Vladimir Verbitzky, Nikolai Mikailov - Nikolai Myaskowsky: Symphony No. 19; Serenade; Sinfonietta (2002)
Vladimir Verbitzky, Nikolai Mikailov - Nikolai Myaskowsky: Symphony No 19; Serenade; Sinfonietta (2002)
EAC | FLAC | Image (Cue & Log) ~ 307 Mb | Total time: 67:54 | Scans included
Classical | Label: Olympia | # OCD 105 | Recorded: 1987
EAC | FLAC | Image (Cue & Log) ~ 307 Mb | Total time: 67:54 | Scans included
Classical | Label: Olympia | # OCD 105 | Recorded: 1987
In recent years Miaskovsky has suffered something of a decline in the Soviet Union. Textbooks still honour him as an important influence on the development of Soviet music, a great teacher and so on, but performances and recordings of his music have become increasingly rare. Whether this new CD issue (apparently the first of a series) is a sing of re-awakened interest—a kind of Russian counterpart to the Bax phenomenon in England—isn't easy to tell, but obviously the spirit of the age is favourable to the rediscovery of very late romantic orchestral composers, as is demonstrated by the case of Bax, or Respighi, or even Eduard Tubin.
How could one describe Miaskovsky's music? A difficult question, especially since, as several writers have observed, there's something oddly anonymous about even his strongest works—and not just on a personal level. Quite apart from the absence of readily identifiable stylistic traits, the music offers few clues as to national identity. Even when, as in the Serenade, Miaskovsky uses folk-inspired material, there's nothing particularly Slavic about the end result. This, and the absence of clear fingerprints suggest a tendency to self-effacement—not necessarily a deplorable attitude by any means, but in music that relies so heavily on traditionalist-romantic expressive devices one expects at some stage to be able to identify a personality. Somehow, it's not forthcoming.
Performances all sound thoroughly committed, and the playing of the Ministry of Defence orchestra (winds and percussion only) is particularly accomplished. Even so, the Serenade and Sinfonietta really do outstay their welcome, despite many beautiful and inventive moments, and although the Nineteenth Symphony is mercifully more compact, its somewhat purposeless heartiness does try one's patience. Recordings are a little on the bright side, but the sound is clear, despite a highly reverberant background in the symphony. One rough-edged edit mars the climax of the Serenade's slow movements but apart from that it is quite an impressive issue from a technical point of view.–Stephen Johnson
Performer:
USSR Symphony Orchestra (1-3)
USSR Academic Symphony Orchestra (4-6)
Vladimir Verbitzky, conductor (1-6)
USSR Ministry of Defence Orchestra (7-10)
Nikolai Mikailov, conductor (7-10)
Tracklist:
Nikolai Myaskovsky (1881-1950)
Serenade in E flat major, Op. 32 No 1
01. I. Allegro marcato
02. II. Andante
03. III. Allegro vivo
Sinfonietta in B minor, Op. 32 No 2
04. I. Allegro pesante e serioso
05. II. Andante
06. III. Poco maestoso
Symphony No 19 in E major, Op. 46
07. I. Maestoso
08. II. Moderato
09. III. Andante
10. IV. Poco maestoso
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 3. October 2023, 23:27
Nikolai Myaskovsky / Serenade in E flat, Sinfonietta, Symphony No.19
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==== Log checksum EFA31FEF0833385D80E55017EBEFD424205ED02D4C29D1E249322474F203D616 ====
Vladimir Verbitzky, Nikolai Mikailov - Nikolai Myaskowsky: Symphony No. 19; Serenade; Sinfonietta (2002)
Thanks to the original releaser