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    Charlie Byrd - Byrd at the Gate (1963)

    Posted By: intothe
    Charlie Byrd - Byrd at the Gate (1963)

    Charlie Byrd - Byrd at the Gate (1963)
    Jazz | EAC rip (FLAC+CUE+LOG) | 278 MB | full scans
    OJC (20 bit remastered, 1992) | 42:30 | RAR with 5% recovery

    EAC extraction logfile from 25. June 2010, 10:42

    Charlie Byrd / The Charlie Byrd Trio & Guests - Byrd at the Gate

    Used drive : _NEC DVD_RW ND-3500AG Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 48
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 768 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 4:57.55 | 0 | 22329
    2 | 4:57.55 | 2:54.20 | 22330 | 35399
    3 | 7:52.00 | 7:06.51 | 35400 | 67400
    4 | 14:58.51 | 3:39.71 | 67401 | 83896
    5 | 18:38.47 | 3:34.61 | 83897 | 100007
    6 | 22:13.33 | 4:42.14 | 100008 | 121171
    7 | 26:55.47 | 2:58.72 | 121172 | 134593
    8 | 29:54.44 | 4:17.53 | 134594 | 153921
    9 | 34:12.22 | 8:21.16 | 153922 | 191512


    Range status and errors

    Selected range

    Filename J:\eMusic\Rip\Charlie Byrd - Byrd at the Gate.wav

    Peak level 100.0 %
    Range quality 100.0 %
    Test CRC 1A9698DA
    Copy CRC 1A9698DA
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 1) [2D5F1174]
    Track 2 accurately ripped (confidence 1) [E5C5B0CC]
    Track 3 accurately ripped (confidence 1) [39AFD088]
    Track 4 accurately ripped (confidence 1) [FAD766BF]
    Track 5 accurately ripped (confidence 1) [81E5C20B]
    Track 6 accurately ripped (confidence 1) [36422D23]
    Track 7 accurately ripped (confidence 1) [AE8E3BF2]
    Track 8 accurately ripped (confidence 1) [EC1B0551]
    Track 9 accurately ripped (confidence 1) [004CA6AC]

    All tracks accurately ripped

    End of status report

    This is a listening pleasure to the first degree. Unlike any other, Charlie Byrd sincerely knows how to make his instrument speak, sending graceful chords and melodies to this attentive audience. Staged at the Village Gate in New York City, Byrd pulls out a lengthy set of material from his soul, encountering everything from swing jazz to bebop (with the help of two special guests) to Latin America's candid art form. Yes, the trio plays bossa nova with grace and finesse, enlightening the crowd at this "miniature music festival," notes reviewer Joe Goldberg. Byrd prances along with his trio mates, Keter Betts on bass and Bill Reichenbach on the skins. Positively speaking, the majority of the material has a vibrant flair, with some attuned to a candid, easy listening aura, while other tunes heighten the energy with dramatic percussion and more elaborate sonic territory. For example, Byrd uses his colorful musical personality
    well during his originals, "Blues for Night People" and "Ela Me Deixou," while doing well to inspire with "Shiny Stockings" and an inviting "I Left My Heart in San Francisco." Melancholy and sweet, the trio brings in guests Seldon Powell on tenor sax and Clark Terry ("Some Other Spring") on trumpet to engage the listeners even further with spontaneity and creative charm. Joyous and uplifting, this record is sure to free up one's day, helping to release stress and put the swing beat, which might have been lost, back into the steps. "Where Are the Hebrew Children?," a piece registering in at eight long minutes, provides the template for a stirring free jam, eerie and haunting at times, honing in on a darker-feeling blues riff. Cheers to the Charlie Byrd Trio for a dynamic effort during this May 1963 gig. Applause, applause. - by Shawn M. Haney, AMG

    Tracks:
    1. Shiny Stockings (Frank Foster) 4:57
    2. More (Nino Oliviero/Riz Ortolani/Marcello Ciorciolini/Norman Newell) 2:54
    3. Blues For Night People (Charlie Byrd) 7:06
    4. Butter And Egg Man (Percy Venables/Louis Armstrong) 3:40
    5. Ela Me Deixou (Charlie Byrd) 3:34
    6. Broadway (Henry Woode/Teddy McRae/Bill Bird) 4:42
    7. I Left My Heart In San Francisco (George Cory/Douglass Cross) 2:59
    8. Some Other Spring (Arthur Herzog Jr./Irene Kitchings) 4:17
    9. Where Are The Hebrew Children (Traditional) 8:21

    Personnel:
    Charlie Byrd (Guitar)
    Keter Betts (Double Bass)
    Bill Reichenbach (Drums)
    Clark Terry (Trumpet) - 4,6,8
    Seldon Powell (Tenor Saxophone) - 2,5,6

    Rapidshare:
    Part 1 - Part 2
    Hotfile:
    Part 1 - Part 2
    Fileserve:
    Part 1 - Part 2
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