Sir John Barbirolli - British Music. Elgar, Vaughan Williams, Delius, Purcell (2024)
Sir John Barbirolli - British Music. Elgar, Vaughan Williams, Delius, Purcell (2024)
WEB FLAC (tracks) - 1,19 Gb | MP3 CBR 320 kbps - 624 Mb | 04:29:11
Classical | Label: Warner Classics
WEB FLAC (tracks) - 1,19 Gb | MP3 CBR 320 kbps - 624 Mb | 04:29:11
Classical | Label: Warner Classics
Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916. His conducting career began with the formation of his own orchestra in 1924, and between 1926 and 1933 he was active as an opera conductor at Covent Garden and elsewhere. Orchestral appointments followed: the Scottish Orchestra (1933–36), the New York Philharmonic (1936–42), the Hallé Orchestra (1943–70) and the Houston Symphony (1961–67). Barbirolli guest conducted many of the world’s leading orchestras and was especially admired as an interpreter of the music of Mahler, Sibelius, Elgar, Vaughan Williams, Delius, Puccini and Verdi. He made many outstanding recordings, including the complete Brahms and Sibelius symphonies, as well as operas by Verdi and Puccini and much English repertoire.Tracklist:
Barbirolli was a late convert to the music of Gustav Mahler. He had first come across it in 1930 when the Fourth Symphony, as heard for the first time at somebody else’s rehearsal, struck him as being thin, certainly by comparison with Berlioz and Wagner. After some early excursions at the beginning of his career – such as in 1931, when he conducted the Kindertotenlieder for Elena Gerhardt at a Royal Philharmonic Society concert in London – Mahler scarcely even figured in his programmes until 1946, when he included Das Lied von der Erde in his third season with the Halle Orchestra. Then in 1952 his friend, the critic Neville Cardus, recalling that Sir Hamilton Harty had given England its first hearing of the Ninth Symphony during his reign as Hallé conductor (1920–33), urged Barbirolli to consider conducting it himself. It was, said Cardus, “the ideal work” for him. Two years later the thing happened: moreover, that first-ever performance by Barbirolli of a Mahler symphony opened the floodgates to a 16-year period in which he embraced them all save No.8. The First, Fifth, Sixth and Ninth he subsequently recorded commercially, and radio recordings of several of the others have also appeared on CD.
The symphonies preoccupied Barbirolli for the rest of his life, possibly even to the detriment of his health, as the vast periods of time he spent studying them had to be squeezed into an already hopelessly overcrowded schedule. He reckoned that mastering a Mahler symphony took between 18 months and two years, and he would spend hours meticulously bowing all the string parts in preparation for his performances. "If you want to conduct Mahler well his music must be under your skin and in your bones", he said, adding: "It is a joy to me in my advancing years that I have found something which […] is of such mighty dimensions. Of course, it does not take two years to read these scores, but if you prepare for a journey through such immeasurably wide musical spheres, you must know exactly where the musical ideas begin and where they end and how each fits into the pattern of the whole […]." To this end he spent several days in 1956 memorizing the choral finale of the Second Symphony, despite the fact that his first attempt upon it was not scheduled until May 1958.
Although a born opera conductor, most of Barbirolli’s operatic conducting was confined to the early years of his career when, between 1926 and 1933, he amassed a repertoire of 20 or so operas while working with the British National Opera, Carl Rosa and Covent Garden companies. Among them was Wagner’s Die Meistersinger, which he toured to the provinces and conducted at Covent Garden: a celebrated souvenir of these performances exists in his 1931 recording of the Quintet with Elisabeth Schumann, Lauritz Melchior and Friedrich Schorr, no less, among the singers. Although he never again conducted the work in the opera house, its overture became a staple of his concert programmes, especially for significant occasions with the Hallé: indeed, in 1943 he chose it to launch the very first concert of the orchestra he had reformed and revitalized in just four weeks.
It was not until the 1960s, during his last decade, that the opportunity to take up again the old operatic scores he loved so deeply came his way. Puccini’s Manon Lescaut and, ironically, Die Meistersinger were among the operas planned for recording by him at this time, but although neither project materialized he did manage to record (besides Purcell’s Dido and Aeneas) Verdi’s Otello – happily bringing the family wheel full circle, as both his father and grandfather had played in the opera’s première at La Scala in 1887 – and Madama Butterfly.
