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    Rick Wilkins, Ken Wannberg, Howard Blake - The Changeling: Original Motion Picture Soundtrack (1980) 2CD Deluxe Edition 2007

    Posted By: Efgrapha
    Rick Wilkins, Ken Wannberg, Howard Blake - The Changeling: Original Motion Picture Soundtrack (1980) 2CD Deluxe Edition 2007

    Rick Wilkins, Ken Wannberg, Howard Blake - The Changeling (1980)
    Original Motion Picture Soundtrack, 2CDs Deluxe Limited Edition 2007

    EAC | FLAC (Image) + cue.+log ~ 422 Mb | Mp3, CBR320 kbps ~ 191 Mb | Scans ~ 31 Mb
    Soundtrack, Score, Modern Classical | Label: Percepto | # PERCEPTO-006XE | 01:23:50

    Reissued by popular demand, Percepto Records proudly presents the deluxe upgraded edition of The Changeling, the chilling horror masterpiece from 1980 starring George C. Scott as a tormented widower who encounters the vengeful spirit of a murdered boy after he moves into a secluded Gothic mansion following the death of his wife and daughter.

    This special reissue showcases the haunting efforts of the film’s three notable composers — Rick Wilkins, Ken Wannberg and Howard Blake, who teamed up to deliver one of the genre’s most elegant and effective scores.

    Newly remastered by James Nelson at Digital Outland, this enhanced release contains every note of music recorded for the film now spread over two CD’s, with the complete score presented in show order on Disc One, plus a diverse series of alternate takes, unused tracks and source cues on Disc Two.

    As an added bonus, the newly redesigned 24-page booklet features a candid look at the film’s colorful production history by noted film journalist and screenwriter James Cole, including lively reminisces from director Peter Medak, plus the original music notes by historian Randall Larson. The booklet also contains more never-before-published photos and a spectacular gallery of movie poster art from the film’s many theatrical releases around the globe.

    With this deluxe reissue, The Changeling officially takes its place as the soundtrack that refuses to die. Unlike numerous horror scores from the same era, this revered classic has grown in popularity over the years, discovered by new generations while continuing to be revered by those who tapped into its capacity to incite goosebumps more than 25 years ago.

    The history behind the original score composed for The Changeling may be one of the most interesting and complex stories to be found in the history of film music. Without divulging the convoluted story behind the creation of this score, which is well covered in the liner notes by Randall Larson, I will just say that it is possible for a film score to be penned by several composers, and yet keep a cohesive flow, and stand alone as a singular work.

    Peter Medak's film has been a long favorite of horror fans, and it is a treat to evaluate the score as a separate entity after almost twenty years. The film is a study in subtlety, evoking chills through suggestion, rather than extreme visuals. Also contributing to the scares are strong performances by George C. Scott, his wife at the time Trish Van Devere, some wonderful claustrophobic cinematography by John Coquillon, and a memorable haunted house designed by Reuben Freed. It is difficult, even after reading Larson's notes, to tell exactly who contributed which cues specifically, yet it seems as if much of the score does fall to Ken Wannberg. The opening titles offer a sad and eerie theme with hesitant piano tones, backed by strings and harp. Much of the score relies on these two pieces of the orchestra, although later material will feature processed chorus, percussion, horns, giving the score a more diabolical edge. Even the requisite pastoral scene "Country Ride" is chilling, using piano arpeggios against a solo cello. The score closes with a grand string elegy, worthy of, and very slightly reminiscent of John Williams (Ken Wannberg is Williams' longtime music editor), finishing out the score in operatic fashion. It is important to note how much this film relies on music, both in its storyline, and the fact there are numerous scenes that rely solely on music and sound effects for the desired result.

