Ton Koopman, The Amsterdam Baroque Orchestra - Johann Sebastian Bach: Matthäus-Passion (1993
Ton Koopman, The Amsterdam Baroque Orchestra - Johann Sebastian Bach: Matthäus-Passion (1993)
EAC | FLAC | Image (Cue & Log) ~ 647 Mb | Total time: 144:36 | Scans included
Classical | Label: Erato | 2292-45814-2 | Recorded: 1992
EAC | FLAC | Image (Cue & Log) ~ 647 Mb | Total time: 144:36 | Scans included
Classical | Label: Erato | 2292-45814-2 | Recorded: 1992
This is vintage, classic Koopman: Tempi that never linger, orchestral textures that accord privilege to clarity and insight over effect and superb, beautifully articulated, solo vocal lines. Koopman's lucidity might appear a little too detached or cool for some listeners who are used to responding to the emotional charge of Bach's Passions. One of Koopman's greatest strengths is his grasp of architecture: of the unfolding of the passion events; of the relative roles and interactions of the soloists and 'crowds'; of the inevitability of events in a musical - as opposed to a Biblical - sense.
A logical consequence of this is a performance that's neither perfunctory nor devoid of emotion. It knows where it's going. It bases one event on foreknowledge of what happens next. As a result there is a certain businesslike feel though it’s never perfunctory.
This might have been just what Bach intended. It was probably how the work was performed in the composer's lifetime. The congregation knew the story intimately. They appreciated the import of each development. The Matthew Passion is not an opera. Based on the premise that Christ's sacrifice was to the good and his suffering unavoidable, Koopman's account seems to be aiming for a removal of the lugubrious. While not joyful, its tone and tenor are almost celebratory and affirmative. The positive sentiment with which such numbers as "Ich will bei meinem Jesu wachen" [CD 1 tr.28] are performed is wholly appropriate.
Koopman does not emphasise the pared down nature of a HIP (authentic) performance in the way that the recent recording by Butt and the Dunedin Consort (Linn CKD 313) does - although the latter is hardly 'faceless' or 'cold'. The Amsterdam Baroque Orchestra is not a period instrument ensemble, after all.
One will be struck immediately by the presence, the persuasiveness, the expressive qualities of the vocal soloists: soprano Barbara Schlick is full of 'radiance' as she commands a studied ability to employ restraint. Tenor Guy de Mey makes an excellent and dignified Evangelist with every bit as much gravitas as bass Peter Kooy's Christus. Counter-tenor Kai Wessel, tenor Christoph Prégardien and bass Klaus Mertens all distinguished themselves on Koopman's superb cycle of Bach cantatas. In all cases there is a pleasing balance between the judiciously dramatic and the penetratingly expositional. There’s nothing over-declamatory or superfluously rhetorical even at the great moments such as "Erbarme Dich" [CD 2 tr.15] and "Komm seußes Kreuz" [CD 3 tr.14].
Like the singers, the instrumental soloists are successful in removing any unwelcome emphasis on 'interpretation'. Indeed Koopman's entire conception is directed towards 'neutral' music-making. For those familiar with Koopman's splendid cycle of Bach cantatas on Challenge, the tightness and cleanness of the choruses and other more expansive numbers will come as no surprise. The sequence, "So ist mein Jesus nun gefangen", "Sind Blitze, sind Donner in Wolken verschwunden", "Und siehe, einer aus denen" [CD 1 trs. 35, 36, 37], for example, is pithy, distinctive and full of impact. There isn't the spitting pungency of more dramatic performances. Indeed, Koopman makes his impact by contrast: the staccato passages are all the more shocking as Christ is captured because of the lambent, controlled, gentler lines which surround them. Again, Koopman relies on context and contrast to arrive at an almost magical effect.
