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    The Who - Endless Wire (2006) {Special Limited Edition}

    Posted By: popsakov
    The Who - Endless Wire (2006) {Special Limited Edition}

    The Who - Endless Wire (2006) {Special Limited Edition}
    2CD | EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 736 Mb | MP3 CBR320 ~ 247 Mb
    Full Scans ~ 283 Mb | 00:58:57 + 00:43:25 | RAR 5% Recovery
    Progressive Rock, Hard Rock, Classic Rock | Universal Republic Records #B0007967-10

    The Who retired following their 1982 farewell tour but like Frank Sinatra's frequent retreats from the stage, it was not a permanent goodbye. Seven years later, the band – Pete Townshend, Roger Daltrey and John Entwistle; that is, Keith Moon's replacement Kenny Jones wasn't invited back – embarked on a reunion tour, and ever since then the band was a going concern. Perhaps not really active – they did not tour on a regular basis, they did not record outside of a version of "Saturday Night's Alright for Fighting" for the 1991 Elton John and Bernie Taupin tribute album Two Rooms – but they were always around, playing tribute gigs and reviving old projects, such as a mid-'90s stab at Quadrophenia, before truly reuniting as an active touring band after the turn of the century. Just as they were reaching cruising altitude in 2002, bad luck and tragedy intervened, as Entwistle died from a heart attack on the eve of a summer tour, leaving Townshend and Daltrey the only surviving original members. Their decision to continue performing as the Who rankled some longtime fans – many of whom thought they should have packed it in after Moon's death in 1978 – but the ensuing tours helped them work through their grief, not only over Entwistle's death but during the fallout surrounding Pete Townshend's arrest for accessing child porn on the internet. Townshend was cleared of all charges, and throughout the turmoil of the scandal he had no stronger defender than Daltrey. According to several interviews with both men, the process brought them closer together and they began seriously talking about recording a new Who studio album – something that had not happened since It's Hard in 1982. They tentatively dipped their toes in the water with a couple of strong new songs on the 2004 hits comp Then and Now, and two years later, they followed through with the long-promised, long-awaited Endless Wire.

    Opening with a synth riff that strongly recalls, if not directly quotes, the famed loop underpinning "Baba O'Reilly," Endless Wire often hearkens back to previous Who albums in its themes, structure, and sound. The "Baba O'Reilly" riff pops up in "Fragments," the pummeling triplets of "The Punk Meets the Godfather" resurface in "Mike Post Theme." Like The Who by Numbers, it has its fair share of stark acoustic introspection. Like The Who Sell Out and A Quick One, it closes with a mini-rock opera, this one called "Wire & Glass." This closing suite also shares a lineage with Townshend's 1993 solo album Psychoderelict, a record that's not well loved but one that is connected thematically to Lifehouse Chronicles, his often-muddled yet often-intriguing futuristic rock opera that seemed to suggest portions of a technologically saturated internet age. Such ideas bubble up throughout Endless Wire and not just on "Wire & Glass," yet that opera specifically shares a character with Psychoderelict in Ray High, a rock star who was the central figure in that 1993 opus and functions as a semi-autobiographical distancing device for Townshend, particularly on this record where the narrative ebbs and flows and sometimes disappears completely. Since the whole of Townshend's rock operas always were overshadowed by the strength of their individual parts – musically and emotionally, "Pinball Wizard," "Bargain," "Behind Blue Eyes," "The Real Me" and "Love Reign O'er Me" carried as great a weight, if not greater, on their own as they did as part of a larger theme – this is not unusual or unwelcome, because the focus turns away from the specifics of the narrative and to the merits of the songs and the Who's performances, and how they connect at a gut level.

