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    Béla Bartók - Kocsis / Fischer - Piano Concerto No. 1 / Music For Strings, Percussion & Celesta (1985)

    Posted By: luckburz
    Béla Bartók - Kocsis / Fischer - Piano Concerto No. 1 / Music For Strings, Percussion & Celesta (1985)

    Béla Bartók - Piano Concerto No. 1 / Music For Strings, Percussion & Celesta
    Zoltán Kocsis / Budapest Festival Orchestra / Iván Fischer
    EAC+LOG+CUE | FLAC: 195 MB | Full Artwork | 5% Recovery Info
    Label/Cat#: Philips # 416 836-2 | Country/Year: Germany 1985
    Genre: Classical | Hoster: Modern

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    webfind [] selfrip [X]


    Béla Bartók - Kocsis / Fischer - Piano Concerto No. 1 / Music For Strings, Percussion & Celesta (1985)



    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 2. June 2012, 20:22

    Koscsis, Fischer, BFO / Bartok: Piano Concerto No. 1 - Music for Strings, Percussion and Celesta

    Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.33 | 8:46.00 | 33 | 39482
    2 | 8:46.33 | 6:47.00 | 39483 | 70007
    3 | 15:33.33 | 6:44.00 | 70008 | 100307
    4 | 22:17.33 | 7:26.00 | 100308 | 133757
    5 | 29:43.33 | 7:31.00 | 133758 | 167582
    6 | 37:14.33 | 7:29.00 | 167583 | 201257
    7 | 44:43.33 | 7:01.00 | 201258 | 232832


    Range status and errors

    Selected range

    Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bartok- Kocsis, Fischer- Piano Concerto No. 1 - Music for Strings, Percussion and Celesta.wav

    Peak level 94.4 %
    Extraction speed 1.7 X
    Range quality 100.0 %
    Test CRC 361C58A7
    Copy CRC 361C58A7
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 27) [DB078673] (AR v1)
    Track 2 accurately ripped (confidence 26) [373238A5] (AR v1)
    Track 3 accurately ripped (confidence 27) [F209BD4B] (AR v1)
    Track 4 accurately ripped (confidence 28) [B92B78B2] (AR v1)
    Track 5 accurately ripped (confidence 28) [253C14BE] (AR v1)
    Track 6 accurately ripped (confidence 27) [C4DDED14] (AR v1)
    Track 7 accurately ripped (confidence 26) [2135D159] (AR v1)

    All tracks accurately ripped

    End of status report

    ==== Log checksum 0339B0DDFB91F6E889C9D2909444E8185E0A3A5255329F69A47ADA576DA6BD1A ====


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
    log date: 2012-06-11 17:57:13

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Koscsis, Fischer, BFO / Bartok: Piano Concerto No. 1 - Music for Strings, Percussion and Celesta
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR15 -0.49 dB -20.20 dB 8:46 01-Piano concerto no.1: Allegro moderato
    DR20 -1.30 dB -28.92 dB 6:47 02-Piano concerto no.1: Andante
    DR15 -0.56 dB -18.85 dB 6:44 03-Piano concerto no.1: Allegro molto
    DR15 -1.03 dB -23.89 dB 7:26 04-Music for Strings, Percussion and Celesta: Andante tranquillo
    DR15 -0.91 dB -21.73 dB 7:31 05-Music for Strings, Percussion and Celesta: Allegro
    DR20 -1.19 dB -28.25 dB 7:29 06-Music for Strings, Percussion and Celesta: Adagio
    DR14 -0.80 dB -20.18 dB 7:01 07-Music for Strings, Percussion and Celesta: Allegro molto
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 7
    Official DR value: DR16

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 519 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Béla Bartók - Zoltán Kocsis / Budapest Festival Orchestra / Iván Fischer - Piano Concerto No. 1 / Music For Strings, Percussion & Celesta

    Label: Philips
    Catalog#: 416 836-2
    Format: CD, Album
    Country: Germany
    Released: 1985
    Genre: Classical

    Tracklist:

