Randy Crawford & Joe Sample - No Regret (2008)

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Randy Crawford & Joe Sample - No Regret (2008)

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Biography by Ron Wynn
Randy Crawford's initial notoriety came from her fiery vocal on "Street Life," a 1979 song matching her with the Crusaders that was included on the soundtrack for Burt Reynolds' film Sharky's Machine. Crawford was born in Macon and grew up in Cincinnati; she worked in clubs as a teen, accompanied by her father. Crawford was lead vocalist in a group that included bassist Bootsy Collins before touring as George Benson's opening act in 1972. Cannonball Adderley invited her to sing on his LP Big Man. Crawford recorded "Don't Get Caught in Love's Triangle," a song produced by Johnny Bristol, during a short stay on the label. She soon moved to Warner Bros., and after "Street Life," recorded and toured Europe with the Crusaders. Crawford was tabbed Most Outstanding Performer at the 1980 Tokyo Music Festival. She remained with Warner Bros. through the '80s and early '90s, but was unable to score either a big R&B hit or major crossover smash, despite having one of the most readily identifiable voices and distinctive approaches of any contemporary female vocalist. She's been more successful overseas, particularly in England, where such singles as "Knocking on Heaven's Door," "Rainy Night in Georgia," and "Last Night at Danceland" have gotten universal acclaim.

Biography: ~ All Music Guide

Biography by Alex Henderson
One of the many jazzmen who started out playing hard bop but went electric during the fusion era, Joe Sample was, in the late '50s, a founding member of the Jazz Crusaders along with trombonist Wayne Henderson, tenor saxman Wilton Felder, and drummer Stix Hooper. The Crusaders' debt to Art Blakey's Jazz Messengers wasn't hard to miss – except that the L.A.-based unit had no trumpeter, and became known for its unique tenor/trombone front line. Sample, a hard-swinging player who could handle chordal and modal/scalar improvisation equally well, stuck to the acoustic piano during the Crusaders' early years – but would place greater emphasis on electric keyboards when the band turned to jazz-funk in the early '70s and dropped "Jazz" from its name. Though he'd recorded as a trio pianist on 1969's obscure Fancy Dance, 1978's Rainbow Seeker was often described as his first album as a leader. In contrast to the gritty music the Crusaders became known for, Sample's own albums on MCA and, later, Warner Bros. and PRA have generally favored a very lyrical and introspective jazz-pop approach.

Biography: ~ All Music Guide