    And, like much of the best of the Who's work, the best of Endless Wire does indeed connect at a gut level, even if it's in a considerably different way than it was in the past: instead of being visceral and immediate, this is music carries a slow burn. This is partially because they are no longer driven by Moon and Entwistle, but quite frankly, this most manic of rhythm sections never really anchored the Who; Townshend always did with his furious windmills and propulsive rhythms, and there was never any question that this, along with his songs, formed the complex, contradictory heart of the Who, while Daltrey gave the songs both muscle and a commonality, undercutting Townshend's pretensions – or giving him a voice behind which to hide, a voice to act out his best and worst impulses. After all the upheaval of the first part of the 2000s, Townshend needed to have Daltrey interpret his songs, which do confront many tough emotions and questions regarding faith, mortality and persecution, albeit often in oblique ways. For a writer as obsessed with concepts and fictionalized autobiography as Townshend, obliqueness serves him well, and often turns out to be more revealing than blunt confessionals, as is the case with "A Man in a Purple Dress," a searing, bitter, anti-religion folk tune reportedly inspired by a viewing of The Passion of the Christ but unmistakably bearing echoes of Townshend's treatment in the tabloids during his 2003 scandal. Townshend does not sing this tune, Daltrey does, and it's an angry performance that leans heavily on his blunt force, but also reveals a new subtlety that serves him very well throughout Endless Wire. Instead of powering through the songs as he could tend to do in the past, Daltrey is truly interpreting Townshend's songs here, giving them nuanced, textured readings that cut close to the emotional quick of the tunes. His voice may have lost some of its range and power over the years, but Daltrey has developed into a better singer, and he helps ground Endless Wire, which doesn't meander so much as it overreaches, a trend not uncommon to either the Who or Townshend. Even the best Who albums had a tendency to not quite follow through on their concepts – the mock pirate-radio broadcast of The Who Sell Out is abandoned on the second side, Who's Next was pulled together from the flailing Lifehouse – but even so they were nevertheless triumphs given the sheer power of the band, or Townshend's writing. Here, the band is indeed changed, and while they have top-notch professional support from drummer Zak Starkey and bassist Pino Palladino, they do not sound like a session band: they sound like the Who, only older, with their boundless energy replaced by a bittersweet melancholy undercurrent. It's a sound that fits Townshend's new songs, alternately sweetly sad, bitterly reflective and, despite it all, cautiously optimistic. Unlike the fussy theatricality of The Iron Man or the impenetrable mess that was Psychoderelict – or any Townshend project since It's Hard, really – Endless Wire is not a slave to its concept; the songs fuel the album instead of the other way around. Even when it goes off the tracks – and it does, most grandly on the bizarre "In the Ether," where Townshend affects Tom Waits' patented growl – it feels as if it was written from the heart, which is why it's always appealing even though it feels curiously disjointed, with the The Who by Numbers-styled first half not quite synching up with the mini-opera that dominates the second side. It may not add up to a totally satisfying whole, yet within both halves of Endless Wire there is much to treasure: on the first half, there's the incendiary "A Man in a Purple Dress," the powerful yet understated "Mike Post Theme," the delicate "God Speaks of Marty Robbins," a surging rocker in "It's Not Enough" (whose lyrics are riddled with the self-doubt of Empty Glass) and the sweet song sketch "You Stand by Me"; on the second, there's the mini-opera of "Wire & Glass," a ten-song suite beginning with the rampaging "Sound Round" and closing with the haunting "Tea & Theatre," that manages to touch on every one of the band's strengths. Taken on its own, "Wire & Glass" does stand as the greatest Who music since Who Are You, so it's a bit hard not to wish that the entire album had its thematic cohesion, muscular melody, and sense of purpose, but if it meant losing the quite wonderful highlights of the first half, it may not have been worth it because they're not only strong songs, they give this record its ragged heart. No, Endless Wire is not perfect – its parts don't quite fit together, and not all of the parts work on their own – but it is an endearingly human, impassioned work that more than justifies Townshend's and Daltrey's decision to continue working as the Who. Hopefully, it will lead to another record or two but if it doesn't, Endless Wire is certainly a better final Who album than It's Hard, which is quite an accomplishment after a quarter-century hiatus.

    ~ Stephen Thomas Erlewine, All Music

    ***************

    Track List CD1:

    Endless Wire
    01. Fragments [3:58]
    02. A Man in a Purple Dress [4:15]
    03. Mike Post Theme [4:28]
    04. In the Ether [3:36]
    05. Black Widow's Eyes [3:07]
    06. Two Thousand Years [2:51]
    07. God Speaks of Marty Robbins [3:27]
    08. It's Not Enough [4:03]
    09. You Stand by Me [1:36]

    Wire & Glass (A Mini-Opera)
    10. Sound Round [1:21]
    11. Pick Up the Peace [1:29]
    12. Unholy Trinity [2:08]
    13. Trilby's Piano [2:05]
    14. Endless Wire [1:52]
    15. Fragments of Fragments [2:23]
    16. We Got a Hit [1:18]
    17. They Made My Dream Come True [1:13]
    18. Mirror Door [4:14]
    19. Tea & Theatre [3:24]
    20. We Got a Hit (Extended Version) [3:05]
    21. Endless Wire (Extended Version) [3:05]

