Wolfgang Gönnenwein, Consortium musicum, Süddeutscher Madrigalchor - Bach: Johannes-Passion (1989)
Wolfgang Gönnenwein, Consortium musicum, Süddeutscher Madrigalchor - Bach: Johannes-Passion (1989)
EAC | FLAC | Image (Cue & Log) ~ 620 Mb | Total time: 64:04+65:44 | Scans included
Classical | Label: EMI | # CZS 7 62592 2 | Recorded: 1969
EAC | FLAC | Image (Cue & Log) ~ 620 Mb | Total time: 64:04+65:44 | Scans included
Classical | Label: EMI | # CZS 7 62592 2 | Recorded: 1969
J.S. Bach's Johannes-Passion, or St. John Passion, BWV 245 – one of just two surviving Bach Passion works out of an original four or five – is, simply put, a headache for editors and performers wishing to recreate the authentic, stamped-and-approved original work. There is no such beast: the work was performed at least four times during Bach's lifetime, and for each new presentation he overhauled the music, adding numbers, deleting numbers, changing numbers, so that today we really have four different St. John Passions through which to pick and choose our way. Happily enough, however, Bach misses the mark in not a single one of those numbers, and the director can hardly go wrong selecting from such a wealth of fine material. The St. John Passion was first heard on April 7, 1724 (Good Friday), and then reproduced for Leipzig churchgoers in 1725, sometime in the early 1730s (perhaps 1732), and then again in 1749. Perhaps in part because of its sometimes bewildering compositional history and the fact that its texts were not really conceived as a single entity (Bach seems to have arranged the texts himself from a number of disparate sources, and sometimes his efforts – which seem to have been hasty ones – are not altogether graceful), the St. John Passion has never been a sweepingly popular work like the St. Matthew Passion, BWV 244. But it is a monumental work that must have made quite an impression indeed at its first performance, early on in Bach's tenure as Cantor of Leipzig.
The St. John Passion calls for four vocal soloists, four-part chorus, and a large orchestra including not only the now-usual string instruments, flutes, oboes, and basso continuo, but also oboes d'amore, oboes da caccia, and violas d'amore; and there is even the possibility of letting a lutenist into the ensemble! Although the work perhaps lacks the scope of its cousin the St. Matthew Passion, it has an immediate, dramatic quality. Bach enacts, as a kind of musical equivalent of the Passion Play, an episode from the story detailing the arrest, trial, and crucifixion, with the words of the historical persons – Christ, Pilate, Peter, and John as Evangelist – set in recitatives, followed by a solo commenting on the emotional and spiritual meaning of the event described. The chorus portrays the crowd – soldiers, priests, and populace – in addition to singing chorales, based on familiar themes. By contrast, the arias are special events (there are just three in the whole of the first part) during which the course of the Passion drama is paused and room is made for profound reflection.–Blair Johnston
Performer:
Evangelist - Theo Altmeyer
Jesus - Franz Crass
Pilatus - Kurt Moll
Sopran - Elly Ameling
Alt - Brigitte Fassbaender
Tenor - Kurt Equiluz
Baß - Siegmund Nimsgern
Petrus - Helmut Kuehnle
Magd - Susann Dürr
Diener - Martin Hermann
Süddeutscher Madrigalchor
Consortium musicum
Dirigent – Wolfgang Gönnenwein
Track List:
CD1:
01. Erster Teil. 1 Chor: Herr, unser Herrscher
02. 2 Recitativ: Jesus ging mit seinen Jüngern (Evangelist, Jesus)
03. 3 Chor: Jesum von Nazareth!
04. 4 Recitativ: Jesus spricht zu ihnen: Ich bin’s (Evangelist, Jesus)
05. 5 Chor: Jesum von Nazareth!
