![Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]](https://pixhost.icu/avaxhome/d4/11/001811d4_medium.jpeg)
Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]
![Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]](https://pixhost.icu/avaxhome/d4/11/001811d4.jpeg)
Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]
Blues/Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps | 10 Tracks
Warner Music | WPCR-13779 | 2010 Remastering | ~320 + 136 Mb | FSonic, FServe, Uploaded
Scans(300dpi, jpg) Included | Scans(600dpi, tiff) -> 680 Mb
Blues/Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps | 10 Tracks
Warner Music | WPCR-13779 | 2010 Remastering | ~320 + 136 Mb | FSonic, FServe, Uploaded
Scans(300dpi, jpg) Included | Scans(600dpi, tiff) -> 680 Mb
Two welcome changes in style made Blue Valentine a fresh listening experience for Tom Waits fans. First, Waits alters the instrumentation, bringing in electric guitar and keyboards and largely dispensing with the strings for a more blues-oriented, hard-edged sound. Second, though his world view remains fixed on the lowlifes of the late night, he expands beyond the musings of the barstool philosopher who previously had acted as the first-person character of most of his songs. When Waits does use the first-person, it's to write a "Christmas Card From a Hooker in Minneapolis," not the figure most listeners had associated with the singer himself. The result is a broadening of subject matter, a narrative discipline that makes most of the tunes story songs, and a coherent framing for Waits' typically colorful and intriguing imagery. These are not radical reinventions, but Waits had followed such a rigidly stylized approach on his previous albums that for anyone who had followed him so far, the course correction was big news.~ William Ruhlmann, All Music Guide
Tom Waits Biography:
Born: December 07, 1949, Pomona, CA
Active: '70s, '80s, '90s, 2000s
Genres: Rock
Instrument: Vocals, Piano
Representative Albums: "Swordfishtrombones", "Small Change", "Anthology of Tom Waits"
Representative Songs: "Downtown Train", "Ol' 55", "Diamonds on My Windshield"
In the 1970s, Tom Waits combined a lyrical focus on desperate, lowlife characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing. Growing up in Southern California, Waits attracted the attention of manager Herb Cohen, who also handled Frank Zappa, and was signed by him at the beginning of the 1970s, resulting in the material later released as The Early Years and The Early Years, Vol. 2. His formal recording debut came with Closing Time (1973) on Asylum Records, an album that contained "Ol' 55," which was covered by labelmates the Eagles for their On the Border album. Waits attracted critical acclaim and a cult audience for his subsequent albums, The Heart of Saturday Night (1974), the two-LP live set Nighthawks at the Diner (1975), Small Change (1976), Foreign Affairs (1977), Blue Valentine (1978), and Heart Attack and Vine (1980). His music and persona proved highly cinematic, and, starting in 1978, he launched parallel careers as an actor and as a composer of movie music. He wrote songs for and appeared in Paradise Alley (1978), wrote the title song for On the Nickel (1980), and was hired by director Francis Coppola to write the music for One from the Heart (1982), which earned him an Academy Award nomination. While working on that project, Waits met and married playwright Kathleen Brennan, with whom he later collaborated.
Moving to Island Records, Waits made Swordfishtrombones (1983), which found him experimenting with horns and percussion and using unusual recording techniques. The same year, he appeared in Coppola's Rumble Fish and The Outsiders, and, in 1984, he appeared in the director's The Cotton Club. In 1985, he released Rain Dogs. In 1986, he appeared in Down By Law and made his theatrical debut with Chicago's Steppenwolf Theatre in Frank's Wild Years, a musical play he had written with Brennan. An album based on the play was released in 1987, the same year Waits appeared in the films Candy Mountain and Ironweed. In 1988, he released a film and soundtrack album depicting one of his concerts, Big Time. In 1989, he appeared in the films Bearskin: An Urban Fairytale, Cold Feet, and Wait Until Spring. His work for the theater continued in 1990 when Waits partnered with opera director Robert Wilson and beat novelist William Burroughs and staged The Black Rider in Hamburg, Germany. In 1991, he appeared in the films Queens' Logic, The Fisher King, and At Play in the Fields of the Lord. In 1992, he scored the film Night on Earth; released the album Bone Machine, which won a Grammy Award for Best Alternative Music Album; appeared in the film Bram Stoker's Dracula; and returned to Hamburg for the staging of his second collaboration with Robert Wilson, Alice. The Black Rider was documented on CD in 1993, the same year Waits appeared in the film Short Cuts.