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 12. November 2018, 13:34

    The Who / Endless Wire: Main Album

    Used drive : ASUS BW-12D1S-U Adapter: 1 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%


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    2 | 3:57.51 | 4:14.72 | 17826 | 36947
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    12 | 34:10.40 | 2:07.51 | 153790 | 163365
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    16 | 42:38.15 | 1:18.05 | 191865 | 197719
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    18 | 45:09.22 | 4:14.00 | 203197 | 222246
    19 | 49:23.22 | 3:23.38 | 222247 | 237509
    20 | 52:46.60 | 3:04.68 | 237510 | 251377
    21 | 55:51.53 | 3:05.34 | 251378 | 265286


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    Track 4

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    Track 8

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    Track 9

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    Track 11

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    Track 14

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    Track 16

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    05 [94b87763] (054/451) Accurately ripped
    06 [a351d97b] (054/453) Accurately ripped
    07 [5b306e9d] (054/454) Accurately ripped
    08 [cd143886] (053/452) Accurately ripped
    09 [17e5ed80] (054/454) Accurately ripped
    10 [ce53147c] (054/453) Accurately ripped
    11 [4f32fa10] (054/453) Accurately ripped
    12 [f3ebc2c8] (054/452) Accurately ripped
    13 [b24ad9aa] (053/449) Accurately ripped
    14 [29452527] (054/450) Accurately ripped
    15 [8211683e] (054/449) Accurately ripped
    16 [af718d5f] (054/449) Accurately ripped
    17 [b910f87e] (054/450) Accurately ripped
    18 [f249c2fa] (054/448) Accurately ripped
    19 [9c1f2229] (053/443) Accurately ripped
    20 [a5c7defe] (052/447) Accurately ripped
    21 [0b86a714] (054/442) Accurately ripped
    Offsetted by -676:
    01 [cfc29961] (002/457) Accurately ripped
    02 [537298e7] (002/453) Accurately ripped
    03 [3d45f065] (002/454) Accurately ripped
    04 [aa076a7e] (002/452) Accurately ripped
    05 [0df67263] (002/451) Accurately ripped
    06 [0a6c9cab] (002/453) Accurately ripped
    07 [567d7a45] (002/454) Accurately ripped
    08 [2f73b08c] (002/452) Accurately ripped
    09 [23ff2578] (002/454) Accurately ripped
    10 [c7ac379c] (002/453) Accurately ripped
    11 [aee5f004] (002/453) Accurately ripped
    12 [67c2d827] (002/452) Accurately ripped
    13 [9a555af0] (002/449) Accurately ripped
    14 [eb7cfd61] (002/450) Accurately ripped
    15 [42bbdc9b] (002/449) Accurately ripped
    16 [07bfb7d3] (002/449) Accurately ripped
    17 [f7a29642] (002/450) Accurately ripped
    18 [64b10cab] (002/448) Accurately ripped
    19 [a0ee6cee] (002/443) Accurately ripped
    20 [61e87664] (002/447) Accurately ripped
    21 [c276fbb8] (002/442) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 100,0 [EA5FB92D] [E5C8E12D]
    01 98,9 [954C7134] [B7069059] CRC32
    02 93,3 [4F709B57] [22A4A0A6] CRC32
    03 98,9 [B873DA57] [02A5E95B] CRC32
    04 88,1 [69803151] [0342D726] CRC32
    05 98,9 [D54B0558] [821FF84D] CRC32
    06 98,9 [869E3549] [DE4A59BB] CRC32
    07 98,9 [AB06D91F] [C7AFB67D] CRC32
    08 98,9 [BB9098FD] [776A4475] CRC32
    09 98,9 [1FFF7C17] [22F833D1] CRC32
    10 98,9 [4E1ED08B] [02060C32] CRC32
    11 100,0 [98320359] [91D622E0] CRC32
    12 98,9 [ED3E0E9A] [DCDC2EED] CRC32
    13 98,8 [6E2759C9] [2C68A328] CRC32
    14 98,9 [102BB179] [11B8F20F] CRC32
    15 98,9 [682B5369] [3B0E1A2E] CRC32
    16 99,3 [60C8AC4B] [52F88632] CRC32
    17 100,0 [0EC92669] [5E3A195C] CRC32
    18 99,2 [332355EA] [6508CEFF] CRC32
    19 99,2 [F99949E5] [77B0E81A] CRC32
    20 100,0 [78FDB727] [E79B5706] CRC32
    21 100,0 [47B62AAA] [C4F93212] CRC32

