Tamás Pál, Salieri Chamber Orchestra - Domenico Cimarosa: Il Pittor Parigino (2002)
Tamás Pál, Salieri Chamber Orchestra - Domenico Cimarosa: Il Pittor Parigino (2002)
EAC | FLAC | Image (Cue & Log) ~ 645 Mb | Total time: 72:18+73:34 | Scans included
Classical | Label: Hungaroton | # HCD12972-73 | Recorded: 1988
EAC | FLAC | Image (Cue & Log) ~ 645 Mb | Total time: 72:18+73:34 | Scans included
Classical | Label: Hungaroton | # HCD12972-73 | Recorded: 1988
There are preciously no other recording of Cimarosa's 1781 premiered work Il Pittor Parigiano, so this 1986 Hungarotun recording is about the only performance put down in discography. A recording of the complete score, it is done exceedingly handsomely, with Tamas Pal and the Salieri Chamber Orchestra once again proving that one does not need to be playing period instruments to produce a winning performance. The work is among the finest of operas written by Cimarosa, written for two sopranos, two tenors and one bass. The cast is enthusiastic, though only Jozsef Gregor (Broccardo - tenor) and the underrated Gerard Garino (tenor), persuasive in all respects as the Cherubino-like painter de Cortignac, are above criticism.
Despite the success of his serious works, it would seem that Cimarosa was naturally more predisposed to the comic. The premiere in 1772 of his first commedia per musica, "Le stravaganze del conte" became the foundation of his fame. Influenced by the tradition of the commedia dell'arte, that was the first of a number of similar intermezzos and farsettas that he was to write throughout his career. Cimarosa's operas soon became popular in Rome, where his comic intermezzos were performed by a cast of five male singers at the Teatro Valle. Between 1778 and 1781 "Il ritorno di Don Calandrino", "L'italiana in Londra", "Le donne rivali" and, finally, "Il pittore parigino". The last piece was written for the carnival season of 1781 (just as Mozart's more ambitious "Idomeneo"); it was soon taken up in other Italian cities and in all the main European centres of Italian opera, including London, and was one of the several Cimarosa operas that Haydn gave at Esterhazy.
Performer:
Eurilla - Márta Szűcs
Cintia – Veronika Kicses
Monsieur de Crotignac - Gérard Garino
Baron Cricca - József Gregor
Broccardo – Martin Klietmann
Salieri Chamber Orchestra
Conductor - Tamás Pál
Track List:
CD1:
01. Sinfonia
02. Atto I. Scene 1. Introduzione: Ma tacete, ma sentite (Eurilla, Barone, Monsieur, Broccardo)
03. Scene 1. Recitativo: Dormir, corpo di Bacco! (Eurilla, Barone, Broccardo, Monsieur)
04. Scene 1. Cavatina: Vedrete un ciglio nero (Monsieur)
05. Scene 2-3. Recitativo: Questo signor pittore parigino (Barone, Eurilla)
06. Scene 4. Duetto: Dell'odiosa mai rivale (Cintia, Barone)
07. Scene 4-6. Recitativo: Zitto! Senza inquietarsi (Cintia, Barone)
08. Scene 6. Aria: La cara padroncina (Broccardo)
09. Scene 7. Recitativo: No, non sperate amor (Eurilla, Monsieur)
10. Scene 8. Aria: Lei comandi, Signorina (Barone)
11. Scene 9. Recitativo: Dunque non v'è rimedio (Monsieur, Eurilla)
12. Scene 9. Aria: Sul mio core invan presume (Eurilla)
13. Scene 10-11. Recitativo: Qui forse dovrò scriver (Barone, Broccardo)
14. Scene 12. Recitativo accompagnato: Si fingeva ch'io fossi (Cintia)
15. Scene 12-14. Recitativo: Ah, Madama, che fortuna (Monsieur)
16. Scene 14. Aria: Ahi, qual funesto gelo (Monsieur)
17. Scene 14. Recitativo: Vuò disfarmi di lui (Eurilla, Broccardo)
18. Last scene: Recitativo: Bravo! non si conosce (Barone, Monsieur)
19. Finale primo: Ah che a torto mi condanna (Monsieur, Barone, Broccardo, Cintia, Eurilla)
CD2:
01. Finale primo (conc.): Ve lo giuro, Madamina (Monsieur, Eurilla, Barone, Cintia, Broccardo)
02. Atto II. Scene 1-2. Recitativo: Cara, son qui/Sono in vostra disgrazia (Monsieur, Barone, Broccardo, Eurilla)
03. Scene 2. Cavatina: D'una donna qual io (Eurilla)
04. Scene 2-5. Recitativo: Voi la cagion siete/Eurilla m'amerebbe/Siete un portento/Dov'e il pittore?
05. Scene 5. Aria: Che gioia a possedere (Broccardo)
06. Scene 6. Recitativo: E' sempre intorno al piede (Barone, Monsieur)
07. Scene 6. Duetto: Presto finiamola (Monsieur, Barone)
08. Scene 7. Recitativo: Chi è di casa? (Cintia, Eurilla, Barone, Monsieur)
09. Scene 7. Aria: Quando è il giorno (Cintia)
10. Scene 8-9. Recitativo: E' menzogna, è impostura/Mademoiselle, addio (Eurilla, Barone, Broccardo, Monsieur)
11. Scene 9. Aria: Le dame parigine (Monsieur)
12. Scene 10. Recitativo: Oimé, presto, Broccardo! (Eurilla, Broccardo, Barone)
13. Scene 11-13. Recitativo: Vorrei parlargli/Si godi pure/Oh ciel, che sento mai? (Cintia, Broccardo, Eurilla, Barone)
14. Scene 13. Aria: Dove sei, bell'idol mio? (Eurilla)
15. Scene 13-14. Recitativo: Si trova qui a Lione/Io m'aspetto a momenti (Barone, Broccardo, Cintia)
16. Scene 14. Rec. accomp. ed Aria: Numi, numi bestiali (Barone)
17. Scene 15. Recitativo: Maledetto pittore! (Broccardo)
18. Scene 15. Rec. accomp. ed Duetto: Che vedo… è qui, Madama (Monsieur, Eurilla)
19. Scene 16. Recitativo: Eh che n'avrà di grazia (Broccardo, Cintia)
20. Finale secondo: Dev'esser lo sposo (Cintia, Broccardo, Eurilla, Monsieur, Barone)
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 14. February 2021, 17:03
Tamás Pál, Salieri Chamber Orchestra / Cimarosa - Il Pittor Parigino CD1
Used drive : HL-DT-STDVDRAM GH24NS95 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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==== Log checksum DF69B04DA975BAB556AA32992BB15F680121152965ABE48E6CFFF3999E064190 ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 14. February 2021, 18:06
Tamás Pál, Salieri Chamber Orchestra / Cimarosa - Il Pittor Parigino CD2
Used drive : HL-DT-STDVDRAM GH24NS95 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Peak level 98.7 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC 0E2A5758
Copy CRC 0E2A5758
Copy OK
No errors occurred
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–– CUETools DB Plugin V2.1.6
[CTDB TOCID: POHSJiuhfUOxM8RFDgH9hpIncEE-] found
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==== Log checksum 397E2D2AC4D2D0D485ED4D00EA6BBAC24B80B94329E137A317C3121D6A0905EB ====
Tamás Pál, Salieri Chamber Orchestra - Domenico Cimarosa: Il Pittor Parigino (2002)