A long absence from recording resulted in the 1998 release of Beautiful Maladies, a retrospective of his work for Island. In 1999, Waits finally returned with a new album, Mule Variations. The record was a critical success, winning a Grammy for Best Contemporary Folk album, and was also his first for the independent Epitaph Records' Anti subsidiary. A small tour followed, but Waits jumped right back into the studio and began working on not one but two new albums. By the time he emerged in the spring of 2002, both Alice and Blood Money were released on Anti Records. Blood Money consisted of the songs from the third Wilson/Waits collaboration that was staged in Denmark in 2000 and won Best Drama of the Year. After limited touring in support of these two endeavors, Waits returned to the recording studio and issued Real Gone in 2004. The album marked a large departure for him, in that it contained no keyboards at all, focusing only on stringed and rhythm instruments. Glitter and Doom Live appeared in 2009.
~ William Ruhlmann, Rovi
Born: December 07, 1949, Pomona, CA
Active: '70s, '80s, '90s, 2000s
Genres: Rock
Instrument: Vocals, Piano
Representative Albums: "Swordfishtrombones", "Small Change", "Anthology of Tom Waits"
Representative Songs: "Downtown Train", "Ol' 55", "Diamonds on My Windshield"
In the 1970s, Tom Waits combined a lyrical focus on desperate, lowlife characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing. Growing up in Southern California, Waits attracted the attention of manager Herb Cohen, who also handled Frank Zappa, and was signed by him at the beginning of the 1970s, resulting in the material later released as The Early Years and The Early Years, Vol. 2. His formal recording debut came with Closing Time (1973) on Asylum Records, an album that contained "Ol' 55," which was covered by labelmates the Eagles for their On the Border album. Waits attracted critical acclaim and a cult audience for his subsequent albums, The Heart of Saturday Night (1974), the two-LP live set Nighthawks at the Diner (1975), Small Change (1976), Foreign Affairs (1977), Blue Valentine (1978), and Heart Attack and Vine (1980). His music and persona proved highly cinematic, and, starting in 1978, he launched parallel careers as an actor and as a composer of movie music. He wrote songs for and appeared in Paradise Alley (1978), wrote the title song for On the Nickel (1980), and was hired by director Francis Coppola to write the music for One from the Heart (1982), which earned him an Academy Award nomination. While working on that project, Waits met and married playwright Kathleen Brennan, with whom he later collaborated.
Moving to Island Records, Waits made Swordfishtrombones (1983), which found him experimenting with horns and percussion and using unusual recording techniques. The same year, he appeared in Coppola's Rumble Fish and The Outsiders, and, in 1984, he appeared in the director's The Cotton Club. In 1985, he released Rain Dogs. In 1986, he appeared in Down By Law and made his theatrical debut with Chicago's Steppenwolf Theatre in Frank's Wild Years, a musical play he had written with Brennan. An album based on the play was released in 1987, the same year Waits appeared in the films Candy Mountain and Ironweed. In 1988, he released a film and soundtrack album depicting one of his concerts, Big Time. In 1989, he appeared in the films Bearskin: An Urban Fairytale, Cold Feet, and Wait Until Spring. His work for the theater continued in 1990 when Waits partnered with opera director Robert Wilson and beat novelist William Burroughs and staged The Black Rider in Hamburg, Germany. In 1991, he appeared in the films Queens' Logic, The Fisher King, and At Play in the Fields of the Lord. In 1992, he scored the film Night on Earth; released the album Bone Machine, which won a Grammy Award for Best Alternative Music Album; appeared in the film Bram Stoker's Dracula; and returned to Hamburg for the staging of his second collaboration with Robert Wilson, Alice. The Black Rider was documented on CD in 1993, the same year Waits appeared in the film Short Cuts.
A long absence from recording resulted in the 1998 release of Beautiful Maladies, a retrospective of his work for Island. In 1999, Waits finally returned with a new album, Mule Variations. The record was a critical success, winning a Grammy for Best Contemporary Folk album, and was also his first for the independent Epitaph Records' Anti subsidiary. A small tour followed, but Waits jumped right back into the studio and began working on not one but two new albums. By the time he emerged in the spring of 2002, both Alice and Blood Money were released on Anti Records. Blood Money consisted of the songs from the third Wilson/Waits collaboration that was staged in Denmark in 2000 and won Best Drama of the Year. After limited touring in support of these two endeavors, Waits returned to the recording studio and issued Real Gone in 2004. The album marked a large departure for him, in that it contained no keyboards at all, focusing only on stringed and rhythm instruments. Glitter and Doom Live appeared in 2009.
