Flotow - Martha Großer Querschnitt (EMI CDZ 25 2215 2) (GER 1990, 1960)

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 31. May 2010, 18:58

Berliner Symphoniker / Flotow: Martha - Großer Querschnitt

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2 | 3:13.50 | 5:10.37 | 14525 | 37811
3 | 8:24.12 | 3:38.20 | 37812 | 54181
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Friedrich Adolf Ferdinand, Freiherr von Flotow (27 April 1812 – 24 January 1883) was a German composer. He is chiefly remembered for his opera Martha, which was popular in the 19th century.

Flotow was born in Teutendorf, in Mecklenburg, into an aristocratic family. He studied at the Conservatoire de Paris and came under the influence of Auber, Rossini, Meyerbeer, Donizetti, Halévy, and later Gounod and Offenbach. These influences are reflected in his operas, where a distinctive French opéra comique flavour exists.

He completed his first opera in 1835, Pierre et Cathérine, but his breakthrough came with Le naufrage de la Méduse (1839), based on the wreck of the warship Méduse. The three-act romantic opera Alessandro Stradella of 1844 is recognized as one of Flotow's finer works. Martha was first staged in Vienna at the Theater am Kärntnertor on 25 November 1847.

Between 1856 and 1863 Flotow served as Intendant of the court theatre at Schwerin. He spent his last years in Paris and Vienna and had the satisfaction of seeing his operas mounted as far away as Saint Petersburg and Turin. He died in Darmstadt at the age of 70.


Anneliese Rothenberger (19 June 1926 – 24 May 2010) was a German operatic lyric soprano.

Rothenberger was born in 1926 in Mannheim, Germany. She studied with Erika Müller, and took up her first engagement in Koblenz in 1943. In 1947 Günther Rennert offered her a job at the Hamburg Opera House, where she sang in Rennert's now famous production of Alban Berg's Lulu twenty years later, a role she would also perform at the Munich Opera Festival, under the direction of Christoph von Dohnányi.

1954 saw her make her debut at the Salzburg Festival, and she appeared in Rolf Liebermann's Schule der Frauen, three years later. From 1954 she became a guest singer at the Vienna State Opera. New York audiences had their first chance to hear the soprano's fine voice in 1960, when she sang there in Der Rosenkavalier. Her performance prompted Lotte Lehmann to call her 'the best Sophie in the world'. Herbert von Karajan chose her to appear alongside Elisabeth Schwarzkopf and Sena Jurinac for the filmed performance of Der Rosenkavalier at the Salzburg Festival.

Having favoured light and high-register lyric parts in the beginning of her career, by the mid-1960s she changed to roles with a stronger dramatic emphasis, including Konstanze in Mozart's Die Entführung aus dem Serail (for example 1965 with Fritz Wunderlich in the now legendary Salzburg Festival production staged by Giorgio Strehler and designed by Luciano Damiani), Fiordiligi in Così fan tutte, Zdenka in Richard Strauss's Arabella, Marie in Berg's Wozzeck, Soeur Constance in Poulenc's Dialogues of the Carmelites, and Violetta in La traviata on stage. She also appeared in many contemporary operas by Henze, Britten, Hindemith, Carl Orff, Pfitzner, and Menotti. She was also a committed singer of Lieder.


Friedrich "Fritz" Karl Otto Wunderlich (September 26, 1930 – September 17, 1966) was a German lyric tenor, born in Kusel in the Rhineland. His mother was a violinist and his father was a choir-master. For a short time, the family kept the inn "Emrichs Bräustübl". Fritz's father lost his job due to pressure imposed upon him by local Nazis, in addition to suffering from a severe battlefield injury. He committed suicide when Fritz was five years old. The story regarding Wunderlich's discovery parallels many of his contemporaries (notably Nicolai Gedda and Dietrich Fischer-Dieskau). As a young man Wunderlich worked in a bakery. At the insistence of neighbors and passers-by who had witnessed his musical gifts and beautiful voice, Wunderlich decided to begin studies in music. He managed to obtain a scholarship in order to pursue his studies at the Freiburg College of Music where he studied French horn and voice.

Wunderlich was soon noted as a brilliant young tenor, especially in Mozartian roles, but he later expanded his reach to the full range of the lyric tenor repertoire. It was the fashion during Wunderlich's career for German theaters to perform operas in the local rather than original language. Therefore, most of his recordings of the standard operatic repertoire are sung in German, including Verdi's Rigoletto and Don Carlos. (He sang his recording of the Verdi Requiem in distinctly Germanic Latin.) Wunderlich achieved the highest distinction within the German repertory. Of special importance is a recording of Mozart's The Magic Flute, conducted by Karl Böhm, in which Wunderlich gave a critically acclaimed performance as Prince Tamino,[1] opposite baritone Dietrich Fischer-Dieskau in the role of Papageno.

Wunderlich's crystal-clear voice and intelligent, restrained interpretation also led him to impressive renditions of the Lieder cycles of Schubert and Schumann with pianist Hubert Giesen. His famous recording of Schumann's Dichterliebe remains a gold standard of this genre. Many tenors since have emulated Wunderlich's interpretation of this cycle.


Gottlob Frick (born Ölbronn, Germany, 28 July 1906 - died Muhlacker, Germany, 18 August 1994) was a German bass who sang in opera. He was known for his wide repertory including Wagner and Mozart roles, as well as those of Nicolai and Lortzing.

Berliner Symphoniker (Berlin Symphony Orchestra) ia a Symphony orchestra in Berlin, Germany. The orchestra began its performing activity on 1 September 1967 as Symphonisches Orchester Berlin. In 1990 it was renamed Berliner Symphoniker. Its chief conductor since 1997 is Lior Shambadal.

The orchestra must not be mixed up with the former Berliner Sinfonie-Orchester from former East-Berlin, which has been renamed Konzerthausorchester Berlin in 2006.