Vardan Mamikonian - Invitation à la Danse: Works for solo Piano by Chopin, Debussy, Bach, Liszt, Babajanian (2024)

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Vardan Mamikonian - Invitation à la Danse: Works for solo Piano by Chopin, Debussy, Bach, Liszt, Babajanian (2024)

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I have devoted this most recent recording to dance. The pieces that I perform here are all linked to the art of dance from different eras and different cultures.Throughout history and in most people's perception, dance has always been a source of entertainment and joy, but it can also represent more sombre occasions, with pomp and grandeur.The Chaconne, for example, has become both tragic and sublime over time and today it's rhythm has mellowed!Chopin's Mazurkas can be rustic and folkloric, haunting or lyrical, even dramatic. In short, dance can express diametric opposites and unite those opposites at the same time.That's why I also want to pay homage to Shiva's dance, for this god, the symbol of destruction, illusion and ignorance, destroys in order to awaken human beings and lead them to create a new world.Shiva's divine dance, Tandava Nritya, is regarded by Hinduism as the origin of the cycle of creation, preservation and devastation.Vagharshapat Dance is based upon a melody from 'Yerangi' found in "Six Dances for Piano" (1906) by the legendary Armenian composer Komitas (1869-1935). Vagharshapat is the location of Etchmiadzin Cathedral and the fourth largest city in Armenia located 11 miles west of Yerevan.My recording ends with Khachaturian's "Sabre Dance", in an arrangement of my own. The duality of this piece's character is obvious, as while the sabers suggest the idea of death, the dance becomes a 'living dance? one that enchants us or, a dance that comes alive. I hope that the current times of wars, destruction and social upheaval will soon be replaced by peace and the joy that comes with it, and I hope that this recording brings a form of respite and quietude and with it lightness, joy and happiness.Vardan Mamikonian"Vardan Mamikonian demonstrates a technique that combines power and poetry… and flashes of interpretive genius." New York TimesVardan Mamikonian has come to the attention of the international press and public thanks to his prestigious technique and extraordinary musicality. He has performed in the United States with such renowned orchestras as the Atlanta, San Francisco, Detroit, Pacific, Houston and National Symphonies, as well as with the Los Angeles Philharmonic at the Hollywood Bowl.He is a guest at major international festivals such as Verbier and St. Moritz in Switzerland, Ravinia in the USA, La Roque d'Antheron in France, the Schleswig Holstein Musikfestival in Germany, and the Hong Kong Arts Festival. He gives recitals in some of the world's most prestigious music venues: Musikverein Vienna, Carnegie Hall New York, Theatre des Champs-elysees Paris, Herkulessaal Munich, Wigmore Hall London, Tonhalle Zurich, Davies Symphony Hall San Francisco and Kennedy Center Washington, to name but a few.Born in Yerevan, Armenia, into a family of musicians, Vardan Mamikonian began studying piano at the Spendiarian School of Music in his hometown, under Arkui Haroutunian. He continued his studies at the Moscow Central Music School and the prestigious Tchaikovsky Conservatory in Moscow with Valery Kastelsky, one of the last proteges of the legendary Heinrich Neuhaus. He then went on to perfect his skills at the Piano Academy in Imola, Italy, under the guidance of Lazar Berman. In 1991, Vardan moved to Paris, and in 1992, he won the World Music Masters Competition in Monte Carlo, reserved exclusively for winners of international competitions. Vardan Mamikonian has taken part in numerous recordings for radio and television, as well as for the German label Orfeo. Several of his recordings have been praised by the international press.