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Magdalena Hoffmann - Fantasia (2024)

Posted By: delpotro
Magdalena Hoffmann - Fantasia (2024)

Magdalena Hoffmann - Fantasia (2024)
WEB FLAC (tracks) - 189 Mb | MP3 CBR 320 kbps - 140 Mb | 01:00:26
Classical | Label: Deutsche Grammophon

Magdalena Hoffmann’s debut Deutsche Grammophon album, Nightscapes (“a delightful recital” – The Whole Note), earned the artist a 2022 Opus Klassik Young Talent of the Year award for her performances of works from the 19th, 20th and 21st centuries. And Gramophone wrote: “Hoffmann’s legerdemain still dazzles. … I find her balance of songful lyricism and inexorable forward motion especially impressive”. For her second DG recording, Fantasia, the harpist has travelled further back in time to focus on the music of the Baroque period. Here she showcases her instrument in a selection of fantasias and preludes originally written for keyboard or lute by Johann Sebastian Bach, his sons Wilhelm Friedemann and Carl Philipp Emanuel, and his contemporaries Handel and Weiss.

By the 18th century, the term “fantasia”, in use since the Renaissance, indicated a piece of instrumental music characterised by a combination of stylistic invention and structural discipline. As Magdalena Hoffmann points out, “Improvisatory freedom and formal rigour come together to create a living, breathing entity – these contrasts make for fertile ground when it comes to musical creation.” Her chosen composers may not have been writing for the harp, but whether labelled fantasias, preludes, overtures, airs or allegros, their works in this genre are perfectly suited to the instrument. “The harp has what you might almost call a home advantage,” she says, “thanks to its natural potential for the kind of free, ornamental arpeggiation so typical of Baroque preludes and fantasias.”

Magdalena Hoffmann channels the Baroque spirit of improvisation on Fantasia, using the resonance and versatility of the harp to add new dynamic and spatial dimensions to this richly imaginative repertoire. “The harp offers the possibility of great inner tension and a kind of spiritual dynamic which has a liberating effect,” she notes. “And that means each fantasia is like a musical snapshot that sounds different every time you play it – its energy is infinite, and it can never be definitively captured.”
Tracklist:
1: Magdalena Hoffmann - Fantasia in E-Flat Major, H. 348 (Transcr. for Harp)
2: Magdalena Hoffmann - Prelude in C Minor, F. 29 (Transcr. for Harp)
3: Magdalena Hoffmann - Fantasia in A Minor, F. 23 (Transcr. for Harp)
4: Magdalena Hoffmann - Prelude in C Minor (Transcr. for Harp)
5: Magdalena Hoffmann - Sylvius Leopold Weiss, Fantasia in C Minor (Transcr. for Harp)
6: Magdalena Hoffmann - Prelude & Allegro in A Minor, HWV 576 (Transcr. for Harp) - I. Prelude
7: Magdalena Hoffmann - Prelude & Allegro in A Minor, HWV 576 (Transcr. for Harp) - II. Allegro
8: Magdalena Hoffmann - Prelude in C Minor, BWV 921 (Transcr. for Harp)
9: Magdalena Hoffmann - Suite in G Minor, HWV 453 - I. Ouverture (Transcr. for Harp)
10: Magdalena Hoffmann - Partita in C Minor, HWV 444 - I. Prelude (Transcr. for Harp)
11: Magdalena Hoffmann - Air in G Minor, HWV 467 (Transcr. for Harp)
12: Magdalena Hoffmann - Fantasia in D Major, H. 160 (Transcr. for Harp)
13: Magdalena Hoffmann - Fantasia in G Minor, BWV 917 (Transcr. for Harp)
14: Magdalena Hoffmann - Prelude in D Minor, HWV 562 (Transcr. for Harp)
15: Magdalena Hoffmann - Fantasia in D Minor, F. 19 (Transcr. for Harp)
16: Magdalena Hoffmann - Fantasia in F-Sharp Minor, H. 300 "Bachs Empfindungen" (Transcr. for Harp)
17: Magdalena Hoffmann - Johann Sebastian Bach, Sinfonia (3-Part Invention) No. 11 in G Minor, BWV 797 (Transcr. for Harp)

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FILE: 11 - Air in G Minor, HWV 467 (Transcr. for Harp).flac
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FILE: 10 - I. Prelude (Transcr. for Harp).flac
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FILE: 09 - I. Ouverture (Transcr. for Harp).flac
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FILE: 08 - Prelude in C Minor, BWV 921 (Transcr. for Harp).flac
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FILE: 03 - Fantasia in A Minor, F. 23 (Transcr. for Harp).flac
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Conclusion: CDDA 100%
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FILE: 02 - Prelude in C Minor, F. 29 (Transcr. for Harp).flac
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FILE: 01 - Fantasia in E-Flat Major, H. 348 (Transcr. for Harp).flac
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Conclusion: CDDA 100%
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