    In keeping with other scores of the ghostly genre, The Changeling has strong and memorable themes, notably a music box theme composed by Howard Blake, heard alternately on celesta and in a full bodied-romantic piano rendition. Currently, the music box theme has become something of a cliché in horror films, yet at the time of this score this was not so. The music box also figures into the plot as a prop, and since the film's main protagonist is a child, the theme does comment perfectly on the film, and is not simply dropped in to add a scary element. The score is constantly in a state of unease, and there are no full-blown symphonic love themes to be heard. Even the action cues heard late in the album are consistently grounded with rumbling strings creating suspense. Other effects the composers incorporate to create chills are a processed choral sound, and a wind machine which never fails to evoke goose bumps. The album closes with four bonus cues, the best of these being a full orchestral arrangement of the music box theme, something that is not heard in the film at all. The film version of the end title opens with the music box theme, before returning to more the more tragic theme. The alternate, while lovely on this album, would have been completely at odds with the end of the film, sounding too playful.

    Highly recommended, and while the album may be a little long, this is one score worth preserving. The sound is quite good for a score that is beginning to age, with no inherent flaws, and only a small amount of hiss. The National Philharmonic plays up to their usual high standards, giving the string section a nice showcase, while leaving the brass (save for horns) at home. As previously mentioned, the liner notes are terrific, and include behind the scenes stills from the film, as well as a complimentary note from Alejandro Amenabar, director of The Others and a big fan of this film. The only complaint would be that I wish there was more information on exactly who composed which cues, and the history of the four bonus cues that close the album. This 1,000 copy limited edition will surely be hard to come by in the future.

    Review by Soundtrack.Net Staff

    Rick Wilkins, Ken Wannberg, Howard Blake - The Changeling: Original Motion Picture Soundtrack (1980) 2CD Deluxe Edition 2007


    ~ Film at IMDB
    ~ Film at Wiki

    Tracklist:

    CD1 (01:05:43):

    01. Main Titles (2:33)
    02. Arrival At The House (1:49)
    03. Piano Source #1 (1:10)
    04. Piano Source #2 (0:12)
    05. First Chill (1:33)
    06. The Door Opens (0:20)
    07. Music Box Theme For Piano (2:07)
    08. Country Ride (1:06)
    09. Bathtub Reflections (3:05)
    10. Finding The Secret Door (3:34)
    11. Up Into The Attic (2:48)
    12. Music Box Theme (1:47)
    13. The Wheelchair (0:25)
    14. Microfilm / Cemetary (1:29)
    15. Ball Over The Bridge / It's Back! (3:17)
    16. Seance / Talk To Us! (7:15)
    17. Murder Flashback (3:40)
    18. Wheelchair / Carmichael Tower (1:00)
    19. Carmichael Reflects (0:33)
    20. House On The Lake (1:55)
    21. Breaking Into The House (0:54)
    22. Face On The Bedroom Floor (2:01)
    23. The Chain Appears (3:48)
    24. All The Doors Shut (1:12)
    25. Mirror, Mirror (1:13)
    26. Russell Goes To See Carmichael (2:01)
    27. The Attic Calls Clair (3:54)
    28. Finale / Resolution (5:55)
    29. Music Box / End Credits (3:09)


    CD2 (00:18:07)

    01. The Seance (Alternate) (7:11)
    02. Carmichael's Demise (Unused) (3:46)
    03. Alternate End Title (2:33)
    04. Unknown Cue (1:50)
    05. Unused String Quartet #1 (0:47)
    06. Unused String Quartet #2 (1:16)
    07. Solo Celeste (0:45)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 13. October 2013, 13:33

    Rick Wilkins, Kenneth Wannberg & Howard Blake / The Changeling (Disc 1)

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    ==== Log checksum 1FBDB1C24D725051ED4E0F2F88EF483C088792483DB74C7965F5E3A5EDB8097F ====

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    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2018-07-29 22:21:18