The happy coincidence that Elgar’s Enigma Variations dated from the same year as his birth delighted Barbirolli, and the work became a cornerstone of his repertoire. He conducted it zealously all over the world, and it is a measure of his love for the music that even as late as 1969 he could still write to his friend Michael Kennedy: "I hadn’t done the Enigmas for some time and was completely bowled over by them again." He recorded the work twice on 78s, and twice more during the stereo era, in 1956 and 1962. Completely memorable accounts of Elgar’s Symphony No.1 and Introduction and Allegro date from this period, and this 1956 version of the Enigma Variations, delicate, noble and thrilling by turns, is unquestionably in the same category. His cultivated reading of Ma Mère l’oye, too, reveals a master conductor at work, with an equally fastidious ear for the French repertoire; he and the Hallé were at the peak of their association at this time, with the players wonderfully attuned and responsive to his artistic imagination.
Barbirolli's current EMI discography is extensive and comprises all of his great recorded performances, many in the British Composers series.
01. Variations on an Original Theme, Op. 36 "Enigma": Theme
02. Variations on an Original Theme, Op. 36 "Enigma": Introduction - Variation I. L'istesso tempo "C.A.E."
03. Variations on an Original Theme, Op. 36 "Enigma": Variation II. Allegro "H.D.S-P."
04. Variations on an Original Theme, Op. 36 "Enigma": Variation III. Allegretto "R.B.T."
05. Variations on an Original Theme, Op. 36 "Enigma": Variation IV. Allegro di molto "W.M.B."
06. Variations on an Original Theme, Op. 36 "Enigma": Variation V. Moderato "R.P.A."
07. Variations on an Original Theme, Op. 36 "Enigma": Variation VI. Andantino "Ysobel"
08. Variations on an Original Theme, Op. 36 "Enigma": Variation VII. Presto "Troyte"
09. Variations on an Original Theme, Op. 36 "Enigma": Variation VIII. Allegretto "W.N."
10. Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod"
11. Variations on an Original Theme, Op. 36 "Enigma": Variation X. Intermezzo. Allegretto "Dorabella"
12. Variations on an Original Theme, Op. 36 "Enigma": Variation XI. Allegro di molto "G.R.S."
13. Variations on an Original Theme, Op. 36 "Enigma": Variation XII. Andante "B.G.N."
14. Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. Moderato. "* * *"
15. Variations on an Original Theme, Op. 36 "Enigma": Variation XIV. Finale. Allegro "E.D.U."
16. Improvisations on Virginal Pieces by Giles Farnaby, Op. 50: No. 4, Loth to depart
17. Brigg Fair "An English Rhapsody": Introduction. Slow, Pastoral
18. Brigg Fair "An English Rhapsody": Theme. With Easy Movement
19. Brigg Fair "An English Rhapsody": Variation I
20. Brigg Fair "An English Rhapsody": Variation II
21. Brigg Fair "An English Rhapsody": Variation III
22. Brigg Fair "An English Rhapsody": Variation IV
23. Brigg Fair "An English Rhapsody": Variation V
24. Brigg Fair "An English Rhapsody": Variation VI
25. Brigg Fair "An English Rhapsody": Interlude I. Slow and Very Quietly
26. Brigg Fair "An English Rhapsody": Variation VII. Rather Quicker but Not Hurried
27. Brigg Fair "An English Rhapsody": Variation VIII
28. Brigg Fair "An English Rhapsody": Variation IX. With Easy Movement
29. Brigg Fair "An English Rhapsody": Variation X
30. Brigg Fair "An English Rhapsody": Variation XI. Slow, With Solemnity
31. Brigg Fair "An English Rhapsody": Variation XII. Maestoso
32. Brigg Fair "An English Rhapsody": Interlude II
33. Brigg Fair "An English Rhapsody": Variation XIII. Gaily
34. Brigg Fair "An English Rhapsody": Variation XIV
35. Brigg Fair "An English Rhapsody": Variation XV
36. Brigg Fair "An English Rhapsody": Variation XVI
37. Brigg Fair "An English Rhapsody": Interlude III. Rather Quicker
38. Brigg Fair "An English Rhapsody": Variation XVII. Rather Slower, Very Broadly
39. Brigg Fair "An English Rhapsody": Coda. Very Quietly
40. 5 Variants of "Dives and Lazarus": Theme. Adagio
41. 5 Variants of "Dives and Lazarus": Variant I
42. 5 Variants of "Dives and Lazarus": Variant II. Allegro moderato
43. 5 Variants of "Dives and Lazarus": Variant III
44. 5 Variants of "Dives and Lazarus": Variant IV. L'istesso tempo
