The Pixies - Surfer Rosa / Doolittle / Bossanova / Trompe le Monde (1988/89/90/91) [Original CD pressings] RE-UP

The Pixies are an American alternative rock band that formed in Boston in 1986. The group disbanded in 1993. The band's style of alternative rock music is heavily influenced by punk and indie rock, and while highly melodic, is capable of being abrasive at the same time. While the Pixies found only modest success in their home country, they were significantly more successful in the United Kingdom and elsewhere in Europe, although never achieving mainstream success with their studio albums.

Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. The Pixies weren't accomplished musicians – Black Francis wailed and bashed out chords while Joey Santiago's lead guitar squealed out spirals of noise. But the bandmembers were inventive, rabid rock fans who turned conventions inside out, melding punk and indie guitar rock, classic pop, surf rock, and stadium-sized riffs with singer/guitarist Black Francis' bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture; while the meaning of his lyrics may have been impenetrable, the music was direct and forceful.

Surfer Rosa is the first full-length album by the American alternative rock band Pixies, released in March 1988 on the British independent record label 4AD. The album's unusual and offbeat subject matter includes references to mutilation and voyeurism; this is augmented by experimental recording, low-fidelity production and a unique drum sound. Surfer Rosa contains many of the themes present in the Pixies' earlier output, including Spanish lyrics and references to Puerto Rico.

Because of 4AD's independent status, distribution in the United States was handled by British label Rough Trade Records; however, it failed to chart in either the UK or the U.S. "Gigantic" was the only single taken from the release, and only reached number 93 on the UK Singles Chart. Despite this, Surfer Rosa was re-released in the U.S. by Elektra Records in 1992, and in 2005 was certified gold by the Recording Industry Association of America.

Surfer Rosa is often cited as a favorite of music critics, and is frequently included on professional lists of the all-time best rock albums. Many alternative rock artists, including Billy Corgan and PJ Harvey, have cited the album as inspirational; Nirvana's Kurt Cobain frequently acknowledged that Surfer Rosa was a strong influence on Nevermind, and in 1993 hired the album's producer Steve Albini to produce his band's album In Utero.

allmusic.com says:
When Rough Trade reissued the Pixies' seminal full-length debut album, Surfer Rosa, on CD, they added the terrific mini-album Come on Pilgrim as a bonus. While it's nice to have these two records on one disc, the sequencing of Come on Pilgrim after Surfer Rosa is a little disconcerting, since the two albums each have distinctive sounds that clash slightly. Steve Albini's production of Surfer Rosa is metallic and spare – it's in black and white, with no shades of grey and no color. Come on Pilgrim, on the other hand, is filled with greys and colors, and while the contrast between the two is certainly interesting, it would be more enlightening if the mini-LP was placed before Surfer Rosa. Nevertheless, some fans might like having both albums on one disc, but buying them individually is a better move and, in any case, a little more cost-effective as well.

Tracks:

01. Bone Machine
02. Break My Body
03. Something Against You
04. Broken Face
05. Gigantic
06. River Euphrates
07. Where Is My Mind?
08. Cactus
09. Tony's Theme
10. Oh My Golly!
11. You Fucking Die! I Said…
12. Vamos
13. I'm Amazed
14. Brick Is Red

More information @ Wikipedia




Doolittle is the second studio album from the American alternative rock band Pixies, released in April 1989 on 4AD. The album's offbeat and dark subject material, featuring references to surrealism, Biblical violence, torture and death, contrasts with the clean production sound achieved by the then-newly-hired producer Gil Norton.

Doolittle has continued to sell consistently well in the years since its release, and in 1995 was certified gold by the Recording Industry Association of America. The album has been cited as inspirational by many alternative artists, while numerous music publications have ranked it as one of the most influential albums ever. A 2003 poll of NME writers ranked Doolittle as the second greatest album of the year.

allmusic.com says:
After 1988's brilliant but abrasive Surfer Rosa, the Pixies' sound couldn't get much more extreme. Their Elektra debut, Doolittle, reins in the noise in favor of pop songcraft and accessibility. Producer Gil Norton's sonic sheen adds some polish, but Black Francis' tighter songwriting focuses the group's attack. Doolittle's most ferocious moments, like "Dead," a visceral retelling of David and Bathsheba's affair – are more stylized than the group's past outbursts. Meanwhile, their poppy side surfaces on the irresistible single "Here Comes Your Man" and the sweetly surreal love song "La La Love You." The Pixies' arty, noisy weirdness mix with just enough hooks to produce gleefully demented singles like "Debaser," – inspired by Bunuel's classic surrealist short Un Chien Andalou – and "Wave of Mutilation," their surfy ode to driving a car into the sea. Though Doolittle's sound is cleaner and smoother than the Pixies' earlier albums, there are still plenty of weird, abrasive vignettes: the blankly psychotic "There Goes My Gun," "Crackity Jones," a song about a crazy roommate Francis had in Puerto Rico, and the nihilistic finale "Gouge Away." Meanwhile, "Tame," and "I Bleed" continue the Pixies' penchant for cryptic kink. But the album doesn't just refine the Pixies' sound; they also expand their range on the brooding, wannabe spaghetti western theme "Silver" and the strangely theatrical "Mr. Grieves." "Hey" and "Monkey Gone to Heaven," on the other hand, stretch Francis' lyrical horizons: "Monkey"'s elliptical environmentalism and "Hey"'s twisted longing are the Pixies' versions of message songs and romantic ballads. Their most accessible album, Doolittle's wide-ranging moods and sounds make it one of their most eclectic and ambitious. A fun, freaky alternative to most other late-'80s college rock, it's easy to see why the album made the Pixies into underground rock stars.

