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    Narciso Yepes - Nächte In Spanischen Gärten [Deutsche Grammophon 423 786-2] {Germany 198_, 1971}

    Posted By: luckburz
    Narciso Yepes - Nächte In Spanischen Gärten [Deutsche Grammophon 423 786-2] {Germany 198_, 1971}

    Narciso Yepes - Nächte In Spanischen Gärten / Nights In Spanish Gardens
    FLAC, EAC, LOG & CUE | Full Artwork | Size: 293 MB + Recovery Info
    Label/Cat#: Deutsche Grammophon 423 786-2 | Country/Year: Germany 198_, 1971
    Genre: Classical Guitar | Hoster: Filepost/Filefactory

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    webfind [] selfrip [X]

    Narciso Yepes - Nächte In Spanischen Gärten [Deutsche Grammophon 423 786-2] {Germany 198_, 1971}



    Extraction Log:

    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 6. February 2012, 19:48

    Narciso Yepes / Nächte in spanischen Gärten

    Used drive : HL-DT-STDVDRAM GSA-H12L Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.33 | 3:08.50 | 33 | 14182
    2 | 3:09.08 | 3:18.25 | 14183 | 29057
    3 | 6:27.33 | 1:31.00 | 29058 | 35882
    4 | 7:58.33 | 3:25.50 | 35883 | 51307
    5 | 11:24.08 | 4:56.37 | 51308 | 73544
    6 | 16:20.45 | 1:24.13 | 73545 | 79857
    7 | 17:44.58 | 1:57.00 | 79858 | 88632
    8 | 19:41.58 | 2:58.37 | 88633 | 102019
    9 | 22:40.20 | 4:59.13 | 102020 | 124457
    10 | 27:39.33 | 1:40.62 | 124458 | 132019
    11 | 29:20.20 | 4:42.38 | 132020 | 153207
    12 | 34:02.58 | 1:53.50 | 153208 | 161732
    13 | 35:56.33 | 2:04.25 | 161733 | 171057
    14 | 38:00.58 | 6:26.62 | 171058 | 200069
    15 | 44:27.45 | 4:34.25 | 200070 | 220644
    16 | 49:01.70 | 3:53.38 | 220645 | 238157
    17 | 52:55.33 | 5:46.50 | 238158 | 264157
    18 | 58:42.08 | 5:02.00 | 264158 | 286807
    19 | 63:44.08 | 2:25.25 | 286808 | 297707


    Range status and errors

    Selected range

    Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Narciso Yepes - Nächte in spanischen Gärten.wav

    Peak level 97.9 %
    Extraction speed 7.8 X
    Range quality 99.9 %
    Test CRC 1927F08D
    Copy CRC 1927F08D
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 not present in database
    Track 2 not present in database
    Track 3 not present in database
    Track 4 not present in database
    Track 5 not present in database
    Track 6 not present in database
    Track 7 not present in database
    Track 8 not present in database
    Track 9 not present in database
    Track 10 not present in database
    Track 11 not present in database
    Track 12 not present in database
    Track 13 not present in database
    Track 14 not present in database
    Track 15 not present in database
    Track 16 not present in database
    Track 17 not present in database
    Track 18 not present in database
    Track 19 not present in database

    None of the tracks are present in the AccurateRip database

    End of status report

    ==== Log checksum 075F36CE6C51F577153CE58BB8036D9B0DD934159F45CC4BE24E9ADE221D6447 ====


    Dynamic Range Log:

    foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
    log date: 2012-02-06 20:44:50

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Narciso Yepes / Nächte in spanischen Gärten
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -4.49 dB -22.13 dB 3:09 01-Rescuerdos de la Alhambra
    DR14 -2.58 dB -21.55 dB 3:18 02-Sonate e-moll
    DR11 -5.80 dB -21.75 dB 1:31 03-Bourée e-moll
    DR13 -0.28 dB -16.96 dB 3:26 04-Passemeze et Branle de Poictou
    DR14 -5.31 dB -24.05 dB 4:56 05-Sarabande e-moll
    DR12 -5.96 dB -22.23 dB 1:24 06-Saltarello
    DR11 -10.53 dB -24.94 dB 1:57 07-Alborada, Capriccio
    DR13 -0.18 dB -19.29 dB 2:58 08-Danza del molinero, Farruca
    DR13 -7.82 dB -27.01 dB 4:59 09-Dos Canciones populares catalanes
    DR10 -1.96 dB -17.55 dB 1:41 10-Danza Nr. 1
    DR13 -2.25 dB -19.35 dB 4:43 11-Prélude Nr. 1 e-moll
    DR12 -8.69 dB -24.01 dB 1:54 12-El abejorro, Etude
    DR15 -0.77 dB -23.37 dB 2:04 13-Passapie
    DR16 -2.12 dB -24.15 dB 6:27 14-Suite española: Nr. 5 Asturias, Leyenda
    DR18 -5.02 dB -26.72 dB 4:34 15-Piezas caracteristicas: Nr. 12 Torre bermeja, Serenata
    DR14 -11.06 dB -29.39 dB 3:54 16-Recuerdos de viaje: Nr. 6 Rumores de la caleta, Malagueña
    DR14 -9.38 dB -28.07 dB 5:47 17-Danza española Nr. 4, Villanesca
    DR18 -2.86 dB -26.89 dB 5:02 18-Fandanguillo op.36
    DR12 -12.08 dB -27.14 dB 2:25 19-Romance aus Jeux interdits
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 19
    Official DR value: DR14