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Rick Wilkins, Kenneth Wannberg & Howard Blake / The Changeling (Disc 1)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR10 -0.83 dB -16.08 dB 2:33 01-Main Titles
    DR11 -2.21 dB -16.41 dB 1:49 02-Arrival At The House
    DR12 -6.33 dB -22.58 dB 1:10 03-Piano Source #1
    DR12 -1.52 dB -18.39 dB 0:12 04-Piano Source #2
    DR11 -0.96 dB -16.60 dB 1:33 05-First Chill
    DR9 -9.30 dB -27.28 dB 0:20 06-The Door Opens
    DR12 -2.72 dB -18.87 dB 2:07 07-Music Box Theme For Piano
    DR9 -1.08 dB -14.13 dB 1:06 08-Country Ride
    DR13 -0.51 dB -17.90 dB 3:05 09-Bathtub Reflections
    DR11 -1.18 dB -16.23 dB 3:34 10-Finding The Secret Door
    DR14 -1.24 dB -20.64 dB 2:48 11-Up Into The Attic
    DR12 -3.03 dB -20.16 dB 1:47 12-Music Box Theme
    DR13 -2.16 dB -24.78 dB 0:25 13-The Wheelchair
    DR10 -3.37 dB -17.73 dB 1:29 14-Microfilm / Cemetary
    DR10 -0.06 dB -15.70 dB 3:17 15-Ball Over The Bridge / It's Back!
    DR11 -0.30 dB -17.19 dB 7:15 16-Seance / Talk To Us!
    DR11 -0.89 dB -17.11 dB 3:40 17-Murder Flashback
    DR10 -0.05 dB -17.47 dB 1:00 18-Wheelchair / Carmichael Tower
    DR9 -7.33 dB -22.70 dB 0:33 19-Carmichael Reflects
    DR12 -1.78 dB -20.47 dB 1:55 20-House On The Lake
    DR10 -2.43 dB -18.77 dB 0:54 21-Breaking Into The House
    DR11 -0.81 dB -16.94 dB 2:01 22-Face On The Bedroom Floor
    DR11 -0.51 dB -16.74 dB 3:48 23-The Chain Appears
    DR11 -0.47 dB -16.00 dB 1:12 24-All The Doors Shut
    DR9 -0.22 dB -14.03 dB 1:13 25-Mirror, Mirror
    DR15 -0.83 dB -22.34 dB 2:01 26-Russell Goes To See Carmichael
    DR9 -0.10 dB -13.84 dB 3:54 27-The Attic Calls Clair
    DR8 -0.10 dB -11.27 dB 5:55 28-Finale / Resolution
    DR10 -1.38 dB -14.88 dB 3:09 29-Music Box / End Credits
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 29
    Official DR value: DR11

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 705 kbps
    Codec: FLAC
    ================================================================================


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 13. October 2013, 13:50

    Rick Wilkins, Kenneth Wannberg & Howard Blake / The Changeling (Disc 2)

    Used drive : TSSTcorpCDDVDW SH-S202H Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : Internal WAV Routines
    Sample format : 44.100 Hz; 16 Bit; Stereo


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 7:11.37 | 0 | 32361
    2 | 7:11.37 | 3:45.56 | 32362 | 49292
    3 | 10:57.18 | 2:33.07 | 49293 | 60774
    4 | 13:30.25 | 1:49.39 | 60775 | 68988
    5 | 15:19.64 | 0:46.53 | 68989 | 72491
    6 | 16:06.42 | 1:15.71 | 72492 | 78187
    7 | 17:22.38 | 0:44.38 | 78188 | 81525


    Range status and errors

    Selected range

    Filename D:\Rick Wilkins, Kenneth Wannberg & Howard Blake - The Changeling\Rick Wilkins, Kenneth Wannberg & Howard Blake - The Changeling (Disc 2).wav

    Peak level 96.9 %
    Extraction speed 2.4 X
    Range quality 100.0 %
    Test CRC D52697F6
    Copy CRC D52697F6
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 cannot be verified as accurate (confidence 4) [6AD31BFB], AccurateRip returned [D63F49A7] (AR v2)
    Track 2 cannot be verified as accurate (confidence 4) [DD3307B8], AccurateRip returned [86C8E6CB] (AR v2)
    Track 3 cannot be verified as accurate (confidence 4) [7E522747], AccurateRip returned [EA02AC04] (AR v2)
    Track 4 cannot be verified as accurate (confidence 4) [A5BA9D94], AccurateRip returned [2DABAD32] (AR v2)
    Track 5 cannot be verified as accurate (confidence 4) [D3835E01], AccurateRip returned [889E1F1B] (AR v2)
    Track 6 cannot be verified as accurate (confidence 4) [D9289E8D], AccurateRip returned [13F4F7AB] (AR v2)
    Track 7 cannot be verified as accurate (confidence 4) [2BE4AE27], AccurateRip returned [4B415283] (AR v2)

