Queen - Jazz (EMI Electrola 1C 064-61 820) (GER 1978, 1st Press) (Vinyl 24-96 & 16-44.1)

Queen - Jazz
(EMI Electrola 1C 064-61 820) (GER 1978, 1st Press) (Vinyl 24-96 & 16-44.1)
1978 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 911 MB | 16Bit/44.1kHz: 299 MB

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Info:

Queen - Jazz

Label: EMI Electrola
Catalog#: 1C 064-61 820
Format: Vinyl, LP, Album
Country: Germany
Released: 1978
Genre: Rock
Style: Pop Rock


Tracklist


A1 Mustapha
A2 Fat Bottomed Girls
A3 Jealousy
A4 Bicycle Race
A5 If You Can't Beat 'Em
A6 Let Me Entertain You

B1 Dead On Time
B2 In Only Seven Days
B3 Dreamers Ball
B4 Fun It
B5 Leaving Home Ain't Easy
B6 Don't Stop Me Now
B7 More Of That Jazz


Notes:

Gatefold Sleeve

Mastered at Sterling Sound.
Bicycles supplied by Halfords.
Thunderbolt courtesy of God.
This album is dedicated to John Harris.

LC 0542
EMI Electrola GMBH
Printed in Germany by 4P NICOLAUS GMBH, Köln

?1978 Raincloud Productions Ltd. © R.T.B. (Audio-Visual) Productions

Labels:
GEMA
LC 0542
?1978 Raincloud Productions Ltd.
Made In Germany

Contains a poster.




Technical Information:

Washed LP>
AT120E>
Dual CS 505-3>
Kenwood C1>
Gold platted Cable>
Edirol R09HR @ 24/96>
Sandisc Extreme III SDHC Card>
HDD

Wavelab 5
ClickRepair 3/0 (manual mode)

Review by Stephen Thomas Erlewine

Famously tagged as "fascist" in a Rolling Stone review printed at the time of its 1978 release, Jazz does indeed showcase a band that does thrive upon its power, thrilling upon the hold that it has on its audience. That confidence, that self-intoxication, was hinted at on News of the World but it takes full flower here, and that assurance acts as a cohesive device, turning this into one of Queen's sleekest albums. Like its patchwork predecessor, Jazz also dabbles in a bunch of different sounds — that's a perennial problem with Queen, where the four songwriters were often pulling in different directions — but it sounds bigger, heavier than News, thanks to the mountains of guitars Brian May has layered all over this record. If May has indulged himself, Freddie Mercury runs riot all over this album, infusing it with an absurdity that's hard to resist. This goofiness is apparent from the galloping overture "Mustapha," and things only get a lot sillier from that point out, as the group sings the praises of "Fat Bottomed Girls" and "Bicycle Races," as May and Mercury have an unspoken competition on who can overdub the most onto a particular track while Roger Taylor steers them toward their first disco song in the gloriously dumb "Fun It." But since over-the-top campiness has always been an attribute in Queen, this kind of grand-scale exaggeration gives Jazz a sense of ridiculousness that makes it more fun than many of their other albums. allmusicguide

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