The acoustic is just right. There is the right degree of responsiveness - the right resonance. There’s also an excellent emphasis on the soloists: every word is audible and every note counts. As with Koopman's other set on Challenge, some may even feel that the vocal soloists are too loud relative to the ensemble and orchestra. The result is a personal, forward and intimate Matthew Passion, which is well worth a listen - even in a crowded field of almost ninety recordings.–Mark Sealey
Performer:
Guy de Mey, tenor (Evangelist)
Peter Kooy, bass (Jesus)
Barbara Schlick, soprano
Kai Wessel, alto
Christoph Prégardien, tenor
Klaus Mertens, bass
De Nederlandse Bachvereniging
Sacramentskoor Breda
The Amsterdam Baroque Orchestra
Ton Koopman, conductor
Tracklist:
Johann Sebastian Bach (1685-1750)
Matthäus-Passion, BWV 244
CD1:
Prima parte
01. I. "Kommt, ihr Töchter, helft mir klagen" (Chorus I, Chorus II, Soprano in ripieno)
02. II. Recitativo "Da Jesus die Rede vollendet hatte" (Evangelista, Jesus)
03. III. Choral "Herzliebster Jesu, was hast du verbrochen"
04. IVa. "Da versammleten sich die Hohenpriester" (Evangelista)
05. IVb. "Ja nicht auf das Fest" (Chori)
06. IVc. "Da nun Jesus war zu Bethanien" (Evangelista)
07. IVd. "Wozu dienet dieser Unrat" (Chorus)
08. IVe. "Da das Jesus merkete" (Evangelista, Jesus)
09. V. Recitativo "Du lieber Heiland du" (Alto)
10. VI. Aria "Buss' und Reu'" (Alto)
11. VII. Recitativo "Da ging hin der Zwölfen einer" (Evangelista, Judas)
12. VIII. Aria "Blute nur, du liebes Herz!" (Soprano)
13. IXa. "Aber am ersten Tage der süßen Brot" (Evangelista)
14. IXb. "Wo willst du, daß wir dir bereiten" (Chorus)
15. IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista)
16. IXd. "Und sie wurden sehr betrübt" (Evangelista)
17. IXe. "Herr, bin ichs" (Chorus)
18. X. Choral "Ich bin's, ich sollte büssen"
19. XI. Recitativo "Er antwortete und sprach" (Evangelista, Jesus, Judas)
20. XII. Recitativo "Wiewohl mein Herz in Tränen schwimmt" (Soprano)
21. XIII. Aria "Ich will dir mein Herz schenken" (Soprano)
22. XIV. Recitativo "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Jesus)
23. XV. Choral "Erkenne mich, mein Hüter"
24. XVI. Recitativo "Petrus aber antwortete und sprach zu ihm" (Evangelista, Pertus, Jesus)
25. XVII. Choral "Ich will hier bei dir stehen"
26. XVIII. Recitativo "Da kam Jesus mit ihnen zu einem Hofe" (Evangelista, Jesus)
27. XIX. Recitativo "O Schmerz! Hier zittert das gequälte Herz!" (Tenore, Chorus II)
28. XX. Aria "Ich will bei meinem Jesu wachen" (Tenore, Chorus II)
29. XXI. Recitativo "Und ging hin ein wenig" (Evangelista, Jesus)
30. XXII. Recitativo "Der Heiland fällt vor seinem Vater nieder" (Basso)
31. XXIII. Aria "Gerne will ich mich bequemen" (Basso)
32. XXIV. Recitativo "Und er kam zu seinen Jüngern" (Evangelista, Jesus)
33. XXV. Choral "Was mein Gott will, das g'scheh' allzeit"
34. XXVI. Recitativo "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas)
35. XXVIIa. Aria "So ist mein Jesus nun gefangen"
36. XXVIIb. "Sind Blitze, sind Donner in Wolken verschwunden" (Chori)
37. XXVIII. Recitativo "Und siehe, einer aus denen" (Evangelista, Jesus)
38. XXIX. Choral "O Mensch, bewein dein Sünde groß" (Soprano in ripieno)
CD2:
Seconda parte
01. XXX. Aria "Ach, nun ist mein Jesus hin!" (Alto, Chorus II)
02. XXXI. Recitativo "Die aber Jesum gegriffen hatten" (Evangelista)
03. XXXII. Choral "Mir hat die Welt trüglich gericht't"
04. XXXIII. Recitativo "Und wiewohl viele falsche Zeugen herzutraten" (Evangelista, Testis I & II, Pontifex)
05. XXXIV. Recitativo "Mein Jesus schweigt zu falschen Lügen stille" (Tenore)
06. XXXV. Aria "Geduld!" (Tenore)
07. XXXVIa. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelista, Pontifex, Jesus)
08. XXXVIb. "Er ist des Todes schuldig" (Chori)
09. XXXVIc. "Da speieten sie aus" (Evangelista)
10. XXXVId. "Weissage uns, Christe" (Chori)
11. XXXVII. Choral "Wer hat dich so geschlagen"
12. XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus)
13. XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus)
14. XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
15. XXXIX. Aria "Erbarme dich" (Alto)
16. XL. Choral "Bin ich gleich von dir gewichen"
17. XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas)
18. XLIb. "Was gehet uns das an" (Chori)
19. XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II)
20. XLII. Aria "Gebt mir meinen Jesum wieder" (Basso)
21. XLIII. Recitativo "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
22. XLIV. Choral "Befiehl du deine Wege"
23. XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori)
24. XLVb. "Laß ihn kreuzigen" (Chori)
25. XLVI. Choral "Wie wunderbarlich ist doch diese Strafe!"
26. XLVII. Recitativo "Der Landpfleger sagte" (Evangelista, Pilatus)
27. XLVIII. Recitativo "Er hat uns allen wohlgetan" (Soprano)
28. XLIX. Aria "Aus Liebe will mein Heiland sterben!" (Soprano)
CD3:
01. La. "Sie schrieen aber noch mehr" (Evangelista)
02. Lb. "Laß ihn kreuzigen" (Chori)
03. Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus)
04. Ld. "Sein Blut komme über uns" (Chori)
05. Le. "Da gab er ihnen Barrabam los" (Evangelista)
06. LI. Recitativo "Erbarm'es Gott!" (Alto)
07. LII. Aria "Können Tränen meinen Wangen" (Alto)
08. LIIIa. "Da nahmen die Kriegsknechte" (Evangelista)
09. LIIIb. "Gegrüßet seist du, Jüdenkönig" (Chori)
10. LIIIc. "Und speieten ihn an" (Evangelista)
11. LIV. Choral "Oh Haupt voll Blut und Wunden"
12. LV. Recitativo "Und da sie ihn verspottet hatte" (Evangelista)
13. LVI. Recitativo "Ja! Freilich will in uns das Fleisch und Blut" (Basso)
14. LVII. Aria "Komm süßes Kreuz, so will ich sagen" (Basso)
15. LVIIIa. "Und da sie and die Stätte kamen" (Evangelista)
16. LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori)
17. LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista)
18. LVIIId. "Andern hat er geholfen" (Chori)
19. LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista)
20. LIX. Recitativo "Ach Golgatha!" (Alto)
21. LX. Aria "Sehet, Jesus hat die Hand" (Alto, Chorus II)
22. LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus)
23. LXIb. "Der rufet dem Elias" (Chorus)
24. LXIc. "Und bald lief einer unter ihnen" (Evangelista)
25. LXId. "Halt! Laß stehen" (Chorus)
26. LXIe. "Aber Jesus schriee abermal" (Evangelista)
27. LXII. Choral "Wenn ich einmal soll scheiden"
28. LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista)
29. LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono)
30. LXIIIc. "Und es waren viel Weiber da" (Evangelista)
31. LXIV. Recitativo "Am Abend, da es kühle war" (Basso)
32. LXV. Aria "Mache dich, mein Herze, rein" (Basso)
33. LXVIa. "Und Joseph nahm den Leib" (Evangelista)
34. LXVIb. "Herr, wir haben gedacht" (Chori)
35. LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
36. LXVII. Recitativo "Nun ist der Herr zur Ruh' gebracht" (Basso, Tenore, Alto, Soprano, Chorus II)
37. LXVIII. "Wir setzen uns mit Tränen nieder" (Chori)
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 14. February 2020, 12:49