    Piano Concerto No. 1:
    01. Piano concerto no.1: Allegro moderato [0:08:46.00]
    02. Piano concerto no.1: Andante [0:06:47.00]
    03. Piano concerto no.1: Allegro molto [0:06:44.00]

    Music For Strings, Percussion And Celesta:
    04. Music for Strings, Percussion and Celesta: Andante tranquillo [0:07:26.00]
    05. Music for Strings, Percussion and Celesta: Allegro [0:07:31.00]
    06. Music for Strings, Percussion and Celesta: Adagio [0:07:29.00]
    07. Music for Strings, Percussion and Celesta: Allegro molto [0:07:01.00]

    Béla Bartók - Kocsis / Fischer - Piano Concerto No. 1 / Music For Strings, Percussion & Celesta (1985)


    Zoltan Kocsis
    biography
    by Uncle Dave Lewis
    Eminent Hungarian pianist and composer Zoltán Kocsis began his studies on piano at the age of five and entered the Béla Bartók Conservatory of Music in Budapest at age nine. At 15 Kocsis transferred to the Ferenc Liszt Academy of Music, studied composition with Pál Kadosa and György Kurtág, and received his diploma at 19. His appointment to the teaching staff of the Liszt Academy was practically instantaneous. By this time Kocsis was already a seasoned veteran of the concert circuit, making his American debut in 1971 and appearing in London in 1972. Kocsis is known for his participation in summer music festivals around the world, such as in Salzburg, Edinburgh, and at the Prague Spring Festival. Interestingly, Kocsis had yet to perform in Africa or South America in 2004.

    Ivan Fischer
    biography
    by Robert Cummings
    One of the most prominent Hungarian conductors of his generation, Ivan Fischer has established a reputation in both Hungarian and Baroque music. His interpretations of works by Liszt, Bartók, and Kodály have achieved international acclaim, and his readings of Hungarian-inspired works, like the Brahms Hungarian Dances (in Fischer's own orchestration), have also received high praise. Yet Fischer's choice of repertory is fairly broad, taking in works by Mozart, Beethoven, Tchaikovsky, Dvorák, Wagner, Debussy, Rachmaninov, Ravel, and many others out of the Hungarian sphere. In the Baroque realm Fischer has garnered international plaudits for his J.S. Bach interpretations: the 2006 Budapest Festival performances of the Mass in B minor (BWV 232) and March 2008 concerts with the Amsterdam Concertgebouw of the St. Matthew Passion were both unqualified successes. Fischer has conducted some of the world's leading orchestras and led many opera performances at major venues, like the Vienna State Opera, where his Mozart productions have received much acclaim. Fischer has made numerous recordings over the years for various labels, including Hungaraton, Philips, Decca, Warner Classics, Sony, and many others.
    Ivan Fischer was born in Budapest, Hungary, on January 20, 1951. His brother, Adam, is also a renowned conductor. In his youth Ivan studied piano, violin, and cello, though when he enrolled at the Bela Bartók Conservatory in Budapest, it was for study of the cello and conducting. Fischer took further lessons in conducting, first in Vienna with Hans Swarowsky (1971-1974), then in Salzburg with Nikolaus Harnoncourt (1975), who instructed him in Baroque music interpretation.
    After Fischer's first prize in conducting at the 1976 Rupert Foundation Competition in London, he appeared regularly in England conducting major orchestras, including the London and BBC Symphony Orchestras. He also made his debut in 1976 at the Zurich Opera. 1983 was another pivotal year for Fischer: he both made his American debut with the Los Angeles Philharmonic and founded the Budapest Festival Orchestra, an ensemble for which he still serves as music director.
    From 1988 Fischer served six seasons as guest conductor of the Cincinnati Symphony Orchestra. In 1995 he signed on to an exclusive contract with the Philips label, but then began recording for Channel Classics in 2004. From 2000-2003 Fischer was music director of the National Opera of Lyon. In the fall of 2008 he took the podium as music director of the National Symphony Orchestra in Washington, serving through the 2009-2010 season. allmusicguide
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