    Track List CD2: The Who Live At Lyon

    01. The Seeker [2:38]
    02. Who Are You [6:59]
    03. Mike Post Theme [3:55]
    04. Relay [7:41]
    05. Greyhound Girl [3:05]
    06. Naked Eye [8:26]
    07. Won't Get Fooled Again [10:42]

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 12. November 2018, 14:03

    The Who / Endless Wire: Live at Lyon, Disc 2

    Used drive : ASUS BW-12D1S-U Adapter: 1 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:01.00 | 2:37.55 | 75 | 11904
    2 | 2:38.55 | 6:58.44 | 11905 | 43298
    3 | 9:37.24 | 3:55.35 | 43299 | 60958
    4 | 13:32.59 | 7:40.51 | 60959 | 95509
    5 | 21:13.35 | 3:04.54 | 95510 | 109363
    6 | 24:18.14 | 8:26.25 | 109364 | 147338
    7 | 32:44.39 | 10:41.64 | 147339 | 195477


    Track 1

    Filename E:\Torrents of Autumn\Who, the [2006] Endless Wire (Special Limited 2-CD + DVD Edition)\Disc Two~ Live at Lyon\01. The Seeker.wav

    Pre-gap length 0:00:03.00

    Peak level 100.0 %
    Extraction speed 4.5 X
    Track quality 100.0 %
    Test CRC 4DB19F6A
    Copy CRC 4DB19F6A
    Accurately ripped (confidence 35) [7C86602E] (AR v2)
    Copy OK

    Track 2

    Filename E:\Torrents of Autumn\Who, the [2006] Endless Wire (Special Limited 2-CD + DVD Edition)\Disc Two~ Live at Lyon\02. Who Are You.wav

    Peak level 100.0 %
    Extraction speed 5.7 X
    Track quality 100.0 %
    Test CRC ECBFF2A9
    Copy CRC ECBFF2A9
    Accurately ripped (confidence 35) [B0818EBC] (AR v2)
    Copy OK

    Track 3

    Filename E:\Torrents of Autumn\Who, the [2006] Endless Wire (Special Limited 2-CD + DVD Edition)\Disc Two~ Live at Lyon\03. Mike Post Theme.wav

    Peak level 100.0 %
    Extraction speed 5.9 X
    Track quality 100.0 %
    Test CRC 64E8E021
    Copy CRC 64E8E021
    Accurately ripped (confidence 35) [F02E640F] (AR v2)
    Copy OK

    Track 4

    Filename E:\Torrents of Autumn\Who, the [2006] Endless Wire (Special Limited 2-CD + DVD Edition)\Disc Two~ Live at Lyon\04. Relay.wav

    Peak level 100.0 %
    Extraction speed 6.8 X
    Track quality 100.0 %
    Test CRC DE734337
    Copy CRC DE734337
    Accurately ripped (confidence 35) [A180C8F4] (AR v2)
    Copy OK

    Track 5

    Filename E:\Torrents of Autumn\Who, the [2006] Endless Wire (Special Limited 2-CD + DVD Edition)\Disc Two~ Live at Lyon\05. Greyhound Girl.wav

    Peak level 100.0 %
    Extraction speed 6.5 X
    Track quality 100.0 %
    Test CRC 44A4876B
    Copy CRC 44A4876B
    Accurately ripped (confidence 35) [5EA58D8A] (AR v2)
    Copy OK

    Track 6

    Filename E:\Torrents of Autumn\Who, the [2006] Endless Wire (Special Limited 2-CD + DVD Edition)\Disc Two~ Live at Lyon\06. Naked Eye.wav

    Peak level 100.0 %
    Extraction speed 7.7 X
    Track quality 100.0 %
    Test CRC 7863D518
    Copy CRC 7863D518
    Accurately ripped (confidence 35) [517180A1] (AR v2)
    Copy OK

    Track 7

    Filename E:\Torrents of Autumn\Who, the [2006] Endless Wire (Special Limited 2-CD + DVD Edition)\Disc Two~ Live at Lyon\07. Won't Get Fooled Again.wav