Tracks:

01. Debaser
02. Tame
03. Wave Of Mutilation
04. I Bleed
05. Here Comes Your Man
06. Dead
07. Monkey Gone To Heaven
08. Mr. Grieves
09. Crackity Jones
10. La La Love You
11. No. 13 Baby
12. There Goes My Gun
13. Hey
14. Silver
15. Gouge Away

More information @ Wikipedia




Bossanova is the third album by the American alternative rock band Pixies, released in August 1990 on the English independent record label 4AD in the United Kingdom and by Elektra Records in the United States. All of Bossanova's original material was written by the band's frontman Black Francis; it marked the point where his artistic control over the band became absolute. The album's sound, inspired by surf and space rock, complements its lyrical focus on outer space, which references subjects such as aliens and unidentified flying objects.

Because of 4AD's independent status, major label Elektra Records handled distribution in the United States; Bossanova reached number 70 on the Billboard 200. The album peaked at number three in the UK Albums Chart. Two singles were released from Bossanova, "Velouria" and "Dig for Fire"; both charted, at #4 and #11 respectively on the US Modern Rock Tracks chart.

allmusic.com says:
When Bossanova arrived in 1990, it reflected the exhaustion the Pixies felt after Doolittle's enormous success: For the first time, the band seems to be running out of ideas. Tellingly, Kim Deal contributes no songs, having formed the Breeders to give her work an outlet; that summer, their debut Pod won a warmer response than Bossanova received. Arguably the Pixies' weakest album – though Francis has said it's his favorite – most of it finds the band in fine form. Gil Norton's spacious, reverb-heavy production makes the Pixies sound like a Martian bar band, which fits the cover of the Surftones' "Cecilia Ann" and the glorious, shimmering closer "Havalina" perfectly. On the theremin-driven "Velouria," science fiction imagery displaces Francis' penchant for fetishistic lyrics; next to the token kinky song "Down to the Well"'s tired sound, it's a refreshing change. The similarly cryptic "All Over the World" and alien abduction tale "The Happening" add to the sci-fi feel. Quirky pop songs like "Allison," a tribute to jazz cool-cat Mose Allison, and "Dig for Fire," Francis' self-professed Talking Heads homage, heighten Bossanova's playful, slightly off-kilter vibe, but rockers like "Hang Wire" and "Blown Away," fall flat. However, "Rock Music" is one of the group's most fiery outbursts, and "Is She Weird"'s chugging grind and sexy, funny lyrics make it a classic Pixies song. The band was so consistently amazing on their previous albums that when they released a slightly weaker one, critics and fans alike judged them too harshly. But on Bossanova's strongest moments, the Pixies explored their softer side and found different uses for their extreme dynamics. Like a straight-A student who suddenly receives a B+, Bossanova might have been a disappointment initially, but its (small) failings emphasize the strengths of the rest of the Pixies' work.

Tracks:

01. Cecilia Ann
02. Rock Music
03. Velouria
04. Allison
05. Is She Weird
06. Ana
07. All Over The World
08. Dig For Fire
09. Down To The Well
10. The Happening
11. Blown Away
12. Hang Wire
13. Stormy Weather
14. Havalina

More information @ Wikipedia




Trompe le Monde is the fourth and final album by the American alternative rock band Pixies, released in 1991 on the English independent record label 4AD in the United Kingdom and by Elektra Records in the United States. After the surf-pop of Bossanova, the album saw a return to the abrasive sound of the band's early albums.

allmusic.com says:
The title might be French for "fool the world," but with Trompe le Monde, the Pixies weren't fooling anyone: this was essentially Black Francis' solo debut. It focuses on Francis' sci-fi fascination and lacks any Kim Deal songs; even her backing vocals are far and few between. Yet the band sounds revitalized on Trompe le Monde, as if it were planned as their last hurrah. The raucous "Distance Equals Rate Times Time" and the explosive cover of the Jesus and Mary Chain's "Head On" are fairly straightforward, but the lyrics remain quirky on "Planet of Sound," a song about a Martian who lands on Earth, and "Palace of the Brine," a tribute to sea monkeys and Utah's Salt Lake. He even disses hipsters and pretentious students – basically, the Pixies' fan base – with nasty little digs like "Subbacultcha"'s "I was wearing eyeliner/She was wearing eyeliner" and "U-Mass"' "It's eduuucaaationaal!" Musically, "Trompe le Monde"'s psychedelic sheen and "Alec Eiffel"'s atmospheric keyboards prove that the Pixies' sound wasn't defined by Steve Albini-style rawness. There's also more emotional depth: "The Sad Punk" features the strangely poignant bridge "And evolving from the sea/Would not be too much time for me/To walk beside you in the sun," and "Letter to Memphis" is a heartfelt, if cryptic, love song. Though Trompe le Monde doesn't sound quite like the Pixies' other work, Come on Pilgrim's spooky beginnings, Surfer Rosa's abrasive assault, Doolittle's deceptively accessible punk-pop, and Bossanova's spacy sonics helped make Trompe le Monde a rousing swan song and a precursor to alternative rock's imminent success. Whether that means their music remained pure or they missed their chance to cash in is debatable; either way, the Pixies are one of America's greatest, most influential bands.

Tracks:

01. Trompe le Monde
02. Planet Of Sound
03. Alec Eiffel
04. The Sad Punk
05. Head On
06. U-Mass
07. Palace Of The Brine
08. Letter To Memphis
09. Bird Dream Of The Olympus Mons
10. Space (I Believe In)
11. Subbacultcha
12. Distance Equals Rate Times Time
13. Lovely Day
14. Motorway To Roswell
15. The Navajo Know

More information @ Wikipedia


Dynamic Range(s): 13 / 14 / 12 /12.