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Paul Desmond - From the Hot Afternoon

Posted By: intothe

Date: 18 May 2008 11:30:00

LOG

EAC extraction logfile from 4. February 2010, 14:13

Paul Desmond / From The Hot Afternoon [Verve By Request Edition]

Used drive : _NEC DVD_RW ND-3500AG Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:00.52 | 0 | 13551
2 | 3:00.52 | 4:32.60 | 13552 | 34011
3 | 7:33.37 | 3:09.00 | 34012 | 48186
4 | 10:42.37 | 4:01.20 | 48187 | 66281
5 | 14:43.57 | 3:31.40 | 66282 | 82146
6 | 18:15.22 | 3:46.13 | 82147 | 99109
7 | 22:01.35 | 3:05.35 | 99110 | 113019
8 | 25:06.70 | 2:46.45 | 113020 | 125514
9 | 27:53.40 | 4:25.60 | 125515 | 145449
10 | 32:19.25 | 4:41.07 | 145450 | 166531
11 | 37:00.32 | 4:21.05 | 166532 | 186111
12 | 41:21.37 | 2:49.68 | 186112 | 198854
13 | 44:11.30 | 3:56.27 | 198855 | 216581
14 | 48:07.57 | 2:31.43 | 216582 | 227949
15 | 50:39.25 | 4:01.10 | 227950 | 246034
16 | 54:40.35 | 2:38.10 | 246035 | 257894

Range status and errors

Selected range

Filename J:\eMusic\Rip\Paul Desmond - From The Hot Afternoon [Verve By Request Edition].wav

Peak level 100.0 %
Range quality 99.9 %
Test CRC BE097AFE
Copy CRC BE097AFE
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 3) [7E65B37B]
Track 2 accurately ripped (confidence 3) [36DAA2A7]
Track 3 accurately ripped (confidence 3) [6B0C8A95]
Track 4 accurately ripped (confidence 3) [B749E0C0]
Track 5 accurately ripped (confidence 3) [31A30B01]
Track 6 accurately ripped (confidence 3) [605D862D]
Track 7 accurately ripped (confidence 3) [D0140532]
Track 8 accurately ripped (confidence 3) [D5E8B071]
Track 9 accurately ripped (confidence 3) [634551C0]
Track 10 accurately ripped (confidence 3) [42983033]
Track 11 accurately ripped (confidence 3) [6F25ABBE]
Track 12 accurately ripped (confidence 3) [46FD6CA4]
Track 13 accurately ripped (confidence 3) [00C16734]
Track 14 accurately ripped (confidence 3) [A7AFB266]
Track 15 accurately ripped (confidence 3) [F7A3BE2B]
Track 16 accurately ripped (confidence 3) [581D1FA2]

All tracks accurately ripped

End of status report

Paul Desmond's first genuine all-Brazilian album under the Creed Taylor signature was a beauty, a collection of songs by the then-moderately known Edu Lobo and the emerging giant Milton Nascimento, then only in his early twenties. All Desmond has to do is sit back and ride the Brazilian grooves while lyrically ruminating on whatever pops into his head. It sounds so effortless – until you try it yourself. The swirling, often gorgeous orchestral arrangements are by Don Sebesky (one CD edition mistakenly gives Claus Ogermann credit on the cover), Airto Moreira leads the samba-flavored percussion forces, and Lobo and his wife Wanda de Sah appear on three of Lobo's four songs. Lobo's "To Say Goodbye," "Circles," and "Martha and Romao" have exactly the brand of wistful sadness that Desmond could communicate so well; on the former, de Sah has to sing well below the register with which she is comfortable, and the strain is painfully obvious. Some of Nascimento's best early tunes are here, including the tense title track, the popping "Catavento," and "Canto Latino." "Catavento" inspires a particularly inventive solo from Desmond where he pulls out one of his age-old tricks, quoting "St. Thomas." The recent Verve By Request edition adds no less than six alternate takes to the package. - by Richard S. Ginell, AMG

Tracks:
1. Outubro (October) (Fernando Brant/Milton Nascimento) 3:00
2. Gira Girou (Round 'n' Round) (Milton Nascimento) 4:32
3. Faithful Brother (Milton Nascimento) 3:09
4. To Say Goodbye (Edu Lobo) 4:01
5. From the Hot Aftenoon (Milton Nascimento) 3:31
6. Circles (Edu Lobo) 3:46
7. Martha & Romao (Edu Lobo) 3:05
8. Catavento (Milton Nascimento) 2:46
9. Canto Latino (Latin Chant) (Milton Nascimento) 4:25
10. Crystal Illusions (Edu Lobo/J. Guarneri/Lani Hall) 4:41
11. Gira Girou (Round 'n' Round) [Alternative Take] 4:21
12. Faithful Brother [Alternative Take] 2:49
13. From The Hot Aftenoon [Alternative Take] 3:56
14. Catavento [Alternative Take] 2:31
15. Canto Latino (Latin Chant) [Alternative Take] 4:01
16. From The Hot Aftenoon [Alternative Take] 2:37

Personnel:
Paul Desmond (Alto Saxophone)
Patrick Rebillot (Piano and Elelctric Piano)
Dorio Ferreira (Guitar) - 1-5,8,9,11-16
Edu Lobo (Guitar and Vocal) - 6,7,10
Ron Carter (Double Bass)
Airto Moreira (Drums and Percussion)
Don Sebesky (Arrenger and Conductor)
Wanda De Sah (Vocal) - 4,6,10
Marky Markowitz (Trumpet)
Marvin Stamm (Trumpet and Flugelhorn)
Paul Faulise (Bass Trombone)
Jimmy Buffington (French Horn)
Don Hammond (Flute)
Hubert Laws (Flute)
Stan Webb Jr. (Flute and Percussion)
Phil Bodner (Saxes, Clarinet and Oboe)
George Marge (Saxes, Clarinet and Oboe)
Margaret Ross (Harp)
Jack Jennings (Percussion)
with strings

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