06. 6 Recitativ: Jesus antwortete (Evangelist, Jesus)
07. 7 Choral: O große Lieb'
08. 8 Recitativ: Auf daß das Wort erfüllet würde (Evangelist, Jesus)
09. 9 Choral: Dein Will geschehe
10. 10 Recitativ: Die Schar aber (Evangelist)
11. 11 Arie: Von den Stricken meiner Sünde (Alt)
12. 12 Recitativ: Simon Petrus aber folgete Jesu nach (Evangelist, Jesus)
13. 13 Arie: Ich folge dir gleichfalls (Sopran)
14. 14 Recitativ: Derselbige Jünger war dem Hohenpriester bekannt (Evangelist, Magd, Petrus, Jesus, Diener)
15. 15 Choral: Wer hat dich so geschlagen
16. 16 Recitativ: Und Hannas sandte ihn gebunden (Evangelist)
17. 17 Chor: Bist du nicht seiner Jünger einer?
18. 18 Recitativ: Er leugnete aber und sprach (Evangelist, Petrus, Diener)
19. 19 Arie: Ach, mein Sinn, wo willst du endlich hin (Tenor)
20. 20 Choral: Petrus, der nicht denkt zurück
21. Zweiter Teil. 21 Choral: Christus, der uns selig macht
22. 22 Recitativ: Da führten sie Jesum von Kaiphas vor das Richtaus (Evangelist, Pilatus)
23. 23 Chor: Wäre dieser nicht ein Übeltäter
24. 24 Recitativ: Da sprach Pilatus zu ihnen: So nehmet ihr ihn hin (Evangelist, Pilatus)
25. 25 Chor: Wir dürfen niemand töten
26. 26 Recitativ: Auf dass erfüller würde das Wort Jesu (Evangelist, Pilatus, Jesus)
27. 27 Choral: Ach, großer König
28. 28 Recitativ: Da sprach Pilatus zu ihm: So bist du dennoch ein König? (Evangelist, Pilatus, Jesus)
29. 29 Chor: Nicht diesen, sondern Barrabam!
30. 30 Recitativ: Barrabas aber war ein Mörder (Evangelist)
31. 31 Arioso: Betrachte, meine Seel' (Baß)
32. 32 Aria: Erwäge, wie sein blutgefärbter Rücken (Tenor)
CD2:
01. 33 Recitativ: Und die Kriegsknechte flochten eine Krone von Dornen (Evangelist)
02. 34 Chor: Sei gegrüßet, lieber Judenkönig!
03. 35 Recitativ: Und gaben ihm Backenstreiche (Evangelist, Pilatus)
04. 36 Chor: Kreuzige, kreuzige!
05. 37 Recitativ: Pilatus sprach zu ihnen (Evangelist, Pilatus)
06. 38 Chor: Wir habenein Gesetz
07. 39 Recitativ: Da Pilatus das Wort hörete (Evangelist, Pilatus, Jesus)
08. 40 Choral: Durch dein Gefängnis, Gottes Sohn
09. 41 Recitativ: Die Juden aber schrieen und sprachen (Evangelist)
10. 42 Chor: Lässest du diesen los
11. 43 Recitativ: Da Pilatus Wort hörete (Evangelist, Pilatus)
12. 44 Chor: Weg, weg mit dem, kreuzige ihn!
