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    The Prestige Jazz Quartet - The Prestige Jazz Quartet (1957) [Reissue 2000]

    Posted By: gribovar
    The Prestige Jazz Quartet - The Prestige Jazz Quartet (1957) [Reissue 2000]

    The Prestige Jazz Quartet - The Prestige Jazz Quartet (1957) [Reissue 2000]
    EAC Rip | FLAC (tracks+.cue+log) - 248 MB | MP3 CBR 320 kbps (LAME 3.93) - 102 MB | Covers (13 MB) included
    Genre: Jazz, Cool Jazz | RAR 3% Rec. | Label: OJC/Prestige Records (OJCCD-1937-2 (P-7108))

    This debut album by the unfortunately short-lived Prestige Jazz Quartet was a seeming "answer" to the Modern Jazz Quartet. Indeed, even in the original liner notes the comparison gets made - rather sarcastically - by Ira Gitler that while the players in the PJQ are as influenced by classical music as the MJQ, they are interested "in the more contemporary developments…with more regard to devices and spirit than actual form." Sure, but what he is really saying is that these cats are pure jazz players who understand the understated dynamic of the MJQ and can make it just as seamless, just as smooth, just as adventurous, and still make it swing like hell. And they do. The four compositions here, one by Teddy Charles, two by Mal Waldron, and one by Thelonious Monk, are all extensions on jazz thought. One can hear the ideas of Miles Davis and Gil Evans in Charles' "Take Three Parts Jazz," with its mode changes and colorful dynamic range - which are all the greater for having only a quartet to execute them. Waldron - whose "Meta Waltz" and "Dear Elaine," with their odd meters and drastic melodic interventions (particularly on the waltz where he never breaks time signature but turns it inside out nonetheless) - may indeed have had ideas of the piano pieces of Webern in his head when he was composing, but it's more likely he was thinking of Art Tatum and Bud Powell. Even on the ballad, the band just steams with his chart; there is an Ellingtonian grace that refers not to form but texture and nuance, with each instrument written into the arrangement as a pillar without which the tune would fall apart. Waldron's pianissimo counterpoint solo in the middle section is stunning in its complexity and taste. The Monk tune, which closes the set, was solid proof that this was a solid jazz quartet from the very beginning. At the outset, Waldron and Charles play different parts of the melody simultanesouly, extending the original harmonic range of the cut by two, and then Waldron comps Charles through a knotty, intricately beautiful solo that slips into Waldron's own. Addison Farmer and Jerry Segal are a more-than-adequate support team in a band that is entirely a rhythm section. They provided the subtlety required for two giants like Charles and Waldron to do their thing. They hold up and extend the reach of each man as a player, particularly Farmer, who cuts through the melodies of these tunes like butter to create basslines that have a life of their own on the other side of harmony, while never losing site of his rhythmic responsibilities. This is as fine a jazz record as you are likely to come by from 1957 (and there were many great ones from that year); it's too bad the band didn't remain together longer to explore further the terrain mapped out on this debut.
    Tracklist:
    01. Take Three Parts Jazz
    02. Meta-Waltz
    03. Dear Elaine
    04. Friday The 13th

    Total time: 37:38

    Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

    EAC extraction logfile from 16. August 2009, 17:45

    Charles, Waldron, Segal, Farmer / The Prestige Jazz Quartet

    Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 102
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Installed external ASPI interface
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 320 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 14:23.20 | 0 | 64744
    2 | 14:23.20 | 5:28.70 | 64745 | 89414
    3 | 19:52.15 | 8:53.25 | 89415 | 129414
    4 | 28:45.40 | 8:53.12 | 129415 | 169401


    Track 1

    Filename D:\music\rip\Charles, Waldron, Segal, Farmer - The Prestige Jazz Quartet (1957) {Remaster, 2000, Fantasy OJCCD-1937-2}\01 - Take Three Parts Jazz.wav

    Pre-gap length 0:00:02.00

    Peak level 100.0 %
    Track quality 100.0 %
    Test CRC 77988758
    Copy CRC 77988758
    Cannot be verified as accurate (confidence 1) [61334BEC], AccurateRip returned [BF6A4C17]
    Copy OK

    Track 2

    Filename D:\music\rip\Charles, Waldron, Segal, Farmer - The Prestige Jazz Quartet (1957) {Remaster, 2000, Fantasy OJCCD-1937-2}\02 - Meta-Waltz.wav

    Pre-gap length 0:00:01.84

    Peak level 100.0 %
    Track quality 100.0 %
    Test CRC 3D8C56D8
    Copy CRC 3D8C56D8
    Cannot be verified as accurate (confidence 1) [23155D41], AccurateRip returned [A92B445C]
    Copy OK

    Track 3

    Filename D:\music\rip\Charles, Waldron, Segal, Farmer - The Prestige Jazz Quartet (1957) {Remaster, 2000, Fantasy OJCCD-1937-2}\03 - Dear Elaine.wav

    Pre-gap length 0:00:03.44

    Peak level 73.5 %
    Track quality 100.0 %
    Test CRC 1D162E47
    Copy CRC 1D162E47
    Cannot be verified as accurate (confidence 1) [5DC1868E], AccurateRip returned [084E0F71]
    Copy OK

    Track 4

    Filename D:\music\rip\Charles, Waldron, Segal, Farmer - The Prestige Jazz Quartet (1957) {Remaster, 2000, Fantasy OJCCD-1937-2}\04 - Friday The 13th.wav

    Pre-gap length 0:00:02.57

    Peak level 100.0 %
    Track quality 100.0 %
    Test CRC 8A8CFF39
    Copy CRC 8A8CFF39
    Cannot be verified as accurate (confidence 1) [93F235AE], AccurateRip returned [B74F8E52]
    Copy OK


    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    No errors occurred

    End of status report

    [CUETools log; Date: 02.10.2020 2:13:35; Version: 2.1.4]
    [CTDB TOCID: y96U5rWFftCt4q0ld1gMm7tAeRw-] found.
    Track | CTDB Status
    1 | (8/8) Accurately ripped
    2 | (8/8) Accurately ripped
    3 | (8/8) Accurately ripped
    4 | (8/8) Accurately ripped
    [AccurateRip ID: 0006e971-001ae466-3508d204] found.
    Track [ CRC | V2 ] Status
    01 [61334bec|c9f9e4ae] (2+0/4) Accurately ripped
    02 [23155d41|b7512208] (2+0/4) Accurately ripped
    03 [5dc1868e|069866e6] (2+0/4) Accurately ripped
    04 [93f235ae|2256833f] (2+0/4) Accurately ripped
    Offsetted by 659:
    01 [bf6a4c17] (2/4) Accurately ripped
    02 [a92b445c] (2/4) Accurately ripped
    03 [084e0f71] (2/4) Accurately ripped
    04 [62a7f159] (0/4) No match (V2 was not tested)

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 100,0 [21896E44] [69287218]
    01 100,0 [77988758] [4376FEE7] CRC32
    02 100,0 [3D8C56D8] [8F0AC02F] CRC32
    03 73,5 [1D162E47] [5933723B] CRC32
    04 100,0 [8A8CFF39] [E84455D2] CRC32

    Thanks to Musicgate