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 534 kbps
    Codec: FLAC
    ================================================================================



    CD Info:
    Narciso Yepes – Nächte In Spanischen Gärten

    Label: Deutsche Grammophon
    Catalog#: 423 786-2
    Series: Deutsche Grammophon Favorit
    Released: 198_, 1971
    Format: CD, Album
    Land: Germany
    Genre: Classical, Latin
    Style: Baroque

    Tracklist:

    1 Francisco Tárrega Recuerdos De La Alhambra 3:05
    2 Domenico Scarlatti Sonate E-moll 3:15
    3 Johann Sebastian Bach Bourrée E-moll 1:27
    4 Adrian Le Roy Passemeze Et Branle De Poictou 3:22
    5 Johann Sebastian Bach Sarabande E-moll 4:53
    6 Anonymus Saltarello 1:21
    7 Francisco Tárrega Alborado. Capriccio 1:53
    8 Manuel De Falla Danza Del Molinero. Farucca 2:55
    9 Miguel Llobet Dos Canciones Populares Catalanes 4:56
    10 Antonio Ruiz Pipó Danza Nr. 1 1:37
    11 Heitor Villa-Lobos Prélude Nr. 1 E-moll 4:39
    12 Emilio Pujol Al Abejorro. Etude 1:50
    13 Salvador Bacarisse Passapie 2:01
    14 Isaac Albéniz Suite Española: Nr. 5 Asturias. Leyenda 6:24
    15 Isaac Albéniz Piezas Caracteristicas: Nr. 12 Torre Bermeja. Serenata 4:30
    16 Isaac Albéniz Recuerdos De Viaje: Nr. 6 Rumores De La Caleta. Malagueña 3:50
    17 Enrique Granados Danza Española Nr. 4. Villanesca 5:43
    18 Joaquin Turina Fandanguillo Op. 36 4:58
    19 Narciso Yepes Romance (Aus "Jeux Interdits") 2:24

    Companies etc:

    Phonographic Copyright (p) – Polydor International GmbH
    Made By – PDO
    Printed By – Neef

    Credits:

    Art Direction – Hartmut Pfeiffer
    Guitar – Narciso Yepes
    Transcription By – Narciso Yepes (tracks: 14 to 17)

    Notes:

    ? 1971 Polydor International GmbH, Hamburg

    Barcode and Other Identifiers:

    Barcode: 028942378629
    Label Code: LC 0173
    Rights Society: BIEM/STEMRA

    Discogs Url: http://www.discogs.com/Narciso-Yepes-N%C3%A4chte-In-Spanischen-G%C3%A4rten/release/3286643

    Narciso Yepes - Nächte In Spanischen Gärten [Deutsche Grammophon 423 786-2] {Germany 198_, 1971}


    Narciso Yepes (14 November 1927 – 3 May 1997) was a Spanish guitarist.
    Yepes was born into a family of humble origin in Lorca, Region of Murcia. His father gave him his first guitar when he was four years old. He took his first lessons from Jesus Guevara, in Lorca. Later his family moved to Valencia when the Spanish Civil War started in 1936.

    When he was 13, he was accepted to study at the Conservatorio de Valencia with the pianist and composer Vicente Asencio. Here he followed courses in harmony, composition, and performance.

    On 16 December 1947 he made his Madrid début, performing Joaquín Rodrigo's Concierto de Aranjuez with Ataúlfo Argenta conducting the Spanish National Orchestra. The overwhelming success of this performance brought him renown from critics and public alike. Soon afterwards, he began to tour with Argenta, visiting Switzerland, Italy, Germany and France. During this time he was largely responsible for the growing popularity of the Concierto de Aranjuez.