~ William Ruhlmann, Rovi
Tom Waits - Blue Valentine (1978):
![Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]](https://pixhost.icu/avaxhome/d5/11/001811d5_medium.jpeg)
Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]
![Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]](https://pixhost.icu/avaxhome/d5/11/001811d5.jpeg)
Tracklist:
1. SOMEWHERE (FROM 'WEST SIDE STORY')
2. RED SHOES BY THE DRUGSTORE
3. CHRISTMAS CARD FROM A HOOKER IN MINNEAPOLIS
4. ROMEO IS BLEEDING
5. $29.00
6. WRONG SIDE OF THE ROAD
7. WHISTLIN' PAST THE GRAVEYARD
8. KENTUCKY AVENUE
9. A SWEET LITTLE BULLET FROM A PRETTY BLUE GUN
10. BLUE VALENTINES
Personnel:
Vocals - Tom Waits
Electric Guitar - Tom Waits, Ray Crawford, Roland Bautista, Alvin "Shine" Robinson
Bass - Scott Edwards, Jim Hughart, Byron Miller
Piano - Da Willie Gonga (George Duke), Harold Battiste, Tom Waits
Organ - Charles Kynard
Tenor Saxophone - Herbert Hardesty, Frank Vicari
Drums - Rick Lawson, Earl Palmer, Chip White
Congas – Bobbye Hall Porter "Romeo Is Bleeding"[1]
Orchestra - Bob Alcivar
2010 Digitally Remastered by Isao Kikuchi (Warner Music Mastering)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 6. November 2010, 0:12
Tom Waits / Blue Valentine
Used drive : ASUS DRW-2014L1T Adapter: 2 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : F:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:54.59 | 0 | 17608
2 | 3:54.59 | 3:15.15 | 17609 | 32248
3 | 7:09.74 | 4:33.57 | 32249 | 52780
4 | 11:43.56 | 4:53.09 | 52781 | 74764
5 | 16:36.65 | 8:15.30 | 74765 | 111919
6 | 24:52.20 | 5:15.13 | 111920 | 135557
7 | 30:07.33 | 3:18.27 | 135558 | 150434
8 | 33:25.60 | 4:50.39 | 150435 | 172223
9 | 38:16.24 | 5:37.69 | 172224 | 197567
10 | 43:54.18 | 5:52.52 | 197568 | 224019
Range status and errors
Selected range
Filename W:\EAC\Tom Waits - Blue Valentine\Tom Waits - Blue Valentine.wav
Peak level 100.0 %
Range quality 99.9 %
Test CRC EDFF4FEE
Copy CRC EDFF4FEE
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [E0E36B52]
Track 2 accurately ripped (confidence 1) [0DCB5B01]
Track 3 accurately ripped (confidence 1) [6FF9E7FC]
Track 4 accurately ripped (confidence 1) [6A79FD62]
Track 5 accurately ripped (confidence 1) [92D44C4C]
Track 6 accurately ripped (confidence 1) [5402782F]
Track 7 accurately ripped (confidence 1) [17A1B77D]
Track 8 accurately ripped (confidence 1) [3A733028]
Track 9 accurately ripped (confidence 1) [77E088C2]
Track 10 accurately ripped (confidence 1) [7D2475B6]
All tracks accurately ripped
End of status report
EAC extraction logfile from 6. November 2010, 0:12
Tom Waits / Blue Valentine
Used drive : ASUS DRW-2014L1T Adapter: 2 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : F:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:54.59 | 0 | 17608
2 | 3:54.59 | 3:15.15 | 17609 | 32248
3 | 7:09.74 | 4:33.57 | 32249 | 52780
4 | 11:43.56 | 4:53.09 | 52781 | 74764
5 | 16:36.65 | 8:15.30 | 74765 | 111919
6 | 24:52.20 | 5:15.13 | 111920 | 135557
7 | 30:07.33 | 3:18.27 | 135558 | 150434
8 | 33:25.60 | 4:50.39 | 150435 | 172223
9 | 38:16.24 | 5:37.69 | 172224 | 197567
10 | 43:54.18 | 5:52.52 | 197568 | 224019
Range status and errors
Selected range
Filename W:\EAC\Tom Waits - Blue Valentine\Tom Waits - Blue Valentine.wav
Peak level 100.0 %
Range quality 99.9 %
Test CRC EDFF4FEE
Copy CRC EDFF4FEE
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [E0E36B52]
Track 2 accurately ripped (confidence 1) [0DCB5B01]
Track 3 accurately ripped (confidence 1) [6FF9E7FC]
Track 4 accurately ripped (confidence 1) [6A79FD62]
Track 5 accurately ripped (confidence 1) [92D44C4C]