45. 5 Variants of "Dives and Lazarus": Variant V. Adagio
46. Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato
47. Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto
48. Cello Concerto in E Minor, Op. 85: III. Adagio
49. Cello Concerto in E Minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo
50. Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306: I. Andante
51. Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306: II. Andante
52. Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306: III. Largo e piano
53. Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306: IV. Bourrée. Allegro
54. Fantasia on "Greensleeves" (Orch. Greaves)
55. Dido and Aeneas, Z. 626, Act 3: "When I Am Laid in Earth" (Dido)
56. Dido and Aeneas, Z. 626, Act 3: "With Drooping Wings Ye Cupids Come" (Chorus)
57. A Shropshire Lad
58. The Garden of Fand
59. Symphony No. 5 in D Major: I. Preludio
60. Symphony No. 5 in D Major: II. Scherzo
61. Symphony No. 5 in D Major: III. Romanza. Lento
62. Symphony No. 5 in D Major: IV. Passacaglia. Moderato
63. Pomp and Circumstance Marches, Op. 39: No. 1 in D Major
64. Elegy, Op. 58
65. A London Overture
66. Tintagel
67. Irmelin Prelude
68. Suite for Strings, Woodwinds and Horns: I. Andante maestoso - Allegro (After The Gordian Knot Untied, Z. 597)
69. Suite for Strings, Woodwinds and Horns: II. Tempo do menuetto (After The Virtuous Wife, Z. 611)
70. Suite for Strings, Woodwinds and Horns: III. Andantino (After King Arthur, Z. 628)
71. Suite for Strings, Woodwinds and Horns: IV. Allegrettto giocoso (After Abdelazar, Z. 570)
72. Suite for Strings, Woodwinds and Horns: V. Largo (After Dido and Aeneas, Z. 626)
73. Suite for Strings, Woodwinds and Horns: VI. Allegro (After King Arthur, Z. 628)
74. Oboe Concerto in A Minor: I. Rondo pastorale. Allegro moderato
75. Oboe Concerto in A Minor: II. Minuet and Musette. Allegro moderato
76. Oboe Concerto in A Minor: III. Finale. Scherzo
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FILE: 09 - Variations on an Original Theme, Op. 36 _Enigma__ Variation VIII. Allegretto _W.N._.flac
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FILE: 07 - Variations on an Original Theme, Op. 36 _Enigma__ Variation VI. Andantino _Ysobel_.flac
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FILE: 03 - Variations on an Original Theme, Op. 36 _Enigma__ Variation II. Allegro _H.D.S-P._.flac
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FILE: 02 - Variations on an Original Theme, Op. 36 _Enigma__ Introduction - Variation I. L'istesso tempo _C.A.E._.flac
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FILE: 01 - Variations on an Original Theme, Op. 36 _Enigma__ Theme.flac
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FILE: 53 - Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306_ IV. Bourree. Allegro.flac
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DON'T MODIFY THIS FILE
–––––––––––-
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright © 2008-2010 y-soft. All rights reserved
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
FILE: 76 - Oboe Concerto in A Minor_ III. Finale. Scherzo.flac
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FILE: 75 - Oboe Concerto in A Minor_ II. Minuet and Musette. Allegro moderato.flac
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FILE: 74 - Oboe Concerto in A Minor_ I. Rondo pastorale. Allegro moderato.flac
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FILE: 73 - Suite for Strings, Woodwinds and Horns_ VI. Allegro (After King Arthur, Z. 628).flac
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FILE: 72 - Suite for Strings, Woodwinds and Horns_ V. Largo (After Dido and Aeneas, Z. 626).flac
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FILE: 67 - Irmelin Prelude.flac
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FILE: 65 - A London Overture.flac
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FILE: 64 - Elegy, Op. 58.flac
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FILE: 62 - Symphony No. 5 in D Major_ IV. Passacaglia. Moderato.flac
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FILE: 60 - Symphony No. 5 in D Major_ II. Scherzo.flac