Guy de Mey, Peter Kooy, Barbara Schlick, Kai Wessel, Christoph Pregardien, Klaus Mertens / Bach - Matthäus-Passion (Disc 1)
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==== Log checksum 65AFF741265FED365A3501C3A1A0B941D87D074334A7B4BFB777744DFF238E1E ====
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 14. February 2020, 13:29
Guy de Mey, Peter Kooy, Barbara Schlick, Kai Wessel, Christoph Pregardien, Klaus Mertens / Bach - Matthäus-Passion (Disc 2)
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
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Track 8 accurately ripped (confidence 57) [BC60FAB1] (AR v2)
Track 9 accurately ripped (confidence 57) [E01930CC] (AR v2)
Track 10 accurately ripped (confidence 57) [EDCD192D] (AR v2)
Track 11 accurately ripped (confidence 57) [4406327B] (AR v2)
Track 12 accurately ripped (confidence 57) [BAD2AEA2] (AR v2)
Track 13 accurately ripped (confidence 57) [7D5D4FF6] (AR v2)
Track 14 accurately ripped (confidence 57) [1828729D] (AR v2)
Track 15 accurately ripped (confidence 57) [2BD2CA85] (AR v2)
Track 16 accurately ripped (confidence 57) [19FCFC93] (AR v2)
Track 17 accurately ripped (confidence 57) [3197DA34] (AR v2)
Track 18 accurately ripped (confidence 57) [78E2F8E6] (AR v2)
Track 19 accurately ripped (confidence 57) [F774BAAF] (AR v2)
Track 20 accurately ripped (confidence 57) [E7AE3718] (AR v2)
Track 21 accurately ripped (confidence 57) [BD286A92] (AR v2)
Track 22 accurately ripped (confidence 57) [B7804966] (AR v2)
Track 23 accurately ripped (confidence 57) [5486F93E] (AR v2)
Track 24 accurately ripped (confidence 57) [12498AAC] (AR v2)
Track 25 accurately ripped (confidence 57) [B6D87A7F] (AR v2)
Track 26 accurately ripped (confidence 57) [B04288FA] (AR v2)
Track 27 accurately ripped (confidence 57) [A0DA45B3] (AR v2)
Track 28 accurately ripped (confidence 57) [0ED683EA] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: CnIJJIEagBFhtJmmViVUJhACAkQ-] found
Submit result: CnIJJIEagBFhtJmmViVUJhACAkQ- has been confirmed
Track | CTDB Status
1 | (126/127) Accurately ripped
2 | (126/127) Accurately ripped
3 | (126/127) Accurately ripped
4 | (126/127) Accurately ripped
5 | (126/127) Accurately ripped
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26 | (126/127) Accurately ripped
27 | (126/127) Accurately ripped
28 | (126/127) Accurately ripped
==== Log checksum 98DF8436693A3F46930EFA777E1DB06EF517ECDC1D60A16D72CC9C851B7A1995 ====
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 14. February 2020, 14:58
Guy de Mey, Peter Kooy, Barbara Schlick, Kai Wessel, Christoph Pregardien, Klaus Mertens / Bach - Matthäus-Passion (Disc 3)
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:07.27 | 0 | 551
2 | 0:07.27 | 0:16.60 | 552 | 1811
3 | 0:24.12 | 0:26.05 | 1812 | 3766
4 | 0:50.17 | 0:35.00 | 3767 | 6391
5 | 1:25.17 | 0:24.38 | 6392 | 8229
6 | 1:49.55 | 0:44.42 | 8230 | 11571
7 | 2:34.22 | 6:04.48 | 11572 | 38919
8 | 8:38.70 | 0:34.32 | 38920 | 41501
9 | 9:13.27 | 0:11.45 | 41502 | 42371
10 | 9:24.72 | 0:14.70 | 42372 | 43491
11 | 9:39.67 | 2:13.73 | 43492 | 53539
12 | 11:53.65 | 0:52.57 | 53540 | 57496
13 | 12:46.47 | 0:37.55 | 57497 | 60326
14 | 13:24.27 | 5:53.38 | 60327 | 86839
15 | 19:17.65 | 1:36.62 | 86840 | 94101
16 | 20:54.52 | 0:24.33 | 94102 | 95934
17 | 21:19.10 | 0:07.40 | 95935 | 96499
18 | 21:26.50 | 0:42.05 | 96500 | 99654
19 | 22:08.55 | 0:16.10 | 99655 | 100864
20 | 22:24.65 | 1:31.22 | 100865 | 107711
21 | 23:56.12 | 3:17.00 | 107712 | 122486
22 | 27:13.12 | 1:19.40 | 122487 | 128451
23 | 28:32.52 | 0:03.55 | 128452 | 128731
24 | 28:36.32 | 0:14.45 | 128732 | 129826
25 | 28:51.02 | 0:07.40 | 129827 | 130391
26 | 28:58.42 | 0:19.40 | 130392 | 131856
27 | 29:18.07 | 1:14.63 | 131857 | 137469
28 | 30:32.70 | 1:04.40 | 137470 | 142309
