Vanni Moretto, Atalanta Fugiens - Antonio Brioschi: Six Symphonies Vol. II (2012)
Vanni Moretto, Atalanta Fugiens - Antonio Brioschi: Six Symphonies Vol. II (2012)
EAC | FLAC | Image (Cue & Log) ~ 323 Mb | Total time: 60:13 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697901082 | Recorded: 2008
EAC | FLAC | Image (Cue & Log) ~ 323 Mb | Total time: 60:13 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697901082 | Recorded: 2008
Little is known about the Italian Antonio Brioschi (ca. 1700-ca. 1750), other than he was a prolific composer. With about fifty symphonies to his credit, he apparently was active near Milan during the same time as Giovanni Sammartini. During his lifetime, his popularity was widespread as copies of his instrumental works can be found in libraries from Moscow to the United States, with about half of his symphonic output neatly preserved in the Parisian `Bibliotheque nationale de France'.
The symphonies on this CD were copied between ca. 1740 and ca. 1744 by Charles Estien for Pierre Philibert de Blancheton (1697-1756), a music patron and member of the Parliament of Metz from 1724. This is why the opus numbers and estimated dates of composition are somewhat incongruous. In Brioschi's symphonies, as is the case with early Symphonies by Sammartini, we are still predominantly in the baroque style. The Symphonies are all for string orchestra with basso continuo, frequently use suspension dissonances and sequencing.
These symphonies were written between 1740 and 1744, before Johann Stamitz's Orchestral Trios Op. 1 were published in Paris in 1754 (though Stamitz had begun writing symphonies in 8 parts well before then). The listener will notice that violins are supported by repeated notes in the bass, a dominant feature of later classicism and something cellists curse to this day because their parts are so boring to play and the violins get all the good tunes. The melodic material in the violins is a bit more gallant - or rather Neapolitan - than Handel's Concerti Grossi Op. 6 from 1739, but that's more a question of Brioschi giving in to the new Neapolitan style which was then coming into international vogue.
Indeed, Brioschi's symphonies often remind one of Vivaldi, especially in the slow movements, which is a trait he shares with Sammartini. The slow movements of these works also make far more use of minor keys than would be the norm just 10 years later even though they stick to what would become standard practice in the classical period by all being in a major key.
Performer:
Atalanta Fugiens
Vanni Moretto, direttore
Tracklist:
Antonio Brioschi (fl.c.1725-1750)
Sinfonia in Sib Magg. FB Op. V n. 226 (ca. 1744)
01. I. Allegro
02. II. Largo
03. III. Presto
Sinfonia in Sol Magg. FB Op. II n. 59 (ca. 1741)
04. I. Allegro
05. II. Andante
06. III. Presto
Sinfonia in Mib Magg. FB Op. V n. 206 (ca. 1744)
07. I. Allegro e spiccato
08. II. Grave piano
09. III. Presto
Sinfonia in Sib Magg. FB Op. II n. 80 (ca. 1741)
10. I. Allegro
11. II. Andante
12. III. Vivace
Sinfonia in Sib Magg. FB Op. III n. 148 (ca. 1744)
13. I. Allegro
14. II. Largo
15. III. Presto
Sinfonia in Mib Magg. FB Op. VI n. 295 (ca. 1740)
16. I. Spiritoso
17. II. Largo
18. III. Presto
Exact Audio Copy V1.6 from 23. October 2020
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Vanni Moretto, Atalanta Fugiens / Brioschi: Six Symphonies, Vol. II
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Vanni Moretto, Atalanta Fugiens - Antonio Brioschi: Six Symphonies Vol. II (2012)