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FILE: 56 - Dido and Aeneas, Z. 626, Act 3_ _With Drooping Wings Ye Cupids Come_ (Chorus).flac
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FILE: 54 - Fantasia on _Greensleeves_ (Orch. Greaves).flac
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FILE: 52 - Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306_ III. Largo e piano.flac
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FILE: 51 - Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306_ II. Andante.flac
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FILE: 49 - Cello Concerto in E Minor, Op. 85_ IV. Allegro - Moderato - Allegro ma non troppo.flac
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FILE: 48 - Cello Concerto in E Minor, Op. 85_ III. Adagio.flac
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FILE: 47 - Cello Concerto in E Minor, Op. 85_ II. Lento - Allegro molto.flac
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FILE: 42 - 5 Variants of _Dives and Lazarus__ Variant II. Allegro moderato.flac
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FILE: 40 - 5 Variants of _Dives and Lazarus__ Theme. Adagio.flac
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FILE: 39 - Brigg Fair _An English Rhapsody__ Coda. Very Quietly.flac
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FILE: 38 - Brigg Fair _An English Rhapsody__ Variation XVII. Rather Slower, Very Broadly.flac
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FILE: 37 - Brigg Fair _An English Rhapsody__ Interlude III. Rather Quicker.flac
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FILE: 36 - Brigg Fair _An English Rhapsody__ Variation XVI.flac
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FILE: 35 - Brigg Fair _An English Rhapsody__ Variation XV.flac
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FILE: 34 - Brigg Fair _An English Rhapsody__ Variation XIV.flac
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FILE: 33 - Brigg Fair _An English Rhapsody__ Variation XIII. Gaily.flac
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FILE: 32 - Brigg Fair _An English Rhapsody__ Interlude II.flac
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FILE: 31 - Brigg Fair _An English Rhapsody__ Variation XII. Maestoso.flac
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FILE: 30 - Brigg Fair _An English Rhapsody__ Variation XI. Slow, With Solemnity.flac
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FILE: 29 - Brigg Fair _An English Rhapsody__ Variation X.flac
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FILE: 28 - Brigg Fair _An English Rhapsody__ Variation IX. With Easy Movement.flac
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FILE: 27 - Brigg Fair _An English Rhapsody__ Variation VIII.flac
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FILE: 26 - Brigg Fair _An English Rhapsody__ Variation VII. Rather Quicker but Not Hurried.flac
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FILE: 25 - Brigg Fair _An English Rhapsody__ Interlude I. Slow and Very Quietly.flac
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FILE: 24 - Brigg Fair _An English Rhapsody__ Variation VI.flac
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FILE: 23 - Brigg Fair _An English Rhapsody__ Variation V.flac
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FILE: 22 - Brigg Fair _An English Rhapsody__ Variation IV.flac
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Conclusion: CDDA 99%
Signature: 354F17B69ABF29D44C5D8D739AE46751C6A2EF61
FILE: 21 - Brigg Fair _An English Rhapsody__ Variation III.flac
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Conclusion: CDDA 100%
Signature: E13FD7EE49CC78846D5C21D63A49A46818DDD778
FILE: 20 - Brigg Fair _An English Rhapsody__ Variation II.flac
Size: 2122883 Hash: 7331AC98386E84205C2B8D1BBF92305F Accuracy: -m8
Conclusion: CDDA 100%
Signature: B0932B58DD0E19B01DD34852E4BD2351CC5D3B4C
FILE: 19 - Brigg Fair _An English Rhapsody__ Variation I.flac
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Conclusion: CDDA 100%
Signature: C855C49592D4A9AFA3432D6CD1517B9E961FFBF1
FILE: 18 - Brigg Fair _An English Rhapsody__ Theme. With Easy Movement.flac
