Eddie Hinton: Dear Y'all - The Songwriting Sessions - 1976 (2000)

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Eddie Hinton: Dear Y'all - The Songwriting Sessions - 1976 (2000)

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Eddie Hinton Biography: Guitarist, songwriter, and singer Eddie Hinton may be one of the great, unheralded white blues musicians of all time. Fortunately, fans can latch onto a few recordings on compact disc. Hinton died far too young at the age of 51 on July 28, 1995, yet his guitar playing can be heard all over famous recordings by famous people – hit records by Aretha Franklin, Wilson Pickett, Joe Tex, Solomon Burke, Percy Sledge, the Staple Singers, the Dells, Johnny Taylor, Elvis Presley, Boz Scaggs, Hour Glass, Otis Redding, and even reggae star Toots Hibbert of Toots & the Maytals.

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Eddie Hinton: Dear Y'all - The Songwriting Sessions - 1976 (2000)

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Hinton was a session guitarist non-pareil. After working with Southern bands like the Spooks and the Five Minutes, he played lead guitar for Muscle Shoals Sound rhythm section from 1967 to 1971. What most people didn't know at the time was that Hinton was also a talented singer, songwriter, arranger and producer in his own right. In the late '60s, Muscle Shoals was something of a hit factory for Atlantic Records recording artists, under the careful, patient tutelage of legendary producer Jerry Wexler. Hinton was just 22 when he was invited to the Shoals area by fellow songwriter and producer Martin Greene. The Hinton/Greene songwriting and producing team produced several country/soul hits, including "Cover Me," and "It's All Wrong But It's Alright" for Percy Sledge. Sadly, Hinton's 1978 critically hailed Capricorn Records debut, Very Extremely Dangerous, was released shortly before the Macon, Georgia-based label folded. In 1982, Jimmy Johnson of the Muscle Shoals rhythm section took Hinton into the studio to record a half-dozen songs for a new album, but that project was never released, and the blow to his ego, coupled with a divorce, sent Hinton into a personal tailspin. Changing musical trends brought popular tastes further away from blues and soul for a time in the '80s (until the rise of Stevie Ray Vaughan brought blues back into vogue) and Hinton was living on the streets in Decatur, Alabama when he ran into an old friend, John D. Wyker. Wyker and Hinton were friends in the University of Alabama's drum and bugle corps. Wyker saw to it that Hinton again had housing and a plan to record again. With the help of some friends, Owen Brown and Jeff Simpson, Wyker began recording Hinton at Birdland Recording Studio and the new songs were combined with the tunes recorded by Jimmy Johnson in 1982. The result was Letters from Mississippi, an album that sparked a career renaissance for Hinton. It wasn't long before Hinton was in demand across Europe, Alabama, and the rest of the south for his unique, soulful blues vocals and expert guitar technique. Wyker continued to serve as a musical guru for Hinton's career rebirth and brought the singer and guitarist to Rounder Records' Bullseye blues subsidiary. Cry & Moan and Very Blue Highway were the result. Hinton recovered his health and general well-being and moved back home to Birmingham to live with his mother, all the while writing refreshingly good original songs. He made a short tour of Italy before returning to Birdland Studios in early 1995 to record a new album. As he was putting finishing touches on the new batch of songs, he suffered a fatal heart attack. The results, Hard Luck Guy, were released on a revived Capricorn Records in late 1998, and the songs are some of the most soul-stirring, thoughtful, and well-recorded tracks ever put on an album by a white blues artist. Anyone who is a fan of Otis Redding or Al Green will latch onto these songs like a hummingbird to a magnolia blossom. Also worth seeking out are his two releases for Rounder, Cry & Moan, and Very Blue Highway, as well as his European-only release, Letters from Mississippi. To be sure, Hinton packed a lot of inspiring music into his 51 years by way of all the legendary sessions on which he played lead guitar at Muscle Shoals. His vocals were also singularly unique, firmly planted in the South and drenched with second-nature blues and soul feeling. Jerry Wexler's liner notes for Hinton's last release, Hard Luck Guy, (the title a nod to his prime influence, Otis Redding,) released on a revived Capricorn Records, are worth the price of the disc in and of themselves. Wexler says of Hinton in the liner notes: "He remains unique, a white boy who truly sang and played in the spirit of the great black soul artists he venerated. With Eddie it wasn't imitation; it was totally created, with a fire and fury that was as real as Otis Redding's and Wilson Pickett's." ~ Richard Skelly, All Music Guide

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Eddie Hinton: Dear Y'all - The Songwriting Sessions - 1976 (2000)

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Product Description: Dear Y'all is a wonderful collection of 19 tracks – yes, there is plenty of good music here folks – recorded as songwriting demos. The songs are all delivered by a voice that someone once called "the epitome of unbounded emotion." Take a little Delbert McClinton, add in a little James Brown, and kick it up to 11 – that was Eddie Hinton. On this album, we hear the original demos of songs he wrote for Percy Sledge ("Cover Me" and "It's All Wrong, But it's Alright"), Aretha Franklin ("Every Natural Thing"), and Bobby Womack ("Just a Little Bit Salty"). Of course, there is much more here than just the hits. The R&B gets down and dirty with "Build Your Own Fire," which opens the album, and there is an amazing rough take of "Every Natural Thing," a tune that would later be recorded by John Hammond and again by Aretha Franklin. There is a lone cover tune on the set, but it is a good one. A Hinton-ized acoustic rendition of Chuck Berry's "Brown Eyed Handsome Man." One of the most downright original tunes comes in the form of the title track. It has to be heard to be believed. And then there is the stellar "Dangerous Highway," a song which was never recorded on an album, but sounds like the best Top Ten soul song you have ever heard. All of this from a man who actually turned down the opportunity to join The Allman Brothers Band back when they were forming; a man who acted as lead guitarist for the famed Muscle Shoals Rhythm Section; a man who gave his all to his music, and it shows. This one is essential. Don't miss it.

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Eddie Hinton: Dear Y'all - The Songwriting Sessions - 1976 (2000)

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Review: One of Muscle Shoals unsung heros,exposed and naked, for the world to hear if they would only take the time to listen. Eddie Hinton represented everything sacred and holy to the Good Book of Southern R&B. A Native son of Alabama, Hinton was revered by all who were fortune enough to be touched by his musical magic. Hailed by music crtics and worshiped by the icons of the industry, Hinton never had the privilage of enjoying the success that evaded him throughout his lifetime. "Dear Ya'll" is a treasure of unreleased outtakes along with released material in the making. From the opening tracks of "Build Your Own Fire" with Eddie's count down intro (a one……two…..) you know immediatly your in the presence of a giant. "Dangerous Highway" would not be out of place on any Otis Redding offering while "Hymn for the Lonely Hearts" begs for a contemporary remake. The anthemic "Get off in it" is rendered in it's raw,beautiful naked beginings finally commited to vinyl on the CD "Very Extremely Dangerous" released by Capricorn records in 1978 but due to internal distribution problems sunk without a trace. If your one of those people who appreciate raw naked emotional musical landscapes, look no further then the offerings of Eddie Hinton. After all, it's about time the world woke up to one of it's musical masters in the art of "Soul" and to give Eddie the recognition that is long overdue. Thanks to Zane records in the U.K. for putting this gem out. Now if only the American record companies would take heed, follow the heart of what music is all about. ~ Amazon Customer

Note: Credit to the original uploader.

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Eddie Hinton: Dear Y'all - The Songwriting Sessions - 1976 (2000)

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Eddie Hinton: Dear Y'all - The Songwriting Sessions - 1976 (2000)

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