7:10 05-Sonata No. 5 in F major; I. Allegro
DR12 -0.18 dB -15.55 dB 3:11 06-II. Adagio
DR13 -0.40 dB -16.68 dB 7:03 07-III. Allegro
DR12 -0.30 dB -15.91 dB 3:09 08-Sonata No. 6 in C minor; I. Andante
DR12 -1.70 dB -16.92 dB 4:28 09-II. Allegro
DR11 -3.26 dB -17.11 dB 2:33 10-III. Andante
DR12 -1.65 dB -16.79 dB 5:55 11-IV. Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 718 kbps
Codec: WavPack
================================================================================

CD Info:

Jan Dismas Zelenka - Dombrecht - 6 Sonate a due Hautbois et Basson

Dombrecht, Ponseele, Banchini, Ebbinge, Bond, Meer, Kohnen

Label: Accent
Catalog#: ACC30048
Format: 2xCD, Album
Country: Europe
Released: 2004, 1988
Genre: Classical
Style: Baroque

Tracklist:

01] Sonata No. 1 in F major; I. Adagio ma non troppo
02] II. Allegro
03] III. Larghetto
04] IV. Allegro assai
05] Sonata No. 2 in G minor; I. Andante
06] II. Allegro
07] III. Andante
08] IV. Allegro
09] Sonata No. 3 in B flat major; I. Adagio
10] II. Allegro
11] III. Largo
12] IV. Allegro - Tempo giusto

01] Sonata No. 4 in G minor; I. Andante
02] II. Allegro
03] III. Adagio
04] IV. Allegro ma non troppo
05] Sonata No. 5 in F major; I. Allegro
06] II. Adagio
07] III. Allegro
08] Sonata No. 6 in C minor; I. Andante
09] II. Allegro
10] III. Andante
11] IV. Allegro

Paul Dombrecht, oboe (Sonatas Nr. 1-6)
Marcel Ponseele, oboe (Sonatas Nr.1,2, and 6)
Ku Ebbinge, oboe (Sonatas Nr. 4 and 5)
Chiara Banchini, violin (Sonata Nr.3)
Danny Bond, bassonn
Robert Kohnen, harpsichord
Richte van der Meer, violoncello

biography by All Music Guide
An innovative Baroque composer whose reputation was steadily on the rise during the anything-goes years of the waning twentieth century, Jan Dismas Zelenka was born in Lounovice, Bohemia (now part of the Czech Republic). He was a court musician in Dresden for most of his career, and both J.S. Bach and Georg Philipp Telemann knew and admired his music. Except for brief periods of travel, during which he refined his craft (he took lessons from Fux and Lotti even after his own technique had been perfected), he served as a double bass player in the court orchestra and later aided the ailing court music director Heinichen in his duties. Upon Heinichen's death, the position was awarded to another musician, which greatly disappointed Zelenka, who felt that his accomplishments as a composer had not been recognized. He died in Dresden, on December 22, 1745.
Zelenka was best known, in his own time as in ours, for his harmonic and dynamic daring. An indefatigable experimentalist, he pushed the often conventional harmonic language of the Baroque to its limits, frequently using chromaticism in general and unresolved chains of suspensions in particular. Zelenka's dynamic markings, quite unusual for the Baroque, bring to mind a composer of the Romantic era. It is to his credit that the unusual devices he employed were woven into a composition's basic concept, and not treated as mere tricks. Zelenka was also known for his pioneering use of Czech folk rhythms, anticipating Haydn's use of central European folk music by half a century. Many of his innovations appear in his trio sonatas and other instrumental works (one of which bears the witty – and enigmatic – name of "Hipocondrie à 7"). It should noted that Zelenka also wrote a great deal of choral music of a more conventional character, including some in the stile antico – the strict polyphonic style of the Renaissance. allmusicguide

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