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Michael von Biel - Michael von Biel (2004) {Edition RZ ed. RZ2002 rec 1962-1968}

Posted By: ruskaval

Date: 18 Nov 2019 05:57:19

Michael von Biel - Michael von Biel (2004) {Edition RZ ed. RZ2002 rec 1962-1968}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 303 Mb | MP3 @320 -> 166 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1962-68, 2004 Edition RZ | ed. RZ 2002
Classical / Contemporary Classical / Experimental / Electronic / Avant-Garde

Gatefold slipcase with 12-page booklet containing scores, photos and liner notes. One of only two CDs to bear his name at the top, Edition RZ’s Michael Von Biel collection presents a hardcore haul from the nebulous 1960s avant garde, including one blinding, 13 minute piece of electronic composition commissioned from Von Biel by Karlheinz Stockhausen - his tutor at Darmstadt - which resulted in him repeatedly breaking the sliders on the desk during its creation! No messing, it’s worth it for that one alone - you won’t find it anywhere else! (just checked youtube and discogs) - but his patent taste for noisy dynamics and twist on convention elsewhere on the CD also make this a bit of a must, if you’re into that kind of thing.

2004 release. Michael von Biel's musical production at the beginning of the 1960s was clearly marked by the expansion of the musical material. "Quartet No. 1" (1962) and even more, "Quartet No. 2" (1963) are noise compositions whose expressiveness rests essentially on the discovery of new sonic possibilities and performance techniques. Bowing with excessive pressure, playing behind the bridge, leading the bow in a diagonal direction, hitting the tip of the bow on the body of the instrument – these are the techniques with which the sound of the strings enters into the realm of noise. Whereas in the first quartet, the areas of musical sound and instrumental noise are still largely set off against one another, in the second quartet, the concept of a music based solely on noise is realized without compromise. Both of the compositions Quartet with Accompaniment for string quartet and cello (1965) and "Jagdstück" ("Hunting Piece") for 2 trumpets, 2 trombones, 2 horns, 2 tenor tubas, contrabass, tape, e-guitars and electronically amplified barbecue grills (1966) are based on the contrast of divergent sound worlds. Before attending the composition courses of Karlheinz Stockhausen in Darmstadt for three years in a row starting in 1961, von Biel studied one year with Morton Feldman in New York where he met David Tudor and John Cage. Earlier than for most European composers, approaches in aesthetic thinking which couldn't have been more different from one another collided in his consciousness, and this occurred at a point in time when their music-historical consequence could not yet be foreseen.

Track Listing & Personnel

01 Quartett Nr. 1 [1962]

02 Quartett Nr. 2 [Urfassung] [1963]

Pellegrini-Quartett
Violin: Antonio Pellegrini, Thomas Hofer
Viola: Fabio Marano
Cello: Helmut Menzler

Recording: Baden-Baden, Hans Rosbaud Studio, 4.7.2003

03 Fassung [1964] (elektronische Tonbandmusik)

Studio für elektronische Musik des WDR. Realisierung: Jacob Klaas Spek

04 Quartett mit Begleitung (Quartett Nr. 3) [1965]

Violin: Egon Mayer, Dagmar Apel
Viola: Johannes Fritsch
Cello: Magdalene Bröckel, Michael von Biel

Recording: Köln, Funkhaus Kleiner Sendesaal, 26.1.1967

05 Jagdstück [1966] für Bläserinstrumentalisten und Live-Elektronik

Trumpet: Franz-Willy Neugebauer, Kurt Schmidt
Horn, Tenor Tuba: Gerhard Burdack, Konrad Alfing
Trombone: Willy Walther, Josef Feck
Double Bass: Emil Morneweg
Electric Guitar: Wilhelm Bruck, Theodor Ross
Live Electronics: Michael von Biel
Conductor: Bernhard Kontarsky

Recording: Düsseldorf, Robert-Schumann-Saal, 12-14.2.1968

XLD log

X Lossless Decoder version 20130720 (144.0)

XLD extraction logfile from 2013-11-01 00:29:25 +0100

Michael von Biel/Pellegrini-Quartett / Michael von Biel [ed. RZ 2002]

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3 | 16:20:00 | 13:54:45 | 73500 | 136094
4 | 30:14:45 | 12:25:33 | 136095 | 192002
5 | 42:40:03 | 28:12:42 | 192003 | 318944

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