    Peak level 100.0 %
    Extraction speed 8.4 X
    Track quality 100.0 %
    Test CRC 2DA710B5
    Copy CRC 2DA710B5
    Accurately ripped (confidence 35) [E125F34D] (AR v2)
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.6

    [CTDB TOCID: cYFkaRGRmQ.YKysafb4NdvS54k0-] found
    Submit result: cYFkaRGRmQ.YKysafb4NdvS54k0- has been confirmed
    Track | CTDB Status
    1 | (102/102) Accurately ripped
    2 | (101/102) Accurately ripped
    3 | (101/102) Accurately ripped
    4 | (101/102) Accurately ripped
    5 | (102/102) Accurately ripped
    6 | (102/102) Accurately ripped
    7 | (102/102) Accurately ripped


    ==== Log checksum 8EF4C295CF03F53420DD1EFC8FE70A4CCF47953BB6774AF16CE08AF257C82E3B ====

    [CUETools log; Date: 14.11.2018 18:20:34; Version: 2.1.6]
    Pregap length 00:01:00.
    [CTDB TOCID: cYFkaRGRmQ.YKysafb4NdvS54k0-] found.
    Track | CTDB Status
    1 | (104/104) Accurately ripped
    2 | (103/104) Accurately ripped
    3 | (103/104) Accurately ripped
    4 | (103/104) Accurately ripped
    5 | (104/104) Accurately ripped
    6 | (104/104) Accurately ripped
    7 | (104/104) Accurately ripped
    [AccurateRip ID: 000a2179-003ef755-5c0a2d07] found.
    Track [ CRC | V2 ] Status
    01 [91dd5f1a|7c86602e] (038+037/155) Accurately ripped
    02 [572cf505|b0818ebc] (038+037/155) Accurately ripped
    03 [f4a60e4e|f02e640f] (038+037/153) Accurately ripped
    04 [b8ad372a|a180c8f4] (038+037/155) Accurately ripped
    05 [831e97f5|5ea58d8a] (038+037/154) Accurately ripped
    06 [c1d79fa4|517180a1] (038+037/155) Accurately ripped
    07 [d6105f58|e125f34d] (038+037/154) Accurately ripped
    Offsetted by -646:
    01 [7c35d55a] (036/155) Accurately ripped
    02 [ad6543d1] (036/155) Accurately ripped
    03 [a1c7ddc1] (036/153) Accurately ripped
    04 [8a5e78cf] (036/155) Accurately ripped
    05 [dbb833b5] (036/154) Accurately ripped
    06 [bbc6855c] (036/155) Accurately ripped
    07 [59508536] (035/154) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 100,0 [535ADD92] [738A5322]
    01 100,0 [4DB19F6A] [C09F682C] CRC32
    02 100,0 [ECBFF2A9] [BB3BEF68] CRC32
    03 100,0 [64E8E021] [92CEBF72] CRC32
    04 100,0 [DE734337] [0078B733] CRC32
    05 100,0 [44A4876B] [2815B078] CRC32
    06 100,0 [7863D518] [D17095EF] CRC32
    07 100,0 [2DA710B5] [FB76CBB8] CRC32

    Personnel:
    Roger Daltrey – lead vocals
    Pete Townshend – guitars, vocals, bass, drums, piano, keyboards, violin, banjo, mandolin, drum machine

    Additional musicians:
    Lawrence Ball – electronic music on "Fragments"
    Ellen Blair – viola on "Trilby's Piano"
    John "Rabbit" Bundrick – Hammond organ, backing vocals
    Jolyon Dixon – acoustic guitar on "It's Not Enough"
    Rachel Fuller – keyboards on "It's Not Enough", orchestration supervisor on "Trilby's Piano"
    Peter Huntington – drums
    Gill Morley – violin on "Trilby's Piano"
    Vicky Matthews – cello on "Trilby's Piano"
    Billy Nicholls – backing vocals
    Pino Palladino – bass guitar
    Stuart Ross – bass guitar on "It's Not Enough"
    Zak Starkey – drums on "Black Widow's Eyes"
    Simon Townshend – backing vocals
    Brian Wright – violin on "Trilby's Piano"

    The Who - Endless Wire (2006) {Special Limited Edition}


    All thanks go to DoobieBro

    >>> The Who in my Blog <<<

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