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Milt Jackson - Milt Jackson At The Museum Of Modern Art (1965) {Verve Originals rel 2008 B0011221-02}

Posted By: ruskaval

Date: 8 Sep 2019 17:48:50

Milt Jackson - Milt Jackson At The Museum Of Modern Art (1965) {Verve Originals rel 2008 B0011221-02}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 275 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1965, 2008 Verve / Universal | B0011221-02 | Verve Originals
Jazz / Hard Bop / Modal Music / Soul Jazz / Vibes

One of the hippest Milt Jackson albums of the 60s – a set that definitely lives up to its Museum Of Modern Art setting! The performance is one of the most famous from that museum's well-remembered series of 60s jazz concerts – and it features Milt Jackson's quintet really stretching out nicely – hitting sharper tones and bolder notes than in some of their other sessions of the decade, and possibly picking up a freer feel overall in the live setting. Milt's vibes are wonderfully accompanied by the reeds of Jimmy Heath and piano of Cedar Walton – both players who mix soul and modern elements in the same sort of perfect blend that Jackson hits. And the rhythm section is tightly snapping and soulful – never too groove-oriented, but always conscious of a sense of a swing – thanks to bass from Ron Carter and drums from Candy Finch.

Milt Jackson at the Museum of Modern Art is one of the many live jazz record dates that should be better known than it is. Perhaps it's because the LP has been unavailable in America since the early '70s; it was released on CD only briefly in Japan. Verve's brilliant Originals series has remedied this situation by issuing the gatefold-sleeve of the LP in a fine edition on compact disc (with the original liner notes pasted into a handsome booklet with the original photos). Released in 1965, shortly after the concert took place, this set is regarded by jazz historians as one of the greatest concerts ever to be performed during the MOMA's terrific free concert series during the '60s. During a rare respite from the Modern Jazz Quartet, Jackson was able to record as a solo artist with musicians of his own caliber. In this case his companions are pianist Cedar Walton, bassist Ron Carter (who was already playing with the Miles Davis Quintet), drummer Candy Finch, and James Moody on flute. The program is a lithe, breezy set of tunes written by Jackson, Walton, and Moody, with two exceptions: a beautiful reading of Jimmy Heath's "The Quota" to open the program, and a leisurely, sensitive stroll through J.J. Johnson's "Enigma." Even encountering this in the 21st century, the easy, symbiotic flow and tight arrangements are quite surprising. Heath's tune is a knotty hard bop number with a tight, brief head, and Jackson takes the first solo with requisite hipness and swing. Moody's flute fills the first chorus a bit and then drops out, leaving the rhythm section to dig into it with Jackson. Moody's solo wraps itself around the fat comping chords of Walton and darts in and out of Carter's hard dancing pulse. This is followed by the Latin tinge of "Novamo" by Jackson. The rhythm section sets out pacing a near charanga, and Jackson and Moody move through it with a beautiful, repetitive, singsong melody that quickly gives way to one of the great vibist's elegant high-register solos. Walton was already in his early thirties when he played with Jackson, and he'd been on the N.Y. scene for a decade, but this was before he became a house pianist with Prestige and well-known as a composer. His tune "Turquoise" is a fiery, fast bop waltz, with a terrific front-line melody for Moody and Jackson. Milt takes the first solo and turns the high notes into a blur of groove and grease. There's terrific humor on the set as well: Jackson's "Flying Saucer" begins in montuno mode. His voice at the intro sounds like something from the Twilight Zone before the rhythm section kicks in and he lays out the melody. Moody takes it away from the montuno feel and turns it toward the blues, but Jackson counters and begins singing in a perfect hepcat confidence, reinforcing the Latin groove. It might be the best tune here. This date is red hot for any fan who lives for jazz with rhythm, swing, and soul in equal tonnage.

Personnel:
Milt Jackson – vibes
James Moody - reeds
Cedar Walton - piano
Ron Carter - bass
Candy Finch - drums

tracklist:
01 - The Quota
02 - Novamo
03 - Enigma
04 - Turquoise
05 - Chyrise
06 - Montelei
07 - Simplicity & Beauty
08 - Flying Saucer
09 - Namesake

EAC log

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 2. February 2009, 23:46

Milt Jackson / Milt Jackson At The Museum Of Modern Art

Used drive : TSSTcorpCDDVDW SH-S203N Adapter: 0 ID: 2

Read mode : Secure
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Overread into Lead-In and Lead-Out : No
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

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Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
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Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -T "comment=EAC 0.99pb4 / FLAC 1.2.1 q8" %s

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:10.43 | 0 | 23292
2 | 5:10.43 | 5:54.62 | 23293 | 49904
3 | 11:05.30 | 3:49.15 | 49905 | 67094
4 | 14:54.45 | 5:21.65 | 67095 | 91234
5 | 20:16.35 | 3:25.18 | 91235 | 106627
6 | 23:41.53 | 5:07.52 | 106628 | 129704
7 | 28:49.30 | 2:52.58 | 129705 | 142662
8 | 31:42.13 | 5:09.33 | 142663 | 165870
9 | 36:51.46 | 4:25.19 | 165871 | 185764

Track 1

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Track 2

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

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Track 9

Filename J:\New Rips\Milt Jackson - Milt Jackson At The Museum Of Modern Art (1965) [FLAC]\09 - Namesake.wav

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None of the tracks are present in the AccurateRip database

No errors occurred

End of status report

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