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    Harold Ousley - That's When We Thought Of Love

    Posted By: jazzzoid
    Harold Ousley - That's When We Thought Of Love

    Harold Ousley - That's When We Thought Of Love
    JAZZ | APE+CUE+IMAGE+LOG+COVERS+MP3@320 | 395Mb+165Mb + 7Mb


    Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

    EAC extraction logfile from 16. April 2009, 20:38

    Harold Ousley / That's When We Thought Of Love

    Used drive : HL-DT-STRW/DVD GCC-4242N Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 102
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : Internal WAV Routines
    Sample format : 44.100 Hz; 16 Bit; Stereo


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.47 | 6:10.68 | 47 | 27864
    2 | 6:11.40 | 6:49.65 | 27865 | 58604
    3 | 13:01.30 | 4:57.60 | 58605 | 80939
    4 | 17:59.15 | 5:51.10 | 80940 | 107274
    5 | 23:50.25 | 6:16.52 | 107275 | 135526
    6 | 30:07.02 | 4:42.03 | 135527 | 156679
    7 | 34:49.05 | 5:51.45 | 156680 | 183049
    8 | 40:40.50 | 3:51.55 | 183050 | 200429
    9 | 44:32.30 | 7:19.47 | 200430 | 233401
    10 | 51:52.02 | 4:49.03 | 233402 | 255079
    11 | 56:41.05 | 5:18.70 | 255080 | 278999
    12 | 62:00.00 | 5:18.70 | 279000 | 302919


    Range status and errors

    Selected range

    Filename C:\_\EAC_Out\Out\Harold Ousley - That's When We Thought Of Love\Harold Ousley - That's When We Thought Of Love.wav

    Peak level 100.0 %
    Range quality 100.0 %
    Copy CRC 9B7E329B
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 not present in database
    Track 2 not present in database
    Track 3 not present in database
    Track 4 not present in database
    Track 5 not present in database
    Track 6 not present in database
    Track 7 not present in database
    Track 8 not present in database
    Track 9 not present in database
    Track 10 not present in database
    Track 11 not present in database
    Track 12 not present in database

    None of the tracks are present in the AccurateRip database

    End of status report

    Tracklisting:
    1 That's When We Thought Of Love
    2 The Polluted Blues
    3 All Of Me
    4 Invitation
    5 The Tango
    6 Hot To Trot
    7 Look To The Sky
    8 Pennies From Heaven
    9 A Child Is Born
    10 Go Away Little Girl
    11 Time After Time
    12 Freedom's Child

    Harold Ousley — Sax (Tenor)
    James Weidman — Piano
    Don Gladstone — Bass
    Curtis Boyd — Drums
    Montego Joe — Percussion
    Greg Skaff — Guitar
    Jimmy Scott — Vocals

    AMG:
    "Although Harold Ousley is not a big name in the jazz world and has only recorded sporadically as a leader, the hard bop/soul-jazz musician has backed some major jazz artists over the years. Ousley (who is primarily a tenor saxophonist but has played the flute as a second instrument) was born in Chicago on January 23, 1929, and grew up in the Windy City, where he began playing professionally in the late '40s. Backing vocalists is one of his strengths — he was playing with Billie Holiday at one point, and the late '50s found him backing fellow Chicago native Dinah Washington. Ousley also played with Gene Ammons (another Chicagoan) in the '50s, and in the '60s he was employed as a sideman on albums by Jack McDuff and George Benson. It was also during the '60s that Ousley started recording as a leader; Tenor Sax came out on Bethlehem in 1961, and he recorded some albums for Muse in the '70s (a decade that found him playing in the bands of Lionel Hampton and Count Basie). But when the CD era arrived in the late '80s, none of Ousley's albums were still in print. Ousley had just turned 71 when, in January 2000, he finally returned to the studio as a leader and recorded Grit-Gittin' Feelin' for Delmark."

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