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Andrew Zolinsky - David Lang: This Was Written by Hand (2011)

Posted By: Designol
Andrew Zolinsky - David Lang: This Was Written by Hand (2011)

Andrew Zolinsky - David Lang: This Was Written by Hand (2011)
EAC | FLAC | Image (Cue&Log) ~ 221 Mb | Mp3 (CBR320) ~ 138 Mb | Scans included
Classical, Minimalism | Label: Cantaloupe Music | # CA21073 | Time: 00:45:17

As one-third of the composer-collective Bang on a Can, David Lang is something of a genial father figure of the indie-classical scene. Talk to any of the world's main players and you're likely to hear them tell you about their life-changing stint in Bang on a Can's summer festival, which has acted as a sort of feeder school and incubator for the group's try-anything mentality. Lang's music has undergone many stylistic shifts over the years: In the 80s, he wrote bristlier stuff, but in the last decade or so, he's shifted quietly into a more pensive register. The Little Match Girl Passion, his 2008 work that won him a Pulitzer, was written for only four voices and some hand bells. This Was Written By Hand, his most recent recording, is a collection of short solo piano works played by the British pianist Andrew Zolinsky. The album holds the same, sustained melancholy mood: thoughtful, searching, elegiac, minimalist. Lang's way with repetitive phrasing doesn't feel like that of minimalists like Glass or Reich's, though.

Andrew Zolinsky & Elisabeth Smalt - Patrick Ozzard-Low: In Opposition (2020)

Posted By: varrock
Andrew Zolinsky & Elisabeth Smalt - Patrick Ozzard-Low: In Opposition (2020)

Andrew Zolinsky & Elisabeth Smalt - Patrick Ozzard-Low: In Opposition (2020)
WEB FLAC (tracks+booklet) - 236 MB | Tracks: 11 | 67:01 min
Style: Classical | Label: Kairos

The first thing to note about the music of Patrick Ozzard-Low is that if we let it, it will take us to some unusual imaginative regions. Initially we seem to find ourselves in the world of high modern-ism, but as we become accustomed to the air this impression quickly dissolves. Pianist Andrew Zolinsky and violist Elisabeth Smalt present two solo sonatas for their respective instruments and deliver a strong argument for the continuing existence of this traditional musical form in todays musical language. Patrick Ozzard-Low (b. 1958) first discovered the music of Jean Barraqué in 1978 when he heard Roger Woodwards magnificent recording of the Sonate pour piano.