    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    End of status report

    ==== Log checksum 59944621C4197F58C54B8EA45F76D7DD5006BA95A8D9A2F220D90AFA3280D447 ====

    [CUETools log; Date: 29.07.2018 22:16:30; Version: 2.1.4]
    [CTDB TOCID: wCSHy1Z5gvinROXpGbZqgEK20Ow-] found.
    Track | CTDB Status
    1 | (7/7) Accurately ripped
    2 | (7/7) Accurately ripped
    3 | (7/7) Accurately ripped
    4 | (7/7) Accurately ripped
    5 | (7/7) Accurately ripped
    6 | (7/7) Accurately ripped
    7 | (7/7) Accurately ripped
    [AccurateRip ID: 0006c4e9-00252835-57043f07] found.
    Track [ CRC | V2 ] Status
    01 [3eed71b3|6ad31bfb] (0+0/8) No match
    02 [59de2353|dd3307b8] (0+0/8) No match
    03 [73ecebbc|7e522747] (0+0/8) No match
    04 [6c86f632|a5ba9d94] (0+0/8) No match
    05 [f8e39c37|d3835e01] (0+0/8) No match
    06 [2dd258f7|d9289e8d] (0+0/8) No match
    07 [292c1446|2be4ae27] (0+0/8) No match
    Offsetted by 36:
    01 [d63f49a7] (4/8) Accurately ripped
    02 [86c8e6cb] (4/8) Accurately ripped
    03 [ea02ac04] (4/8) Accurately ripped
    04 [2dabad32] (4/8) Accurately ripped
    05 [889e1f1b] (4/8) Accurately ripped
    06 [13f4f7ab] (4/8) Accurately ripped
    07 [4b415283] (4/8) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 96,9 [D52697F6] [341F3CAD] CRC32
    01 88,3 [A624DABF] [4869A815]
    02 96,9 [1C51C3D5] [8C9AAF5E]
    03 92,6 [54EEDB9F] [48C8A410]
    04 96,8 [6C0E99E0] [7B0B5235]
    05 53,3 [209745F7] [755EB8FE]
    06 64,2 [310C5BC0] [9619CC99]
    07 30,1 [9CB67D04] [DDCC55E2]

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2018-07-29 22:21:29

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Rick Wilkins, Kenneth Wannberg & Howard Blake / The Changeling (Disc 2)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 -1.07 dB -16.49 dB 7:11 01-The Seance (Alternate)
    DR11 -0.27 dB -15.36 dB 3:46 02-Carmichael's Demise (Unused)
    DR10 -0.67 dB -14.50 dB 2:33 03-Alternate End Title
    DR11 -0.28 dB -15.46 dB 1:50 04-Unknown Cue
    DR12 -5.45 dB -22.70 dB 0:47 05-Unused String Quartet #1
    DR14 -3.85 dB -21.86 dB 1:16 06-Unused String Quartet #2
    DR11 -10.42 dB -24.20 dB 0:45 07-Solo Celeste
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 7
    Official DR value: DR11

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 705 kbps
    Codec: FLAC
    ================================================================================

    Rick Wilkins, Ken Wannberg, Howard Blake - The Changeling: Original Motion Picture Soundtrack (1980) 2CD Deluxe Edition 2007

    Rick Wilkins, Ken Wannberg, Howard Blake - The Changeling: Original Motion Picture Soundtrack (1980) 2CD Deluxe Edition 2007

    All thanks to original uploader - Composer's fan

    More Movies & Soundtracks in Efgrapha Blog

    Film at AvaxHome: The Changeling (1980) DVD9