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Jan Čižmář - Losy, Weiss: Lute Music in Prague & Vienna Circa 1700. Music from Eighteenth-Century Prague (2024)

Posted By: delpotro
Date: 23 May 2024 20:49:17
Jan Čižmář - Losy, Weiss: Lute Music in Prague & Vienna Circa 1700. Music from Eighteenth-Century Prague (2024)

Jan Čižmář, {oh!} Ensemble & Martyna Pastuszka - Losy, Weiss: Lute Music in Prague & Vienna Circa 1700. Music from Eighteenth-Century Prague (2024)
WEB FLAC (tracks) - 373 Mb | MP3 CBR 320 kbps - 180 Mb | 01:17:25
Classical | Label: Supraphon

The album, which is being released by Supraphon in its Music of the 18th-century Prague series, is focused on works by the important lutenist and composer, Count Jan Antonín Losy (1651–1721), looking at them from an unusual point of view. The album, aptly called Losy, Weiss: Lute Music in Prague and Vienna, circa 1700, also presents compositions originally written for lute, in alternative but original period versions. Historical instruments player, teacher, researcher and producer Jan Čižmář recorded the music with the Polish {oh!} Ensemble, headed by violinist Martyna Pastuszka. The result is a revealing album premiering some of Losy’s lute compositions in unusual and varied sound versions and is being released by Supraphon on 24 May 2024 on CD and in digital formats.

Losy is known as a leading figure of lute playing in the Hapsburg monarchy, particularly in Vienna and Prague. Many scattered sources prove that some of his solo pieces were also played as chamber music for lute combined with different instruments although no accompaniment parts survive. Jan Čižmář reconstructed selected ensemble compositions for the album in order to show the variety of possible instrumentation indicated in some sources.

For about two centuries, the lute was the main instrument on which the virtuoso musician could show his artistry and sills of expression. Its intimacy requires attentive listening and the surviving compositions by great masters show how that was important: period sources describe how famous players could affect their listeners’ emotions. In the first half of the 17th century, the earlier “Renaissance” style was replaced by a new, French music style based on the dance and vocal music of the Ballet de cour of Paris. The music of great Paris lutenists, such as François Dufaut, Denis Gaultier and Charles Mouton, who used a new tuning and the characteristic style brisé (broken style), has been preserved in surprisingly larger numbers, even in other than French sources (mostly in German-speaking areas), including the nobility’s libraries of the Hapsburg Empire. Losy’s music is one of the pinnacles of a creative approach to the French style in Central Europe.

Jan Čižmář comments on the album: “The idea of an album of compositions by Jan Antonín Losy is part of a larger project called 'Losyana' consisting of four parts: an extensive treatise (Acta Losyana) on his works and family and on the historical (not only musical) context; a catalogue of his oeuvre (Opera Losyana), which also includes the newly discovered pieces, published in the Editio Losyana series – and some of them can be heard on this album. I have been interested in Losy for many years. I felt a kind of debt towards him because I think that he is underrated as a lutenist – he is often said to have been appreciated in his time especially because he was a nobleman. And that is what our album should put right – we want to show that he was admired especially because his was indisputably high-quality music.”

After he died, Jan Antonín Losy was honoured by his younger colleague, Silvius Leopold Weiss, who memorialised him in his famous Tombeau. Jan Čižmář remarks: “Tombeau is intentionally put at the end of the album. It is a musical tribute to Losy’s compositions, so the recordings are put in complete context for the listener, with a captivating story.”
Tracklist:
01 - Partia in D Minor_ I. Allemande
02 - Partia in D Minor_ II. Courante
03 - Partia in D Minor_ III. Aria I
04 - Partia in D Minor_ IV. Aria II
05 - Partia in D Minor_ V. Menuet
06 - Partia in D Minor_ VI. Gigue
07 - Partia in D Minor_ VII. Rondeau
08 - Suite in B-Flat Major_ I. Allemande
09 - Suite in B-Flat Major_ II. Courante
10 - Suite in B-Flat Major_ III. Sarabande
11 - Suite in B-Flat Major_ IV. Gavotte
12 - Suite in B-Flat Major_ V. Rondeau
13 - Suite in B-Flat Major_ VI. Marche
14 - Suite in B-Flat Major_ VII. Menuet
15 - Suite in G Major_ I. Allemande
16 - Suite in G Major_ II. Courante
17 - Suite in G Major_ III. Menuet
18 - Suite in G Major_ IV. Echo
19 - Suite in G Major_ V. Gigue
20 - Gig in D Minor
21 - Concertus in A Major_ I. Allemande
22 - Concertus in A Major_ II. Courante
23 - Concertus in A Major_ III. Bouree
24 - Concertus in A Major_ IV. Sarabande
25 - Concertus in A Major_ V. Echo
26 - Concertus in A Major_ VI. Menuet – VII. Passepied – VIII. Menuet
27 - Concertus in A Major_ IX. Gig
28 - Suite in C Major_ I. Rondeaux
29 - Suite in C Major_ II. Caprice – Caprice dęune autre maniere
30 - Suite in C Major_ III. Menuet
31 - Suite in C Major_ IV. Air
32 - Suite in C Major_ V. Gavotte
33 - Suite in C Major_ VI. Gavotte
34 - Suite in C Major_ VII. Les Forgerons
35 - Tombeau sur la mort de M. Comte de Logy arrivée 1721

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