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Kali Uchis - Isolation (2018)

Posted By: delpotro

Date: 15 May 2018 15:38:55

Kali Uchis - Isolation (2018)
EAC Rip | FLAC (tracks+log+.cue) | 00:46:37 | 297 Mb
R'n'B, Funk, Female Vocal | Label: Rinse Recordings, Virgin Records, Universal Music

It was worth the wait for Colombian-American songstress Kali Uchis’s first full-length. A romantic collage of artists and sounds she’s encountered along the way—Tyler, The Creator and Bootsy Collins on “After the Storm”, and Gorillaz’ Damon Albarn on the surfy “In My Dreams”—the album draws on Latin pop (“Nuestro Planeta”), hypnotic R&B (“Just a Stranger”), and high-flying psych-rock (“Tomorrow,” with production from Tame Impala’s Kevin Parker). It’s a sign of Uchis’ artistic vision that she pulled so many creative minds into a single body of work that sounds so distinctly her own.

The debut album from the Colombian-American singer is a world of her own. Her wide range pulls in sounds from reggaetón, funk, and R&B and positions her to become a new gravitational force in pop.

Kali Uchis opens Isolation with a breezy Brazilian-jazz intro, psychedelic and motoring, as she coos birdlike about physical intimacy. Rio singer/goddess Flora Purim immediately springs to mind, and its ambitious vocal runs invoke cocktails and caftan weather, like Uchis recorded it by the beach. It’s an empathetic way to welcome a listener into an album, but more than that, it’s a statement piece: pointed evidence of the way she’s deepened her range en route to her debut album. “Just come closer, closer, closer,” she intones. Kali Uchis did not come to play.

The 23-year-old Colombian-American singer has spent the last six years in the flourishing landscape of West Coast soul. She was often compared to Billie Holiday for her resonant alto and ability to imbue a dreamy love track with a wistful melancholy without giving up any of her power. That quality naturally invited comparisons to Amy Winehouse, too, but Uchis is slightly more plain-sad than self-destructive. Her ability to shimmy between genres has been exemplified by her omnivorous taste in collaborators—Snoop Dogg, who helped put her on in 2014, Colombian superstar Juanes, and Miguel, with whom she sang one of the best tracks on his 2017 album, War & Leisure. She has a baseline in R&B and often veers into the territory we used to call neo-soul. But Isolation projects how far out there she’s willing to go, exploring doo-wop, funk, bedroom pop, and reggaetón with equal enthusiasm and reverence while painting a fuller picture of herself as a dreamer, the femme fatale with around-the-way swagger who takes no shorts.

The track most congruous with her past work—most specifically, her 2015 EP Por Vida—is the lo-fi surprise “In My Dreams,” which finds the Gorillaz calling upon the ghost of 2003 for its Casiotone-adjacent, ice-cream-twee production. She makes her voice uncharacteristically chirpy on the sardonically escapist lyrics: “Everything is just wonderful here in my dreams,” the subtext being that life is not so rosy. To emphasize that, Damon Albarn pops in to inject the affair with a slightly more pointed missive that “The moments we are happiest/Are the moments that we don’t exist.” It makes for a solid mission statement on an album where good news always comes with caveats. That notion is underlined in “Your Teeth on My Neck,” a deceptively perky indictment of industry vampires, labor exploitation, and general inequity, with a live-jazz backing by Los Angeles’ Wldrness. “What do you do it for, rich man keeps getting richer taking from the poor,” she sings, her voice a soaring scold. “You gotta get right.”

Uchis has always been interested in speaking truth to power, and she mines her personal narrative—binational upbringing, immigrant parents, living out of her car—for a slyly political backdrop that feels neither too obvious nor preachy. That wisdom and storytelling acumen in her music feels strongest here on “Miami,” in which she and boricua rapper BIA narrate an immigrant perspective against a gossamer backdrop of the city that basically invented bisexual lighting. With languorous swing, Uchis parallels immigrant hustle with the rudely empty promise of the American dream, as in the line, “Why would I be Kim, I could be Kanye/In the land of opportunity and palm trees.” It’s a type of cinematic storytelling that feels almost vintage in this era of diaristic confessionals. Plus, it’s always nice to hear this kind of devotion to the concept of making a song about Miami that would sound great driving around Miami.

“Miami” features production from TV on the Radio’s Dave Sitek, Frank Ocean collaborator Om’Mas Keith, Drake hitmaker DJ Dahi, and it’s a gleaming example of the veritable brain trust of musical talent assembled here, all serving the same purpose of showcasing Uchis’ fascinating confidence as a singer. Even as the album traverses genres, it’s united by a slinky desert vibe, a document of the way young Angelenos have opened up the way for sounds and genre to gloop in on each other like a lava lamp. In the early 2000s, this often manifested in navel-gazing and weeded beat experiments whose prime objective was headiness. But this generation—here, including Isolation guests like Tyler, the Creator, the Internet’s Steve Lacy, and BROCKHAMPTON’s Romil Hemnani—has found a way to make that style of experimentation inviting and friendly through an openness that is intellectual, but doesn’t depend on intellectualism as its prime objective. As a uniting force, Kali Uchis could not be stronger, nor as nimble with her ability to match lush beats with an even lusher voice. Isolation is a star turn from an artist who has proven she’s ready for it.

Tracklist:
01. Body Language (Intro)
02. Miami [ft. BIA]
03. Just a Stranger [ft. Steve Lacy]
04. Flight 22
05. Your Teeth in My Neck
06. Tyrant [ft. Jorja Smith]
07. Dead to Me
08. Nuestro Planet [ft. Reykon]
09. In My Dreams
10. Gotta Get Up (Interlude)
11. Tomorrow
12. Coming Home (Interlude)
13. After the Storm [ft. Tyler, the Creator and Bootsy Collins]
14. Feel Like a Fool
15. Killer

EAC

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 11. May 2018, 20:28

Kali Uchis / Isolation

Used drive : PIONEER BD-RW BDR-209M Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%

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3 | 6:20.15 | 2:57.52 | 28515 | 41841
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13 | 37:12.08 | 3:27.35 | 167408 | 182967
14 | 40:39.43 | 3:05.17 | 182968 | 196859
15 | 43:44.60 | 2:52.30 | 196860 | 209789

Track 1

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Track 8

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Track 10

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Track 12

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No errors occurred

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Submit result: already submitted
Track | CTDB Status
1 | (7/7) Accurately ripped
2 | (7/7) Accurately ripped
3 | (7/7) Accurately ripped
4 | (6/7) Accurately ripped, or (1/7) differs in 4 samples @03:35:04
5 | (7/7) Accurately ripped
6 | (7/7) Accurately ripped
7 | (7/7) Accurately ripped
8 | (7/7) Accurately ripped
9 | (7/7) Accurately ripped
10 | (7/7) Accurately ripped
11 | (7/7) Accurately ripped
12 | (7/7) Accurately ripped
13 | (7/7) Accurately ripped
14 | (7/7) Accurately ripped
15 | (7/7) Accurately ripped

==== Log checksum 7B7430A597C0048C2CD55421366C8F06A28B3DEC3DF210F98A935E45152CAAED ====

Thanks to the Original ripper Skeebadoo !

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RnB Funk Lossless 2018