Track 6 accurately ripped (confidence 1) [5402782F]
Track 7 accurately ripped (confidence 1) [17A1B77D]
Track 8 accurately ripped (confidence 1) [3A733028]
Track 9 accurately ripped (confidence 1) [77E088C2]
Track 10 accurately ripped (confidence 1) [7D2475B6]
All tracks accurately ripped
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\Tom Waits - Blue Valentine
1 -=- Tom Waits - Blue Valentine.flac -=- MPEG (95%)
185837908
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\Tom Waits - Blue Valentine
1 -=- Tom Waits - Blue Valentine.flac -=- MPEG (95%)
185837908
[Verification date: 07.11.2010 7:33:14]
[Disc ID: 0011d6e9-00916d71-8e0baa0a]
Track [ CRC ] Status
01 [e0e36b52] (01/01) Accurately ripped as in pressing(s) #1
02 [0dcb5b01] (01/01) Accurately ripped as in pressing(s) #1
03 [6ff9e7fc] (01/01) Accurately ripped as in pressing(s) #1
04 [6a79fd62] (01/01) Accurately ripped as in pressing(s) #1
05 [92d44c4c] (01/01) Accurately ripped as in pressing(s) #1
06 [5402782f] (01/01) Accurately ripped as in pressing(s) #1
07 [17a1b77d] (01/01) Accurately ripped as in pressing(s) #1
08 [3a733028] (01/01) Accurately ripped as in pressing(s) #1
09 [77e088c2] (01/01) Accurately ripped as in pressing(s) #1
10 [7d2475b6] (01/01) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [EDFF4FEE] [B5E389AD] CRC32
01 [419E6365] [1C4E62D6]
02 [13930CDB] [8CF019BD]
03 [534993AF] [198253BC]
04 [F03207B4] [2AEC97E3]
05 [B64FFBF2] [016A009C]
06 [0F4BCE94] [C13EF5E1]
07 [1DBC3755] [E027FFAB]
08 [6B5B7D72] [3217B311]
09 [B41FCEA9] [E824209E]
10 [7B38F4F5] [645F5FF6]
[Disc ID: 0011d6e9-00916d71-8e0baa0a]
Track [ CRC ] Status
01 [e0e36b52] (01/01) Accurately ripped as in pressing(s) #1
02 [0dcb5b01] (01/01) Accurately ripped as in pressing(s) #1
03 [6ff9e7fc] (01/01) Accurately ripped as in pressing(s) #1
04 [6a79fd62] (01/01) Accurately ripped as in pressing(s) #1
05 [92d44c4c] (01/01) Accurately ripped as in pressing(s) #1
06 [5402782f] (01/01) Accurately ripped as in pressing(s) #1
07 [17a1b77d] (01/01) Accurately ripped as in pressing(s) #1
08 [3a733028] (01/01) Accurately ripped as in pressing(s) #1
09 [77e088c2] (01/01) Accurately ripped as in pressing(s) #1
10 [7d2475b6] (01/01) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [EDFF4FEE] [B5E389AD] CRC32
01 [419E6365] [1C4E62D6]
02 [13930CDB] [8CF019BD]
03 [534993AF] [198253BC]
04 [F03207B4] [2AEC97E3]
05 [B64FFBF2] [016A009C]
06 [0F4BCE94] [C13EF5E1]
07 [1DBC3755] [E027FFAB]
08 [6B5B7D72] [3217B311]
09 [B41FCEA9] [E824209E]
10 [7B38F4F5] [645F5FF6]
AuSpec:
![Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]](https://pixhost.icu/avaxhome/d6/11/001811d6_medium.jpeg)
![Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]]()
Horizontal thick line = 5 khz; thin line = 1 Khz
Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]
![Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]](https://pixhost.icu/avaxhome/d6/11/001811d6.jpeg)
Horizontal thick line = 5 khz; thin line = 1 Khz
![Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]](https://pixhost.icu/avaxhome/d7/11/001811d7_medium.jpeg)
Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]
![Tom Waits - Blue Valentine (1978) [2010, Japan mini LP, WPCR-13779]](https://pixhost.icu/avaxhome/d7/11/001811d7.jpeg)
Download Tom Waits - Blue Valentine (1978):
FileSonic: Flac | MP3 | Scans(Tiff) - Part1 | Scans(Tiff) - Part2 | Scans(Tiff) - Part3
FileServe: Flac | MP3 | Scans(Tiff) - Part1 | Scans(Tiff) - Part2 | Scans(Tiff) - Part3
Uploaded: Flac | MP3 | Scans(Tiff) - Part1 | Scans(Tiff) - Part2 | Scans(Tiff) - Part3
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