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Conclusion: CDDA 100%
Signature: 9FE9CE29AB25F472BEB2A46173E47432B95E7C1F
FILE: 17 - Brigg Fair _An English Rhapsody__ Introduction. Slow, Pastoral.flac
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Conclusion: CDDA 100%
Signature: 4D2A1F19D99A05217321F4CABB7DF697CA0F88EB
FILE: 16 - Improvisations on Virginal Pieces by Giles Farnaby, Op. 50_ No. 4, Loth to depart.flac
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Conclusion: CDDA 99%
Signature: 72EE7E2934B01CF9D383029E481EDEB65D332E0F
FILE: 15 - Variations on an Original Theme, Op. 36 _Enigma__ Variation XIV. Finale. Allegro _E.D.U._.flac
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Conclusion: CDDA 100%
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FILE: 14 - Variations on an Original Theme, Op. 36 _Enigma__ Variation XIII. Romanza. Moderato. __ _ __.flac
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Conclusion: CDDA 100%
Signature: E15A0D636A2CE02F7A66BE73679FBD48A5202195
FILE: 13 - Variations on an Original Theme, Op. 36 _Enigma__ Variation XII. Andante _B.G.N._.flac
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Conclusion: CDDA 100%
Signature: 388D5EB8350BF9695EBC04089A90033414FF6A98
FILE: 12 - Variations on an Original Theme, Op. 36 _Enigma__ Variation XI. Allegro di molto _G.R.S._.flac
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Conclusion: CDDA 100%
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FILE: 11 - Variations on an Original Theme, Op. 36 _Enigma__ Variation X. Intermezzo. Allegretto _Dorabella_.flac
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Conclusion: CDDA 100%
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FILE: 10 - Variations on an Original Theme, Op. 36 _Enigma__ Variation IX. Adagio _Nimrod_.flac
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Conclusion: CDDA 99%
Signature: F4230B615BDEDADB7D18FB855A1EF08FBAF364B0
FILE: 09 - Variations on an Original Theme, Op. 36 _Enigma__ Variation VIII. Allegretto _W.N._.flac
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Conclusion: CDDA 100%
Signature: A0B419330F565DDBFC903344D89550B9DD876992
FILE: 08 - Variations on an Original Theme, Op. 36 _Enigma__ Variation VII. Presto _Troyte_.flac
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Conclusion: CDDA 100%
Signature: 8D927575F71D587E7FBC9520DA1EDDA053EB19DE
FILE: 07 - Variations on an Original Theme, Op. 36 _Enigma__ Variation VI. Andantino _Ysobel_.flac
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Conclusion: CDDA 87%
Signature: AE242941CEA3780B4B830BC55F7D8021EAF1598E
FILE: 06 - Variations on an Original Theme, Op. 36 _Enigma__ Variation V. Moderato _R.P.A._.flac
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Conclusion: CDDA 99%
Signature: 2F83059B1F73BBD6AC549D2108ABEF9C3773EE37
FILE: 05 - Variations on an Original Theme, Op. 36 _Enigma__ Variation IV. Allegro di molto _W.M.B._.flac
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Conclusion: CDDA 100%
Signature: 99C9F97312B98A0BBF32C88B25F8934E68AF32DA
FILE: 04 - Variations on an Original Theme, Op. 36 _Enigma__ Variation III. Allegretto _R.B.T._.flac
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Conclusion: CDDA 100%
Signature: 2409E918E0B7E39F6C34899992E17925C4F264DB
FILE: 03 - Variations on an Original Theme, Op. 36 _Enigma__ Variation II. Allegro _H.D.S-P._.flac
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Conclusion: CDDA 100%
Signature: EEE6ECC3D65BA4F6138F778991444DDABE14ADE0
FILE: 02 - Variations on an Original Theme, Op. 36 _Enigma__ Introduction - Variation I. L'istesso tempo _C.A.E._.flac
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Conclusion: CDDA 99%
Signature: 1B67058ADFD6284E3D304A875D852D4883DFFFDE
FILE: 01 - Variations on an Original Theme, Op. 36 _Enigma__ Theme.flac
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Conclusion: CDDA 100%
Signature: ABD09685424654CB027C6D2A4FEF87CD8B0CCE32
FILE: 53 - Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306_ IV. Bourree. Allegro.flac
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Conclusion: CDDA 100%
Signature: 270370BCE219308203A4D4A8499219DCDDB1B58C