13. 45 Rezitativ: Spricht Pilatus zu ihnen (Evangelist, Pilatus)
14. 46 Chor: Wir haben keinen König
15. 47 Rezitativ: Da überantwortete er ihn, dab er gekreuziget wurde (Evangelist)
16. 48 Arie mit Chor: Eilt, ihr angefochtenen Seelen (Baß)
17. 49 Recitativ: Allda kreuzigten sie ihn (Evangelist)
18. 50 Chor: Schreibe nicht: der Juden König
19. 51 Recitativ: Pilatus antwortete: Was ich geschrieben habe, das habe ich geschrieben (Evangelist, Pilatus)
20. 52 Choral: In meines Herzens Grunde
21. 53 Recitativ: Die Kriegsknechte aber, da sie Jesum gekreuziget hatten (Evangelist)
22. 54 Chor: Lasset uns den nicht zerteilen
23. 55 Recitativ: Auf daß erfüllet würde die Schrift (Evangelist, Jesus)
24. 56 Choral: Er nahm alles wohl in acht
25. 57 Recitativ: Und von Stund‘ an an nahm sie der Junger zu sich (Evangelist, Jesus)
26. 58 Arie: Es ist vollbracht! (Alt)
27. 59 Recitativ: Und neigte das Haupt (Evangelist)
28. 60 Arie mit Chor: Mein teurer Heiland, laß dich fragen (Baß)
29. 61 Recitativ: Und siehe da, der Vorhang im Tempel zerriß in zwei Stück' (Evangelist)
30. 62 Arioso: Mein Herz, in dem die ganze Welt (Tenor)
31. 63 Arie: Zerfließe, mein Herze, in Fluten (Sopran)
32. 64 Recitativ: Die Juden aber, dieweil es der Rüsttag war (Evangelist)
33. 65 Choral: O hilf, Christe, Gottes Sohn
34. 66 Recitativ: Darnach bat Pilatum Joseph von Arimathia (Evangelist)
35. 67 Chor: Ruht wohl, ihr heiligen Gebeine
36. 68 Chroral: Ach Herr, laß dein lieb Engelein
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 3. March 2022, 10:50
Wolfgang Gönnenwein, Consortium musicum, Süddeutscher Madrigalchor / Bach - Johannes-Passion CD1
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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–– CUETools DB Plugin V2.1.6
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==== Log checksum CE7E21073FE37B4864A3D416C0B2CF67AA9BDED48FB9849829D912ABBF1ACCF9 ====
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 3. March 2022, 12:25
Wolfgang Gönnenwein, Consortium musicum, Süddeutscher Madrigalchor / Bach - Johannes-Passion CD2
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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Range status and errors
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Filename D:\ArlegZ\Bach - Johannes-Passion - Wolfgang Gönnenwein CD2.wav
Peak level 100.0 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC 53533199
Copy CRC 53533199
Copy OK
No errors occurred
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Track 33 cannot be verified as accurate (confidence 5) [130BD671], AccurateRip returned [CE87A769] (AR v2)
Track 34 cannot be verified as accurate (confidence 5) [4ABE825D], AccurateRip returned [CBDD6744] (AR v2)
Track 35 cannot be verified as accurate (confidence 5) [9A4700CC], AccurateRip returned [15C73B57] (AR v2)
Track 36 cannot be verified as accurate (confidence 5) [4A782958], AccurateRip returned [A089A49F] (AR v2)
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: dspdx0RiPMqaBpQQq_whCwejS9U-] found
Submit result: dspdx0RiPMqaBpQQq_whCwejS9U- has been confirmed
Track | CTDB Status
1 | (19/31) Accurately ripped
2 | (19/31) Accurately ripped
3 | (19/31) Accurately ripped
4 | (19/31) Accurately ripped
5 | (19/31) Accurately ripped
6 | (19/31) Accurately ripped
7 | (19/31) Accurately ripped
8 | (19/31) Accurately ripped
9 | (19/31) Accurately ripped
10 | (19/31) Accurately ripped
11 | (19/31) Accurately ripped
12 | (19/31) Accurately ripped
13 | (19/31) Accurately ripped
14 | (19/31) Accurately ripped
15 | (19/31) Accurately ripped
16 | (19/31) Accurately ripped
17 | (19/31) Accurately ripped
18 | (19/31) Accurately ripped
19 | (19/31) Accurately ripped
20 | (19/31) Accurately ripped
21 | (19/31) Accurately ripped
22 | (19/31) Accurately ripped
23 | (19/31) Accurately ripped
24 | (19/31) Accurately ripped
25 | (19/31) Accurately ripped
26 | (19/31) Accurately ripped
27 | (19/31) Accurately ripped
28 | (19/31) Accurately ripped
29 | (19/31) Accurately ripped
30 | (19/31) Accurately ripped
31 | (18/31) Accurately ripped
32 | (19/31) Accurately ripped
33 | (19/31) Accurately ripped
34 | (19/31) Accurately ripped
35 | (19/31) Accurately ripped
36 | (19/31) Accurately ripped
==== Log checksum 0536CEA622B57A37981B1B75C613D0F61F747C63D9BA7AA804367F728268EB1E ====
Wolfgang Gönnenwein, Consortium musicum, Süddeutscher Madrigalchor - Bach: Johannes-Passion (1989)