29 | 31:37.35 | 0:19.62 | 142310 | 143796
30 | 31:57.22 | 1:05.00 | 143797 | 148671
31 | 33:02.22 | 2:18.38 | 148672 | 159059
32 | 35:20.60 | 6:41.37 | 159060 | 189171
33 | 42:02.22 | 0:52.13 | 189172 | 193084
34 | 42:54.35 | 0:47.30 | 193085 | 196639
35 | 43:41.65 | 0:34.67 | 196640 | 199256
36 | 44:16.57 | 2:11.08 | 199257 | 209089
37 | 46:27.65 | 6:01.35 | 209090 | 236199
Range status and errors
Selected range
Filename C:\EACRip\EASTER\Bach - Matthaus-Passion (Ton Koopman) (1993)\CD3\Bach - Matthaus-Passion (Disc 3) - Ton Koopman.wav
Peak level 87.7 %
Extraction speed 8.1 X
Range quality 99.9 %
Test CRC 0A404B65
Copy CRC 0A404B65
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 55) [D7503928] (AR v2)
Track 2 accurately ripped (confidence 55) [9D5F9602] (AR v2)
Track 3 accurately ripped (confidence 55) [3AF9CFDD] (AR v2)
Track 4 accurately ripped (confidence 55) [AFA17EB1] (AR v2)
Track 5 accurately ripped (confidence 55) [77DC0155] (AR v2)
Track 6 accurately ripped (confidence 55) [6DF854BC] (AR v2)
Track 7 accurately ripped (confidence 55) [914A1CCA] (AR v2)
Track 8 accurately ripped (confidence 55) [13AD400D] (AR v2)
Track 9 accurately ripped (confidence 55) [A8A8211A] (AR v2)
Track 10 accurately ripped (confidence 55) [067FE9C7] (AR v2)
Track 11 accurately ripped (confidence 54) [30E980F5] (AR v2)
Track 12 accurately ripped (confidence 54) [45F47B59] (AR v2)
Track 13 accurately ripped (confidence 55) [35A4DD68] (AR v2)
Track 14 accurately ripped (confidence 55) [11DD7143] (AR v2)
Track 15 accurately ripped (confidence 54) [87C5A164] (AR v2)
Track 16 accurately ripped (confidence 55) [A377C153] (AR v2)
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Track 18 accurately ripped (confidence 55) [FD2946DB] (AR v2)
Track 19 accurately ripped (confidence 55) [48CD95CB] (AR v2)
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Track 21 accurately ripped (confidence 55) [0495A051] (AR v2)
Track 22 accurately ripped (confidence 55) [96F7026C] (AR v2)
Track 23 accurately ripped (confidence 29) [AFA19581] (AR v2)
Track 24 accurately ripped (confidence 55) [4D2C5739] (AR v2)
Track 25 accurately ripped (confidence 55) [B2F017C9] (AR v2)
Track 26 accurately ripped (confidence 55) [23220260] (AR v2)
Track 27 accurately ripped (confidence 54) [FADCAC2B] (AR v2)
Track 28 accurately ripped (confidence 55) [D8FD7484] (AR v2)
Track 29 accurately ripped (confidence 55) [37631D2F] (AR v2)
Track 30 accurately ripped (confidence 55) [E2C53435] (AR v2)
Track 31 accurately ripped (confidence 55) [1BDE78F9] (AR v2)
Track 32 accurately ripped (confidence 55) [B485A981] (AR v2)
Track 33 accurately ripped (confidence 55) [9CA45C2F] (AR v2)
Track 34 accurately ripped (confidence 55) [005E9A1E] (AR v2)
Track 35 accurately ripped (confidence 55) [720E7D54] (AR v2)
Track 36 accurately ripped (confidence 54) [492FD9A2] (AR v2)
Track 37 accurately ripped (confidence 55) [D97690F2] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: wEHE5wFtXyY50iv_.MTAY2Ky1Bg-] found
Submit result: wEHE5wFtXyY50iv_.MTAY2Ky1Bg- has been confirmed
Track | CTDB Status
1 | (128/129) Accurately ripped
2 | (129/129) Accurately ripped
3 | (129/129) Accurately ripped
4 | (129/129) Accurately ripped
5 | (129/129) Accurately ripped
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7 | (128/129) Accurately ripped
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32 | (127/129) Accurately ripped
33 | (129/129) Accurately ripped
34 | (129/129) Accurately ripped
35 | (129/129) Accurately ripped
36 | (129/129) Accurately ripped
37 | (129/129) Accurately ripped
==== Log checksum E52D3BFB6833669FED2BA7D0F3A49C4EF7FCA533C5652DE93E8562904039B0A0 ====
Ton Koopman, The Amsterdam Baroque Orchestra - Johann Sebastian Bach: Matthäus-Passion (1993
Thanks to the original releaser