    Quotes by Angelo Gilardino on the relationship between Argenta and Yepes:

    "A very young Narciso Yepes - not yet enlightened by Argenta's lessons, but surely capable of occupying the hot seat with dignity - gave at least one public performance of "Aranjuez" on 1948"

    "[…] great Spanish conductor Ataulfo Argenta (1913-1958).[…] He associated Yepes to his project and he taught the guitarist how to perform Aranjuez note by note. Yepes was humble and intelligent enough to do exactly what Argenta had asked him to do. It was only after that historical recording that Aranjuez became a famous piece, and Yepes an even more famous guitarist."

    "Argenta played the shapes at the piano and the guitarist absorbed them with his skilfullness."

    "I refer to the interpretation of the piece: in order to have the solo part performed with full consistency to his views (and to the orchestra) Argenta took Yepes under a thorough instruction and he was able to get from him the best. I never implied that Yepes couldn't read pieces himself - he had been given basic music instruction by the composer Vicente Asencio, who had added a lot of knowledge to the rather amateurish musical instruction Yepes had got from his former teacher, the guitarist Estanislao Marco."

    In 1950, after performing in Paris, he spent a year studying interpretation under the violinist George Enescu, and the pianist Walter Gieseking. He also studied informally with Nadia Boulanger. This was followed by a long period in Italy where he profited from contact with artists of every kind.

    On 18 May 1951, as he leant on the parapet of a bridge in Paris and watched the Seine flow by, Yepes unexpectedly heard a voice inside him ask, "What are you doing?" He had been an unbeliever for 25 years, perfectly content that there was no God or transcendence or afterlife. But that existential question, which he understood as God's call, changed everything for him. He became a devout Catholic, which he remained for the rest of his life.

    In 1952 a work (Romance), Yepes claims to have written when he was a young boy, became the theme to the film Forbidden Games (Jeux interdits) by René Clément. Despite the fact that Yepes confessed to being its composer, the piece (Romance) has often been attributed to other authors; indeed published versions exist from before Yepes was even born, and the earliest known recording of the work dates from a cylinder from around 1900. In the credits of the film Jeux Interdits, however, Romance is credited as "Traditional: arranged - Narciso Yepes." Yepes also performed other pieces for the Forbidden Games soundtrack. His later credits as film composer include the soundtracks to La Fille aux yeux d'or (1961) and La viuda del capitán Estrada (1991). He also starred as a musician in the 1967 film version of El amor brujo.

    In Paris he met Marysia Szumlakowska, a young Polish philosophy student. They married in 1958 and had two sons, Juan de la Cruz (deceased), Ignacio Yepes, an orchestral conductor and flautist, and one daughter, Ana Yepes, a dancer and choreographer.

    In 1964, Yepes performed the Concierto de Aranjuez with the Berlin Philharmonic Orchestra, premièring the ten-string guitar, which he invented in collaboration with the renowned guitar maker José Ramírez III.
    Yepes' 10-string guitar tuning

    The instrument made it possible to transcribe works originally written for baroque lute without deleterious transposition of the bass notes. However, the main reason for the invention of this instrument was the addition of string resonators tuned to C, A#, G#, F#, which resulted in the first guitar with truly chromatic string resonance - similar to that of the piano with its sustain/pedal mechanism.

    After 1964, Yepes used the ten-string guitar exclusively, touring all six inhabited continents, performing in recitals as well as with the world's leading orchestras, giving an average of 130 performances each year.

    Apart from being a consummate musician, Yepes was also a significant scholar. His research into forgotten manuscripts of the sixteenth and seventeenth centuries resulted in the rediscovery of numerous works for guitar or lute. He was also the first person to record the complete lute works of Bach on period instruments (14-course baroque lute). In addition, through his patient and intensive study of his instrument, Narciso Yepes developed a revolutionary technique and previously unsuspected resources and possibilities.

    He was granted many official honours including the Gold Medal for Distinction in Arts, conferred by King Juan Carlos I; membership in the Academy of “Alfonso X el Sabio” and an Honorary Doctorate from the University of Murcia. In 1986 he was awarded the Premio Nacional de Música of Spain, and he was elected unanimously to the Real Academia de Bellas Artes de San Fernando[6].

    In the 1980s, Yepes formed Trio Yepes with his son Ignacio Yepes on flute and recorder and his daughter Ana dancing to her own choreography.

    After 1993, Narcisco Yepes limited his public appearances due to illness. He gave his last concert on 1 March 1996 in Santander (Spain).

    He died in Murcia in 1997, after a long battle with lymphoma. wikipedia




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